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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772FD4 it is the complementary color #88D02B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772FD4 shade: #7C2FCF, #8D41E2, #9E53F5, #AF65FF and #C077FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772FD4 shade: #772FD4, #661DC1, #550BAE, #44009B and #330088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772FD4 shade: #772FD4, #A42FD4, #D02FD4, #D42FAC and #D42F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772FD4 shade: #772FD4, #4B2FD4 and #2F2FD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772FD4 shade matches the following richer shades: #772FD4, #741BE8 and #7207FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772FD4 shade: #772FD4, #7A43C0, #7C58AC, #7F6C97 and #818083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772FD4 shade: #2F40D4, #4B2FD4, #772FD4, #A32FD4 and #CF2FD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772FD4 shade: #511E93, #6425B5, #772FD4, #8D51DB and #A474E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772FD4 shade: #772FD4, #D42F6C and #2FD435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772FD4 shade: #772FD4, #D4772F and #2FD477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772FD4 shade: #772FD4, #D42F6C, #8DD42F and #2FD498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772FD4 shade: #772FD4, #D42F3A, #8DD42F and #2FD4C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

Complementary color

CMYK 35 / 0 / 79 / 18

HEX #88D02B

RGB 136 208 43

HSL 86.18, 0.66%, 0.49%

LAB 76.39, -46.29, 68.19

 

CMYK 40 / 77 / 0 / 19

HEX #7C2FCF

RGB 124 47 207

HSL 268.88, 0.63%, 0.5%

LAB 39.28, 62.02, -68.69

 

CMYK 38 / 71 / 0 / 11

HEX #8D41E2

RGB 141 65 226

HSL 268.32, 0.74%, 0.57%

LAB 45.54, 61.79, -69.28

 

CMYK 36 / 66 / 0 / 4

HEX #9E53F5

RGB 158 83 245

HSL 267.78, 0.89%, 0.64%

LAB 51.89, 61.17, -69.58

 

CMYK 31 / 60 / 0 / 0

HEX #AF65FF

RGB 175 101 255

HSL 268.83, 1%, 0.7%

LAB 57.7, 58.24, -65.66

 

CMYK 25 / 53 / 0 / 0

HEX #C077FF

RGB 192 119 255

HSL 272.21, 1%, 0.73%

LAB 63.03, 53.02, -57.02

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 47 / 85 / 0 / 24

HEX #661DC1

RGB 102 29 193

HSL 266.71, 0.74%, 0.44%

LAB 33.04, 62.07, -70.87

 

CMYK 51 / 94 / 0 / 32

HEX #550BAE

RGB 85 11 174

HSL 267.24, 0.88%, 0.36%

LAB 27.37, 60.4, -68.99

 

CMYK 56 / 100 / 0 / 39

HEX #44009B

RGB 68 0 155

HSL 266.32, 1%, 0.3%

LAB 22.29, 56.8, -65.94

 

CMYK 63 / 100 / 0 / 47

HEX #330088

RGB 51 0 136

HSL 262.5, 1%, 0.27%

LAB 17.83, 51.12, -61.57

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 23 / 78 / 0 / 17

HEX #A42FD4

RGB 164 47 212

HSL 282.55, 0.66%, 0.51%

LAB 45.19, 69.77, -61.71

 

CMYK 2 / 78 / 0 / 17

HEX #D02FD4

RGB 208 47 212

HSL 298.55, 0.66%, 0.51%

LAB 52.06, 77.91, -50.31

 

CMYK 0 / 78 / 19 / 17

HEX #D42FAC

RGB 212 47 172

HSL 314.55, 0.66%, 0.51%

LAB 50.7, 72.98, -29.22

 

CMYK 0 / 78 / 40 / 17

HEX #D42F7F

RGB 212 47 127

HSL 330.91, 0.66%, 0.51%

LAB 48.96, 67.83, -4.97

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 65 / 78 / 0 / 17

HEX #4B2FD4

RGB 75 47 212

HSL 250.18, 0.66%, 0.51%

LAB 34.56, 56.98, -79.52

 

CMYK 78 / 78 / 0 / 17

HEX #2F2FD4

RGB 47 47 212

HSL 240, 0.66%, 0.51%

LAB 32.68, 54.68, -82.7

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 50 / 88 / 0 / 9

HEX #741BE8

RGB 116 27 232

HSL 266.05, 0.82%, 0.51%

LAB 38.42, 73.18, -84.49

 

CMYK 55 / 97 / 0 / 1

HEX #7207FC

RGB 114 7 252

HSL 266.2, 0.98%, 0.51%

LAB 39.17, 80.78, -94.56

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 36 / 65 / 0 / 25

HEX #7A43C0

RGB 122 67 192

HSL 266.4, 0.5%, 0.51%

LAB 41.15, 48.8, -56.94

 

CMYK 28 / 49 / 0 / 33

HEX #7C58AC

RGB 124 88 172

HSL 265.71, 0.34%, 0.51%

LAB 44.58, 32.5, -39.7

 

CMYK 16 / 28 / 0 / 41

HEX #7F6C97

RGB 127 108 151

HSL 266.51, 0.17%, 0.51%

LAB 48.85, 16.38, -20.62

 

CMYK 2 / 2 / 0 / 49

HEX #818083

RGB 129 128 131

HSL 260, 0.01%, 0.51%

LAB 53.75, 0.98, -1.5

 

CMYK 78 / 70 / 0 / 17

HEX #2F40D4

RGB 47 64 212

HSL 233.82, 0.66%, 0.51%

LAB 36.03, 45.26, -77.16

 

CMYK 65 / 78 / 0 / 17

HEX #4B2FD4

RGB 75 47 212

HSL 250.18, 0.66%, 0.51%

LAB 34.56, 56.98, -79.52

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 23 / 78 / 0 / 17

HEX #A32FD4

RGB 163 47 212

HSL 282.18, 0.66%, 0.51%

LAB 45.04, 69.59, -61.96

 

CMYK 2 / 78 / 0 / 17

HEX #CF2FD4

RGB 207 47 212

HSL 298.18, 0.66%, 0.51%

LAB 51.9, 77.72, -50.58

 

CMYK 45 / 80 / 0 / 42

HEX #511E93

RGB 81 30 147

HSL 266.15, 0.66%, 0.35%

LAB 26.11, 47.42, -54.65

 

CMYK 45 / 80 / 0 / 29

HEX #6425B5

RGB 100 37 181

HSL 266.25, 0.66%, 0.43%

LAB 32.63, 56.05, -64.45

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 36 / 63 / 0 / 14

HEX #8D51DB

RGB 141 81 219

HSL 266.09, 0.66%, 0.59%

LAB 47.83, 52.38, -61.59

 

CMYK 27 / 49 / 0 / 11

HEX #A474E2

RGB 164 116 226

HSL 266.18, 0.65%, 0.67%

LAB 57.92, 40.73, -49.25

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 0 / 78 / 49 / 17

HEX #D42F6C

RGB 212 47 108

HSL 337.82, 0.66%, 0.51%

LAB 48.4, 66.12, 5.8

 

CMYK 78 / 0 / 75 / 17

HEX #2FD435

RGB 47 212 53

HSL 122.18, 0.66%, 0.51%

LAB 74.79, -69.46, 62.59

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 0 / 44 / 78 / 17

HEX #D4772F

RGB 212 119 47

HSL 26.18, 0.66%, 0.51%

LAB 59.34, 31.11, 53.07

 

CMYK 78 / 0 / 44 / 17

HEX #2FD477

RGB 47 212 119

HSL 146.18, 0.66%, 0.51%

LAB 75.47, -61.38, 34.52

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 0 / 78 / 49 / 17

HEX #D42F6C

RGB 212 47 108

HSL 337.82, 0.66%, 0.51%

LAB 48.4, 66.12, 5.8

 

CMYK 33 / 0 / 78 / 17

HEX #8DD42F

RGB 141 212 47

HSL 85.82, 0.66%, 0.51%

LAB 77.85, -46, 68.48

 

CMYK 78 / 0 / 28 / 17

HEX #2FD498

RGB 47 212 152

HSL 158.18, 0.66%, 0.51%

LAB 76.04, -54.86, 18.2

 

CMYK 44 / 78 / 0 / 17

HEX #772FD4

RGB 119 47 212

HSL 266.18, 0.66%, 0.51%

LAB 39.08, 62.46, -71.92

 

CMYK 0 / 78 / 73 / 17

HEX #D42F3A

RGB 212 47 58

HSL 356, 0.66%, 0.51%

LAB 47.41, 63.02, 34.82

 

CMYK 33 / 0 / 78 / 17

HEX #8DD42F

RGB 141 212 47

HSL 85.82, 0.66%, 0.51%

LAB 77.85, -46, 68.48

 

CMYK 78 / 0 / 5 / 17

HEX #2FD4C9

RGB 47 212 201

HSL 176, 0.66%, 0.51%

LAB 77.23, -42.57, -6.29

 

Description

Color code: HEX #772FD4 | qconv.com Color code: HEX #772FD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 47 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 47 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 78 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 78% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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