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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76B813 it is the complementary color #8947EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76B813. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76B813 shade: #7BB80E, #8CCA21, #9DDC34, #AEEE47 and #BFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76B813. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76B813 shade: #76B813, #65A600, #549400, #438200 and #327000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76B813 shade: #76B813, #A3B813, #B8A113, #B87513 and #B84813

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76B813 shade: #76B813, #49B813, #1DB813, #13B835 and #13B862

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76B813 shade matches the following richer shades: #76B813 and #79C902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76B813 shade: #76B813, #73A823, #6F9734, #6C8744 and #697655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76B813 shade: #B8A213, #A2B813, #76B813, #4AB813 and #1EB813

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76B813 shade: #466D0B, #5E930F, #76B813, #8EDD17 and #A1E934

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76B813 shade: #76B813, #13B876 and #B813B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76B813 shade: #76B813, #1376B8 and #B81376

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76B813 shade: #76B813, #13B876, #5513B8 and #B81355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76B813 shade: #76B813, #13B8A8, #5513B8 and #B81323

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

Complementary color

CMYK 42 / 70 / 0 / 7

HEX #8947EC

RGB 137 71 236

HSL 264, 0.81%, 0.6%

LAB 46.82, 60.77, -72.88

 

CMYK 33 / 0 / 92 / 28

HEX #7BB80E

RGB 123 184 14

HSL 81.53, 0.86%, 0.39%

LAB 68.4, -41.81, 67.31

 

CMYK 31 / 0 / 84 / 21

HEX #8CCA21

RGB 140 202 33

HSL 82.01, 0.72%, 0.46%

LAB 74.78, -42.69, 69.42

 

CMYK 29 / 0 / 76 / 14

HEX #9DDC34

RGB 157 220 52

HSL 82.5, 0.71%, 0.53%

LAB 81.07, -43.35, 70.3

 

CMYK 27 / 0 / 70 / 7

HEX #AEEE47

RGB 174 238 71

HSL 82.99, 0.83%, 0.61%

LAB 87.29, -43.85, 70.4

 

CMYK 25 / 0 / 65 / 0

HEX #BFFF5A

RGB 191 255 90

HSL 83.27, 1%, 0.68%

LAB 93.16, -43.78, 69.72

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 39 / 0 / 100 / 35

HEX #65A600

RGB 101 166 0

HSL 83.49, 1%, 0.33%

LAB 61.69, -42.49, 63.31

 

CMYK 43 / 0 / 100 / 42

HEX #549400

RGB 84 148 0

HSL 85.95, 1%, 0.29%

LAB 55.14, -41.04, 57.87

 

CMYK 48 / 0 / 100 / 49

HEX #438200

RGB 67 130 0

HSL 89.08, 1%, 0.25%

LAB 48.46, -39.48, 52.32

 

CMYK 55 / 0 / 100 / 56

HEX #327000

RGB 50 112 0

HSL 93.21, 1%, 0.22%

LAB 41.64, -37.76, 46.67

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 11 / 0 / 90 / 28

HEX #A3B813

RGB 163 184 19

HSL 67.64, 0.81%, 0.4%

LAB 70.95, -25.64, 69.64

 

CMYK 0 / 13 / 90 / 28

HEX #B8A113

RGB 184 161 19

HSL 51.64, 0.81%, 0.4%

LAB 66.31, -4.69, 66.7

 

CMYK 0 / 36 / 90 / 28

HEX #B87513

RGB 184 117 19

HSL 35.64, 0.81%, 0.4%

LAB 55.03, 19.43, 57.89

 

CMYK 0 / 61 / 90 / 28

HEX #B84813

RGB 184 72 19

HSL 19.27, 0.81%, 0.4%

LAB 45.46, 43.02, 50.54

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 60 / 0 / 90 / 28

HEX #49B813

RGB 73 184 19

HSL 100.36, 0.81%, 0.4%

LAB 66.32, -57.42, 63.93

 

CMYK 84 / 0 / 90 / 28

HEX #1DB813

RGB 29 184 19

HSL 116.36, 0.81%, 0.4%

LAB 65.43, -65.11, 62.81

 

CMYK 90 / 0 / 71 / 28

HEX #13B835

RGB 19 184 53

HSL 132.36, 0.81%, 0.4%

LAB 65.5, -63.87, 53.04

 

CMYK 90 / 0 / 47 / 28

HEX #13B862

RGB 19 184 98

HSL 148.73, 0.81%, 0.4%

LAB 65.98, -57.91, 32.95

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 40 / 0 / 99 / 21

HEX #79C902

RGB 121 201 2

HSL 84.12, 0.98%, 0.4%

LAB 73.44, -49.77, 72.64

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 32 / 0 / 79 / 34

HEX #73A823

RGB 115 168 35

HSL 83.91, 0.66%, 0.4%

LAB 63.15, -37.11, 57.92

 

CMYK 26 / 0 / 66 / 41

HEX #6F9734

RGB 111 151 52

HSL 84.24, 0.49%, 0.4%

LAB 57.81, -29.73, 46.16

 

CMYK 20 / 0 / 50 / 47

HEX #6C8744

RGB 108 135 68

HSL 84.18, 0.33%, 0.4%

LAB 52.88, -21.43, 32.7

 

CMYK 11 / 0 / 28 / 54

HEX #697655

RGB 105 118 85

HSL 83.64, 0.16%, 0.4%

LAB 47.77, -11.18, 16.62

 

CMYK 0 / 12 / 90 / 28

HEX #B8A213

RGB 184 162 19

HSL 52, 0.81%, 0.4%

LAB 66.58, -5.22, 66.91

 

CMYK 12 / 0 / 90 / 28

HEX #A2B813

RGB 162 184 19

HSL 68, 0.81%, 0.4%

LAB 70.88, -26.06, 69.55

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 60 / 0 / 90 / 28

HEX #4AB813

RGB 74 184 19

HSL 100, 0.81%, 0.4%

LAB 66.35, -57.17, 63.97

 

CMYK 84 / 0 / 90 / 28

HEX #1EB813

RGB 30 184 19

HSL 116, 0.81%, 0.4%

LAB 65.44, -65, 62.82

 

CMYK 36 / 0 / 90 / 57

HEX #466D0B

RGB 70 109 11

HSL 83.88, 0.82%, 0.24%

LAB 41.63, -28.79, 44.41

 

CMYK 36 / 0 / 90 / 42

HEX #5E930F

RGB 94 147 15

HSL 84.09, 0.81%, 0.32%

LAB 55.36, -36.58, 55.74

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 36 / 0 / 90 / 13

HEX #8EDD17

RGB 142 221 23

HSL 83.94, 0.81%, 0.48%

LAB 80.47, -50.21, 76.23

 

CMYK 31 / 0 / 78 / 9

HEX #A1E934

RGB 161 233 52

HSL 83.87, 0.8%, 0.56%

LAB 85.05, -47.43, 74.09

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 90 / 0 / 36 / 28

HEX #13B876

RGB 19 184 118

HSL 156, 0.81%, 0.4%

LAB 66.31, -54.07, 22.9

 

CMYK 0 / 90 / 0 / 28

HEX #B813B8

RGB 184 19 184

HSL 300, 0.81%, 0.4%

LAB 44.4, 74.91, -46.54

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 90 / 36 / 0 / 28

HEX #1376B8

RGB 19 118 184

HSL 204, 0.81%, 0.4%

LAB 47.7, -1.98, -42.11

 

CMYK 0 / 90 / 36 / 28

HEX #B81376

RGB 184 19 118

HSL 324, 0.81%, 0.4%

LAB 41.16, 66.42, -11.67

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 90 / 0 / 36 / 28

HEX #13B876

RGB 19 184 118

HSL 156, 0.81%, 0.4%

LAB 66.31, -54.07, 22.9

 

CMYK 54 / 90 / 0 / 28

HEX #5513B8

RGB 85 19 184

HSL 264, 0.81%, 0.4%

LAB 29.05, 60.97, -72.19

 

CMYK 0 / 90 / 54 / 28

HEX #B81355

RGB 184 19 85

HSL 336, 0.81%, 0.4%

LAB 40.1, 63.5, 7.6

 

CMYK 36 / 0 / 90 / 28

HEX #76B813

RGB 118 184 19

HSL 84, 0.81%, 0.4%

LAB 68.15, -43.53, 66.2

 

CMYK 90 / 0 / 9 / 28

HEX #13B8A8

RGB 19 184 168

HSL 174.18, 0.81%, 0.4%

LAB 67.46, -41.64, -2.77

 

CMYK 54 / 90 / 0 / 28

HEX #5513B8

RGB 85 19 184

HSL 264, 0.81%, 0.4%

LAB 29.05, 60.97, -72.19

 

CMYK 0 / 90 / 81 / 28

HEX #B81323

RGB 184 19 35

HSL 354.18, 0.81%, 0.4%

LAB 39.2, 60.95, 37.58

 

Description

Color code: HEX #76B813 | qconv.com Color code: HEX #76B813 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 184 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 184 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 90 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 90% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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