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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76C666 it is the complementary color #893999. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76C666. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76C666 shade: #7BC661, #8CD874, #9DEA87, #AEFC9A and #BFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76C666. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76C666 shade: #76C666, #65B453, #54A240, #43902D and #327E1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76C666 shade: #76C666, #90C666, #AAC666, #C4C666 and #C6AE66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76C666 shade: #76C666, #66C670, #66C68A, #66C6A4 and #66C6BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76C666 shade matches the following richer shades: #76C666, #6BD755, #5FE844 and #54F933

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76C666 shade: #76C666, #81B577, #8CA488, #989399 and #A382AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76C666 shade: #A9C666, #90C666, #76C666, #66C66F and #66C689

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76C666 shade: #4B9F3A, #5BBB48, #76C666, #91D184 and #ACDCA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76C666 shade: #76C666, #66C3C6 and #C6669C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76C666 shade: #76C666, #6676C6 and #C66676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76C666 shade: #76C666, #66C3C6, #B666C6 and #C66966

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76C666 shade: #76C666, #66A6C6, #B666C6 and #C68666

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

Complementary color

CMYK 10 / 63 / 0 / 40

HEX #893999

RGB 137 57 153

HSL 290, 0.46%, 0.41%

LAB 38.8, 48.39, -37.44

 

CMYK 38 / 0 / 51 / 22

HEX #7BC661

RGB 123 198 97

HSL 104.55, 0.47%, 0.58%

LAB 73.2, -42.07, 43.06

 

CMYK 35 / 0 / 46 / 15

HEX #8CD874

RGB 140 216 116

HSL 105.6, 0.56%, 0.65%

LAB 79.58, -41.98, 41.86

 

CMYK 33 / 0 / 42 / 8

HEX #9DEA87

RGB 157 234 135

HSL 106.67, 0.7%, 0.72%

LAB 85.89, -41.83, 40.67

 

CMYK 31 / 0 / 39 / 1

HEX #AEFC9A

RGB 174 252 154

HSL 107.76, 0.94%, 0.8%

LAB 92.11, -41.66, 39.51

 

CMYK 25 / 0 / 32 / 0

HEX #BFFFAD

RGB 191 255 173

HSL 106.83, 1%, 0.84%

LAB 94.15, -34.73, 32.93

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 44 / 0 / 54 / 29

HEX #65B453

RGB 101 180 83

HSL 108.87, 0.39%, 0.52%

LAB 66.55, -43.1, 41.58

 

CMYK 48 / 0 / 60 / 36

HEX #54A240

RGB 84 162 64

HSL 107.76, 0.43%, 0.44%

LAB 59.98, -43.02, 42.75

 

CMYK 53 / 0 / 69 / 44

HEX #43902D

RGB 67 144 45

HSL 106.67, 0.52%, 0.37%

LAB 53.31, -42.71, 43.7

 

CMYK 60 / 0 / 79 / 51

HEX #327E1A

RGB 50 126 26

HSL 105.6, 0.66%, 0.3%

LAB 46.54, -42.01, 44.06

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 27 / 0 / 48 / 22

HEX #90C666

RGB 144 198 102

HSL 93.75, 0.46%, 0.59%

LAB 74.37, -34.25, 42.31

 

CMYK 14 / 0 / 48 / 22

HEX #AAC666

RGB 170 198 102

HSL 77.5, 0.46%, 0.59%

LAB 76, -24.48, 44.68

 

CMYK 1 / 0 / 48 / 22

HEX #C4C666

RGB 196 198 102

HSL 61.25, 0.46%, 0.59%

LAB 77.92, -14.12, 47.45

 

CMYK 0 / 12 / 48 / 22

HEX #C6AE66

RGB 198 174 102

HSL 45, 0.46%, 0.59%

LAB 71.72, -0.84, 39.94

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 48 / 0 / 43 / 22

HEX #66C670

RGB 102 198 112

HSL 126.25, 0.46%, 0.59%

LAB 72.48, -46.35, 34.51

 

CMYK 48 / 0 / 30 / 22

HEX #66C68A

RGB 102 198 138

HSL 142.5, 0.46%, 0.59%

LAB 72.92, -41.87, 21.54

 

CMYK 48 / 0 / 17 / 22

HEX #66C6A4

RGB 102 198 164

HSL 158.75, 0.46%, 0.59%

LAB 73.48, -36.49, 8.37

 

CMYK 48 / 0 / 4 / 22

HEX #66C6BE

RGB 102 198 190

HSL 175, 0.46%, 0.59%

LAB 74.15, -30.29, -4.75

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 50 / 0 / 60 / 16

HEX #6BD755

RGB 107 215 85

HSL 109.85, 0.62%, 0.59%

LAB 77.51, -55.21, 53.49

 

CMYK 59 / 0 / 71 / 9

HEX #5FE844

RGB 95 232 68

HSL 110.12, 0.78%, 0.59%

LAB 82.14, -65.95, 65.16

 

CMYK 66 / 0 / 80 / 2

HEX #54F933

RGB 84 249 51

HSL 110, 0.94%, 0.59%

LAB 86.94, -74.93, 75.09

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 29 / 0 / 34 / 29

HEX #81B577

RGB 129 181 119

HSL 110.32, 0.3%, 0.59%

LAB 68.79, -29.21, 26.27

 

CMYK 15 / 0 / 17 / 36

HEX #8CA488

RGB 140 164 136

HSL 111.43, 0.13%, 0.59%

LAB 64.89, -13.85, 11.77

 

CMYK 1 / 4 / 0 / 40

HEX #989399

RGB 152 147 153

HSL 290, 0.03%, 0.59%

LAB 61.52, 2.99, -2.51

 

CMYK 4 / 24 / 0 / 33

HEX #A382AA

RGB 163 130 170

HSL 289.5, 0.19%, 0.59%

LAB 58.65, 19.94, -16.38

 

CMYK 15 / 0 / 48 / 22

HEX #A9C666

RGB 169 198 102

HSL 78.13, 0.46%, 0.59%

LAB 75.94, -24.87, 44.58

 

CMYK 27 / 0 / 48 / 22

HEX #90C666

RGB 144 198 102

HSL 93.75, 0.46%, 0.59%

LAB 74.37, -34.25, 42.31

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 48 / 0 / 44 / 22

HEX #66C66F

RGB 102 198 111

HSL 125.63, 0.46%, 0.59%

LAB 72.47, -46.5, 35

 

CMYK 48 / 0 / 31 / 22

HEX #66C689

RGB 102 198 137

HSL 141.88, 0.46%, 0.59%

LAB 72.9, -42.06, 22.04

 

CMYK 53 / 0 / 64 / 38

HEX #4B9F3A

RGB 75 159 58

HSL 109.9, 0.47%, 0.43%

LAB 58.6, -45.11, 43.85

 

CMYK 51 / 0 / 61 / 27

HEX #5BBB48

RGB 91 187 72

HSL 110.09, 0.46%, 0.51%

LAB 68.19, -50.17, 48.52

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 31 / 0 / 37 / 18

HEX #91D184

RGB 145 209 132

HSL 109.87, 0.46%, 0.67%

LAB 78.04, -34.96, 31.89

 

CMYK 22 / 0 / 26 / 14

HEX #ACDCA2

RGB 172 220 162

HSL 109.66, 0.45%, 0.75%

LAB 83.21, -26.38, 23.57

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 48 / 2 / 0 / 22

HEX #66C3C6

RGB 102 195 198

HSL 181.88, 0.46%, 0.59%

LAB 73.5, -26.76, -10.05

 

CMYK 0 / 48 / 21 / 22

HEX #C6669C

RGB 198 102 156

HSL 326.25, 0.46%, 0.59%

LAB 56, 44.75, -11.92

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 48 / 40 / 0 / 22

HEX #6676C6

RGB 102 118 198

HSL 230, 0.46%, 0.59%

LAB 51.68, 15.98, -43.64

 

CMYK 0 / 48 / 40 / 22

HEX #C66676

RGB 198 102 118

HSL 350, 0.46%, 0.59%

LAB 54.88, 39.79, 8.72

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 48 / 2 / 0 / 22

HEX #66C3C6

RGB 102 195 198

HSL 181.88, 0.46%, 0.59%

LAB 73.5, -26.76, -10.05

 

CMYK 8 / 48 / 0 / 22

HEX #B666C6

RGB 182 102 198

HSL 290, 0.46%, 0.59%

LAB 55.61, 47.09, -36.93

 

CMYK 0 / 47 / 48 / 22

HEX #C66966

RGB 198 105 102

HSL 1.87, 0.46%, 0.59%

LAB 55.14, 36.55, 18.45

 

CMYK 40 / 0 / 48 / 22

HEX #76C666

RGB 118 198 102

HSL 110, 0.46%, 0.59%

LAB 73.02, -43.05, 40.35

 

CMYK 48 / 16 / 0 / 22

HEX #66A6C6

RGB 102 166 198

HSL 200, 0.46%, 0.59%

LAB 65.1, -11.77, -22.74

 

CMYK 8 / 48 / 0 / 22

HEX #B666C6

RGB 182 102 198

HSL 290, 0.46%, 0.59%

LAB 55.61, 47.09, -36.93

 

CMYK 0 / 32 / 48 / 22

HEX #C68666

RGB 198 134 102

HSL 20, 0.46%, 0.59%

LAB 61.67, 20.9, 27.15

 

Description

Color code: HEX #76C666 | qconv.com Color code: HEX #76C666 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 198 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 198 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 48 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 48% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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