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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7726B1 it is the complementary color #88D94E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7726B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7726B1 shade: #7C26AC, #8D38BF, #9E4AD2, #AF5CE5 and #C06EF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7726B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7726B1 shade: #7726B1, #66149E, #55028B, #440078 and #330065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7726B1 shade: #7625B0, #9C25B0, #B0259F, #B0257A and #B02554

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7726B1 shade: #7625B0, #5125B0, #2B25B0 and #2525B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7726B1 shade matches the following richer shades: #7625B0, #7914C2 and #7C02D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7726B1 shade: #7625B0, #73369F, #70488E, #6E597C and #6B6A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7726B1 shade: #2A25B0, #4F25B0, #7425B0, #9925B0 and #B025A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7726B1 shade: #48176C, #5F1E8E, #7625B0, #8D2DD2 and #9F4FD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7726B1 shade: #7726B1, #B02545 and #25B03C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7726B1 shade: #7726B1, #B07425 and #25B074

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7726B1 shade: #7726B1, #B02545, #61B025 and #25B090

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7726B1 shade: #7726B1, #B02E25, #61B025 and #25A7B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 79 / 0 / 31

HEX #7726B1

RGB 119 38 177

HSL 274.96, 0.65%, 0.42%

LAB 34.97, 57.74, -58.15

 

Complementary color

CMYK 37 / 0 / 64 / 15

HEX #88D94E

RGB 136 217 78

HSL 94.96, 0.65%, 0.58%

LAB 79.28, -47.77, 58.76

 

CMYK 28 / 78 / 0 / 33

HEX #7C26AC

RGB 124 38 172

HSL 278.51, 0.64%, 0.41%

LAB 35.3, 57.53, -54.59

 

CMYK 26 / 71 / 0 / 25

HEX #8D38BF

RGB 141 56 191

HSL 277.78, 0.55%, 0.48%

LAB 41.61, 57.73, -55.48

 

CMYK 25 / 65 / 0 / 18

HEX #9E4AD2

RGB 158 74 210

HSL 277.06, 0.6%, 0.56%

LAB 48.03, 57.41, -56.02

 

CMYK 24 / 60 / 0 / 10

HEX #AF5CE5

RGB 175 92 229

HSL 276.35, 0.72%, 0.63%

LAB 54.48, 56.81, -56.35

 

CMYK 23 / 56 / 0 / 3

HEX #C06EF8

RGB 192 110 248

HSL 275.65, 0.91%, 0.7%

LAB 60.9, 56.07, -56.56

 

CMYK 33 / 79 / 0 / 31

HEX #7726B1

RGB 119 38 177

HSL 274.96, 0.65%, 0.42%

LAB 34.97, 57.74, -58.15

 

CMYK 35 / 87 / 0 / 38

HEX #66149E

RGB 102 20 158

HSL 275.65, 0.78%, 0.35%

LAB 28.89, 56.67, -56.73

 

CMYK 39 / 99 / 0 / 45

HEX #55028B

RGB 85 2 139

HSL 276.35, 0.97%, 0.28%

LAB 23.13, 54.3, -54.55

 

CMYK 43 / 100 / 0 / 53

HEX #440078

RGB 68 0 120

HSL 274, 1%, 0.24%

LAB 18.3, 48.72, -50.56

 

CMYK 50 / 100 / 0 / 60

HEX #330065

RGB 51 0 101

HSL 270.3, 1%, 0.2%

LAB 13.49, 42.55, -46.18

 

CMYK 33 / 79 / 0 / 31

HEX #7625B0

RGB 118 37 176

HSL 274.96, 0.65%, 0.42%

LAB 34.62, 57.72, -58.13

 

CMYK 11 / 79 / 0 / 31

HEX #9C25B0

RGB 156 37 176

HSL 291.37, 0.65%, 0.42%

LAB 40.45, 64.63, -48.41

 

CMYK 0 / 79 / 10 / 31

HEX #B0259F

RGB 176 37 159

HSL 307.34, 0.65%, 0.42%

LAB 42.85, 65.95, -34.24

 

CMYK 0 / 79 / 31 / 31

HEX #B0257A

RGB 176 37 122

HSL 323.31, 0.65%, 0.42%

LAB 41.15, 61.03, -14.31

 

CMYK 0 / 79 / 52 / 31

HEX #B02554

RGB 176 37 84

HSL 339.71, 0.65%, 0.42%

LAB 39.9, 57.25, 7.73

 

CMYK 33 / 79 / 0 / 31

HEX #7625B0

RGB 118 37 176

HSL 274.96, 0.65%, 0.42%

LAB 34.62, 57.72, -58.13

 

CMYK 54 / 79 / 0 / 31

HEX #5125B0

RGB 81 37 176

HSL 258.99, 0.65%, 0.42%

LAB 29.93, 52.1, -65.99

 

CMYK 76 / 79 / 0 / 31

HEX #2B25B0

RGB 43 37 176

HSL 242.59, 0.65%, 0.42%

LAB 26.65, 48.15, -71.51

 

CMYK 79 / 79 / 0 / 31

HEX #2525B0

RGB 37 37 176

HSL 240, 0.65%, 0.42%

LAB 26.31, 47.72, -72.09

 

CMYK 33 / 79 / 0 / 31

HEX #7625B0

RGB 118 37 176

HSL 274.96, 0.65%, 0.42%

LAB 34.62, 57.72, -58.13

 

CMYK 38 / 90 / 0 / 24

HEX #7914C2

RGB 121 20 194

HSL 274.83, 0.81%, 0.42%

LAB 34.92, 66.96, -68.26

 

CMYK 41 / 99 / 0 / 17

HEX #7C02D3

RGB 124 2 211

HSL 275.02, 0.98%, 0.42%

LAB 36.05, 73.52, -76.32

 

CMYK 33 / 79 / 0 / 31

HEX #7625B0

RGB 118 37 176

HSL 274.96, 0.65%, 0.42%

LAB 34.62, 57.72, -58.13

 

CMYK 28 / 66 / 0 / 38

HEX #73369F

RGB 115 54 159

HSL 274.86, 0.49%, 0.42%

LAB 35.57, 45.78, -46.41

 

CMYK 21 / 49 / 0 / 44

HEX #70488E

RGB 112 72 142

HSL 274.29, 0.33%, 0.42%

LAB 37.9, 30.98, -32.4

 

CMYK 11 / 28 / 0 / 51

HEX #6E597C

RGB 110 89 124

HSL 276, 0.16%, 0.42%

LAB 41.08, 15.74, -16.49

 

CMYK 0 / 1 / 0 / 58

HEX #6B6A6B

RGB 107 106 107

HSL 300, 0%, 0.42%

LAB 44.94, 0.59, -0.43

 

CMYK 76 / 79 / 0 / 31

HEX #2A25B0

RGB 42 37 176

HSL 242.16, 0.65%, 0.42%

LAB 26.59, 48.07, -71.61

 

CMYK 55 / 79 / 0 / 31

HEX #4F25B0

RGB 79 37 176

HSL 258.13, 0.65%, 0.42%

LAB 29.71, 51.84, -66.35

 

CMYK 34 / 79 / 0 / 31

HEX #7425B0

RGB 116 37 176

HSL 274.1, 0.65%, 0.42%

LAB 34.34, 57.38, -58.6

 

CMYK 13 / 79 / 0 / 31

HEX #9925B0

RGB 153 37 176

HSL 290.07, 0.65%, 0.42%

LAB 39.97, 64.06, -49.21

 

CMYK 0 / 79 / 8 / 31

HEX #B025A2

RGB 176 37 162

HSL 306.04, 0.65%, 0.42%

LAB 43.01, 66.4, -35.79

 

CMYK 33 / 79 / 0 / 58

HEX #48176C

RGB 72 23 108

HSL 274.59, 0.65%, 0.26%

LAB 20.33, 38.93, -39.44

 

CMYK 33 / 79 / 0 / 44

HEX #5F1E8E

RGB 95 30 142

HSL 274.82, 0.65%, 0.34%

LAB 27.61, 48.58, -49.02

 

CMYK 33 / 79 / 0 / 31

HEX #7625B0

RGB 118 37 176

HSL 274.96, 0.65%, 0.42%

LAB 34.62, 57.72, -58.13

 

CMYK 33 / 79 / 0 / 18

HEX #8D2DD2

RGB 141 45 210

HSL 274.91, 0.65%, 0.5%

LAB 41.52, 66.13, -66.67

 

CMYK 27 / 64 / 0 / 15

HEX #9F4FD9

RGB 159 79 217

HSL 274.78, 0.64%, 0.58%

LAB 49.46, 56.82, -57.71

 

CMYK 33 / 79 / 0 / 31

HEX #7726B1

RGB 119 38 177

HSL 274.96, 0.65%, 0.42%

LAB 34.97, 57.74, -58.15

 

CMYK 0 / 79 / 61 / 31

HEX #B02545

RGB 176 37 69

HSL 346.19, 0.65%, 0.42%

LAB 39.55, 56.15, 16.76

 

CMYK 79 / 0 / 66 / 31

HEX #25B03C

RGB 37 176 60

HSL 129.93, 0.65%, 0.42%

LAB 63.15, -58.89, 47.75

 

CMYK 33 / 79 / 0 / 31

HEX #7726B1

RGB 119 38 177

HSL 274.96, 0.65%, 0.42%

LAB 34.97, 57.74, -58.15

 

CMYK 0 / 34 / 79 / 31

HEX #B07425

RGB 176 116 37

HSL 34.1, 0.65%, 0.42%

LAB 53.87, 16.97, 50.42

 

CMYK 79 / 0 / 34 / 31

HEX #25B074

RGB 37 176 116

HSL 154.1, 0.65%, 0.42%

LAB 63.92, -49.89, 20.77

 

CMYK 33 / 79 / 0 / 31

HEX #7726B1

RGB 119 38 177

HSL 274.96, 0.65%, 0.42%

LAB 34.97, 57.74, -58.15

 

CMYK 0 / 79 / 61 / 31

HEX #B02545

RGB 176 37 69

HSL 346.19, 0.65%, 0.42%

LAB 39.55, 56.15, 16.76

 

CMYK 45 / 0 / 79 / 31

HEX #61B025

RGB 97 176 37

HSL 94.1, 0.65%, 0.42%

LAB 64.74, -46.78, 58.47

 

CMYK 79 / 0 / 18 / 31

HEX #25B090

RGB 37 176 144

HSL 166.19, 0.65%, 0.42%

LAB 64.53, -43.3, 6.26

 

CMYK 33 / 79 / 0 / 31

HEX #7726B1

RGB 119 38 177

HSL 274.96, 0.65%, 0.42%

LAB 34.97, 57.74, -58.15

 

CMYK 0 / 74 / 79 / 31

HEX #B02E25

RGB 176 46 37

HSL 3.88, 0.65%, 0.42%

LAB 40.11, 51.6, 36.86

 

CMYK 45 / 0 / 79 / 31

HEX #61B025

RGB 97 176 37

HSL 94.1, 0.65%, 0.42%

LAB 64.74, -46.78, 58.47

 

CMYK 79 / 5 / 0 / 31

HEX #25A7B0

RGB 37 167 176

HSL 183.88, 0.65%, 0.42%

LAB 62.65, -30.07, -14.37

 

Description

Color code: HEX #7726B1 | qconv.com Color code: HEX #7726B1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 38 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 38 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 79 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 79% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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