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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772897 it is the complementary color #88D768. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772897. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772897 shade: #7C2892, #8D3AA5, #9E4CB8, #AF5ECB and #C070DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772897. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772897 shade: #772897, #661684, #550471, #44005E and #33004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772897 shade: #752795, #932795, #952779, #95275C and #95273E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772897 shade: #752795, #582795, #3A2795 and #272795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772897 shade matches the following richer shades: #752795, #7B18A4 and #8209B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772897 shade: #752795, #6F3685, #684676, #625567 and #5B6458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772897 shade: #392795, #572795, #742795, #912795 and #95277B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772897 shade: #421653, #5B1E74, #752795, #8F30B5 and #A442CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772897 shade: #772897, #952732 and #279548

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772897 shade: #772897, #957427 and #279574

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772897 shade: #772897, #952732, #489527 and #27958A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772897 shade: #772897, #953D27, #489527 and #277F95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 74 / 0 / 41

HEX #772897

RGB 119 40 151

HSL 282.7, 0.58%, 0.37%

LAB 33.29, 51.28, -45.19

 

Complementary color

CMYK 37 / 0 / 52 / 16

HEX #88D768

RGB 136 215 104

HSL 102.7, 0.58%, 0.63%

LAB 78.95, -44.32, 46.82

 

CMYK 15 / 73 / 0 / 43

HEX #7C2892

RGB 124 40 146

HSL 287.55, 0.57%, 0.36%

LAB 33.73, 51.34, -41.39

 

CMYK 15 / 65 / 0 / 35

HEX #8D3AA5

RGB 141 58 165

HSL 286.54, 0.48%, 0.44%

LAB 40.26, 51.35, -42.3

 

CMYK 14 / 59 / 0 / 28

HEX #9E4CB8

RGB 158 76 184

HSL 285.56, 0.43%, 0.51%

LAB 46.84, 50.92, -42.89

 

CMYK 14 / 54 / 0 / 20

HEX #AF5ECB

RGB 175 94 203

HSL 284.59, 0.51%, 0.58%

LAB 53.42, 50.28, -43.3

 

CMYK 14 / 50 / 0 / 13

HEX #C070DE

RGB 192 112 222

HSL 283.64, 0.63%, 0.65%

LAB 59.95, 49.55, -43.6

 

CMYK 21 / 74 / 0 / 41

HEX #772897

RGB 119 40 151

HSL 282.7, 0.58%, 0.37%

LAB 33.29, 51.28, -45.19

 

CMYK 23 / 83 / 0 / 48

HEX #661684

RGB 102 22 132

HSL 283.64, 0.71%, 0.3%

LAB 26.92, 50.51, -43.87

 

CMYK 25 / 96 / 0 / 56

HEX #550471

RGB 85 4 113

HSL 284.59, 0.93%, 0.23%

LAB 20.87, 48.35, -41.72

 

CMYK 28 / 100 / 0 / 63

HEX #44005E

RGB 68 0 94

HSL 283.4, 1%, 0.18%

LAB 15.68, 43.04, -37.82

 

CMYK 32 / 100 / 0 / 71

HEX #33004B

RGB 51 0 75

HSL 280.8, 1%, 0.15%

LAB 10.64, 36.49, -33.22

 

CMYK 21 / 74 / 0 / 42

HEX #752795

RGB 117 39 149

HSL 282.55, 0.59%, 0.37%

LAB 32.71, 50.85, -44.93

 

CMYK 1 / 74 / 0 / 42

HEX #932795

RGB 147 39 149

HSL 298.91, 0.59%, 0.37%

LAB 37.52, 57.39, -36.94

 

CMYK 0 / 74 / 19 / 42

HEX #952779

RGB 149 39 121

HSL 315.27, 0.59%, 0.37%

LAB 36.41, 53.43, -21.4

 

CMYK 0 / 74 / 38 / 42

HEX #95275C

RGB 149 39 92

HSL 331.09, 0.59%, 0.37%

LAB 35.23, 49.7, -4.81

 

CMYK 0 / 74 / 58 / 42

HEX #95273E

RGB 149 39 62

HSL 347.45, 0.59%, 0.37%

LAB 34.37, 46.87, 13.36

 

CMYK 21 / 74 / 0 / 42

HEX #752795

RGB 117 39 149

HSL 282.55, 0.59%, 0.37%

LAB 32.71, 50.85, -44.93

 

CMYK 41 / 74 / 0 / 42

HEX #582795

RGB 88 39 149

HSL 266.73, 0.59%, 0.37%

LAB 28.63, 45.03, -51.72

 

CMYK 61 / 74 / 0 / 42

HEX #3A2795

RGB 58 39 149

HSL 250.36, 0.59%, 0.37%

LAB 25.32, 40.05, -57.27

 

CMYK 74 / 74 / 0 / 42

HEX #272795

RGB 39 39 149

HSL 240, 0.59%, 0.37%

LAB 23.84, 37.71, -59.76

 

CMYK 21 / 74 / 0 / 42

HEX #752795

RGB 117 39 149

HSL 282.55, 0.59%, 0.37%

LAB 32.71, 50.85, -44.93

 

CMYK 25 / 85 / 0 / 36

HEX #7B18A4

RGB 123 24 164

HSL 282.43, 0.74%, 0.37%

LAB 33.02, 60.1, -53.5

 

CMYK 27 / 95 / 0 / 30

HEX #8209B3

RGB 130 9 179

HSL 282.71, 0.9%, 0.37%

LAB 34.39, 66.94, -60.21

 

CMYK 21 / 74 / 0 / 42

HEX #752795

RGB 117 39 149

HSL 282.55, 0.59%, 0.37%

LAB 32.71, 50.85, -44.93

 

CMYK 17 / 59 / 0 / 48

HEX #6F3685

RGB 111 54 133

HSL 283.29, 0.42%, 0.37%

LAB 33.37, 38.77, -34.05

 

CMYK 12 / 41 / 0 / 54

HEX #684676

RGB 104 70 118

HSL 282.5, 0.26%, 0.37%

LAB 35.26, 23.94, -21.82

 

CMYK 5 / 17 / 0 / 60

HEX #625567

RGB 98 85 103

HSL 283.33, 0.1%, 0.37%

LAB 37.97, 9.04, -8.39

 

CMYK 9 / 0 / 12 / 61

HEX #5B6458

RGB 91 100 88

HSL 105, 0.06%, 0.37%

LAB 41.28, -5.99, 5.63

 

CMYK 62 / 74 / 0 / 42

HEX #392795

RGB 57 39 149

HSL 249.82, 0.59%, 0.37%

LAB 25.23, 39.91, -57.42

 

CMYK 42 / 74 / 0 / 42

HEX #572795

RGB 87 39 149

HSL 266.18, 0.59%, 0.37%

LAB 28.5, 44.85, -51.94

 

CMYK 22 / 74 / 0 / 42

HEX #742795

RGB 116 39 149

HSL 282, 0.59%, 0.37%

LAB 32.56, 50.63, -45.18

 

CMYK 3 / 74 / 0 / 42

HEX #912795

RGB 145 39 149

HSL 297.82, 0.59%, 0.37%

LAB 37.19, 56.95, -37.5

 

CMYK 0 / 74 / 17 / 42

HEX #95277B

RGB 149 39 123

HSL 314.18, 0.59%, 0.37%

LAB 36.5, 53.72, -22.5

 

CMYK 20 / 73 / 0 / 67

HEX #421653

RGB 66 22 83

HSL 283.28, 0.58%, 0.21%

LAB 17.26, 31.93, -27.88

 

CMYK 22 / 74 / 0 / 55

HEX #5B1E74

RGB 91 30 116

HSL 282.56, 0.59%, 0.29%

LAB 24.99, 41.79, -36.92

 

CMYK 21 / 74 / 0 / 42

HEX #752795

RGB 117 39 149

HSL 282.55, 0.59%, 0.37%

LAB 32.71, 50.85, -44.93

 

CMYK 21 / 73 / 0 / 29

HEX #8F30B5

RGB 143 48 181

HSL 282.86, 0.58%, 0.45%

LAB 40.06, 59.29, -52.09

 

CMYK 20 / 68 / 0 / 20

HEX #A442CC

RGB 164 66 204

HSL 282.61, 0.58%, 0.53%

LAB 47.17, 61.03, -53.92

 

CMYK 21 / 74 / 0 / 41

HEX #772897

RGB 119 40 151

HSL 282.7, 0.58%, 0.37%

LAB 33.29, 51.28, -45.19

 

CMYK 0 / 74 / 66 / 42

HEX #952732

RGB 149 39 50

HSL 354, 0.59%, 0.37%

LAB 34.13, 46.05, 20.77

 

CMYK 74 / 0 / 52 / 42

HEX #279548

RGB 39 149 72

HSL 138, 0.59%, 0.37%

LAB 54.44, -47.65, 31.88

 

CMYK 21 / 74 / 0 / 41

HEX #772897

RGB 119 40 151

HSL 282.7, 0.58%, 0.37%

LAB 33.29, 51.28, -45.19

 

CMYK 0 / 22 / 74 / 42

HEX #957427

RGB 149 116 39

HSL 42, 0.59%, 0.37%

LAB 50.72, 4.8, 45.42

 

CMYK 74 / 0 / 22 / 42

HEX #279574

RGB 39 149 116

HSL 162, 0.59%, 0.37%

LAB 55.26, -38.57, 8.76

 

CMYK 21 / 74 / 0 / 41

HEX #772897

RGB 119 40 151

HSL 282.7, 0.58%, 0.37%

LAB 33.29, 51.28, -45.19

 

CMYK 0 / 74 / 66 / 42

HEX #952732

RGB 149 39 50

HSL 354, 0.59%, 0.37%

LAB 34.13, 46.05, 20.77

 

CMYK 52 / 0 / 74 / 42

HEX #489527

RGB 72 149 39

HSL 102, 0.59%, 0.37%

LAB 55.09, -43.72, 48.04

 

CMYK 74 / 0 / 7 / 42

HEX #27958A

RGB 39 149 138

HSL 174, 0.59%, 0.37%

LAB 55.85, -32.63, -2.97

 

CMYK 21 / 74 / 0 / 41

HEX #772897

RGB 119 40 151

HSL 282.7, 0.58%, 0.37%

LAB 33.29, 51.28, -45.19

 

CMYK 0 / 59 / 74 / 42

HEX #953D27

RGB 149 61 39

HSL 12, 0.59%, 0.37%

LAB 37.61, 35.63, 31.6

 

CMYK 52 / 0 / 74 / 42

HEX #489527

RGB 72 149 39

HSL 102, 0.59%, 0.37%

LAB 55.09, -43.72, 48.04

 

CMYK 74 / 15 / 0 / 42

HEX #277F95

RGB 39 127 149

HSL 192, 0.59%, 0.37%

LAB 49.23, -18.04, -19.3

 

Description

Color code: HEX #772897 | qconv.com Color code: HEX #772897 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 40 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 40 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 74 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 74% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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