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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76829A it is the complementary color #897D65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76829A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76829A shade: #7B8295, #8C94A8, #9DA6BB, #AEB8CE and #BFCAE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76829A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76829A shade: #76829A, #657087, #545E74, #434C61 and #323A4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76829A shade: #758199, #757799, #7C7599, #867599 and #8F7599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76829A shade: #758199, #757799 and #757599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76829A shade matches the following richer shades: #758199, #617AAC, #4E74BF, #3A6DD3 and #2767E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76829A shade: #758199, #888785, #9B8E72, #AF945E and #C29B4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76829A shade: #759499, #758A99, #758199, #757799 and #7C7599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76829A shade: #4F596B, #616C83, #758199, #8C96AA and #A4ACBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76829A shade: #76829A, #947599 and #8F9975

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76829A shade: #76829A, #997581 and #819975

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76829A shade: #76829A, #947599, #998D75 and #799975

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76829A shade: #76829A, #997593, #998D75 and #75997B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 16 / 0 / 40

HEX #76829A

RGB 118 130 154

HSL 220, 0.15%, 0.53%

LAB 54.19, 1.12, -14.31

 

Complementary color

CMYK 0 / 9 / 26 / 46

HEX #897D65

RGB 137 125 101

HSL 40, 0.15%, 0.47%

LAB 52.87, 0.55, 14.77

 

CMYK 17 / 13 / 0 / 42

HEX #7B8295

RGB 123 130 149

HSL 223.85, 0.11%, 0.53%

LAB 54.39, 1.59, -11.06

 

CMYK 17 / 12 / 0 / 34

HEX #8C94A8

RGB 140 148 168

HSL 222.86, 0.14%, 0.6%

LAB 61.29, 1.4, -11.46

 

CMYK 16 / 11 / 0 / 27

HEX #9DA6BB

RGB 157 166 187

HSL 222, 0.18%, 0.67%

LAB 68.04, 1.22, -11.86

 

CMYK 16 / 11 / 0 / 19

HEX #AEB8CE

RGB 174 184 206

HSL 221.25, 0.25%, 0.75%

LAB 74.66, 1.05, -12.26

 

CMYK 15 / 10 / 0 / 12

HEX #BFCAE1

RGB 191 202 225

HSL 220.59, 0.36%, 0.82%

LAB 81.16, 0.88, -12.67

 

CMYK 23 / 16 / 0 / 40

HEX #76829A

RGB 118 130 154

HSL 220, 0.15%, 0.53%

LAB 54.19, 1.12, -14.31

 

CMYK 25 / 17 / 0 / 47

HEX #657087

RGB 101 112 135

HSL 220.59, 0.14%, 0.46%

LAB 47.11, 1.34, -14

 

CMYK 28 / 19 / 0 / 55

HEX #545E74

RGB 84 94 116

HSL 221.25, 0.16%, 0.39%

LAB 39.83, 1.6, -13.71

 

CMYK 31 / 22 / 0 / 62

HEX #434C61

RGB 67 76 97

HSL 222, 0.18%, 0.32%

LAB 32.31, 1.9, -13.46

 

CMYK 36 / 26 / 0 / 69

HEX #323A4E

RGB 50 58 78

HSL 222.86, 0.22%, 0.25%

LAB 24.49, 2.27, -13.27

 

CMYK 24 / 16 / 0 / 40

HEX #758199

RGB 117 129 153

HSL 220, 0.15%, 0.53%

LAB 53.8, 1.12, -14.33

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 19 / 24 / 0 / 40

HEX #7C7599

RGB 124 117 153

HSL 251.67, 0.15%, 0.53%

LAB 51.05, 10.49, -18.46

 

CMYK 12 / 24 / 0 / 40

HEX #867599

RGB 134 117 153

HSL 268.33, 0.15%, 0.53%

LAB 51.94, 13.88, -17.01

 

CMYK 7 / 24 / 0 / 40

HEX #8F7599

RGB 143 117 153

HSL 283.33, 0.15%, 0.53%

LAB 52.8, 17, -15.63

 

CMYK 24 / 16 / 0 / 40

HEX #758199

RGB 117 129 153

HSL 220, 0.15%, 0.53%

LAB 53.8, 1.12, -14.33

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 24 / 24 / 0 / 40

HEX #757599

RGB 117 117 153

HSL 240, 0.15%, 0.53%

LAB 50.46, 8.17, -19.41

 

CMYK 24 / 16 / 0 / 40

HEX #758199

RGB 117 129 153

HSL 220, 0.15%, 0.53%

LAB 53.8, 1.12, -14.33

 

CMYK 44 / 29 / 0 / 33

HEX #617AAC

RGB 97 122 172

HSL 220, 0.31%, 0.53%

LAB 51.2, 4.42, -29.46

 

CMYK 59 / 39 / 0 / 25

HEX #4E74BF

RGB 78 116 191

HSL 219.82, 0.47%, 0.53%

LAB 49.34, 9.64, -43.42

 

CMYK 73 / 48 / 0 / 17

HEX #3A6DD3

RGB 58 109 211

HSL 220, 0.63%, 0.53%

LAB 47.68, 17.75, -57.59

 

CMYK 83 / 55 / 0 / 10

HEX #2767E6

RGB 39 103 230

HSL 219.9, 0.79%, 0.53%

LAB 46.77, 26.68, -69.86

 

CMYK 24 / 16 / 0 / 40

HEX #758199

RGB 117 129 153

HSL 220, 0.15%, 0.53%

LAB 53.8, 1.12, -14.33

 

CMYK 0 / 1 / 2 / 47

HEX #888785

RGB 136 135 133

HSL 40, 0.01%, 0.53%

LAB 56.34, -0.01, 1.2

 

CMYK 0 / 8 / 26 / 39

HEX #9B8E72

RGB 155 142 114

HSL 40.98, 0.17%, 0.53%

LAB 59.46, 0.26, 16.7

 

CMYK 0 / 15 / 46 / 31

HEX #AF945E

RGB 175 148 94

HSL 40, 0.34%, 0.53%

LAB 62.59, 2.76, 32.22

 

CMYK 0 / 20 / 61 / 24

HEX #C29B4B

RGB 194 155 75

HSL 40.34, 0.49%, 0.53%

LAB 66.07, 5.43, 46.6

 

CMYK 24 / 3 / 0 / 40

HEX #759499

RGB 117 148 153

HSL 188.33, 0.15%, 0.53%

LAB 59.22, -9.61, -6.2

 

CMYK 24 / 10 / 0 / 40

HEX #758A99

RGB 117 138 153

HSL 205, 0.15%, 0.53%

LAB 56.35, -4.03, -10.49

 

CMYK 24 / 16 / 0 / 40

HEX #758199

RGB 117 129 153

HSL 220, 0.15%, 0.53%

LAB 53.8, 1.12, -14.33

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 19 / 24 / 0 / 40

HEX #7C7599

RGB 124 117 153

HSL 251.67, 0.15%, 0.53%

LAB 51.05, 10.49, -18.46

 

CMYK 26 / 17 / 0 / 58

HEX #4F596B

RGB 79 89 107

HSL 218.57, 0.15%, 0.36%

LAB 37.61, 0.58, -11.59

 

CMYK 26 / 18 / 0 / 49

HEX #616C83

RGB 97 108 131

HSL 220.59, 0.15%, 0.45%

LAB 45.5, 1.38, -14.08

 

CMYK 24 / 16 / 0 / 40

HEX #758199

RGB 117 129 153

HSL 220, 0.15%, 0.53%

LAB 53.8, 1.12, -14.33

 

CMYK 18 / 12 / 0 / 33

HEX #8C96AA

RGB 140 150 170

HSL 220, 0.15%, 0.61%

LAB 61.9, 0.73, -11.67

 

CMYK 13 / 9 / 0 / 26

HEX #A4ACBC

RGB 164 172 188

HSL 220, 0.15%, 0.69%

LAB 70.2, 0.45, -9.14

 

CMYK 23 / 16 / 0 / 40

HEX #76829A

RGB 118 130 154

HSL 220, 0.15%, 0.53%

LAB 54.19, 1.12, -14.31

 

CMYK 3 / 24 / 0 / 40

HEX #947599

RGB 148 117 153

HSL 291.67, 0.15%, 0.53%

LAB 53.3, 18.75, -14.83

 

CMYK 7 / 0 / 24 / 40

HEX #8F9975

RGB 143 153 117

HSL 76.67, 0.15%, 0.53%

LAB 61.57, -10.09, 17.76

 

CMYK 23 / 16 / 0 / 40

HEX #76829A

RGB 118 130 154

HSL 220, 0.15%, 0.53%

LAB 54.19, 1.12, -14.31

 

CMYK 0 / 24 / 16 / 40

HEX #997581

RGB 153 117 129

HSL 340, 0.15%, 0.53%

LAB 53.04, 16.07, -1.11

 

CMYK 16 / 0 / 24 / 40

HEX #819975

RGB 129 153 117

HSL 100, 0.15%, 0.53%

LAB 60.55, -15.43, 16.19

 

CMYK 23 / 16 / 0 / 40

HEX #76829A

RGB 118 130 154

HSL 220, 0.15%, 0.53%

LAB 54.19, 1.12, -14.31

 

CMYK 3 / 24 / 0 / 40

HEX #947599

RGB 148 117 153

HSL 291.67, 0.15%, 0.53%

LAB 53.3, 18.75, -14.83

 

CMYK 0 / 8 / 24 / 40

HEX #998D75

RGB 153 141 117

HSL 40, 0.15%, 0.53%

LAB 59.07, 0.45, 14.44

 

CMYK 21 / 0 / 24 / 40

HEX #799975

RGB 121 153 117

HSL 113.33, 0.15%, 0.53%

LAB 60.01, -18.37, 15.36

 

CMYK 23 / 16 / 0 / 40

HEX #76829A

RGB 118 130 154

HSL 220, 0.15%, 0.53%

LAB 54.19, 1.12, -14.31

 

CMYK 0 / 24 / 4 / 40

HEX #997593

RGB 153 117 147

HSL 310, 0.15%, 0.53%

LAB 53.6, 19.34, -10.81

 

CMYK 0 / 8 / 24 / 40

HEX #998D75

RGB 153 141 117

HSL 40, 0.15%, 0.53%

LAB 59.07, 0.45, 14.44

 

CMYK 24 / 0 / 20 / 40

HEX #75997B

RGB 117 153 123

HSL 130, 0.15%, 0.53%

LAB 59.88, -18.69, 11.78

 

Description

Color code: HEX #76829A | qconv.com Color code: HEX #76829A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 130 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 130 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 16 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 16% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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