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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7687AE it is the complementary color #897851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7687AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7687AE shade: #7B87A9, #8C99BC, #9DABCF, #AEBDE2 and #BFCFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7687AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7687AE shade: #7687AE, #65759B, #546388, #435175 and #323F62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7687AE shade: #7486AD, #7476AD, #8274AD, #9174AD and #A174AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7687AE shade: #7486AD, #7476AD and #7474AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7687AE shade matches the following richer shades: #7486AD, #637FBF, #5178D1, #3F71E3 and #2D6AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7687AE shade: #7486AD, #868D9C, #98948A, #AA9B78 and #BBA266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7687AE shade: #74A5AD, #7496AD, #7486AD, #7477AD and #8174AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7687AE shade: #4D5D83, #5C6F9D, #7486AD, #8E9CBD and #A8B3CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7687AE shade: #7687AE, #A774AD and #9DAD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7687AE shade: #7687AE, #AD7486 and #86AD74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7687AE shade: #7687AE, #A774AD, #AD9B74 and #7BAD74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7687AE shade: #7687AE, #AD74A3, #AD9B74 and #74AD7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 22 / 0 / 32

HEX #7687AE

RGB 118 135 174

HSL 221.79, 0.26%, 0.57%

LAB 56.32, 3.3, -22.57

 

Complementary color

CMYK 0 / 12 / 41 / 46

HEX #897851

RGB 137 120 81

HSL 41.79, 0.26%, 0.43%

LAB 51.09, 0.69, 23.83

 

CMYK 27 / 20 / 0 / 34

HEX #7B87A9

RGB 123 135 169

HSL 224.35, 0.21%, 0.57%

LAB 56.49, 3.55, -19.42

 

CMYK 26 / 19 / 0 / 26

HEX #8C99BC

RGB 140 153 188

HSL 223.75, 0.26%, 0.64%

LAB 63.33, 3.26, -19.65

 

CMYK 24 / 17 / 0 / 19

HEX #9DABCF

RGB 157 171 207

HSL 223.2, 0.34%, 0.71%

LAB 70.03, 3.01, -19.9

 

CMYK 23 / 16 / 0 / 11

HEX #AEBDE2

RGB 174 189 226

HSL 222.69, 0.47%, 0.78%

LAB 76.61, 2.78, -20.17

 

CMYK 22 / 16 / 0 / 4

HEX #BFCFF5

RGB 191 207 245

HSL 222.22, 0.73%, 0.85%

LAB 83.07, 2.56, -20.46

 

CMYK 32 / 22 / 0 / 32

HEX #7687AE

RGB 118 135 174

HSL 221.79, 0.26%, 0.57%

LAB 56.32, 3.3, -22.57

 

CMYK 35 / 25 / 0 / 39

HEX #65759B

RGB 101 117 155

HSL 222.22, 0.21%, 0.5%

LAB 49.32, 3.67, -22.43

 

CMYK 38 / 27 / 0 / 47

HEX #546388

RGB 84 99 136

HSL 222.69, 0.24%, 0.43%

LAB 42.13, 4.12, -22.34

 

CMYK 43 / 31 / 0 / 54

HEX #435175

RGB 67 81 117

HSL 223.2, 0.27%, 0.36%

LAB 34.73, 4.67, -22.3

 

CMYK 49 / 36 / 0 / 62

HEX #323F62

RGB 50 63 98

HSL 223.75, 0.32%, 0.29%

LAB 27.06, 5.39, -22.34

 

CMYK 33 / 23 / 0 / 32

HEX #7486AD

RGB 116 134 173

HSL 221.05, 0.26%, 0.57%

LAB 55.87, 3.02, -22.71

 

CMYK 33 / 32 / 0 / 32

HEX #7476AD

RGB 116 118 173

HSL 237.89, 0.26%, 0.57%

LAB 51.48, 12.47, -29.49

 

CMYK 25 / 33 / 0 / 32

HEX #8274AD

RGB 130 116 173

HSL 254.74, 0.26%, 0.57%

LAB 52.12, 17.92, -28.4

 

CMYK 16 / 33 / 0 / 32

HEX #9174AD

RGB 145 116 173

HSL 270.53, 0.26%, 0.57%

LAB 53.52, 22.67, -26.12

 

CMYK 7 / 33 / 0 / 32

HEX #A174AD

RGB 161 116 173

HSL 287.37, 0.26%, 0.57%

LAB 55.16, 27.88, -23.46

 

CMYK 33 / 23 / 0 / 32

HEX #7486AD

RGB 116 134 173

HSL 221.05, 0.26%, 0.57%

LAB 55.87, 3.02, -22.71

 

CMYK 33 / 32 / 0 / 32

HEX #7476AD

RGB 116 118 173

HSL 237.89, 0.26%, 0.57%

LAB 51.48, 12.47, -29.49

 

CMYK 33 / 33 / 0 / 32

HEX #7474AD

RGB 116 116 173

HSL 240, 0.26%, 0.57%

LAB 50.94, 13.67, -30.33

 

CMYK 33 / 23 / 0 / 32

HEX #7486AD

RGB 116 134 173

HSL 221.05, 0.26%, 0.57%

LAB 55.87, 3.02, -22.71

 

CMYK 48 / 34 / 0 / 25

HEX #637FBF

RGB 99 127 191

HSL 221.74, 0.42%, 0.57%

LAB 53.59, 7.67, -36.64

 

CMYK 61 / 43 / 0 / 18

HEX #5178D1

RGB 81 120 209

HSL 221.72, 0.58%, 0.57%

LAB 51.59, 13.86, -50.12

 

CMYK 72 / 50 / 0 / 11

HEX #3F71E3

RGB 63 113 227

HSL 221.71, 0.75%, 0.57%

LAB 49.99, 21.7, -62.91

 

CMYK 82 / 57 / 0 / 4

HEX #2D6AF4

RGB 45 106 244

HSL 221.61, 0.9%, 0.57%

LAB 48.76, 30.48, -74.47

 

CMYK 33 / 23 / 0 / 32

HEX #7486AD

RGB 116 134 173

HSL 221.05, 0.26%, 0.57%

LAB 55.87, 3.02, -22.71

 

CMYK 14 / 10 / 0 / 39

HEX #868D9C

RGB 134 141 156

HSL 220.91, 0.1%, 0.57%

LAB 58.53, 0.65, -8.82

 

CMYK 0 / 3 / 9 / 40

HEX #98948A

RGB 152 148 138

HSL 42.86, 0.06%, 0.57%

LAB 61.39, -0.37, 5.8

 

CMYK 0 / 9 / 29 / 33

HEX #AA9B78

RGB 170 155 120

HSL 42, 0.23%, 0.57%

LAB 64.44, -0.02, 20.38

 

CMYK 0 / 13 / 45 / 27

HEX #BBA266

RGB 187 162 102

HSL 42.35, 0.38%, 0.57%

LAB 67.55, 1, 34.5

 

CMYK 33 / 5 / 0 / 32

HEX #74A5AD

RGB 116 165 173

HSL 188.42, 0.26%, 0.57%

LAB 64.68, -14.26, -9.37

 

CMYK 33 / 13 / 0 / 32

HEX #7496AD

RGB 116 150 173

HSL 204.21, 0.26%, 0.57%

LAB 60.38, -6.09, -15.84

 

CMYK 33 / 23 / 0 / 32

HEX #7486AD

RGB 116 134 173

HSL 221.05, 0.26%, 0.57%

LAB 55.87, 3.02, -22.71

 

CMYK 33 / 31 / 0 / 32

HEX #7477AD

RGB 116 119 173

HSL 236.84, 0.26%, 0.57%

LAB 51.75, 11.87, -29.07

 

CMYK 25 / 33 / 0 / 32

HEX #8174AD

RGB 129 116 173

HSL 253.68, 0.26%, 0.57%

LAB 52.03, 17.61, -28.55

 

CMYK 41 / 29 / 0 / 49

HEX #4D5D83

RGB 77 93 131

HSL 222.22, 0.26%, 0.41%

LAB 39.66, 4.29, -23.19

 

CMYK 41 / 29 / 0 / 38

HEX #5C6F9D

RGB 92 111 157

HSL 222.46, 0.26%, 0.49%

LAB 47.08, 5.25, -27.13

 

CMYK 33 / 23 / 0 / 32

HEX #7486AD

RGB 116 134 173

HSL 221.05, 0.26%, 0.57%

LAB 55.87, 3.02, -22.71

 

CMYK 25 / 17 / 0 / 26

HEX #8E9CBD

RGB 142 156 189

HSL 222.13, 0.26%, 0.65%

LAB 64.32, 2.44, -18.69

 

CMYK 18 / 12 / 0 / 20

HEX #A8B3CC

RGB 168 179 204

HSL 221.67, 0.26%, 0.73%

LAB 72.84, 1.39, -13.94

 

CMYK 32 / 22 / 0 / 32

HEX #7687AE

RGB 118 135 174

HSL 221.79, 0.26%, 0.57%

LAB 56.32, 3.3, -22.57

 

CMYK 3 / 33 / 0 / 32

HEX #A774AD

RGB 167 116 173

HSL 293.68, 0.26%, 0.57%

LAB 55.81, 29.86, -22.41

 

CMYK 9 / 0 / 33 / 32

HEX #9DAD74

RGB 157 173 116

HSL 76.84, 0.26%, 0.57%

LAB 68.25, -15.32, 27.49

 

CMYK 32 / 22 / 0 / 32

HEX #7687AE

RGB 118 135 174

HSL 221.79, 0.26%, 0.57%

LAB 56.32, 3.3, -22.57

 

CMYK 0 / 33 / 23 / 32

HEX #AD7486

RGB 173 116 134

HSL 341.05, 0.26%, 0.57%

LAB 55.17, 25.05, -0.65

 

CMYK 23 / 0 / 33 / 32

HEX #86AD74

RGB 134 173 116

HSL 101.05, 0.26%, 0.57%

LAB 66.68, -24, 25.13

 

CMYK 32 / 22 / 0 / 32

HEX #7687AE

RGB 118 135 174

HSL 221.79, 0.26%, 0.57%

LAB 56.32, 3.3, -22.57

 

CMYK 3 / 33 / 0 / 32

HEX #A774AD

RGB 167 116 173

HSL 293.68, 0.26%, 0.57%

LAB 55.81, 29.86, -22.41

 

CMYK 0 / 10 / 33 / 32

HEX #AD9B74

RGB 173 155 116

HSL 41.05, 0.26%, 0.57%

LAB 64.63, 0.66, 22.9

 

CMYK 29 / 0 / 33 / 32

HEX #7BAD74

RGB 123 173 116

HSL 112.63, 0.26%, 0.57%

LAB 66.03, -27.89, 24.13

 

CMYK 32 / 22 / 0 / 32

HEX #7687AE

RGB 118 135 174

HSL 221.79, 0.26%, 0.57%

LAB 56.32, 3.3, -22.57

 

CMYK 0 / 33 / 6 / 32

HEX #AD74A3

RGB 173 116 163

HSL 310.53, 0.26%, 0.57%

LAB 56.11, 29.97, -16.12

 

CMYK 0 / 10 / 33 / 32

HEX #AD9B74

RGB 173 155 116

HSL 41.05, 0.26%, 0.57%

LAB 64.63, 0.66, 22.9

 

CMYK 33 / 0 / 27 / 32

HEX #74AD7F

RGB 116 173 127

HSL 131.58, 0.26%, 0.57%

LAB 65.85, -28.33, 17.86

 

Description

Color code: HEX #7687AE | qconv.com Color code: HEX #7687AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 135 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 135 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 22 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 22% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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