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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77147D it is the complementary color #88EB82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77147D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77147D shade: #7C1478, #8D268B, #9E389E, #AF4AB1 and #C05CC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77147D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77147D shade: #77147D, #66026A, #550057, #440044 and #330031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77147D shade: #74137A, #7A1364, #7A1349, #7A132D and #7A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77147D shade: #74137A, #59137A, #3D137A, #21137A and #13137A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77147D shade matches the following richer shades: #74137A and #7F0886

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77147D shade: #74137A, #6A1F6F, #602B63, #563658 and #4C424C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77147D shade: #3D137A, #58137A, #73137A, #7A1366 and #7A134A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77147D shade: #310833, #530E57, #74137A, #96199E and #B81FC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77147D shade: #77147D, #7A2113 and #137A4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77147D shade: #77147D, #7A7313 and #137A73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77147D shade: #77147D, #7A2113, #1A7A13 and #136D7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77147D shade: #77147D, #7A4013, #1A7A13 and #134E7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 84 / 0 / 51

HEX #77147D

RGB 119 20 125

HSL 296.57, 0.72%, 0.28%

LAB 29.17, 53.04, -35.69

 

Complementary color

CMYK 42 / 0 / 45 / 8

HEX #88EB82

RGB 136 235 130

HSL 116.57, 0.72%, 0.72%

LAB 85.13, -49.44, 41.95

 

CMYK 0 / 84 / 3 / 51

HEX #7C1478

RGB 124 20 120

HSL 302.31, 0.72%, 0.28%

LAB 29.77, 53.23, -31.51

 

CMYK 0 / 73 / 1 / 45

HEX #8D268B

RGB 141 38 139

HSL 301.17, 0.58%, 0.35%

LAB 35.82, 54.66, -33.59

 

CMYK 0 / 65 / 0 / 38

HEX #9E389E

RGB 158 56 158

HSL 300, 0.48%, 0.42%

LAB 42.1, 55.09, -35.02

 

CMYK 1 / 58 / 0 / 31

HEX #AF4AB1

RGB 175 74 177

HSL 298.83, 0.41%, 0.49%

LAB 48.49, 54.96, -36.03

 

CMYK 2 / 53 / 0 / 23

HEX #C05CC4

RGB 192 92 196

HSL 297.69, 0.47%, 0.56%

LAB 54.91, 54.52, -36.79

 

CMYK 5 / 84 / 0 / 51

HEX #77147D

RGB 119 20 125

HSL 296.57, 0.72%, 0.28%

LAB 29.17, 53.04, -35.69

 

CMYK 4 / 98 / 0 / 58

HEX #66026A

RGB 102 2 106

HSL 297.69, 0.96%, 0.21%

LAB 23.37, 50.37, -32.98

 

CMYK 2 / 100 / 0 / 66

HEX #550057

RGB 85 0 87

HSL 298.62, 1%, 0.17%

LAB 18.45, 44.51, -28.47

 

CMYK 0 / 100 / 0 / 73

HEX #440044

RGB 68 0 68

HSL 300, 1%, 0.13%

LAB 13.51, 37.99, -23.53

 

CMYK 0 / 100 / 4 / 80

HEX #330031

RGB 51 0 49

HSL 302.35, 1%, 0.1%

LAB 8.36, 31.18, -18.3

 

CMYK 5 / 84 / 0 / 52

HEX #74137A

RGB 116 19 122

HSL 296.5, 0.73%, 0.28%

LAB 28.34, 52.17, -35.15

 

CMYK 0 / 84 / 18 / 52

HEX #7A1364

RGB 122 19 100

HSL 312.82, 0.73%, 0.28%

LAB 28.18, 49.95, -21.21

 

CMYK 0 / 84 / 40 / 52

HEX #7A1349

RGB 122 19 73

HSL 328.54, 0.73%, 0.28%

LAB 26.97, 46.5, -5.2

 

CMYK 0 / 84 / 63 / 52

HEX #7A132D

RGB 122 19 45

HSL 344.85, 0.73%, 0.28%

LAB 26.14, 44, 12.6

 

CMYK 0 / 84 / 84 / 52

HEX #7A1313

RGB 122 19 19

HSL 0, 0.73%, 0.28%

LAB 25.71, 42.7, 29.05

 

CMYK 5 / 84 / 0 / 52

HEX #74137A

RGB 116 19 122

HSL 296.5, 0.73%, 0.28%

LAB 28.34, 52.17, -35.15

 

CMYK 27 / 84 / 0 / 52

HEX #59137A

RGB 89 19 122

HSL 280.78, 0.73%, 0.28%

LAB 23.65, 46.97, -42.94

 

CMYK 50 / 84 / 0 / 52

HEX #3D137A

RGB 61 19 122

HSL 264.47, 0.73%, 0.28%

LAB 19.49, 42.41, -49.92

 

CMYK 73 / 84 / 0 / 52

HEX #21137A

RGB 33 19 122

HSL 248.16, 0.73%, 0.28%

LAB 16.48, 39.18, -54.99

 

CMYK 84 / 84 / 0 / 52

HEX #13137A

RGB 19 19 122

HSL 240, 0.73%, 0.28%

LAB 15.54, 38.19, -56.58

 

CMYK 5 / 84 / 0 / 52

HEX #74137A

RGB 116 19 122

HSL 296.5, 0.73%, 0.28%

LAB 28.34, 52.17, -35.15

 

CMYK 5 / 94 / 0 / 47

HEX #7F0886

RGB 127 8 134

HSL 296.67, 0.89%, 0.28%

LAB 30.42, 58.48, -39.25

 

CMYK 5 / 84 / 0 / 52

HEX #74137A

RGB 116 19 122

HSL 296.5, 0.73%, 0.28%

LAB 28.34, 52.17, -35.15

 

CMYK 5 / 72 / 0 / 56

HEX #6A1F6F

RGB 106 31 111

HSL 296.25, 0.56%, 0.28%

LAB 27.27, 43.9, -29.93

 

CMYK 3 / 57 / 0 / 61

HEX #602B63

RGB 96 43 99

HSL 296.79, 0.39%, 0.28%

LAB 27.06, 32.96, -22.63

 

CMYK 2 / 39 / 0 / 65

HEX #563658

RGB 86 54 88

HSL 296.47, 0.24%, 0.28%

LAB 27.63, 20.7, -14.69

 

CMYK 0 / 13 / 0 / 70

HEX #4C424C

RGB 76 66 76

HSL 300, 0.07%, 0.28%

LAB 29.3, 6.38, -4.46

 

CMYK 50 / 84 / 0 / 52

HEX #3D137A

RGB 61 19 122

HSL 264.47, 0.73%, 0.28%

LAB 19.49, 42.41, -49.92

 

CMYK 28 / 84 / 0 / 52

HEX #58137A

RGB 88 19 122

HSL 280.19, 0.73%, 0.28%

LAB 23.49, 46.79, -43.21

 

CMYK 6 / 84 / 0 / 52

HEX #73137A

RGB 115 19 122

HSL 295.92, 0.73%, 0.28%

LAB 28.16, 51.97, -35.45

 

CMYK 0 / 84 / 16 / 52

HEX #7A1366

RGB 122 19 102

HSL 311.65, 0.73%, 0.28%

LAB 28.28, 50.24, -22.34

 

CMYK 0 / 84 / 39 / 52

HEX #7A134A

RGB 122 19 74

HSL 327.96, 0.73%, 0.28%

LAB 27.01, 46.61, -5.82

 

CMYK 4 / 84 / 0 / 80

HEX #310833

RGB 49 8 51

HSL 297.21, 0.73%, 0.12%

LAB 9.53, 26.87, -17.93

 

CMYK 5 / 84 / 0 / 66

HEX #530E57

RGB 83 14 87

HSL 296.71, 0.72%, 0.2%

LAB 19.4, 40.17, -26.98

 

CMYK 5 / 84 / 0 / 52

HEX #74137A

RGB 116 19 122

HSL 296.5, 0.73%, 0.28%

LAB 28.34, 52.17, -35.15

 

CMYK 5 / 84 / 0 / 38

HEX #96199E

RGB 150 25 158

HSL 296.39, 0.73%, 0.36%

LAB 37.2, 63.53, -42.89

 

CMYK 5 / 84 / 0 / 24

HEX #B81FC1

RGB 184 31 193

HSL 296.67, 0.72%, 0.44%

LAB 45.66, 74.2, -49.79

 

CMYK 5 / 84 / 0 / 51

HEX #77147D

RGB 119 20 125

HSL 296.57, 0.72%, 0.28%

LAB 29.17, 53.04, -35.69

 

CMYK 0 / 73 / 84 / 52

HEX #7A2113

RGB 122 33 19

HSL 8.16, 0.73%, 0.28%

LAB 27.5, 37.74, 30.79

 

CMYK 84 / 0 / 39 / 52

HEX #137A4A

RGB 19 122 74

HSL 152.04, 0.73%, 0.28%

LAB 45.01, -39.71, 18.59

 

CMYK 5 / 84 / 0 / 51

HEX #77147D

RGB 119 20 125

HSL 296.57, 0.72%, 0.28%

LAB 29.17, 53.04, -35.69

 

CMYK 0 / 6 / 84 / 52

HEX #7A7313

RGB 122 115 19

HSL 55.92, 0.73%, 0.28%

LAB 47.55, -8.17, 48.91

 

CMYK 84 / 0 / 6 / 52

HEX #137A73

RGB 19 122 115

HSL 175.92, 0.73%, 0.28%

LAB 46.04, -28.84, -4.07

 

CMYK 5 / 84 / 0 / 51

HEX #77147D

RGB 119 20 125

HSL 296.57, 0.72%, 0.28%

LAB 29.17, 53.04, -35.69

 

CMYK 0 / 73 / 84 / 52

HEX #7A2113

RGB 122 33 19

HSL 8.16, 0.73%, 0.28%

LAB 27.5, 37.74, 30.79

 

CMYK 79 / 0 / 84 / 52

HEX #1A7A13

RGB 26 122 19

HSL 115.92, 0.73%, 0.28%

LAB 44.5, -46.28, 44.18

 

CMYK 84 / 11 / 0 / 52

HEX #136D7A

RGB 19 109 122

HSL 187.57, 0.73%, 0.28%

LAB 41.97, -19.88, -14.37

 

CMYK 5 / 84 / 0 / 51

HEX #77147D

RGB 119 20 125

HSL 296.57, 0.72%, 0.28%

LAB 29.17, 53.04, -35.69

 

CMYK 0 / 48 / 84 / 52

HEX #7A4013

RGB 122 64 19

HSL 26.21, 0.73%, 0.28%

LAB 33.67, 21.76, 36.59

 

CMYK 79 / 0 / 84 / 52

HEX #1A7A13

RGB 26 122 19

HSL 115.92, 0.73%, 0.28%

LAB 44.5, -46.28, 44.18

 

CMYK 84 / 36 / 0 / 52

HEX #134E7A

RGB 19 78 122

HSL 205.63, 0.73%, 0.28%

LAB 31.79, -1.46, -30.18

 

Description

Color code: HEX #77147D | qconv.com Color code: HEX #77147D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 20 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 20 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 84 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 84% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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