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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76B711 it is the complementary color #8948EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76B711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76B711 shade: #7BB70C, #8CC91F, #9DDB32, #AEED45 and #BFFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76B711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76B711 shade: #76B711, #65A500, #549300, #438100 and #326F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76B711 shade: #75B510, #A1B510, #B59D10, #B57110 and #B54410

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76B711 shade: #75B510, #48B510, #1CB510, #10B532 and #10B55E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76B711 shade matches the following richer shades: #75B510 and #78C600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76B711 shade: #75B510, #71A520, #6E9531, #6A8541 and #677551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76B711 shade: #B59D10, #A2B510, #76B510, #4AB510 and #1EB510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76B711 shade: #446A09, #5D900D, #75B510, #8DDB14 and #A1EB2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76B711 shade: #76B711, #10B571 and #B310B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76B711 shade: #76B711, #1076B5 and #B51076

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76B711 shade: #76B711, #10B571, #5010B5 and #B51055

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76B711 shade: #76B711, #10B5A2, #5010B5 and #B51024

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 91 / 28

HEX #76B711

RGB 118 183 17

HSL 83.49, 0.83%, 0.39%

LAB 67.84, -43.16, 66.28

 

Complementary color

CMYK 42 / 70 / 0 / 7

HEX #8948EE

RGB 137 72 238

HSL 263.49, 0.83%, 0.61%

LAB 47.14, 60.8, -73.49

 

CMYK 33 / 0 / 93 / 28

HEX #7BB70C

RGB 123 183 12

HSL 81.05, 0.88%, 0.38%

LAB 68.1, -41.41, 67.33

 

CMYK 30 / 0 / 85 / 21

HEX #8CC91F

RGB 140 201 31

HSL 81.53, 0.73%, 0.45%

LAB 74.48, -42.33, 69.62

 

CMYK 28 / 0 / 77 / 14

HEX #9DDB32

RGB 157 219 50

HSL 82.01, 0.7%, 0.53%

LAB 80.77, -43.02, 70.63

 

CMYK 27 / 0 / 71 / 7

HEX #AEED45

RGB 174 237 69

HSL 82.5, 0.82%, 0.6%

LAB 87, -43.53, 70.8

 

CMYK 25 / 0 / 65 / 0

HEX #BFFF58

RGB 191 255 88

HSL 82.99, 1%, 0.67%

LAB 93.15, -43.92, 70.47

 

CMYK 36 / 0 / 91 / 28

HEX #76B711

RGB 118 183 17

HSL 83.49, 0.83%, 0.39%

LAB 67.84, -43.16, 66.28

 

CMYK 39 / 0 / 100 / 35

HEX #65A500

RGB 101 165 0

HSL 83.27, 1%, 0.32%

LAB 61.37, -42.07, 63.07

 

CMYK 43 / 0 / 100 / 42

HEX #549300

RGB 84 147 0

HSL 85.71, 1%, 0.29%

LAB 54.82, -40.62, 57.62

 

CMYK 48 / 0 / 100 / 49

HEX #438100

RGB 67 129 0

HSL 88.84, 1%, 0.25%

LAB 48.13, -39.07, 52.06

 

CMYK 55 / 0 / 100 / 56

HEX #326F00

RGB 50 111 0

HSL 92.97, 1%, 0.22%

LAB 41.29, -37.36, 46.39

 

CMYK 35 / 0 / 91 / 29

HEX #75B510

RGB 117 181 16

HSL 83.27, 0.84%, 0.39%

LAB 67.18, -42.7, 65.87

 

CMYK 11 / 0 / 91 / 29

HEX #A1B510

RGB 161 181 16

HSL 67.27, 0.84%, 0.39%

LAB 69.94, -25.09, 69.26

 

CMYK 0 / 13 / 91 / 29

HEX #B59D10

RGB 181 157 16

HSL 51.27, 0.84%, 0.39%

LAB 64.94, -3.95, 66.06

 

CMYK 0 / 38 / 91 / 29

HEX #B57110

RGB 181 113 16

HSL 35.27, 0.84%, 0.39%

LAB 53.68, 20.26, 57.45

 

CMYK 0 / 62 / 91 / 29

HEX #B54410

RGB 181 68 16

HSL 18.91, 0.84%, 0.39%

LAB 44.23, 43.71, 50.43

 

CMYK 35 / 0 / 91 / 29

HEX #75B510

RGB 117 181 16

HSL 83.27, 0.84%, 0.39%

LAB 67.18, -42.7, 65.87

 

CMYK 60 / 0 / 91 / 29

HEX #48B510

RGB 72 181 16

HSL 99.64, 0.84%, 0.39%

LAB 65.33, -56.72, 63.59

 

CMYK 85 / 0 / 91 / 29

HEX #1CB510

RGB 28 181 16

HSL 115.64, 0.84%, 0.39%

LAB 64.43, -64.43, 62.47

 

CMYK 91 / 0 / 72 / 29

HEX #10B532

RGB 16 181 50

HSL 132.36, 0.84%, 0.39%

LAB 64.47, -63.44, 53.11

 

CMYK 91 / 0 / 48 / 29

HEX #10B55E

RGB 16 181 94

HSL 148.36, 0.84%, 0.39%

LAB 64.94, -57.75, 33.66

 

CMYK 35 / 0 / 91 / 29

HEX #75B510

RGB 117 181 16

HSL 83.27, 0.84%, 0.39%

LAB 67.18, -42.7, 65.87

 

CMYK 39 / 0 / 100 / 22

HEX #78C600

RGB 120 198 0

HSL 83.64, 1%, 0.39%

LAB 72.48, -48.94, 72.08

 

CMYK 35 / 0 / 91 / 29

HEX #75B510

RGB 117 181 16

HSL 83.27, 0.84%, 0.39%

LAB 67.18, -42.7, 65.87

 

CMYK 32 / 0 / 81 / 35

HEX #71A520

RGB 113 165 32

HSL 83.46, 0.68%, 0.39%

LAB 62.1, -36.68, 57.82

 

CMYK 26 / 0 / 67 / 42

HEX #6E9531

RGB 110 149 49

HSL 83.4, 0.51%, 0.39%

LAB 57.11, -29.41, 46.68

 

CMYK 20 / 0 / 51 / 48

HEX #6A8541

RGB 106 133 65

HSL 83.82, 0.34%, 0.39%

LAB 52.09, -21.57, 33.28

 

CMYK 12 / 0 / 31 / 54

HEX #677551

RGB 103 117 81

HSL 83.33, 0.18%, 0.39%

LAB 47.24, -12.08, 18.19

 

CMYK 0 / 13 / 91 / 29

HEX #B59D10

RGB 181 157 16

HSL 51.27, 0.84%, 0.39%

LAB 64.94, -3.95, 66.06

 

CMYK 10 / 0 / 91 / 29

HEX #A2B510

RGB 162 181 16

HSL 66.91, 0.84%, 0.39%

LAB 70.01, -24.66, 69.35

 

CMYK 35 / 0 / 91 / 29

HEX #76B510

RGB 118 181 16

HSL 82.91, 0.84%, 0.39%

LAB 67.23, -42.33, 65.94

 

CMYK 59 / 0 / 91 / 29

HEX #4AB510

RGB 74 181 16

HSL 98.91, 0.84%, 0.39%

LAB 65.39, -56.22, 63.66

 

CMYK 83 / 0 / 91 / 29

HEX #1EB510

RGB 30 181 16

HSL 114.91, 0.84%, 0.39%

LAB 64.45, -64.22, 62.5

 

CMYK 36 / 0 / 92 / 58

HEX #446A09

RGB 68 106 9

HSL 83.51, 0.84%, 0.23%

LAB 40.5, -28.26, 43.88

 

CMYK 35 / 0 / 91 / 44

HEX #5D900D

RGB 93 144 13

HSL 83.36, 0.83%, 0.31%

LAB 54.35, -35.68, 55.26

 

CMYK 35 / 0 / 91 / 29

HEX #75B510

RGB 117 181 16

HSL 83.27, 0.84%, 0.39%

LAB 67.18, -42.7, 65.87

 

CMYK 36 / 0 / 91 / 14

HEX #8DDB14

RGB 141 219 20

HSL 83.52, 0.83%, 0.47%

LAB 79.83, -49.81, 76.13

 

CMYK 31 / 0 / 81 / 8

HEX #A1EB2D

RGB 161 235 45

HSL 83.37, 0.83%, 0.55%

LAB 85.6, -48.56, 76.47

 

CMYK 36 / 0 / 91 / 28

HEX #76B711

RGB 118 183 17

HSL 83.49, 0.83%, 0.39%

LAB 67.84, -43.16, 66.28

 

CMYK 91 / 0 / 38 / 29

HEX #10B571

RGB 16 181 113

HSL 155.27, 0.84%, 0.39%

LAB 65.24, -54.18, 24.12

 

CMYK 1 / 91 / 0 / 29

HEX #B310B5

RGB 179 16 181

HSL 299.27, 0.84%, 0.39%

LAB 43.2, 73.99, -46.75

 

CMYK 36 / 0 / 91 / 28

HEX #76B711

RGB 118 183 17

HSL 83.49, 0.83%, 0.39%

LAB 67.84, -43.16, 66.28

 

CMYK 91 / 35 / 0 / 29

HEX #1076B5

RGB 16 118 181

HSL 202.91, 0.84%, 0.39%

LAB 47.5, -3.31, -40.69

 

CMYK 0 / 91 / 35 / 29

HEX #B51076

RGB 181 16 118

HSL 322.91, 0.84%, 0.39%

LAB 40.41, 66.19, -12.85

 

CMYK 36 / 0 / 91 / 28

HEX #76B711

RGB 118 183 17

HSL 83.49, 0.83%, 0.39%

LAB 67.84, -43.16, 66.28

 

CMYK 91 / 0 / 38 / 29

HEX #10B571

RGB 16 181 113

HSL 155.27, 0.84%, 0.39%

LAB 65.24, -54.18, 24.12

 

CMYK 56 / 91 / 0 / 29

HEX #5010B5

RGB 80 16 181

HSL 263.27, 0.84%, 0.39%

LAB 27.88, 60.54, -72.36

 

CMYK 0 / 91 / 53 / 29

HEX #B51055

RGB 181 16 85

HSL 334.91, 0.84%, 0.39%

LAB 39.33, 63.22, 6.41

 

CMYK 36 / 0 / 91 / 28

HEX #76B711

RGB 118 183 17

HSL 83.49, 0.83%, 0.39%

LAB 67.84, -43.16, 66.28

 

CMYK 91 / 0 / 10 / 29

HEX #10B5A2

RGB 16 181 162

HSL 173.09, 0.84%, 0.39%

LAB 66.34, -42.18, -1.11

 

CMYK 56 / 91 / 0 / 29

HEX #5010B5

RGB 80 16 181

HSL 263.27, 0.84%, 0.39%

LAB 27.88, 60.54, -72.36

 

CMYK 0 / 91 / 80 / 29

HEX #B51024

RGB 181 16 36

HSL 352.73, 0.84%, 0.39%

LAB 38.41, 60.65, 36

 

Description

Color code: HEX #76B711 | qconv.com Color code: HEX #76B711 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 183 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 183 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 91 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 91% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - FilmBag.Net Yeni Fil...
Link: http://filmbag.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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