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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772BA5 it is the complementary color #88D45A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772BA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772BA5 shade: #7C2BA0, #8D3DB3, #9E4FC6, #AF61D9 and #C073EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772BA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772BA5 shade: #772BA5, #661992, #55077F, #44006C and #330059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772BA5 shade: #772AA6, #982AA6, #A62A92, #A62A70 and #A62A4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772BA5 shade: #772AA6, #562AA6, #352AA6 and #2A2AA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772BA5 shade matches the following richer shades: #772AA6, #7B19B7 and #8009C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772BA5 shade: #772AA6, #733B95, #6F4C84, #6B5D73 and #676E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772BA5 shade: #352AA6, #562AA6, #762AA6, #972AA6 and #A62A93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772BA5 shade: #481964, #602285, #772AA6, #8F33C7 and #A151D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772BA5 shade: #772BA5, #A62A41 and #2AA645

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772BA5 shade: #772BA5, #A6762A and #2AA676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772BA5 shade: #772BA5, #A62A41, #5AA62A and #2AA68F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772BA5 shade: #772BA5, #A6392A, #5AA62A and #2A97A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 74 / 0 / 35

HEX #772BA5

RGB 119 43 165

HSL 277.38, 0.59%, 0.41%

LAB 34.73, 53.09, -51.34

 

Complementary color

CMYK 36 / 0 / 58 / 17

HEX #88D45A

RGB 136 212 90

HSL 97.38, 0.59%, 0.59%

LAB 77.91, -44.56, 52.06

 

CMYK 23 / 73 / 0 / 37

HEX #7C2BA0

RGB 124 43 160

HSL 281.54, 0.58%, 0.4%

LAB 35.1, 53.02, -47.69

 

CMYK 21 / 66 / 0 / 30

HEX #8D3DB3

RGB 141 61 179

HSL 280.68, 0.49%, 0.47%

LAB 41.62, 52.9, -48.43

 

CMYK 20 / 60 / 0 / 22

HEX #9E4FC6

RGB 158 79 198

HSL 279.83, 0.51%, 0.54%

LAB 48.18, 52.4, -48.88

 

CMYK 19 / 55 / 0 / 15

HEX #AF61D9

RGB 175 97 217

HSL 279, 0.61%, 0.62%

LAB 54.73, 51.7, -49.17

 

CMYK 19 / 51 / 0 / 7

HEX #C073EC

RGB 192 115 236

HSL 278.18, 0.76%, 0.69%

LAB 61.24, 50.93, -49.37

 

CMYK 28 / 74 / 0 / 35

HEX #772BA5

RGB 119 43 165

HSL 277.38, 0.59%, 0.41%

LAB 34.73, 53.09, -51.34

 

CMYK 30 / 83 / 0 / 43

HEX #661992

RGB 102 25 146

HSL 278.18, 0.71%, 0.34%

LAB 28.37, 52.54, -50.22

 

CMYK 33 / 94 / 0 / 50

HEX #55077F

RGB 85 7 127

HSL 279, 0.9%, 0.26%

LAB 22.36, 50.57, -48.26

 

CMYK 37 / 100 / 0 / 58

HEX #44006C

RGB 68 0 108

HSL 277.78, 1%, 0.21%

LAB 17.04, 46.04, -44.84

 

CMYK 43 / 100 / 0 / 65

HEX #330059

RGB 51 0 89

HSL 274.38, 1%, 0.17%

LAB 12.12, 39.7, -40.4

 

CMYK 28 / 75 / 0 / 35

HEX #772AA6

RGB 119 42 166

HSL 277.26, 0.6%, 0.41%

LAB 34.66, 53.73, -52.06

 

CMYK 8 / 75 / 0 / 35

HEX #982AA6

RGB 152 42 166

HSL 293.23, 0.6%, 0.41%

LAB 39.72, 60.45, -43.65

 

CMYK 0 / 75 / 12 / 35

HEX #A62A92

RGB 166 42 146

HSL 309.68, 0.6%, 0.41%

LAB 40.96, 60.28, -29.48

 

CMYK 0 / 75 / 33 / 35

HEX #A62A70

RGB 166 42 112

HSL 326.13, 0.6%, 0.41%

LAB 39.47, 55.71, -10.81

 

CMYK 0 / 75 / 52 / 35

HEX #A62A4F

RGB 166 42 79

HSL 342.1, 0.6%, 0.41%

LAB 38.42, 52.36, 8.55

 

CMYK 28 / 75 / 0 / 35

HEX #772AA6

RGB 119 42 166

HSL 277.26, 0.6%, 0.41%

LAB 34.66, 53.73, -52.06

 

CMYK 48 / 75 / 0 / 35

HEX #562AA6

RGB 86 42 166

HSL 261.29, 0.6%, 0.41%

LAB 30.37, 47.78, -59.24

 

CMYK 68 / 75 / 0 / 35

HEX #352AA6

RGB 53 42 166

HSL 245.32, 0.6%, 0.41%

LAB 27.2, 43.18, -64.56

 

CMYK 75 / 75 / 0 / 35

HEX #2A2AA6

RGB 42 42 166

HSL 240, 0.6%, 0.41%

LAB 26.45, 42.06, -65.82

 

CMYK 28 / 75 / 0 / 35

HEX #772AA6

RGB 119 42 166

HSL 277.26, 0.6%, 0.41%

LAB 34.66, 53.73, -52.06

 

CMYK 33 / 86 / 0 / 28

HEX #7B19B7

RGB 123 25 183

HSL 277.22, 0.76%, 0.41%

LAB 34.65, 63.74, -62.2

 

CMYK 36 / 96 / 0 / 22

HEX #8009C8

RGB 128 9 200

HSL 277.38, 0.91%, 0.41%

LAB 35.9, 70.82, -70.14

 

CMYK 28 / 75 / 0 / 35

HEX #772AA6

RGB 119 42 166

HSL 277.26, 0.6%, 0.41%

LAB 34.66, 53.73, -52.06

 

CMYK 23 / 60 / 0 / 42

HEX #733B95

RGB 115 59 149

HSL 277.33, 0.43%, 0.41%

LAB 35.87, 40.84, -39.86

 

CMYK 16 / 42 / 0 / 48

HEX #6F4C84

RGB 111 76 132

HSL 277.5, 0.27%, 0.41%

LAB 38.22, 25.89, -25.79

 

CMYK 7 / 19 / 0 / 55

HEX #6B5D73

RGB 107 93 115

HSL 278.18, 0.11%, 0.41%

LAB 41.52, 10.16, -10.36

 

CMYK 6 / 0 / 11 / 57

HEX #676E62

RGB 103 110 98

HSL 95, 0.06%, 0.41%

LAB 45.52, -5.11, 5.78

 

CMYK 68 / 75 / 0 / 35

HEX #352AA6

RGB 53 42 166

HSL 245.32, 0.6%, 0.41%

LAB 27.2, 43.18, -64.56

 

CMYK 48 / 75 / 0 / 35

HEX #562AA6

RGB 86 42 166

HSL 261.29, 0.6%, 0.41%

LAB 30.37, 47.78, -59.24

 

CMYK 29 / 75 / 0 / 35

HEX #762AA6

RGB 118 42 166

HSL 276.77, 0.6%, 0.41%

LAB 34.52, 53.53, -52.3

 

CMYK 9 / 75 / 0 / 35

HEX #972AA6

RGB 151 42 166

HSL 292.74, 0.6%, 0.41%

LAB 39.56, 60.24, -43.92

 

CMYK 0 / 75 / 11 / 35

HEX #A62A93

RGB 166 42 147

HSL 309.19, 0.6%, 0.41%

LAB 41.01, 60.43, -30.01

 

CMYK 28 / 75 / 0 / 61

HEX #481964

RGB 72 25 100

HSL 277.6, 0.6%, 0.25%

LAB 20.02, 36.02, -34.73

 

CMYK 28 / 74 / 0 / 48

HEX #602285

RGB 96 34 133

HSL 277.58, 0.59%, 0.33%

LAB 27.64, 44.99, -43.37

 

CMYK 28 / 75 / 0 / 35

HEX #772AA6

RGB 119 42 166

HSL 277.26, 0.6%, 0.41%

LAB 34.66, 53.73, -52.06

 

CMYK 28 / 74 / 0 / 22

HEX #8F33C7

RGB 143 51 199

HSL 277.3, 0.59%, 0.49%

LAB 41.74, 61.9, -59.94

 

CMYK 23 / 61 / 0 / 18

HEX #A151D2

RGB 161 81 210

HSL 277.21, 0.59%, 0.57%

LAB 49.64, 54.75, -53.43

 

CMYK 28 / 74 / 0 / 35

HEX #772BA5

RGB 119 43 165

HSL 277.38, 0.59%, 0.41%

LAB 34.73, 53.09, -51.34

 

CMYK 0 / 75 / 61 / 35

HEX #A62A41

RGB 166 42 65

HSL 348.87, 0.6%, 0.41%

LAB 38.1, 51.3, 17.02

 

CMYK 75 / 0 / 58 / 35

HEX #2AA645

RGB 42 166 69

HSL 133.06, 0.6%, 0.41%

LAB 60.06, -53.72, 40.17

 

CMYK 28 / 74 / 0 / 35

HEX #772BA5

RGB 119 43 165

HSL 277.38, 0.59%, 0.41%

LAB 34.73, 53.09, -51.34

 

CMYK 0 / 29 / 75 / 35

HEX #A6762A

RGB 166 118 42

HSL 36.77, 0.6%, 0.41%

LAB 53.2, 11.58, 47.24

 

CMYK 75 / 0 / 29 / 35

HEX #2AA676

RGB 42 166 118

HSL 156.77, 0.6%, 0.41%

LAB 60.85, -44.84, 15.47

 

CMYK 28 / 74 / 0 / 35

HEX #772BA5

RGB 119 43 165

HSL 277.38, 0.59%, 0.41%

LAB 34.73, 53.09, -51.34

 

CMYK 0 / 75 / 61 / 35

HEX #A62A41

RGB 166 42 65

HSL 348.87, 0.6%, 0.41%

LAB 38.1, 51.3, 17.02

 

CMYK 46 / 0 / 75 / 35

HEX #5AA62A

RGB 90 166 42

HSL 96.77, 0.6%, 0.41%

LAB 61.32, -44.71, 53.4

 

CMYK 75 / 0 / 14 / 35

HEX #2AA68F

RGB 42 166 143

HSL 168.87, 0.6%, 0.41%

LAB 61.44, -38.63, 2.37

 

CMYK 28 / 74 / 0 / 35

HEX #772BA5

RGB 119 43 165

HSL 277.38, 0.59%, 0.41%

LAB 34.73, 53.09, -51.34

 

CMYK 0 / 66 / 75 / 35

HEX #A6392A

RGB 166 57 42

HSL 7.26, 0.6%, 0.41%

LAB 39.92, 44.01, 33.28

 

CMYK 46 / 0 / 75 / 35

HEX #5AA62A

RGB 90 166 42

HSL 96.77, 0.6%, 0.41%

LAB 61.32, -44.71, 53.4

 

CMYK 75 / 9 / 0 / 35

HEX #2A97A6

RGB 42 151 166

HSL 187.26, 0.6%, 0.41%

LAB 57.44, -24.7, -16.59

 

Description

Color code: HEX #772BA5 | qconv.com Color code: HEX #772BA5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 43 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 43 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 74 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 74% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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