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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #773F54 it is the complementary color #88C0AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #773F54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #773F54 shade: #7C3F4F, #8D5162, #9E6375, #AF7588 and #C0879B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #773F54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #773F54 shade: #773F54, #662D41, #551B2E, #44091B and #330008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #773F54 shade: #783F54, #783F45 and #783F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #773F54 shade: #783F54, #783F64, #783F73, #6D3F78 and #5E3F78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #773F54 shade matches the following richer shades: #783F54, #873050, #95214D, #A41249 and #B30345

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #773F54 shade: #783F54, #694E58, #5A5D5C, #4B6B5F and #3C7A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #773F54 shade: #783F73, #783F64, #783F55, #783F45 and #78473F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #773F54 shade: #42222E, #5D3141, #783F54, #934D67 and #AA5F7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #773F54 shade: #773F54, #786D3F and #3F6B78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #773F54 shade: #773F54, #55783F and #3F5578

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #773F54 shade: #773F54, #786D3F, #3F7862 and #3F4978

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #773F54 shade: #773F54, #71783F, #3F7862 and #453F78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 29 / 53

HEX #773F54

RGB 119 63 84

HSL 337.5, 0.31%, 0.36%

LAB 34.23, 27.07, -1.72

 

Complementary color

CMYK 29 / 0 / 11 / 25

HEX #88C0AB

RGB 136 192 171

HSL 157.5, 0.31%, 0.64%

LAB 73.46, -22.67, 4.76

 

CMYK 0 / 49 / 36 / 51

HEX #7C3F4F

RGB 124 63 79

HSL 344.26, 0.33%, 0.37%

LAB 34.81, 28.29, 2.42

 

CMYK 0 / 43 / 30 / 45

HEX #8D5162

RGB 141 81 98

HSL 343, 0.27%, 0.44%

LAB 41.89, 27.3, 1.07

 

CMYK 0 / 37 / 26 / 38

HEX #9E6375

RGB 158 99 117

HSL 341.69, 0.23%, 0.5%

LAB 48.86, 26.39, -0.05

 

CMYK 0 / 33 / 22 / 31

HEX #AF7588

RGB 175 117 136

HSL 340.34, 0.27%, 0.57%

LAB 55.7, 25.55, -1.01

 

CMYK 0 / 30 / 19 / 25

HEX #C0879B

RGB 192 135 155

HSL 338.95, 0.31%, 0.64%

LAB 62.42, 24.79, -1.87

 

CMYK 0 / 47 / 29 / 53

HEX #773F54

RGB 119 63 84

HSL 337.5, 0.31%, 0.36%

LAB 34.23, 27.07, -1.72

 

CMYK 0 / 56 / 36 / 60

HEX #662D41

RGB 102 45 65

HSL 338.95, 0.39%, 0.29%

LAB 26.97, 28.01, -0.26

 

CMYK 0 / 68 / 46 / 67

HEX #551B2E

RGB 85 27 46

HSL 340.34, 0.52%, 0.22%

LAB 19.69, 28.79, 1.79

 

CMYK 0 / 87 / 60 / 73

HEX #44091B

RGB 68 9 27

HSL 341.69, 0.77%, 0.15%

LAB 12.63, 28.77, 5.03

 

CMYK 0 / 100 / 84 / 80

HEX #330008

RGB 51 0 8

HSL 350.59, 1%, 0.1%

LAB 6.52, 25.78, 7.02

 

CMYK 0 / 48 / 30 / 53

HEX #783F54

RGB 120 63 84

HSL 337.89, 0.31%, 0.36%

LAB 34.37, 27.45, -1.49

 

CMYK 0 / 48 / 43 / 53

HEX #783F45

RGB 120 63 69

HSL 353.68, 0.31%, 0.36%

LAB 33.94, 25.41, 7.49

 

CMYK 0 / 48 / 48 / 53

HEX #783F3F

RGB 120 63 63

HSL 0, 0.31%, 0.36%

LAB 33.79, 24.7, 11.11

 

CMYK 0 / 48 / 30 / 53

HEX #783F54

RGB 120 63 84

HSL 337.89, 0.31%, 0.36%

LAB 34.37, 27.45, -1.49

 

CMYK 0 / 48 / 17 / 53

HEX #783F64

RGB 120 63 100

HSL 321.05, 0.31%, 0.36%

LAB 34.94, 30.03, -10.83

 

CMYK 0 / 48 / 4 / 53

HEX #783F73

RGB 120 63 115

HSL 305.26, 0.31%, 0.36%

LAB 35.57, 32.79, -19.31

 

CMYK 9 / 48 / 0 / 53

HEX #6D3F78

RGB 109 63 120

HSL 288.42, 0.31%, 0.36%

LAB 34.32, 30.22, -24.49

 

CMYK 22 / 48 / 0 / 53

HEX #5E3F78

RGB 94 63 120

HSL 272.63, 0.31%, 0.36%

LAB 32.46, 25.45, -27.54

 

CMYK 0 / 48 / 30 / 53

HEX #783F54

RGB 120 63 84

HSL 337.89, 0.31%, 0.36%

LAB 34.37, 27.45, -1.49

 

CMYK 0 / 64 / 41 / 47

HEX #873050

RGB 135 48 80

HSL 337.93, 0.48%, 0.36%

LAB 33.66, 40.21, 0.32

 

CMYK 0 / 78 / 48 / 42

HEX #95214D

RGB 149 33 77

HSL 337.24, 0.64%, 0.36%

LAB 34.01, 50.23, 3.11

 

CMYK 0 / 89 / 55 / 36

HEX #A41249

RGB 164 18 73

HSL 337.4, 0.8%, 0.36%

LAB 35.61, 57.76, 8.4

 

CMYK 0 / 98 / 61 / 30

HEX #B30345

RGB 179 3 69

HSL 337.5, 0.97%, 0.36%

LAB 37.98, 63.2, 14.76

 

CMYK 0 / 48 / 30 / 53

HEX #783F54

RGB 120 63 84

HSL 337.89, 0.31%, 0.36%

LAB 34.37, 27.45, -1.49

 

CMYK 0 / 26 / 16 / 59

HEX #694E58

RGB 105 78 88

HSL 337.78, 0.15%, 0.36%

LAB 36.28, 13.11, -1.44

 

CMYK 3 / 0 / 1 / 64

HEX #5A5D5C

RGB 90 93 92

HSL 160, 0.02%, 0.36%

LAB 39.2, -1.39, 0.16

 

CMYK 30 / 0 / 11 / 58

HEX #4B6B5F

RGB 75 107 95

HSL 157.5, 0.18%, 0.36%

LAB 42.52, -14.43, 3.01

 

CMYK 51 / 0 / 19 / 52

HEX #3C7A63

RGB 60 122 99

HSL 157.74, 0.34%, 0.36%

LAB 46.69, -25.98, 6.5

 

CMYK 0 / 48 / 4 / 53

HEX #783F73

RGB 120 63 115

HSL 305.26, 0.31%, 0.36%

LAB 35.57, 32.79, -19.31

 

CMYK 0 / 48 / 17 / 53

HEX #783F64

RGB 120 63 100

HSL 321.05, 0.31%, 0.36%

LAB 34.94, 30.03, -10.83

 

CMYK 0 / 48 / 29 / 53

HEX #783F55

RGB 120 63 85

HSL 336.84, 0.31%, 0.36%

LAB 34.4, 27.6, -2.08

 

CMYK 0 / 48 / 43 / 53

HEX #783F45

RGB 120 63 69

HSL 353.68, 0.31%, 0.36%

LAB 33.94, 25.41, 7.49

 

CMYK 0 / 41 / 48 / 53

HEX #78473F

RGB 120 71 63

HSL 8.42, 0.31%, 0.36%

LAB 35.71, 20, 13.74

 

CMYK 0 / 48 / 30 / 74

HEX #42222E

RGB 66 34 46

HSL 337.5, 0.32%, 0.2%

LAB 17.92, 17.12, -1.2

 

CMYK 0 / 47 / 30 / 64

HEX #5D3141

RGB 93 49 65

HSL 338.18, 0.31%, 0.28%

LAB 26.46, 22.13, -1.17

 

CMYK 0 / 48 / 30 / 53

HEX #783F54

RGB 120 63 84

HSL 337.89, 0.31%, 0.36%

LAB 34.37, 27.45, -1.49

 

CMYK 0 / 48 / 30 / 42

HEX #934D67

RGB 147 77 103

HSL 337.71, 0.31%, 0.44%

LAB 41.98, 32.52, -1.78

 

CMYK 0 / 44 / 28 / 33

HEX #AA5F7B

RGB 170 95 123

HSL 337.6, 0.31%, 0.52%

LAB 49.69, 33.95, -2.23

 

CMYK 0 / 47 / 29 / 53

HEX #773F54

RGB 119 63 84

HSL 337.5, 0.31%, 0.36%

LAB 34.23, 27.07, -1.72

 

CMYK 0 / 9 / 48 / 53

HEX #786D3F

RGB 120 109 63

HSL 48.42, 0.31%, 0.36%

LAB 46.03, -2.6, 27.17

 

CMYK 48 / 11 / 0 / 53

HEX #3F6B78

RGB 63 107 120

HSL 193.68, 0.31%, 0.36%

LAB 42.65, -11.41, -11.99

 

CMYK 0 / 47 / 29 / 53

HEX #773F54

RGB 119 63 84

HSL 337.5, 0.31%, 0.36%

LAB 34.23, 27.07, -1.72

 

CMYK 29 / 0 / 48 / 53

HEX #55783F

RGB 85 120 63

HSL 96.84, 0.31%, 0.36%

LAB 46.61, -23.58, 27.3

 

CMYK 48 / 29 / 0 / 53

HEX #3F5578

RGB 63 85 120

HSL 216.84, 0.31%, 0.36%

LAB 35.81, 1.92, -22.5

 

CMYK 0 / 47 / 29 / 53

HEX #773F54

RGB 119 63 84

HSL 337.5, 0.31%, 0.36%

LAB 34.23, 27.07, -1.72

 

CMYK 0 / 9 / 48 / 53

HEX #786D3F

RGB 120 109 63

HSL 48.42, 0.31%, 0.36%

LAB 46.03, -2.6, 27.17

 

CMYK 48 / 0 / 18 / 53

HEX #3F7862

RGB 63 120 98

HSL 156.84, 0.31%, 0.36%

LAB 46.14, -24.39, 6.33

 

CMYK 48 / 39 / 0 / 53

HEX #3F4978

RGB 63 73 120

HSL 229.47, 0.31%, 0.36%

LAB 32.21, 9.7, -28.14

 

CMYK 0 / 47 / 29 / 53

HEX #773F54

RGB 119 63 84

HSL 337.5, 0.31%, 0.36%

LAB 34.23, 27.07, -1.72

 

CMYK 6 / 0 / 48 / 53

HEX #71783F

RGB 113 120 63

HSL 67.37, 0.31%, 0.36%

LAB 48.64, -11.92, 30.26

 

CMYK 48 / 0 / 18 / 53

HEX #3F7862

RGB 63 120 98

HSL 156.84, 0.31%, 0.36%

LAB 46.14, -24.39, 6.33

 

CMYK 43 / 48 / 0 / 53

HEX #453F78

RGB 69 63 120

HSL 246.32, 0.31%, 0.36%

LAB 29.85, 17.97, -31.84

 

Description

Color code: HEX #773F54 | qconv.com Color code: HEX #773F54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 63 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 63 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 29 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 29% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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