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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7709A8 it is the complementary color #88F657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7709A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7709A8 shade: #7C09A3, #8D1BB6, #9E2DC9, #AF3FDC and #C051EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7709A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7709A8 shade: #7709A8, #660095, #550082, #44006F and #33005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7709A8 shade: #7808A9, #A308A9, #A90884, #A90859 and #A9082D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7709A8 shade: #7808A9, #4C08A9, #2108A9 and #0808A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7709A8 shade matches the following richer shades: #7808A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7709A8 shade: #7808A9, #72179B, #6C258C, #67347E and #61426F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7709A8 shade: #2108A9, #4B08A9, #7608A9, #A108A9 and #A90886

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7709A8 shade: #40045B, #5C0682, #7808A9, #930AD0 and #AD12F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7709A8 shade: #7709A8, #A9081B and #08A936

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7709A8 shade: #7709A8, #A97608 and #08A976

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7709A8 shade: #7709A8, #A9081B, #3BA908 and #08A996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7709A8 shade: #7709A8, #A92608, #3BA908 and #088CA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 95 / 0 / 34

HEX #7709A8

RGB 119 9 168

HSL 281.51, 0.9%, 0.35%

LAB 31.68, 63.32, -58.12

 

Complementary color

CMYK 45 / 0 / 65 / 4

HEX #88F657

RGB 136 246 87

HSL 101.51, 0.9%, 0.65%

LAB 87.89, -58.59, 64.45

 

CMYK 24 / 94 / 0 / 36

HEX #7C09A3

RGB 124 9 163

HSL 284.81, 0.9%, 0.34%

LAB 32.09, 63.04, -54.4

 

CMYK 23 / 85 / 0 / 29

HEX #8D1BB6

RGB 141 27 182

HSL 284.13, 0.74%, 0.41%

LAB 37.52, 65.79, -56.81

 

CMYK 21 / 78 / 0 / 21

HEX #9E2DC9

RGB 158 45 201

HSL 283.46, 0.63%, 0.48%

LAB 43.31, 67.2, -58.46

 

CMYK 20 / 71 / 0 / 14

HEX #AF3FDC

RGB 175 63 220

HSL 282.8, 0.69%, 0.55%

LAB 49.3, 67.74, -59.58

 

CMYK 20 / 66 / 0 / 6

HEX #C051EF

RGB 192 81 239

HSL 282.15, 0.83%, 0.63%

LAB 55.4, 67.73, -60.35

 

CMYK 29 / 95 / 0 / 34

HEX #7709A8

RGB 119 9 168

HSL 281.51, 0.9%, 0.35%

LAB 31.68, 63.32, -58.12

 

CMYK 32 / 100 / 0 / 42

HEX #660095

RGB 102 0 149

HSL 281.07, 1%, 0.29%

LAB 26.72, 58.82, -54.76

 

CMYK 35 / 100 / 0 / 49

HEX #550082

RGB 85 0 130

HSL 279.23, 1%, 0.25%

LAB 22.1, 52.83, -50.58

 

CMYK 39 / 100 / 0 / 56

HEX #44006F

RGB 68 0 111

HSL 276.76, 1%, 0.22%

LAB 17.35, 46.7, -46.3

 

CMYK 45 / 100 / 0 / 64

HEX #33005C

RGB 51 0 92

HSL 273.26, 1%, 0.18%

LAB 12.46, 40.4, -41.88

 

CMYK 29 / 95 / 0 / 34

HEX #7808A9

RGB 120 8 169

HSL 281.74, 0.91%, 0.35%

LAB 31.88, 63.79, -58.39

 

CMYK 4 / 95 / 0 / 34

HEX #A308A9

RGB 163 8 169

HSL 297.76, 0.91%, 0.35%

LAB 39.28, 70.33, -46.05

 

CMYK 0 / 95 / 22 / 34

HEX #A90884

RGB 169 8 132

HSL 313.79, 0.91%, 0.35%

LAB 38.33, 66.22, -24.96

 

CMYK 0 / 95 / 47 / 34

HEX #A90859

RGB 169 8 89

HSL 329.81, 0.91%, 0.35%

LAB 36.61, 61.69, -0.39

 

CMYK 0 / 95 / 73 / 34

HEX #A9082D

RGB 169 8 45

HSL 346.21, 0.91%, 0.35%

LAB 35.59, 58.9, 26.67

 

CMYK 29 / 95 / 0 / 34

HEX #7808A9

RGB 120 8 169

HSL 281.74, 0.91%, 0.35%

LAB 31.88, 63.79, -58.39

 

CMYK 55 / 95 / 0 / 34

HEX #4C08A9

RGB 76 8 169

HSL 265.34, 0.91%, 0.35%

LAB 25.49, 59.01, -69.13

 

CMYK 80 / 95 / 0 / 34

HEX #2108A9

RGB 33 8 169

HSL 249.32, 0.91%, 0.35%

LAB 21.44, 56.61, -75.98

 

CMYK 95 / 95 / 0 / 34

HEX #0808A9

RGB 8 8 169

HSL 240, 0.91%, 0.35%

LAB 20.4, 56.11, -77.74

 

CMYK 29 / 95 / 0 / 34

HEX #7808A9

RGB 120 8 169

HSL 281.74, 0.91%, 0.35%

LAB 31.88, 63.79, -58.39

 

CMYK 29 / 95 / 0 / 34

HEX #7808A9

RGB 120 8 169

HSL 281.74, 0.91%, 0.35%

LAB 31.88, 63.79, -58.39

 

CMYK 26 / 85 / 0 / 39

HEX #72179B

RGB 114 23 155

HSL 281.36, 0.74%, 0.35%

LAB 30.78, 57.06, -51.74

 

CMYK 23 / 74 / 0 / 45

HEX #6C258C

RGB 108 37 140

HSL 281.36, 0.58%, 0.35%

LAB 30.41, 47.82, -43.16

 

CMYK 18 / 59 / 0 / 51

HEX #67347E

RGB 103 52 126

HSL 281.35, 0.42%, 0.35%

LAB 31.45, 36.04, -32.82

 

CMYK 13 / 41 / 0 / 56

HEX #61426F

RGB 97 66 111

HSL 281.33, 0.25%, 0.35%

LAB 33.1, 22.38, -20.85

 

CMYK 80 / 95 / 0 / 34

HEX #2108A9

RGB 33 8 169

HSL 249.32, 0.91%, 0.35%

LAB 21.44, 56.61, -75.98

 

CMYK 56 / 95 / 0 / 34

HEX #4B08A9

RGB 75 8 169

HSL 264.97, 0.91%, 0.35%

LAB 25.36, 58.92, -69.34

 

CMYK 30 / 95 / 0 / 34

HEX #7608A9

RGB 118 8 169

HSL 280.99, 0.91%, 0.35%

LAB 31.55, 63.53, -58.93

 

CMYK 5 / 95 / 0 / 34

HEX #A108A9

RGB 161 8 169

HSL 297.02, 0.91%, 0.35%

LAB 38.92, 70, -46.64

 

CMYK 0 / 95 / 21 / 34

HEX #A90886

RGB 169 8 134

HSL 313.04, 0.91%, 0.35%

LAB 38.43, 66.47, -26.05

 

CMYK 30 / 96 / 0 / 64

HEX #40045B

RGB 64 4 91

HSL 281.38, 0.92%, 0.19%

LAB 15.13, 40.41, -36.74

 

CMYK 29 / 95 / 0 / 49

HEX #5C0682

RGB 92 6 130

HSL 281.61, 0.91%, 0.27%

LAB 23.73, 52.42, -47.87

 

CMYK 29 / 95 / 0 / 34

HEX #7808A9

RGB 120 8 169

HSL 281.74, 0.91%, 0.35%

LAB 31.88, 63.79, -58.39

 

CMYK 29 / 95 / 0 / 18

HEX #930AD0

RGB 147 10 208

HSL 281.52, 0.91%, 0.43%

LAB 39.54, 74.55, -68.72

 

CMYK 29 / 93 / 0 / 5

HEX #AD12F2

RGB 173 18 242

HSL 281.52, 0.9%, 0.51%

LAB 46.62, 83.21, -76.4

 

CMYK 29 / 95 / 0 / 34

HEX #7709A8

RGB 119 9 168

HSL 281.51, 0.9%, 0.35%

LAB 31.68, 63.32, -58.12

 

CMYK 0 / 95 / 84 / 34

HEX #A9081B

RGB 169 8 27

HSL 352.92, 0.91%, 0.35%

LAB 35.38, 58.3, 37.29

 

CMYK 95 / 0 / 68 / 34

HEX #08A936

RGB 8 169 54

HSL 137.14, 0.91%, 0.35%

LAB 60.51, -59.86, 47.32

 

CMYK 29 / 95 / 0 / 34

HEX #7709A8

RGB 119 9 168

HSL 281.51, 0.9%, 0.35%

LAB 31.68, 63.32, -58.12

 

CMYK 0 / 30 / 95 / 34

HEX #A97608

RGB 169 118 8

HSL 40.99, 0.91%, 0.35%

LAB 53.39, 11.94, 58.21

 

CMYK 95 / 0 / 30 / 34

HEX #08A976

RGB 8 169 118

HSL 160.99, 0.91%, 0.35%

LAB 61.43, -48.97, 16.22

 

CMYK 29 / 95 / 0 / 34

HEX #7709A8

RGB 119 9 168

HSL 281.51, 0.9%, 0.35%

LAB 31.68, 63.32, -58.12

 

CMYK 0 / 95 / 84 / 34

HEX #A9081B

RGB 169 8 27

HSL 352.92, 0.91%, 0.35%

LAB 35.38, 58.3, 37.29

 

CMYK 65 / 0 / 95 / 34

HEX #3BA908

RGB 59 169 8

HSL 100.99, 0.91%, 0.35%

LAB 61.07, -55.9, 61.04

 

CMYK 95 / 0 / 11 / 34

HEX #08A996

RGB 8 169 150

HSL 172.92, 0.91%, 0.35%

LAB 62.19, -40.68, -0.5

 

CMYK 29 / 95 / 0 / 34

HEX #7709A8

RGB 119 9 168

HSL 281.51, 0.9%, 0.35%

LAB 31.68, 63.32, -58.12

 

CMYK 0 / 78 / 95 / 34

HEX #A92608

RGB 169 38 8

HSL 11.18, 0.91%, 0.35%

LAB 37.55, 51.43, 47.48

 

CMYK 65 / 0 / 95 / 34

HEX #3BA908

RGB 59 169 8

HSL 100.99, 0.91%, 0.35%

LAB 61.07, -55.9, 61.04

 

CMYK 95 / 17 / 0 / 34

HEX #088CA9

RGB 8 140 169

HSL 190.81, 0.91%, 0.35%

LAB 53.68, -20.63, -24.1

 

Description

Color code: HEX #7709A8 | qconv.com Color code: HEX #7709A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 9 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 9 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 95 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 95% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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