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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7687DF it is the complementary color #897820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7687DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7687DF shade: #7B87DA, #8C99ED, #9DABFF, #AEBDFF and #BFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7687DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7687DF shade: #7687DF, #6575CC, #5463B9, #4351A6 and #323F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7687DF shade: #7687DF, #8176DF, #9E76DF, #BA76DF and #D676DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7687DF shade: #7687DF and #7676DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7687DF shade matches the following richer shades: #7687DF, #697EEC and #5B75FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7687DF shade: #7687DF, #8490D1, #9199C3, #9FA3B6 and #ADACA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7687DF shade: #76BFDF, #76A3DF, #7688DF, #8176DF and #9C76DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7687DF shade: #334DCF, #556AD7, #7687DF, #98A4E6 and #B9C2EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7687DF shade: #7687DF, #DF76DB and #B1DF76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7687DF shade: #7687DF, #DF7688 and #88DF76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7687DF shade: #7687DF, #DF76DB, #DFCD76 and #76DF7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7687DF shade: #7687DF, #DF76BC, #DFCD76 and #76DF99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

Complementary color

CMYK 0 / 12 / 77 / 46

HEX #897820

RGB 137 120 32

HSL 50.29, 0.62%, 0.33%

LAB 50.52, -3.39, 47.68

 

CMYK 44 / 38 / 0 / 15

HEX #7B87DA

RGB 123 135 218

HSL 232.42, 0.56%, 0.67%

LAB 58.6, 16.92, -43.91

 

CMYK 41 / 35 / 0 / 7

HEX #8C99ED

RGB 140 153 237

HSL 231.96, 0.73%, 0.74%

LAB 65.34, 16.11, -43.78

 

CMYK 38 / 33 / 0 / 0

HEX #9DABFF

RGB 157 171 255

HSL 231.43, 1%, 0.81%

LAB 71.9, 15.14, -43.21

 

CMYK 32 / 26 / 0 / 0

HEX #AEBDFF

RGB 174 189 255

HSL 228.89, 1%, 0.84%

LAB 77.65, 9.71, -34.19

 

CMYK 25 / 19 / 0 / 0

HEX #BFCFFF

RGB 191 207 255

HSL 225, 1%, 0.87%

LAB 83.4, 4.82, -25.26

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 50 / 43 / 0 / 20

HEX #6575CC

RGB 101 117 204

HSL 230.68, 0.5%, 0.6%

LAB 51.67, 18.22, -47.09

 

CMYK 55 / 46 / 0 / 27

HEX #5463B9

RGB 84 99 185

HSL 231.09, 0.42%, 0.53%

LAB 44.68, 19.49, -47.36

 

CMYK 60 / 51 / 0 / 35

HEX #4351A6

RGB 67 81 166

HSL 231.52, 0.42%, 0.46%

LAB 37.54, 21.04, -47.68

 

CMYK 66 / 57 / 0 / 42

HEX #323F93

RGB 50 63 147

HSL 231.96, 0.49%, 0.39%

LAB 30.25, 22.99, -48.02

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 42 / 47 / 0 / 13

HEX #8176DF

RGB 129 118 223

HSL 246.29, 0.62%, 0.67%

LAB 55.02, 29.9, -52.37

 

CMYK 29 / 47 / 0 / 13

HEX #9E76DF

RGB 158 118 223

HSL 262.86, 0.62%, 0.67%

LAB 57.61, 37.29, -48.1

 

CMYK 17 / 47 / 0 / 13

HEX #BA76DF

RGB 186 118 223

HSL 278.86, 0.62%, 0.67%

LAB 60.54, 44.94, -43.28

 

CMYK 4 / 47 / 0 / 13

HEX #D676DF

RGB 214 118 223

HSL 294.86, 0.62%, 0.67%

LAB 63.82, 52.81, -37.9

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 47 / 47 / 0 / 13

HEX #7676DF

RGB 118 118 223

HSL 240, 0.62%, 0.67%

LAB 54.17, 27.31, -53.78

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 56 / 47 / 0 / 7

HEX #697EEC

RGB 105 126 236

HSL 230.38, 0.78%, 0.67%

LAB 56.07, 23.73, -58.07

 

CMYK 64 / 53 / 0 / 2

HEX #5B75FA

RGB 91 117 250

HSL 230.19, 0.94%, 0.67%

LAB 53.87, 31.27, -69.43

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 37 / 31 / 0 / 18

HEX #8490D1

RGB 132 144 209

HSL 230.65, 0.46%, 0.67%

LAB 61.18, 11.49, -34.79

 

CMYK 26 / 22 / 0 / 24

HEX #9199C3

RGB 145 153 195

HSL 230.4, 0.29%, 0.67%

LAB 63.95, 6.51, -22.6

 

CMYK 13 / 10 / 0 / 29

HEX #9FA3B6

RGB 159 163 182

HSL 229.57, 0.14%, 0.67%

LAB 67.23, 2.46, -10.27

 

CMYK 0 / 1 / 3 / 32

HEX #ADACA8

RGB 173 172 168

HSL 48, 0.03%, 0.67%

LAB 70.33, -0.38, 2.17

 

CMYK 47 / 14 / 0 / 13

HEX #76BFDF

RGB 118 191 223

HSL 198.29, 0.62%, 0.67%

LAB 73.83, -14.32, -23.07

 

CMYK 47 / 27 / 0 / 13

HEX #76A3DF

RGB 118 163 223

HSL 214.29, 0.62%, 0.67%

LAB 66.04, 0.93, -35.07

 

CMYK 47 / 39 / 0 / 13

HEX #7688DF

RGB 118 136 223

HSL 229.71, 0.62%, 0.67%

LAB 58.78, 16.58, -46.46

 

CMYK 42 / 47 / 0 / 13

HEX #8176DF

RGB 129 118 223

HSL 246.29, 0.62%, 0.67%

LAB 55.02, 29.9, -52.37

 

CMYK 30 / 47 / 0 / 13

HEX #9C76DF

RGB 156 118 223

HSL 261.71, 0.62%, 0.67%

LAB 57.42, 36.76, -48.42

 

CMYK 75 / 63 / 0 / 19

HEX #334DCF

RGB 51 77 207

HSL 230, 0.62%, 0.51%

LAB 38.75, 35.87, -69.8

 

CMYK 60 / 51 / 0 / 16

HEX #556AD7

RGB 85 106 215

HSL 230.31, 0.62%, 0.59%

LAB 48.44, 25.29, -58.57

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 34 / 29 / 0 / 10

HEX #98A4E6

RGB 152 164 230

HSL 230.77, 0.61%, 0.75%

LAB 68.71, 11.15, -34.61

 

CMYK 22 / 18 / 0 / 7

HEX #B9C2EE

RGB 185 194 238

HSL 229.81, 0.61%, 0.83%

LAB 79.08, 6.14, -22.81

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 0 / 47 / 2 / 13

HEX #DF76DB

RGB 223 118 219

HSL 302.29, 0.62%, 0.67%

LAB 64.77, 54.66, -34.1

 

CMYK 21 / 0 / 47 / 13

HEX #B1DF76

RGB 177 223 118

HSL 86.29, 0.62%, 0.67%

LAB 83.67, -32.02, 46.4

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 0 / 47 / 39 / 13

HEX #DF7688

RGB 223 118 136

HSL 349.71, 0.62%, 0.67%

LAB 62.02, 42.59, 8.88

 

CMYK 39 / 0 / 47 / 13

HEX #88DF76

RGB 136 223 118

HSL 109.71, 0.62%, 0.67%

LAB 81.47, -46.01, 43.19

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 0 / 47 / 2 / 13

HEX #DF76DB

RGB 223 118 219

HSL 302.29, 0.62%, 0.67%

LAB 64.77, 54.66, -34.1

 

CMYK 0 / 8 / 47 / 13

HEX #DFCD76

RGB 223 205 118

HSL 49.71, 0.62%, 0.67%

LAB 82.19, -5.26, 45.35

 

CMYK 47 / 0 / 45 / 13

HEX #76DF7A

RGB 118 223 122

HSL 122.29, 0.62%, 0.67%

LAB 80.76, -50.75, 40.18

 

CMYK 47 / 39 / 0 / 13

HEX #7687DF

RGB 118 135 223

HSL 230.29, 0.62%, 0.67%

LAB 58.52, 17.17, -46.87

 

CMYK 0 / 47 / 16 / 13

HEX #DF76BC

RGB 223 118 188

HSL 320, 0.62%, 0.67%

LAB 63.57, 49.55, -18.52

 

CMYK 0 / 8 / 47 / 13

HEX #DFCD76

RGB 223 205 118

HSL 49.71, 0.62%, 0.67%

LAB 82.19, -5.26, 45.35

 

CMYK 47 / 0 / 31 / 13

HEX #76DF99

RGB 118 223 153

HSL 140, 0.62%, 0.67%

LAB 81.25, -45.72, 25.13

 

Description

Color code: HEX #7687DF | qconv.com Color code: HEX #7687DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 135 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 135 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 39 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 39% 0% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Купить сувениры опто...
Link: http://www.sima-land.ru

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