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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76B7DC it is the complementary color #894823. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76B7DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76B7DC shade: #7BB7D7, #8CC9EA, #9DDBFD, #AEEDFF and #BFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76B7DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76B7DC shade: #76B7DC, #65A5C9, #5493B6, #4381A3 and #326F90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76B7DC shade: #75B6DB, #759ADB, #757FDB, #8675DB and #A275DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76B7DC shade: #75B6DB, #759ADB, #757FDB and #7575DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76B7DC shade matches the following richer shades: #75B6DB, #67BAE9 and #59BEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76B7DC shade: #75B6DB, #83B2CD, #91AEBF, #9FAAB1 and #ADA6A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76B7DC shade: #75DBC8, #75D2DB, #75B7DB, #759CDB and #7581DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76B7DC shade: #3493C9, #54A5D2, #75B6DB, #95C7E3 and #B6D8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76B7DC shade: #76B7DC, #AD75DB and #DBD675

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76B7DC shade: #76B7DC, #DB75B7 and #B7DB75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76B7DC shade: #76B7DC, #AD75DB, #DB9875 and #A3DB75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76B7DC shade: #76B7DC, #CC75DB, #DB9875 and #84DB75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 17 / 0 / 14

HEX #76B7DC

RGB 118 183 220

HSL 201.76, 0.59%, 0.66%

LAB 71.48, -10.92, -25.03

 

Complementary color

CMYK 0 / 47 / 74 / 46

HEX #894823

RGB 137 72 35

HSL 21.76, 0.59%, 0.34%

LAB 37.98, 24.55, 33.66

 

CMYK 43 / 15 / 0 / 16

HEX #7BB7D7

RGB 123 183 215

HSL 200.87, 0.53%, 0.66%

LAB 71.54, -11.06, -22.18

 

CMYK 40 / 14 / 0 / 8

HEX #8CC9EA

RGB 140 201 234

HSL 201.06, 0.69%, 0.73%

LAB 78.05, -11.24, -22.49

 

CMYK 38 / 13 / 0 / 1

HEX #9DDBFD

RGB 157 219 253

HSL 201.25, 0.96%, 0.8%

LAB 84.44, -11.39, -22.81

 

CMYK 32 / 7 / 0 / 0

HEX #AEEDFF

RGB 174 237 255

HSL 193.33, 1%, 0.84%

LAB 90.22, -15.57, -15.05

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 46 / 17 / 0 / 14

HEX #76B7DC

RGB 118 183 220

HSL 201.76, 0.59%, 0.66%

LAB 71.48, -10.92, -25.03

 

CMYK 50 / 18 / 0 / 21

HEX #65A5C9

RGB 101 165 201

HSL 201.6, 0.48%, 0.59%

LAB 64.88, -10.6, -24.75

 

CMYK 54 / 19 / 0 / 29

HEX #5493B6

RGB 84 147 182

HSL 201.43, 0.4%, 0.52%

LAB 58.16, -10.2, -24.47

 

CMYK 59 / 21 / 0 / 36

HEX #4381A3

RGB 67 129 163

HSL 201.25, 0.42%, 0.45%

LAB 51.31, -9.66, -24.18

 

CMYK 65 / 23 / 0 / 44

HEX #326F90

RGB 50 111 144

HSL 201.06, 0.48%, 0.38%

LAB 44.32, -8.93, -23.88

 

CMYK 47 / 17 / 0 / 14

HEX #75B6DB

RGB 117 182 219

HSL 201.76, 0.59%, 0.66%

LAB 71.11, -10.9, -25.05

 

CMYK 47 / 30 / 0 / 14

HEX #759ADB

RGB 117 154 219

HSL 218.24, 0.59%, 0.66%

LAB 63.35, 4.64, -37.05

 

CMYK 47 / 42 / 0 / 14

HEX #757FDB

RGB 117 127 219

HSL 234.12, 0.59%, 0.66%

LAB 56.16, 20.5, -48.36

 

CMYK 39 / 47 / 0 / 14

HEX #8675DB

RGB 134 117 219

HSL 250, 0.59%, 0.66%

LAB 54.97, 30.6, -50.17

 

CMYK 26 / 47 / 0 / 14

HEX #A275DB

RGB 162 117 219

HSL 266.47, 0.59%, 0.66%

LAB 57.58, 37.96, -45.88

 

CMYK 47 / 17 / 0 / 14

HEX #75B6DB

RGB 117 182 219

HSL 201.76, 0.59%, 0.66%

LAB 71.11, -10.9, -25.05

 

CMYK 47 / 30 / 0 / 14

HEX #759ADB

RGB 117 154 219

HSL 218.24, 0.59%, 0.66%

LAB 63.35, 4.64, -37.05

 

CMYK 47 / 42 / 0 / 14

HEX #757FDB

RGB 117 127 219

HSL 234.12, 0.59%, 0.66%

LAB 56.16, 20.5, -48.36

 

CMYK 47 / 47 / 0 / 14

HEX #7575DB

RGB 117 117 219

HSL 240, 0.59%, 0.66%

LAB 53.62, 26.49, -52.41

 

CMYK 47 / 17 / 0 / 14

HEX #75B6DB

RGB 117 182 219

HSL 201.76, 0.59%, 0.66%

LAB 71.11, -10.9, -25.05

 

CMYK 56 / 20 / 0 / 9

HEX #67BAE9

RGB 103 186 233

HSL 201.69, 0.75%, 0.66%

LAB 72.15, -12.07, -31.13

 

CMYK 64 / 23 / 0 / 3

HEX #59BEF7

RGB 89 190 247

HSL 201.65, 0.91%, 0.66%

LAB 73.33, -12.47, -36.92

 

CMYK 47 / 17 / 0 / 14

HEX #75B6DB

RGB 117 182 219

HSL 201.76, 0.59%, 0.66%

LAB 71.11, -10.9, -25.05

 

CMYK 36 / 13 / 0 / 20

HEX #83B2CD

RGB 131 178 205

HSL 201.89, 0.43%, 0.66%

LAB 70.23, -8.91, -18.67

 

CMYK 24 / 9 / 0 / 25

HEX #91AEBF

RGB 145 174 191

HSL 202.17, 0.26%, 0.66%

LAB 69.51, -6.08, -11.96

 

CMYK 10 / 4 / 0 / 31

HEX #9FAAB1

RGB 159 170 177

HSL 203.33, 0.1%, 0.66%

LAB 68.96, -2.43, -4.93

 

CMYK 0 / 4 / 6 / 32

HEX #ADA6A3

RGB 173 166 163

HSL 18, 0.06%, 0.66%

LAB 68.61, 1.97, 2.44

 

CMYK 47 / 0 / 9 / 14

HEX #75DBC8

RGB 117 219 200

HSL 168.82, 0.59%, 0.66%

LAB 81.08, -34.33, 0.12

 

CMYK 47 / 4 / 0 / 14

HEX #75D2DB

RGB 117 210 219

HSL 185.29, 0.59%, 0.66%

LAB 79.04, -25.3, -13.06

 

CMYK 47 / 16 / 0 / 14

HEX #75B7DB

RGB 117 183 219

HSL 201.18, 0.59%, 0.66%

LAB 71.39, -11.43, -24.62

 

CMYK 47 / 29 / 0 / 14

HEX #759CDB

RGB 117 156 219

HSL 217.06, 0.59%, 0.66%

LAB 63.9, 3.5, -36.2

 

CMYK 47 / 41 / 0 / 14

HEX #7581DB

RGB 117 129 219

HSL 232.94, 0.59%, 0.66%

LAB 56.68, 19.31, -47.54

 

CMYK 74 / 27 / 0 / 21

HEX #3493C9

RGB 52 147 201

HSL 201.74, 0.59%, 0.5%

LAB 57.86, -9.55, -35.76

 

CMYK 60 / 21 / 0 / 18

HEX #54A5D2

RGB 84 165 210

HSL 201.43, 0.58%, 0.58%

LAB 64.52, -11.46, -30.36

 

CMYK 47 / 17 / 0 / 14

HEX #75B6DB

RGB 117 182 219

HSL 201.76, 0.59%, 0.66%

LAB 71.11, -10.9, -25.05

 

CMYK 34 / 12 / 0 / 11

HEX #95C7E3

RGB 149 199 227

HSL 201.54, 0.58%, 0.74%

LAB 77.75, -9.58, -19.14

 

CMYK 23 / 8 / 0 / 7

HEX #B6D8EC

RGB 182 216 236

HSL 202.22, 0.59%, 0.82%

LAB 84.54, -6.88, -13.52

 

CMYK 46 / 17 / 0 / 14

HEX #76B7DC

RGB 118 183 220

HSL 201.76, 0.59%, 0.66%

LAB 71.48, -10.92, -25.03

 

CMYK 21 / 47 / 0 / 14

HEX #AD75DB

RGB 173 117 219

HSL 272.94, 0.59%, 0.66%

LAB 58.72, 40.99, -44.01

 

CMYK 0 / 2 / 47 / 14

HEX #DBD675

RGB 219 214 117

HSL 57.06, 0.59%, 0.66%

LAB 84.19, -11.53, 48.21

 

CMYK 46 / 17 / 0 / 14

HEX #76B7DC

RGB 118 183 220

HSL 201.76, 0.59%, 0.66%

LAB 71.48, -10.92, -25.03

 

CMYK 0 / 47 / 16 / 14

HEX #DB75B7

RGB 219 117 183

HSL 321.18, 0.59%, 0.66%

LAB 62.68, 48.02, -17.09

 

CMYK 16 / 0 / 47 / 14

HEX #B7DB75

RGB 183 219 117

HSL 81.18, 0.59%, 0.66%

LAB 82.92, -28.02, 46.05

 

CMYK 46 / 17 / 0 / 14

HEX #76B7DC

RGB 118 183 220

HSL 201.76, 0.59%, 0.66%

LAB 71.48, -10.92, -25.03

 

CMYK 21 / 47 / 0 / 14

HEX #AD75DB

RGB 173 117 219

HSL 272.94, 0.59%, 0.66%

LAB 58.72, 40.99, -44.01

 

CMYK 0 / 31 / 47 / 14

HEX #DB9875

RGB 219 152 117

HSL 20.59, 0.59%, 0.66%

LAB 68.61, 21.08, 28.48

 

CMYK 26 / 0 / 47 / 14

HEX #A3DB75

RGB 163 219 117

HSL 92.94, 0.59%, 0.66%

LAB 81.69, -35.34, 44.26

 

CMYK 46 / 17 / 0 / 14

HEX #76B7DC

RGB 118 183 220

HSL 201.76, 0.59%, 0.66%

LAB 71.48, -10.92, -25.03

 

CMYK 7 / 47 / 0 / 14

HEX #CC75DB

RGB 204 117 219

HSL 291.18, 0.59%, 0.66%

LAB 62.23, 49.73, -38.24

 

CMYK 0 / 31 / 47 / 14

HEX #DB9875

RGB 219 152 117

HSL 20.59, 0.59%, 0.66%

LAB 68.61, 21.08, 28.48

 

CMYK 40 / 0 / 47 / 14

HEX #84DB75

RGB 132 219 117

HSL 111.18, 0.59%, 0.66%

LAB 80.1, -45.68, 41.93

 

Description

Color code: HEX #76B7DC | qconv.com Color code: HEX #76B7DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 183 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 183 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 17 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 17% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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