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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76F613 it is the complementary color #8909EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76F613. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76F613 shade: #7BF60E, #8CFF21, #9DFF34, #AEFF47 and #BFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76F613. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76F613 shade: #76F613, #65E400, #54D200, #43C000 and #32AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76F613 shade: #76F612, #B3F612, #F0F612, #F6BE12 and #F68112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76F613 shade: #76F612, #38F612, #12F62A, #12F667 and #12F6A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76F613 shade matches the following richer shades: #76F612

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76F613 shade: #76F612, #78E226, #7BCE3A, #7DBB4E and #80A761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76F613 shade: #F2F612, #B5F612, #79F612, #3CF612 and #12F625

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76F613 shade: #50B006, #62D807, #76F612, #8DF73A and #A4F962

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76F613 shade: #76F613, #12F6BD and #F612D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76F613 shade: #76F613, #1279F6 and #F61279

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76F613 shade: #76F613, #12F6BD, #8F12F6 and #F6124B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76F613 shade: #76F613, #12EBF6, #8F12F6 and #F61E12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 92 / 4

HEX #76F613

RGB 118 246 19

HSL 93.83, 0.93%, 0.52%

LAB 86.9, -67.16, 81.65

 

Complementary color

CMYK 42 / 96 / 0 / 7

HEX #8909EC

RGB 137 9 236

HSL 273.83, 0.93%, 0.48%

LAB 40.52, 79.07, -83.2

 

CMYK 50 / 0 / 94 / 4

HEX #7BF60E

RGB 123 246 14

HSL 91.81, 0.93%, 0.51%

LAB 87.07, -65.86, 82.4

 

CMYK 45 / 0 / 87 / 0

HEX #8CFF21

RGB 140 255 33

HSL 91.08, 1%, 0.56%

LAB 90.42, -63.72, 82.84

 

CMYK 38 / 0 / 80 / 0

HEX #9DFF34

RGB 157 255 52

HSL 88.97, 1%, 0.6%

LAB 91.21, -57.7, 79.66

 

CMYK 32 / 0 / 72 / 0

HEX #AEFF47

RGB 174 255 71

HSL 86.41, 1%, 0.64%

LAB 92.12, -51.02, 75.19

 

CMYK 25 / 0 / 65 / 0

HEX #BFFF5A

RGB 191 255 90

HSL 83.27, 1%, 0.68%

LAB 93.16, -43.78, 69.72

 

CMYK 52 / 0 / 92 / 4

HEX #76F613

RGB 118 246 19

HSL 93.83, 0.93%, 0.52%

LAB 86.9, -67.16, 81.65

 

CMYK 56 / 0 / 100 / 11

HEX #65E400

RGB 101 228 0

HSL 93.42, 1%, 0.45%

LAB 80.88, -65.77, 78.33

 

CMYK 60 / 0 / 100 / 18

HEX #54D200

RGB 84 210 0

HSL 96, 1%, 0.41%

LAB 74.81, -63.95, 73.32

 

CMYK 65 / 0 / 100 / 25

HEX #43C000

RGB 67 192 0

HSL 99.06, 1%, 0.38%

LAB 68.67, -61.91, 68.26

 

CMYK 71 / 0 / 100 / 32

HEX #32AE00

RGB 50 174 0

HSL 102.76, 1%, 0.34%

LAB 62.47, -59.56, 63.16

 

CMYK 52 / 0 / 93 / 4

HEX #76F612

RGB 118 246 18

HSL 93.68, 0.93%, 0.52%

LAB 86.9, -67.18, 81.77

 

CMYK 27 / 0 / 93 / 4

HEX #B3F612

RGB 179 246 18

HSL 77.63, 0.93%, 0.52%

LAB 89.64, -47.33, 85.12

 

CMYK 2 / 0 / 93 / 4

HEX #F0F612

RGB 240 246 18

HSL 61.58, 0.93%, 0.52%

LAB 93.66, -23.29, 89.98

 

CMYK 0 / 23 / 93 / 4

HEX #F6BE12

RGB 246 190 18

HSL 45.26, 0.93%, 0.52%

LAB 79.88, 7.22, 79.86

 

CMYK 0 / 48 / 93 / 4

HEX #F68112

RGB 246 129 18

HSL 29.21, 0.93%, 0.52%

LAB 66.01, 38.97, 69.92

 

CMYK 52 / 0 / 93 / 4

HEX #76F612

RGB 118 246 18

HSL 93.68, 0.93%, 0.52%

LAB 86.9, -67.18, 81.77

 

CMYK 77 / 0 / 93 / 4

HEX #38F612

RGB 56 246 18

HSL 110, 0.93%, 0.52%

LAB 85.4, -79.73, 79.92

 

CMYK 93 / 0 / 83 / 4

HEX #12F62A

RGB 18 246 42

HSL 126.32, 0.93%, 0.52%

LAB 85.1, -82.16, 75.34

 

CMYK 93 / 0 / 58 / 4

HEX #12F667

RGB 18 246 103

HSL 142.37, 0.93%, 0.52%

LAB 85.51, -76.96, 54.4

 

CMYK 93 / 0 / 33 / 4

HEX #12F6A5

RGB 18 246 165

HSL 158.68, 0.93%, 0.52%

LAB 86.38, -66.62, 25.63

 

CMYK 52 / 0 / 93 / 4

HEX #76F612

RGB 118 246 18

HSL 93.68, 0.93%, 0.52%

LAB 86.9, -67.18, 81.77

 

CMYK 52 / 0 / 93 / 4

HEX #76F612

RGB 118 246 18

HSL 93.68, 0.93%, 0.52%

LAB 86.9, -67.18, 81.77

 

CMYK 47 / 0 / 83 / 11

HEX #78E226

RGB 120 226 38

HSL 93.83, 0.76%, 0.52%

LAB 81.03, -58.86, 73.39

 

CMYK 40 / 0 / 72 / 19

HEX #7BCE3A

RGB 123 206 58

HSL 93.65, 0.6%, 0.52%

LAB 75.24, -49.08, 62.06

 

CMYK 33 / 0 / 58 / 27

HEX #7DBB4E

RGB 125 187 78

HSL 94.13, 0.44%, 0.52%

LAB 69.79, -38.67, 48.03

 

CMYK 23 / 0 / 42 / 35

HEX #80A761

RGB 128 167 97

HSL 93.43, 0.28%, 0.52%

LAB 64.23, -25.99, 31.95

 

CMYK 2 / 0 / 93 / 4

HEX #F2F612

RGB 242 246 18

HSL 61.05, 0.93%, 0.52%

LAB 93.81, -22.47, 90.16

 

CMYK 26 / 0 / 93 / 4

HEX #B5F612

RGB 181 246 18

HSL 77.11, 0.93%, 0.52%

LAB 89.76, -46.59, 85.26

 

CMYK 51 / 0 / 93 / 4

HEX #79F612

RGB 121 246 18

HSL 92.89, 0.93%, 0.52%

LAB 87.01, -66.36, 81.9

 

CMYK 76 / 0 / 93 / 4

HEX #3CF612

RGB 60 246 18

HSL 108.95, 0.93%, 0.52%

LAB 85.46, -79.2, 79.99

 

CMYK 93 / 0 / 85 / 4

HEX #12F625

RGB 18 246 37

HSL 125, 0.93%, 0.52%

LAB 85.08, -82.39, 76.42

 

CMYK 55 / 0 / 97 / 31

HEX #50B006

RGB 80 176 6

HSL 93.88, 0.93%, 0.36%

LAB 63.97, -53.05, 63.94

 

CMYK 55 / 0 / 97 / 15

HEX #62D807

RGB 98 216 7

HSL 93.88, 0.94%, 0.44%

LAB 77.12, -62.33, 74.66

 

CMYK 52 / 0 / 93 / 4

HEX #76F612

RGB 118 246 18

HSL 93.68, 0.93%, 0.52%

LAB 86.9, -67.18, 81.77

 

CMYK 43 / 0 / 77 / 3

HEX #8DF73A

RGB 141 247 58

HSL 93.65, 0.92%, 0.6%

LAB 88.2, -59.43, 74.96

 

CMYK 34 / 0 / 61 / 2

HEX #A4F962

RGB 164 249 98

HSL 93.77, 0.93%, 0.68%

LAB 90.1, -50.01, 62.77

 

CMYK 52 / 0 / 92 / 4

HEX #76F613

RGB 118 246 19

HSL 93.83, 0.93%, 0.52%

LAB 86.9, -67.16, 81.65

 

CMYK 93 / 0 / 23 / 4

HEX #12F6BD

RGB 18 246 189

HSL 165, 0.93%, 0.52%

LAB 86.86, -61.33, 13.95

 

CMYK 0 / 93 / 14 / 4

HEX #F612D4

RGB 246 18 212

HSL 308.95, 0.93%, 0.52%

LAB 56.86, 89.86, -42.29

 

CMYK 52 / 0 / 92 / 4

HEX #76F613

RGB 118 246 19

HSL 93.83, 0.93%, 0.52%

LAB 86.9, -67.16, 81.65

 

CMYK 93 / 51 / 0 / 4

HEX #1279F6

RGB 18 121 246

HSL 212.89, 0.93%, 0.52%

LAB 52.35, 20.19, -69.77

 

CMYK 0 / 93 / 51 / 4

HEX #F61279

RGB 246 18 121

HSL 332.89, 0.93%, 0.52%

LAB 53.39, 80.75, 5.9

 

CMYK 52 / 0 / 92 / 4

HEX #76F613

RGB 118 246 19

HSL 93.83, 0.93%, 0.52%

LAB 86.9, -67.16, 81.65

 

CMYK 93 / 0 / 23 / 4

HEX #12F6BD

RGB 18 246 189

HSL 165, 0.93%, 0.52%

LAB 86.86, -61.33, 13.95

 

CMYK 42 / 93 / 0 / 4

HEX #8F12F6

RGB 143 18 246

HSL 272.89, 0.93%, 0.52%

LAB 42.65, 80.59, -85.31

 

CMYK 0 / 93 / 70 / 4

HEX #F6124B

RGB 246 18 75

HSL 345, 0.93%, 0.52%

LAB 52.44, 78.12, 32.39

 

CMYK 52 / 0 / 92 / 4

HEX #76F613

RGB 118 246 19

HSL 93.83, 0.93%, 0.52%

LAB 86.9, -67.16, 81.65

 

CMYK 93 / 4 / 0 / 4

HEX #12EBF6

RGB 18 235 246

HSL 182.89, 0.93%, 0.52%

LAB 85.1, -41.53, -18.47

 

CMYK 42 / 93 / 0 / 4

HEX #8F12F6

RGB 143 18 246

HSL 272.89, 0.93%, 0.52%

LAB 42.65, 80.59, -85.31

 

CMYK 0 / 88 / 93 / 4

HEX #F61E12

RGB 246 30 18

HSL 3.16, 0.93%, 0.52%

LAB 52.47, 75.08, 61.14

 

Description

Color code: HEX #76F613 | qconv.com Color code: HEX #76F613 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 246 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 246 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 92% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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