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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7678FB it is the complementary color #898704. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7678FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7678FB shade: #7B78F6, #8C8AFF, #9D9CFF, #AEAEFF and #BFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7678FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7678FB shade: #7678FB, #6566E8, #5454D5, #4342C2 and #3230AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7678FB shade: #7476FA, #9674FA, #BA74FA, #DF74FA and #FA74F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7678FB shade: #7476FA and #7474FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7678FB shade matches the following richer shades: #7476FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7678FB shade: #7476FA, #8081EF, #8B8CE3, #9798D8 and #A2A3CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7678FB shade: #74BEFA, #749AFA, #7476FA, #9674FA and #B974FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7678FB shade: #2427F8, #4C4FF9, #7476FA, #9C9DFB and #C4C5FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7678FB shade: #7678FB, #FA74E2 and #ACFA74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7678FB shade: #7678FB, #FA7476 and #76FA74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7678FB shade: #7678FB, #FA74E2, #FAF874 and #74FA8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7678FB shade: #7678FB, #FA74B9, #FAF874 and #74FAB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 52 / 0 / 2

HEX #7678FB

RGB 118 120 251

HSL 239.1, 0.94%, 0.72%

LAB 56.34, 34.58, -65.91

 

Complementary color

CMYK 0 / 1 / 97 / 46

HEX #898704

RGB 137 135 4

HSL 59.1, 0.94%, 0.28%

LAB 54.72, -12.44, 58.42

 

CMYK 50 / 51 / 0 / 4

HEX #7B78F6

RGB 123 120 246

HSL 241.43, 0.88%, 0.72%

LAB 56.38, 34.08, -63.05

 

CMYK 45 / 46 / 0 / 0

HEX #8C8AFF

RGB 140 138 255

HSL 241.03, 1%, 0.77%

LAB 62.48, 29.9, -58.17

 

CMYK 38 / 39 / 0 / 0

HEX #9D9CFF

RGB 157 156 255

HSL 240.61, 1%, 0.81%

LAB 68.14, 23.65, -49.12

 

CMYK 32 / 32 / 0 / 0

HEX #AEAEFF

RGB 174 174 255

HSL 240, 1%, 0.84%

LAB 73.86, 18.01, -40.06

 

CMYK 25 / 25 / 0 / 0

HEX #BFC0FF

RGB 191 192 255

HSL 239.06, 1%, 0.87%

LAB 79.61, 12.92, -31.06

 

CMYK 53 / 52 / 0 / 2

HEX #7678FB

RGB 118 120 251

HSL 239.1, 0.94%, 0.72%

LAB 56.34, 34.58, -65.91

 

CMYK 56 / 56 / 0 / 9

HEX #6566E8

RGB 101 102 232

HSL 239.54, 0.74%, 0.65%

LAB 49.61, 36.19, -66.24

 

CMYK 61 / 61 / 0 / 16

HEX #5454D5

RGB 84 84 213

HSL 240, 0.61%, 0.58%

LAB 42.81, 38.03, -66.55

 

CMYK 65 / 66 / 0 / 24

HEX #4342C2

RGB 67 66 194

HSL 240.47, 0.51%, 0.51%

LAB 35.95, 40.12, -66.79

 

CMYK 71 / 73 / 0 / 31

HEX #3230AF

RGB 50 48 175

HSL 240.94, 0.57%, 0.44%

LAB 29.13, 42.4, -66.81

 

CMYK 54 / 53 / 0 / 2

HEX #7476FA

RGB 116 118 250

HSL 239.1, 0.93%, 0.72%

LAB 55.66, 35.07, -66.46

 

CMYK 40 / 54 / 0 / 2

HEX #9674FA

RGB 150 116 250

HSL 255.22, 0.93%, 0.72%

LAB 57.92, 43.4, -62.68

 

CMYK 26 / 54 / 0 / 2

HEX #BA74FA

RGB 186 116 250

HSL 271.34, 0.93%, 0.72%

LAB 61.51, 51.97, -56.73

 

CMYK 11 / 54 / 0 / 2

HEX #DF74FA

RGB 223 116 250

HSL 287.91, 0.93%, 0.72%

LAB 65.81, 61.31, -49.63

 

CMYK 0 / 54 / 3 / 2

HEX #FA74F2

RGB 250 116 242

HSL 303.58, 0.93%, 0.72%

LAB 68.91, 66.91, -40.12

 

CMYK 54 / 53 / 0 / 2

HEX #7476FA

RGB 116 118 250

HSL 239.1, 0.93%, 0.72%

LAB 55.66, 35.07, -66.46

 

CMYK 54 / 54 / 0 / 2

HEX #7474FA

RGB 116 116 250

HSL 240, 0.93%, 0.72%

LAB 55.18, 36.26, -67.23

 

CMYK 54 / 53 / 0 / 2

HEX #7476FA

RGB 116 118 250

HSL 239.1, 0.93%, 0.72%

LAB 55.66, 35.07, -66.46

 

CMYK 54 / 53 / 0 / 2

HEX #7476FA

RGB 116 118 250

HSL 239.1, 0.93%, 0.72%

LAB 55.66, 35.07, -66.46

 

CMYK 46 / 46 / 0 / 6

HEX #8081EF

RGB 128 129 239

HSL 239.46, 0.78%, 0.72%

LAB 58.53, 27.79, -55.71

 

CMYK 39 / 38 / 0 / 11

HEX #8B8CE3

RGB 139 140 227

HSL 239.32, 0.61%, 0.72%

LAB 61.47, 20.62, -44.33

 

CMYK 30 / 30 / 0 / 15

HEX #9798D8

RGB 151 152 216

HSL 239.08, 0.45%, 0.72%

LAB 64.96, 14.09, -32.71

 

CMYK 21 / 20 / 0 / 20

HEX #A2A3CC

RGB 162 163 204

HSL 238.57, 0.29%, 0.72%

LAB 68.19, 8.31, -21.01

 

CMYK 54 / 24 / 0 / 2

HEX #74BEFA

RGB 116 190 250

HSL 206.87, 0.93%, 0.72%

LAB 74.47, -6.51, -36.68

 

CMYK 54 / 38 / 0 / 2

HEX #749AFA

RGB 116 154 250

HSL 222.99, 0.93%, 0.72%

LAB 64.74, 13.77, -51.93

 

CMYK 54 / 53 / 0 / 2

HEX #7476FA

RGB 116 118 250

HSL 239.1, 0.93%, 0.72%

LAB 55.66, 35.07, -66.46

 

CMYK 40 / 54 / 0 / 2

HEX #9674FA

RGB 150 116 250

HSL 255.22, 0.93%, 0.72%

LAB 57.92, 43.4, -62.68

 

CMYK 26 / 54 / 0 / 2

HEX #B974FA

RGB 185 116 250

HSL 270.9, 0.93%, 0.72%

LAB 61.4, 51.72, -56.91

 

CMYK 85 / 84 / 0 / 3

HEX #2427F8

RGB 36 39 248

HSL 239.15, 0.94%, 0.56%

LAB 35.21, 68.49, -99.06

 

CMYK 69 / 68 / 0 / 2

HEX #4C4FF9

RGB 76 79 249

HSL 238.96, 0.94%, 0.64%

LAB 44.19, 51.59, -84.7

 

CMYK 54 / 53 / 0 / 2

HEX #7476FA

RGB 116 118 250

HSL 239.1, 0.93%, 0.72%

LAB 55.66, 35.07, -66.46

 

CMYK 38 / 37 / 0 / 2

HEX #9C9DFB

RGB 156 157 251

HSL 239.37, 0.92%, 0.8%

LAB 68.13, 21.75, -46.96

 

CMYK 23 / 22 / 0 / 1

HEX #C4C5FD

RGB 196 197 253

HSL 238.95, 0.93%, 0.88%

LAB 81.16, 11.22, -27.59

 

CMYK 53 / 52 / 0 / 2

HEX #7678FB

RGB 118 120 251

HSL 239.1, 0.94%, 0.72%

LAB 56.34, 34.58, -65.91

 

CMYK 0 / 54 / 10 / 2

HEX #FA74E2

RGB 250 116 226

HSL 310.75, 0.93%, 0.72%

LAB 68.25, 64.35, -32.33

 

CMYK 31 / 0 / 54 / 2

HEX #ACFA74

RGB 172 250 116

HSL 94.93, 0.93%, 0.72%

LAB 90.96, -46.04, 56.05

 

CMYK 53 / 52 / 0 / 2

HEX #7678FB

RGB 118 120 251

HSL 239.1, 0.94%, 0.72%

LAB 56.34, 34.58, -65.91

 

CMYK 0 / 54 / 53 / 2

HEX #FA7476

RGB 250 116 118

HSL 359.1, 0.93%, 0.72%

LAB 65.06, 51.36, 23.94

 

CMYK 53 / 0 / 54 / 2

HEX #76FA74

RGB 118 250 116

HSL 119.1, 0.93%, 0.72%

LAB 88.68, -62.05, 52.78

 

CMYK 53 / 52 / 0 / 2

HEX #7678FB

RGB 118 120 251

HSL 239.1, 0.94%, 0.72%

LAB 56.34, 34.58, -65.91

 

CMYK 0 / 54 / 10 / 2

HEX #FA74E2

RGB 250 116 226

HSL 310.75, 0.93%, 0.72%

LAB 68.25, 64.35, -32.33

 

CMYK 0 / 1 / 54 / 2

HEX #FAF874

RGB 250 248 116

HSL 59.1, 0.93%, 0.72%

LAB 95.46, -16.07, 62.57

 

CMYK 54 / 0 / 44 / 2

HEX #74FA8D

RGB 116 250 141

HSL 131.19, 0.93%, 0.72%

LAB 88.93, -59.15, 41.28

 

CMYK 53 / 52 / 0 / 2

HEX #7678FB

RGB 118 120 251

HSL 239.1, 0.94%, 0.72%

LAB 56.34, 34.58, -65.91

 

CMYK 0 / 54 / 26 / 2

HEX #FA74B9

RGB 250 116 185

HSL 329.1, 0.93%, 0.72%

LAB 66.76, 58.47, -11.65

 

CMYK 0 / 1 / 54 / 2

HEX #FAF874

RGB 250 248 116

HSL 59.1, 0.93%, 0.72%

LAB 95.46, -16.07, 62.57

 

CMYK 54 / 0 / 28 / 2

HEX #74FAB5

RGB 116 250 181

HSL 149.1, 0.93%, 0.72%

LAB 89.59, -52.23, 22.14

 

Description

Color code: HEX #7678FB | qconv.com Color code: HEX #7678FB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 120 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 120 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 52 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 52% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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