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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76DEFD it is the complementary color #892102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76DEFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76DEFD shade: #7BDEF8, #8CF0FF, #9DFFFF, #AEFFFF and #BFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76DEFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76DEFD shade: #76DEFD, #65CCEA, #54BAD7, #43A8C4 and #3296B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76DEFD shade: #77DEFC, #77BAFC, #7796FC, #7C77FC and #A077FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76DEFD shade: #77DEFC, #77BAFC, #7796FC and #7777FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76DEFD shade matches the following richer shades: #77DEFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76DEFD shade: #77DEFC, #82D8F1, #8DD2E6, #98CCDB and #A3C6D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76DEFD shade: #77FCD2, #77FCF6, #77DFFC, #77BCFC and #7798FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76DEFD shade: #26CAFB, #4ED4FC, #77DEFC, #A0E8FD and #C8F1FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76DEFD shade: #76DEFD, #AF77FC and #FCE477

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76DEFD shade: #76DEFD, #FC77DF and #DFFC77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76DEFD shade: #76DEFD, #AF77FC, #FC9477 and #C5FC77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76DEFD shade: #76DEFD, #D777FC, #FC9477 and #9DFC77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 12 / 0 / 1

HEX #76DEFD

RGB 118 222 253

HSL 193.78, 0.97%, 0.73%

LAB 83.54, -21.9, -24.34

 

Complementary color

CMYK 0 / 76 / 99 / 46

HEX #892102

RGB 137 33 2

HSL 13.78, 0.97%, 0.27%

LAB 30.43, 42.6, 42.13

 

CMYK 50 / 10 / 0 / 3

HEX #7BDEF8

RGB 123 222 248

HSL 192.48, 0.9%, 0.73%

LAB 83.56, -22.24, -21.64

 

CMYK 45 / 6 / 0 / 0

HEX #8CF0FF

RGB 140 240 255

HSL 187.83, 1%, 0.77%

LAB 89.45, -25.54, -16.38

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 53 / 12 / 0 / 1

HEX #76DEFD

RGB 118 222 253

HSL 193.78, 0.97%, 0.73%

LAB 83.54, -21.9, -24.34

 

CMYK 57 / 13 / 0 / 8

HEX #65CCEA

RGB 101 204 234

HSL 193.53, 0.76%, 0.66%

LAB 77.22, -21.53, -23.91

 

CMYK 61 / 13 / 0 / 16

HEX #54BAD7

RGB 84 186 215

HSL 193.28, 0.62%, 0.59%

LAB 70.81, -21.05, -23.45

 

CMYK 66 / 14 / 0 / 23

HEX #43A8C4

RGB 67 168 196

HSL 193.02, 0.52%, 0.52%

LAB 64.31, -20.42, -22.95

 

CMYK 72 / 15 / 0 / 31

HEX #3296B1

RGB 50 150 177

HSL 192.76, 0.56%, 0.45%

LAB 57.72, -19.58, -22.41

 

CMYK 53 / 12 / 0 / 1

HEX #77DEFC

RGB 119 222 252

HSL 193.53, 0.96%, 0.73%

LAB 83.54, -21.97, -23.8

 

CMYK 53 / 26 / 0 / 1

HEX #77BAFC

RGB 119 186 252

HSL 209.77, 0.96%, 0.73%

LAB 73.59, -3.11, -39.12

 

CMYK 53 / 40 / 0 / 1

HEX #7796FC

RGB 119 150 252

HSL 226.02, 0.96%, 0.73%

LAB 63.97, 17.36, -54.25

 

CMYK 51 / 53 / 0 / 1

HEX #7C77FC

RGB 124 119 252

HSL 242.26, 0.96%, 0.73%

LAB 56.59, 36.67, -66.03

 

CMYK 37 / 53 / 0 / 1

HEX #A077FC

RGB 160 119 252

HSL 258.5, 0.96%, 0.73%

LAB 59.61, 44.56, -61.01

 

CMYK 53 / 12 / 0 / 1

HEX #77DEFC

RGB 119 222 252

HSL 193.53, 0.96%, 0.73%

LAB 83.54, -21.97, -23.8

 

CMYK 53 / 26 / 0 / 1

HEX #77BAFC

RGB 119 186 252

HSL 209.77, 0.96%, 0.73%

LAB 73.59, -3.11, -39.12

 

CMYK 53 / 40 / 0 / 1

HEX #7796FC

RGB 119 150 252

HSL 226.02, 0.96%, 0.73%

LAB 63.97, 17.36, -54.25

 

CMYK 53 / 53 / 0 / 1

HEX #7777FC

RGB 119 119 252

HSL 240, 0.96%, 0.73%

LAB 56.23, 35.68, -66.63

 

CMYK 53 / 12 / 0 / 1

HEX #77DEFC

RGB 119 222 252

HSL 193.53, 0.96%, 0.73%

LAB 83.54, -21.97, -23.8

 

CMYK 53 / 12 / 0 / 1

HEX #77DEFC

RGB 119 222 252

HSL 193.53, 0.96%, 0.73%

LAB 83.54, -21.97, -23.8

 

CMYK 46 / 10 / 0 / 5

HEX #82D8F1

RGB 130 216 241

HSL 193.51, 0.8%, 0.73%

LAB 81.95, -19.55, -20.35

 

CMYK 39 / 9 / 0 / 10

HEX #8DD2E6

RGB 141 210 230

HSL 193.48, 0.64%, 0.73%

LAB 80.44, -16.66, -16.72

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDB

RGB 152 204 219

HSL 193.43, 0.48%, 0.73%

LAB 79.03, -13.29, -12.9

 

CMYK 22 / 5 / 0 / 18

HEX #A3C6D0

RGB 163 198 208

HSL 193.33, 0.32%, 0.73%

LAB 77.71, -9.44, -8.87

 

CMYK 53 / 0 / 17 / 1

HEX #77FCD2

RGB 119 252 210

HSL 161.05, 0.96%, 0.73%

LAB 90.87, -46.4, 9.04

 

CMYK 53 / 0 / 2 / 1

HEX #77FCF6

RGB 119 252 246

HSL 177.29, 0.96%, 0.73%

LAB 91.77, -37.89, -8.3

 

CMYK 53 / 12 / 0 / 1

HEX #77DFFC

RGB 119 223 252

HSL 193.08, 0.96%, 0.73%

LAB 83.82, -22.47, -23.38

 

CMYK 53 / 25 / 0 / 1

HEX #77BCFC

RGB 119 188 252

HSL 208.87, 0.96%, 0.73%

LAB 74.14, -4.2, -38.27

 

CMYK 53 / 40 / 0 / 1

HEX #7798FC

RGB 119 152 252

HSL 225.11, 0.96%, 0.73%

LAB 64.49, 16.19, -53.42

 

CMYK 85 / 20 / 0 / 2

HEX #26CAFB

RGB 38 202 251

HSL 193.8, 0.96%, 0.57%

LAB 75.83, -23.24, -35.27

 

CMYK 69 / 16 / 0 / 1

HEX #4ED4FC

RGB 78 212 252

HSL 193.79, 0.97%, 0.65%

LAB 79.46, -23.94, -30.15

 

CMYK 53 / 12 / 0 / 1

HEX #77DEFC

RGB 119 222 252

HSL 193.53, 0.96%, 0.73%

LAB 83.54, -21.97, -23.8

 

CMYK 37 / 8 / 0 / 1

HEX #A0E8FD

RGB 160 232 253

HSL 193.55, 0.96%, 0.81%

LAB 88.1, -17.23, -17.26

 

CMYK 21 / 5 / 0 / 0

HEX #C8F1FE

RGB 200 241 254

HSL 194.44, 0.96%, 0.89%

LAB 92.73, -10.42, -10.64

 

CMYK 53 / 12 / 0 / 1

HEX #76DEFD

RGB 118 222 253

HSL 193.78, 0.97%, 0.73%

LAB 83.54, -21.9, -24.34

 

CMYK 31 / 53 / 0 / 1

HEX #AF77FC

RGB 175 119 252

HSL 265.26, 0.96%, 0.73%

LAB 61.08, 48.15, -58.59

 

CMYK 0 / 10 / 53 / 1

HEX #FCE477

RGB 252 228 119

HSL 49.17, 0.96%, 0.73%

LAB 90.56, -5.16, 55.54

 

CMYK 53 / 12 / 0 / 1

HEX #76DEFD

RGB 118 222 253

HSL 193.78, 0.97%, 0.73%

LAB 83.54, -21.9, -24.34

 

CMYK 0 / 53 / 12 / 1

HEX #FC77DF

RGB 252 119 223

HSL 313.08, 0.96%, 0.73%

LAB 68.91, 63.08, -29.62

 

CMYK 12 / 0 / 53 / 1

HEX #DFFC77

RGB 223 252 119

HSL 73.08, 0.96%, 0.73%

LAB 94.59, -28.22, 59.72

 

CMYK 53 / 12 / 0 / 1

HEX #76DEFD

RGB 118 222 253

HSL 193.78, 0.97%, 0.73%

LAB 83.54, -21.9, -24.34

 

CMYK 31 / 53 / 0 / 1

HEX #AF77FC

RGB 175 119 252

HSL 265.26, 0.96%, 0.73%

LAB 61.08, 48.15, -58.59

 

CMYK 0 / 41 / 53 / 1

HEX #FC9477

RGB 252 148 119

HSL 13.08, 0.96%, 0.73%

LAB 71.7, 36.28, 32.19

 

CMYK 22 / 0 / 53 / 1

HEX #C5FC77

RGB 197 252 119

HSL 84.81, 0.96%, 0.73%

LAB 92.94, -37.88, 57.37

 

CMYK 53 / 12 / 0 / 1

HEX #76DEFD

RGB 118 222 253

HSL 193.78, 0.97%, 0.73%

LAB 83.54, -21.9, -24.34

 

CMYK 15 / 53 / 0 / 1

HEX #D777FC

RGB 215 119 252

HSL 283.31, 0.96%, 0.73%

LAB 65.49, 58.19, -51.3

 

CMYK 0 / 41 / 53 / 1

HEX #FC9477

RGB 252 148 119

HSL 13.08, 0.96%, 0.73%

LAB 71.7, 36.28, 32.19

 

CMYK 38 / 0 / 53 / 1

HEX #9DFC77

RGB 157 252 119

HSL 102.86, 0.96%, 0.73%

LAB 90.84, -51.44, 54.36

 

Description

Color code: HEX #76DEFD | qconv.com Color code: HEX #76DEFD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 222 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 222 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 12 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 12% 0% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - WeeHands
Link: http://www.weehands.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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