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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76FF76 it is the complementary color #890089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76FF76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76FF76 shade: #7BFF71, #8CFF84, #9DFF97, #AEFFAA and #BFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76FF76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76FF76 shade: #76FF76, #65ED63, #54DB50, #43C93D and #32B72A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76FF76 shade: #75FF75, #9AFF75, #BFFF75, #E4FF75 and #FFF475

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76FF76 shade: #75FF75, #75FF9A, #75FFBF, #75FFE4 and #75F4FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76FF76 shade matches the following richer shades: #75FF75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76FF76 shade: #75FF75, #80F380, #8BE88B, #96DD96 and #A1D2A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76FF76 shade: #BEFF75, #9AFF75, #75FF75, #75FF9A and #75FFBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76FF76 shade: #22FF22, #4CFF4C, #75FF75, #9EFF9E and #C7FFC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76FF76 shade: #76FF76, #75E3FF and #FF75AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76FF76 shade: #76FF76, #7575FF and #FF7575

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76FF76 shade: #76FF76, #75E3FF, #FF75FF and #FF9075

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76FF76 shade: #76FF76, #75BAFF, #FF75FF and #FFBA75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 54 / 0

HEX #76FF76

RGB 118 255 118

HSL 120, 1%, 0.73%

LAB 90.17, -63.66, 53.66

 

Complementary color

CMYK 0 / 100 / 0 / 46

HEX #890089

RGB 137 0 137

HSL 300, 1%, 0.27%

LAB 32.09, 61.91, -38.34

 

CMYK 52 / 0 / 56 / 0

HEX #7BFF71

RGB 123 255 113

HSL 115.77, 1%, 0.72%

LAB 90.29, -63, 56.07

 

CMYK 45 / 0 / 48 / 0

HEX #8CFF84

RGB 140 255 132

HSL 116.1, 1%, 0.76%

LAB 91.13, -56.14, 48.54

 

CMYK 38 / 0 / 41 / 0

HEX #9DFF97

RGB 157 255 151

HSL 116.54, 1%, 0.8%

LAB 92.1, -48.65, 40.8

 

CMYK 32 / 0 / 33 / 0

HEX #AEFFAA

RGB 174 255 170

HSL 117.18, 1%, 0.83%

LAB 93.2, -40.64, 33.01

 

CMYK 25 / 0 / 26 / 0

HEX #BFFFBD

RGB 191 255 189

HSL 118.18, 1%, 0.87%

LAB 94.43, -32.26, 25.25

 

CMYK 54 / 0 / 54 / 0

HEX #76FF76

RGB 118 255 118

HSL 120, 1%, 0.73%

LAB 90.17, -63.66, 53.66

 

CMYK 57 / 0 / 58 / 7

HEX #65ED63

RGB 101 237 99

HSL 119.13, 0.79%, 0.66%

LAB 84.09, -63.39, 54.84

 

CMYK 62 / 0 / 63 / 14

HEX #54DB50

RGB 84 219 80

HSL 118.27, 0.66%, 0.59%

LAB 77.95, -62.88, 55.92

 

CMYK 67 / 0 / 70 / 21

HEX #43C93D

RGB 67 201 61

HSL 117.43, 0.56%, 0.51%

LAB 71.76, -62.06, 56.76

 

CMYK 73 / 0 / 77 / 28

HEX #32B72A

RGB 50 183 42

HSL 116.6, 0.63%, 0.44%

LAB 65.52, -60.76, 57.12

 

CMYK 54 / 0 / 54 / 0

HEX #75FF75

RGB 117 255 117

HSL 120, 1%, 0.73%

LAB 90.13, -64.03, 54.05

 

CMYK 40 / 0 / 54 / 0

HEX #9AFF75

RGB 154 255 117

HSL 103.91, 1%, 0.73%

LAB 91.54, -53.81, 56.07

 

CMYK 25 / 0 / 54 / 0

HEX #BFFF75

RGB 191 255 117

HSL 87.83, 1%, 0.73%

LAB 93.4, -41.54, 58.72

 

CMYK 11 / 0 / 54 / 0

HEX #E4FF75

RGB 228 255 117

HSL 71.74, 1%, 0.73%

LAB 95.7, -27.89, 61.98

 

CMYK 0 / 4 / 54 / 0

HEX #FFF475

RGB 255 244 117

HSL 55.22, 1%, 0.73%

LAB 94.84, -12.06, 61.51

 

CMYK 54 / 0 / 54 / 0

HEX #75FF75

RGB 117 255 117

HSL 120, 1%, 0.73%

LAB 90.13, -64.03, 54.05

 

CMYK 54 / 0 / 40 / 0

HEX #75FF9A

RGB 117 255 154

HSL 136.09, 1%, 0.73%

LAB 90.61, -58.81, 37.11

 

CMYK 54 / 0 / 25 / 0

HEX #75FFBF

RGB 117 255 191

HSL 152.17, 1%, 0.73%

LAB 91.26, -52.1, 19.36

 

CMYK 54 / 0 / 11 / 0

HEX #75FFE4

RGB 117 255 228

HSL 168.26, 1%, 0.73%

LAB 92.09, -44.01, 1.48

 

CMYK 54 / 4 / 0 / 0

HEX #75F4FF

RGB 117 244 255

HSL 184.78, 1%, 0.73%

LAB 89.72, -32.24, -16.05

 

CMYK 54 / 0 / 54 / 0

HEX #75FF75

RGB 117 255 117

HSL 120, 1%, 0.73%

LAB 90.13, -64.03, 54.05

 

CMYK 54 / 0 / 54 / 0

HEX #75FF75

RGB 117 255 117

HSL 120, 1%, 0.73%

LAB 90.13, -64.03, 54.05

 

CMYK 47 / 0 / 47 / 5

HEX #80F380

RGB 128 243 128

HSL 120, 0.83%, 0.73%

LAB 87.12, -55.22, 45.35

 

CMYK 40 / 0 / 40 / 9

HEX #8BE88B

RGB 139 232 139

HSL 120, 0.67%, 0.73%

LAB 84.52, -46, 36.75

 

CMYK 32 / 0 / 32 / 13

HEX #96DD96

RGB 150 221 150

HSL 120, 0.51%, 0.73%

LAB 82.05, -36.04, 28.01

 

CMYK 23 / 0 / 23 / 18

HEX #A1D2A1

RGB 161 210 161

HSL 120, 0.35%, 0.73%

LAB 79.75, -25.42, 19.22

 

CMYK 25 / 0 / 54 / 0

HEX #BEFF75

RGB 190 255 117

HSL 88.26, 1%, 0.73%

LAB 93.34, -41.9, 58.64

 

CMYK 40 / 0 / 54 / 0

HEX #9AFF75

RGB 154 255 117

HSL 103.91, 1%, 0.73%

LAB 91.54, -53.81, 56.07

 

CMYK 54 / 0 / 54 / 0

HEX #75FF75

RGB 117 255 117

HSL 120, 1%, 0.73%

LAB 90.13, -64.03, 54.05

 

CMYK 54 / 0 / 40 / 0

HEX #75FF9A

RGB 117 255 154

HSL 136.09, 1%, 0.73%

LAB 90.61, -58.81, 37.11

 

CMYK 54 / 0 / 25 / 0

HEX #75FFBE

RGB 117 255 190

HSL 151.74, 1%, 0.73%

LAB 91.24, -52.3, 19.84

 

CMYK 87 / 0 / 87 / 0

HEX #22FF22

RGB 34 255 34

HSL 120, 1%, 0.57%

LAB 87.96, -83.97, 79.58

 

CMYK 70 / 0 / 70 / 0

HEX #4CFF4C

RGB 76 255 76

HSL 120, 1%, 0.65%

LAB 88.72, -76.56, 68.93

 

CMYK 54 / 0 / 54 / 0

HEX #75FF75

RGB 117 255 117

HSL 120, 1%, 0.73%

LAB 90.13, -64.03, 54.05

 

CMYK 38 / 0 / 38 / 0

HEX #9EFF9E

RGB 158 255 158

HSL 120, 1%, 0.81%

LAB 92.25, -47.33, 37.57

 

CMYK 22 / 0 / 22 / 0

HEX #C7FFC7

RGB 199 255 199

HSL 120, 1%, 0.89%

LAB 95.07, -28.03, 21.13

 

CMYK 54 / 0 / 54 / 0

HEX #76FF76

RGB 118 255 118

HSL 120, 1%, 0.73%

LAB 90.17, -63.66, 53.66

 

CMYK 54 / 11 / 0 / 0

HEX #75E3FF

RGB 117 227 255

HSL 192.17, 1%, 0.73%

LAB 84.97, -24.03, -23.23

 

CMYK 0 / 54 / 33 / 0

HEX #FF75AC

RGB 255 117 172

HSL 336.09, 1%, 0.73%

LAB 67.25, 57.95, -3.5

 

CMYK 54 / 0 / 54 / 0

HEX #76FF76

RGB 118 255 118

HSL 120, 1%, 0.73%

LAB 90.17, -63.66, 53.66

 

CMYK 54 / 54 / 0 / 0

HEX #7575FF

RGB 117 117 255

HSL 240, 1%, 0.73%

LAB 55.81, 37.39, -68.97

 

CMYK 0 / 54 / 54 / 0

HEX #FF7575

RGB 255 117 117

HSL 0, 1%, 0.73%

LAB 65.96, 52.54, 25.83

 

CMYK 54 / 0 / 54 / 0

HEX #76FF76

RGB 118 255 118

HSL 120, 1%, 0.73%

LAB 90.17, -63.66, 53.66

 

CMYK 54 / 11 / 0 / 0

HEX #75E3FF

RGB 117 227 255

HSL 192.17, 1%, 0.73%

LAB 84.97, -24.03, -23.23

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 44 / 54 / 0

HEX #FF9075

RGB 255 144 117

HSL 11.74, 1%, 0.73%

LAB 71.21, 39.3, 32.71

 

CMYK 54 / 0 / 54 / 0

HEX #76FF76

RGB 118 255 118

HSL 120, 1%, 0.73%

LAB 90.17, -63.66, 53.66

 

CMYK 54 / 27 / 0 / 0

HEX #75BAFF

RGB 117 186 255

HSL 210, 1%, 0.73%

LAB 73.62, -2.63, -40.69

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 27 / 54 / 0

HEX #FFBA75

RGB 255 186 117

HSL 30, 1%, 0.73%

LAB 80.55, 17.49, 44.5

 

Description

Color code: HEX #76FF76 | qconv.com Color code: HEX #76FF76 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 255 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 255 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 54 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 54% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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