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Color name
HEX #76F537

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76F537 it is the complementary color #890AC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76F537. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76F537 shade: #7BF532, #8CFF45, #9DFF58, #AEFF6B and #BFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76F537. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76F537 shade: #76F537, #65E324, #54D111, #43BF00 and #32AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76F537 shade: #76F438, #A9F438, #DCF438, #F4DA38 and #F4A738

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76F537 shade: #76F438, #43F438, #38F45F, #38F492 and #38F4C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76F537 shade matches the following richer shades: #76F438

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76F537 shade: #76F438, #7CE349, #82D25A, #87C16B and #8DB07C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76F537 shade: #DBF438, #A9F438, #77F438, #44F438 and #38F45D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76F537 shade: #4CCF0A, #5BF211, #76F438, #91F65F and #ACF886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76F537 shade: #76F537, #38F4DB and #F438C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76F537 shade: #76F537, #3877F4 and #F43877

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76F537 shade: #76F537, #38F4DB, #B538F4 and #F43851

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76F537 shade: #76F537, #38D5F4, #B538F4 and #F45738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 78 / 4

HEX #76F537

RGB 118 245 55

HSL 100.11, 0.9%, 0.59%

LAB 86.72, -65.53, 74.12

 

Complementary color

CMYK 32 / 95 / 0 / 22

HEX #890AC8

RGB 137 10 200

HSL 280.11, 0.9%, 0.41%

LAB 37.31, 71.77, -67.77

 

CMYK 50 / 0 / 80 / 4

HEX #7BF532

RGB 123 245 50

HSL 97.54, 0.91%, 0.58%

LAB 86.87, -64.41, 75.71

 

CMYK 45 / 0 / 73 / 0

HEX #8CFF45

RGB 140 255 69

HSL 97.1, 1%, 0.64%

LAB 90.56, -62.12, 73.8

 

CMYK 38 / 0 / 65 / 0

HEX #9DFF58

RGB 157 255 88

HSL 95.21, 1%, 0.67%

LAB 91.41, -55.55, 68.11

 

CMYK 32 / 0 / 58 / 0

HEX #AEFF6B

RGB 174 255 107

HSL 92.84, 1%, 0.71%

LAB 92.39, -48.35, 61.68

 

CMYK 25 / 0 / 51 / 0

HEX #BFFF7E

RGB 191 255 126

HSL 89.77, 1%, 0.75%

LAB 93.5, -40.65, 54.77

 

CMYK 52 / 0 / 78 / 4

HEX #76F537

RGB 118 245 55

HSL 100.11, 0.9%, 0.59%

LAB 86.72, -65.53, 74.12

 

CMYK 56 / 0 / 84 / 11

HEX #65E324

RGB 101 227 36

HSL 99.58, 0.77%, 0.52%

LAB 80.65, -64.61, 73.24

 

CMYK 60 / 0 / 92 / 18

HEX #54D111

RGB 84 209 17

HSL 99.06, 0.85%, 0.44%

LAB 74.53, -63.31, 71.26

 

CMYK 65 / 0 / 100 / 25

HEX #43BF00

RGB 67 191 0

HSL 98.95, 1%, 0.37%

LAB 68.35, -61.59, 68.01

 

CMYK 71 / 0 / 100 / 32

HEX #32AD00

RGB 50 173 0

HSL 102.66, 1%, 0.34%

LAB 62.14, -59.25, 62.9

 

CMYK 52 / 0 / 77 / 4

HEX #76F438

RGB 118 244 56

HSL 100.21, 0.9%, 0.59%

LAB 86.42, -65.12, 73.55

 

CMYK 31 / 0 / 77 / 4

HEX #A9F438

RGB 169 244 56

HSL 83.94, 0.9%, 0.59%

LAB 88.65, -48.99, 76.43

 

CMYK 10 / 0 / 77 / 4

HEX #DCF438

RGB 220 244 56

HSL 67.66, 0.9%, 0.59%

LAB 91.78, -29.57, 80.45

 

CMYK 0 / 11 / 77 / 4

HEX #F4DA38

RGB 244 218 56

HSL 51.7, 0.9%, 0.59%

LAB 86.83, -7.07, 76.68

 

CMYK 0 / 32 / 77 / 4

HEX #F4A738

RGB 244 167 56

HSL 35.43, 0.9%, 0.59%

LAB 74.29, 19.34, 65.1

 

CMYK 52 / 0 / 77 / 4

HEX #76F438

RGB 118 244 56

HSL 100.21, 0.9%, 0.59%

LAB 86.42, -65.12, 73.55

 

CMYK 73 / 0 / 77 / 4

HEX #43F438

RGB 67 244 56

HSL 116.49, 0.9%, 0.59%

LAB 85.09, -76.05, 71.8

 

CMYK 77 / 0 / 61 / 4

HEX #38F45F

RGB 56 244 95

HSL 132.45, 0.9%, 0.59%

LAB 85.18, -74.22, 57.57

 

CMYK 77 / 0 / 40 / 4

HEX #38F492

RGB 56 244 146

HSL 148.72, 0.9%, 0.59%

LAB 85.81, -66.77, 34.51

 

CMYK 77 / 0 / 20 / 4

HEX #38F4C4

RGB 56 244 196

HSL 164.68, 0.9%, 0.59%

LAB 86.76, -56.32, 10.23

 

CMYK 52 / 0 / 77 / 4

HEX #76F438

RGB 118 244 56

HSL 100.21, 0.9%, 0.59%

LAB 86.42, -65.12, 73.55

 

CMYK 52 / 0 / 77 / 4

HEX #76F438

RGB 118 244 56

HSL 100.21, 0.9%, 0.59%

LAB 86.42, -65.12, 73.55

 

CMYK 45 / 0 / 68 / 11

HEX #7CE349

RGB 124 227 73

HSL 100.13, 0.73%, 0.59%

LAB 81.68, -55.99, 63.14

 

CMYK 38 / 0 / 57 / 18

HEX #82D25A

RGB 130 210 90

HSL 100, 0.57%, 0.59%

LAB 77.03, -45.7, 50.97

 

CMYK 30 / 0 / 45 / 24

HEX #87C16B

RGB 135 193 107

HSL 100.47, 0.41%, 0.59%

LAB 72.46, -34.51, 37.34

 

CMYK 20 / 0 / 30 / 31

HEX #8DB07C

RGB 141 176 124

HSL 100.38, 0.25%, 0.59%

LAB 68.14, -21.7, 22.86

 

CMYK 10 / 0 / 77 / 4

HEX #DBF438

RGB 219 244 56

HSL 67.98, 0.9%, 0.59%

LAB 91.71, -29.97, 80.36

 

CMYK 31 / 0 / 77 / 4

HEX #A9F438

RGB 169 244 56

HSL 83.94, 0.9%, 0.59%

LAB 88.65, -48.99, 76.43

 

CMYK 51 / 0 / 77 / 4

HEX #77F438

RGB 119 244 56

HSL 99.89, 0.9%, 0.59%

LAB 86.46, -64.85, 73.59

 

CMYK 72 / 0 / 77 / 4

HEX #44F438

RGB 68 244 56

HSL 116.17, 0.9%, 0.59%

LAB 85.11, -75.9, 71.83

 

CMYK 77 / 0 / 62 / 4

HEX #38F45D

RGB 56 244 93

HSL 131.81, 0.9%, 0.59%

LAB 85.17, -74.44, 58.39

 

CMYK 63 / 0 / 95 / 19

HEX #4CCF0A

RGB 76 207 10

HSL 99.9, 0.91%, 0.43%

LAB 73.66, -64.65, 71.3

 

CMYK 62 / 0 / 93 / 5

HEX #5BF211

RGB 91 242 17

HSL 100.27, 0.9%, 0.51%

LAB 84.88, -72.5, 79.89

 

CMYK 52 / 0 / 77 / 4

HEX #76F438

RGB 118 244 56

HSL 100.21, 0.9%, 0.59%

LAB 86.42, -65.12, 73.55

 

CMYK 41 / 0 / 61 / 4

HEX #91F65F

RGB 145 246 95

HSL 100.13, 0.89%, 0.67%

LAB 88.33, -55.17, 61.8

 

CMYK 31 / 0 / 46 / 3

HEX #ACF886

RGB 172 248 134

HSL 100, 0.89%, 0.75%

LAB 90.61, -43.16, 47.27

 

CMYK 52 / 0 / 78 / 4

HEX #76F537

RGB 118 245 55

HSL 100.11, 0.9%, 0.59%

LAB 86.72, -65.53, 74.12

 

CMYK 77 / 0 / 10 / 4

HEX #38F4DB

RGB 56 244 219

HSL 172.02, 0.9%, 0.59%

LAB 87.32, -50.6, -0.97

 

CMYK 0 / 77 / 20 / 4

HEX #F438C2

RGB 244 56 194

HSL 315.96, 0.9%, 0.59%

LAB 58, 80.49, -30.24

 

CMYK 52 / 0 / 78 / 4

HEX #76F537

RGB 118 245 55

HSL 100.11, 0.9%, 0.59%

LAB 86.72, -65.53, 74.12

 

CMYK 77 / 51 / 0 / 4

HEX #3877F4

RGB 56 119 244

HSL 219.89, 0.9%, 0.59%

LAB 52.47, 23.32, -68.43

 

CMYK 0 / 77 / 51 / 4

HEX #F43877

RGB 244 56 119

HSL 339.89, 0.9%, 0.59%

LAB 55.48, 72.91, 10.02

 

CMYK 52 / 0 / 78 / 4

HEX #76F537

RGB 118 245 55

HSL 100.11, 0.9%, 0.59%

LAB 86.72, -65.53, 74.12

 

CMYK 77 / 0 / 10 / 4

HEX #38F4DB

RGB 56 244 219

HSL 172.02, 0.9%, 0.59%

LAB 87.32, -50.6, -0.97

 

CMYK 26 / 77 / 0 / 4

HEX #B538F4

RGB 181 56 244

HSL 279.89, 0.9%, 0.59%

LAB 50.9, 76.05, -70.49

 

CMYK 0 / 77 / 67 / 4

HEX #F43851

RGB 244 56 81

HSL 352.02, 0.9%, 0.59%

LAB 54.72, 70.53, 31.57

 

CMYK 52 / 0 / 78 / 4

HEX #76F537

RGB 118 245 55

HSL 100.11, 0.9%, 0.59%

LAB 86.72, -65.53, 74.12

 

CMYK 77 / 13 / 0 / 4

HEX #38D5F4

RGB 56 213 244

HSL 189.89, 0.9%, 0.59%

LAB 79.02, -29.47, -26.61

 

CMYK 26 / 77 / 0 / 4

HEX #B538F4

RGB 181 56 244

HSL 279.89, 0.9%, 0.59%

LAB 50.9, 76.05, -70.49

 

CMYK 0 / 64 / 77 / 4

HEX #F45738

RGB 244 87 56

HSL 9.89, 0.9%, 0.59%

LAB 58.35, 58.62, 49.47

 

Description

Color code: HEX #76F537 | qconv.com Color code: HEX #76F537 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 245 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 245 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 78% 4% C M Y K

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Provide designers and agencies with accurate color values.

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