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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772A28 it is the complementary color #88D5D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772A28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772A28 shade: #7C2A23, #8D3C36, #9E4E49, #AF605C and #C0726F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772A28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772A28 shade: #772A28, #661815, #550602, #440000 and #330000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772A28 shade: #762927 and #762727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772A28 shade: #762927, #763E27, #765427, #766927 and #6E7627

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772A28 shade matches the following richer shades: #762927, #831D1A, #90110D and #9C0501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772A28 shade: #762927, #693534, #5C4141, #504D4D and #435A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772A28 shade: #762750, #76273B, #762827, #763D27 and #765327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772A28 shade: #381312, #571E1D, #762927, #953431 and #B43F3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772A28 shade: #772A28, #657627 and #274576

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772A28 shade: #772A28, #277628 and #282776

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772A28 shade: #772A28, #657627, #277576 and #382776

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772A28 shade: #772A28, #4D7627, #277576 and #502776

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 66 / 53

HEX #772A28

RGB 119 42 40

HSL 1.52, 0.5%, 0.31%

LAB 28.72, 33.58, 19.16

 

Complementary color

CMYK 37 / 1 / 0 / 16

HEX #88D5D7

RGB 136 213 215

HSL 181.52, 0.5%, 0.69%

LAB 80.59, -23.16, -8.51

 

CMYK 0 / 66 / 72 / 51

HEX #7C2A23

RGB 124 42 35

HSL 4.72, 0.56%, 0.31%

LAB 29.57, 35.16, 23.58

 

CMYK 0 / 57 / 62 / 45

HEX #8D3C36

RGB 141 60 54

HSL 4.14, 0.45%, 0.38%

LAB 36.29, 33.97, 20.71

 

CMYK 0 / 51 / 54 / 38

HEX #9E4E49

RGB 158 78 73

HSL 3.53, 0.37%, 0.45%

LAB 43.06, 32.7, 18.41

 

CMYK 0 / 45 / 47 / 31

HEX #AF605C

RGB 175 96 92

HSL 2.89, 0.34%, 0.52%

LAB 49.8, 31.5, 16.52

 

CMYK 0 / 41 / 42 / 25

HEX #C0726F

RGB 192 114 111

HSL 2.22, 0.39%, 0.59%

LAB 56.47, 30.39, 14.92

 

CMYK 0 / 65 / 66 / 53

HEX #772A28

RGB 119 42 40

HSL 1.52, 0.5%, 0.31%

LAB 28.72, 33.58, 19.16

 

CMYK 0 / 76 / 79 / 60

HEX #661815

RGB 102 24 21

HSL 2.22, 0.66%, 0.24%

LAB 22.06, 34.38, 22.67

 

CMYK 0 / 93 / 98 / 67

HEX #550602

RGB 85 6 2

HSL 2.89, 0.95%, 0.17%

LAB 15.83, 34.11, 23.65

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 65 / 67 / 54

HEX #762927

RGB 118 41 39

HSL 1.52, 0.5%, 0.31%

LAB 28.34, 33.62, 19.28

 

CMYK 0 / 67 / 67 / 54

HEX #762727

RGB 118 39 39

HSL 0, 0.5%, 0.31%

LAB 27.98, 34.59, 18.83

 

CMYK 0 / 65 / 67 / 54

HEX #762927

RGB 118 41 39

HSL 1.52, 0.5%, 0.31%

LAB 28.34, 33.62, 19.28

 

CMYK 0 / 47 / 67 / 54

HEX #763E27

RGB 118 62 39

HSL 17.47, 0.5%, 0.31%

LAB 32.8, 22.2, 24.73

 

CMYK 0 / 29 / 67 / 54

HEX #765427

RGB 118 84 39

HSL 34.18, 0.5%, 0.31%

LAB 38.44, 9.05, 31.29

 

CMYK 0 / 11 / 67 / 54

HEX #766927

RGB 118 105 39

HSL 50.13, 0.5%, 0.31%

LAB 44.38, -3.37, 37.83

 

CMYK 7 / 0 / 67 / 54

HEX #6E7627

RGB 110 118 39

HSL 66.08, 0.5%, 0.31%

LAB 47.52, -14.37, 40.94

 

CMYK 0 / 65 / 67 / 54

HEX #762927

RGB 118 41 39

HSL 1.52, 0.5%, 0.31%

LAB 28.34, 33.62, 19.28

 

CMYK 0 / 78 / 80 / 49

HEX #831D1A

RGB 131 29 26

HSL 1.71, 0.67%, 0.31%

LAB 28.85, 42.63, 28.68

 

CMYK 0 / 88 / 91 / 44

HEX #90110D

RGB 144 17 13

HSL 1.83, 0.83%, 0.31%

LAB 30.3, 49.68, 38.12

 

CMYK 0 / 97 / 99 / 39

HEX #9C0501

RGB 156 5 1

HSL 1.55, 0.99%, 0.31%

LAB 32.21, 54.8, 45.69

 

CMYK 0 / 65 / 67 / 54

HEX #762927

RGB 118 41 39

HSL 1.52, 0.5%, 0.31%

LAB 28.34, 33.62, 19.28

 

CMYK 0 / 50 / 50 / 59

HEX #693534

RGB 105 53 52

HSL 1.13, 0.34%, 0.31%

LAB 28.9, 23.01, 11.14

 

CMYK 0 / 29 / 29 / 64

HEX #5C4141

RGB 92 65 65

HSL 0, 0.17%, 0.31%

LAB 30.49, 11.74, 4.64

 

CMYK 0 / 4 / 4 / 69

HEX #504D4D

RGB 80 77 77

HSL 0, 0.02%, 0.31%

LAB 33.03, 1.24, 0.43

 

CMYK 26 / 0 / 0 / 65

HEX #435A5A

RGB 67 90 90

HSL 180, 0.15%, 0.31%

LAB 36.45, -8.64, -2.85

 

CMYK 0 / 67 / 32 / 54

HEX #762750

RGB 118 39 80

HSL 328.86, 0.5%, 0.31%

LAB 29.11, 38.76, -6.74

 

CMYK 0 / 67 / 50 / 54

HEX #76273B

RGB 118 39 59

HSL 344.81, 0.5%, 0.31%

LAB 28.43, 36.28, 6.2

 

CMYK 0 / 66 / 67 / 54

HEX #762827

RGB 118 40 39

HSL 0.76, 0.5%, 0.31%

LAB 28.16, 34.11, 19.05

 

CMYK 0 / 48 / 67 / 54

HEX #763D27

RGB 118 61 39

HSL 16.71, 0.5%, 0.31%

LAB 32.56, 22.79, 24.45

 

CMYK 0 / 30 / 67 / 54

HEX #765327

RGB 118 83 39

HSL 33.42, 0.5%, 0.31%

LAB 38.17, 9.65, 30.99

 

CMYK 0 / 66 / 68 / 78

HEX #381312

RGB 56 19 18

HSL 1.58, 0.51%, 0.15%

LAB 11.62, 18.35, 9.61

 

CMYK 0 / 66 / 67 / 66

HEX #571E1D

RGB 87 30 29

HSL 1.03, 0.5%, 0.23%

LAB 20.22, 26.32, 14.43

 

CMYK 0 / 65 / 67 / 54

HEX #762927

RGB 118 41 39

HSL 1.52, 0.5%, 0.31%

LAB 28.34, 33.62, 19.28

 

CMYK 0 / 65 / 67 / 42

HEX #953431

RGB 149 52 49

HSL 1.8, 0.51%, 0.39%

LAB 36.11, 40.54, 23.87

 

CMYK 0 / 65 / 67 / 29

HEX #B43F3C

RGB 180 63 60

HSL 1.5, 0.5%, 0.47%

LAB 43.63, 47.22, 27.7

 

CMYK 0 / 65 / 66 / 53

HEX #772A28

RGB 119 42 40

HSL 1.52, 0.5%, 0.31%

LAB 28.72, 33.58, 19.16

 

CMYK 14 / 0 / 67 / 54

HEX #657627

RGB 101 118 39

HSL 72.91, 0.5%, 0.31%

LAB 46.8, -18.41, 39.97

 

CMYK 67 / 42 / 0 / 54

HEX #274576

RGB 39 69 118

HSL 217.22, 0.5%, 0.31%

LAB 29.4, 5.95, -31.42

 

CMYK 0 / 65 / 66 / 53

HEX #772A28

RGB 119 42 40

HSL 1.52, 0.5%, 0.31%

LAB 28.72, 33.58, 19.16

 

CMYK 67 / 0 / 66 / 54

HEX #277628

RGB 39 118 40

HSL 120.76, 0.5%, 0.31%

LAB 43.57, -40.43, 35.04

 

CMYK 66 / 67 / 0 / 54

HEX #282776

RGB 40 39 118

HSL 240.76, 0.5%, 0.31%

LAB 20.87, 26.81, -45.18

 

CMYK 0 / 65 / 66 / 53

HEX #772A28

RGB 119 42 40

HSL 1.52, 0.5%, 0.31%

LAB 28.72, 33.58, 19.16

 

CMYK 14 / 0 / 67 / 54

HEX #657627

RGB 101 118 39

HSL 72.91, 0.5%, 0.31%

LAB 46.8, -18.41, 39.97

 

CMYK 67 / 1 / 0 / 54

HEX #277576

RGB 39 117 118

HSL 180.76, 0.5%, 0.31%

LAB 44.89, -22.78, -7.52

 

CMYK 53 / 67 / 0 / 54

HEX #382776

RGB 56 39 118

HSL 252.91, 0.5%, 0.31%

LAB 22.3, 29.77, -42.78

 

CMYK 0 / 65 / 66 / 53

HEX #772A28

RGB 119 42 40

HSL 1.52, 0.5%, 0.31%

LAB 28.72, 33.58, 19.16

 

CMYK 35 / 0 / 67 / 54

HEX #4D7627

RGB 77 118 39

HSL 91.14, 0.5%, 0.31%

LAB 45.19, -28.47, 37.76

 

CMYK 67 / 1 / 0 / 54

HEX #277576

RGB 39 117 118

HSL 180.76, 0.5%, 0.31%

LAB 44.89, -22.78, -7.52

 

CMYK 32 / 67 / 0 / 54

HEX #502776

RGB 80 39 118

HSL 271.14, 0.5%, 0.31%

LAB 25.15, 35.2, -38.03

 

Description

Color code: HEX #772A28 | qconv.com Color code: HEX #772A28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 42 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 42 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 66 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 66% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Научная сельскохозяй...
Link: http://lib.omgau.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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