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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7747B7 it is the complementary color #88B848. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7747B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7747B7 shade: #7C47B2, #8D59C5, #9E6BD8, #AF7DEB and #C08FFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7747B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7747B7 shade: #7747B7, #6635A4, #552391, #44117E and #33006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7747B7 shade: #7747B7, #9547B7, #B347B7, #B7479C and #B7477E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7747B7 shade: #7747B7, #5947B7 and #4747B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7747B7 shade matches the following richer shades: #7747B7, #7432CC, #711EE0 and #6E09F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7747B7 shade: #7747B7, #7A5CA2, #7D708E, #808579 and #839965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7747B7 shade: #4754B7, #5847B7, #7647B7, #9447B7 and #B147B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7747B7 shade: #50307C, #643B99, #7747B7, #8D65C3 and #A382CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7747B7 shade: #7747B7, #B74772 and #47B749

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7747B7 shade: #7747B7, #B77647 and #47B776

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7747B7 shade: #7747B7, #B74772, #88B747 and #47B78C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7747B7 shade: #7747B7, #B74750, #88B747 and #47B7AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

Complementary color

CMYK 26 / 0 / 61 / 28

HEX #88B848

RGB 136 184 72

HSL 85.71, 0.44%, 0.5%

LAB 69.46, -33.83, 50.53

 

CMYK 30 / 60 / 0 / 30

HEX #7C47B2

RGB 124 71 178

HSL 269.72, 0.43%, 0.49%

LAB 41.23, 43.63, -48.59

 

CMYK 28 / 55 / 0 / 23

HEX #8D59C5

RGB 141 89 197

HSL 268.89, 0.48%, 0.56%

LAB 48.06, 42.69, -48.62

 

CMYK 27 / 50 / 0 / 15

HEX #9E6BD8

RGB 158 107 216

HSL 268.07, 0.58%, 0.63%

LAB 54.81, 41.74, -48.61

 

CMYK 26 / 47 / 0 / 8

HEX #AF7DEB

RGB 175 125 235

HSL 267.27, 0.73%, 0.71%

LAB 61.46, 40.83, -48.58

 

CMYK 24 / 44 / 0 / 0

HEX #C08FFE

RGB 192 143 254

HSL 266.49, 0.98%, 0.78%

LAB 68.03, 39.96, -48.55

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 38 / 68 / 0 / 36

HEX #6635A4

RGB 102 53 164

HSL 266.49, 0.51%, 0.43%

LAB 34.09, 44.67, -51.89

 

CMYK 41 / 76 / 0 / 43

HEX #552391

RGB 85 35 145

HSL 267.27, 0.61%, 0.35%

LAB 27.24, 45.34, -51.55

 

CMYK 46 / 87 / 0 / 51

HEX #44117E

RGB 68 17 126

HSL 268.07, 0.76%, 0.28%

LAB 20.58, 45.21, -50.64

 

CMYK 52 / 100 / 0 / 58

HEX #33006B

RGB 51 0 107

HSL 268.6, 1%, 0.21%

LAB 14.2, 44, -48.96

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 19 / 61 / 0 / 28

HEX #9547B7

RGB 149 71 183

HSL 281.79, 0.44%, 0.5%

LAB 44.68, 50.9, -45.82

 

CMYK 2 / 61 / 0 / 28

HEX #B347B7

RGB 179 71 183

HSL 297.86, 0.44%, 0.5%

LAB 48.9, 58.39, -38.86

 

CMYK 0 / 61 / 15 / 28

HEX #B7479C

RGB 183 71 156

HSL 314.46, 0.44%, 0.5%

LAB 48.23, 54.99, -23.96

 

CMYK 0 / 61 / 31 / 28

HEX #B7477E

RGB 183 71 126

HSL 330.54, 0.44%, 0.5%

LAB 47.08, 50.79, -7.7

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 51 / 61 / 0 / 28

HEX #5947B7

RGB 89 71 183

HSL 249.64, 0.44%, 0.5%

LAB 37.93, 37.26, -57.04

 

CMYK 61 / 61 / 0 / 28

HEX #4747B7

RGB 71 71 183

HSL 240, 0.44%, 0.5%

LAB 36.49, 33.98, -59.44

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 43 / 75 / 0 / 20

HEX #7432CC

RGB 116 50 204

HSL 265.71, 0.61%, 0.5%

LAB 38.47, 58.81, -68.32

 

CMYK 50 / 87 / 0 / 12

HEX #711EE0

RGB 113 30 224

HSL 265.67, 0.76%, 0.5%

LAB 37.52, 70.28, -81.42

 

CMYK 55 / 96 / 0 / 4

HEX #6E09F5

RGB 110 9 245

HSL 265.68, 0.93%, 0.5%

LAB 38.03, 78.75, -92.53

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 25 / 43 / 0 / 36

HEX #7A5CA2

RGB 122 92 162

HSL 265.71, 0.28%, 0.5%

LAB 44.8, 27.03, -33.46

 

CMYK 12 / 21 / 0 / 44

HEX #7D708E

RGB 125 112 142

HSL 266, 0.12%, 0.5%

LAB 49.38, 11.25, -14.52

 

CMYK 4 / 0 / 9 / 48

HEX #808579

RGB 128 133 121

HSL 85, 0.05%, 0.5%

LAB 54.81, -4.19, 5.83

 

CMYK 14 / 0 / 34 / 40

HEX #839965

RGB 131 153 101

HSL 85.38, 0.2%, 0.5%

LAB 60.38, -17.19, 24.84

 

CMYK 61 / 54 / 0 / 28

HEX #4754B7

RGB 71 84 183

HSL 233.04, 0.44%, 0.5%

LAB 39.75, 25.74, -54.16

 

CMYK 52 / 61 / 0 / 28

HEX #5847B7

RGB 88 71 183

HSL 249.11, 0.44%, 0.5%

LAB 37.84, 37.07, -57.18

 

CMYK 36 / 61 / 0 / 28

HEX #7647B7

RGB 118 71 183

HSL 265.18, 0.44%, 0.5%

LAB 40.86, 43.49, -52.16

 

CMYK 19 / 61 / 0 / 28

HEX #9447B7

RGB 148 71 183

HSL 281.25, 0.44%, 0.5%

LAB 44.55, 50.65, -46.04

 

CMYK 3 / 61 / 0 / 28

HEX #B147B7

RGB 177 71 183

HSL 296.79, 0.44%, 0.5%

LAB 48.6, 57.89, -39.35

 

CMYK 35 / 61 / 0 / 51

HEX #50307C

RGB 80 48 124

HSL 265.26, 0.44%, 0.34%

LAB 27.5, 31.64, -38.05

 

CMYK 35 / 61 / 0 / 40

HEX #643B99

RGB 100 59 153

HSL 266.17, 0.44%, 0.42%

LAB 34.27, 38.07, -44.97

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 28 / 48 / 0 / 24

HEX #8D65C3

RGB 141 101 195

HSL 265.53, 0.44%, 0.58%

LAB 50.58, 35.44, -43.45

 

CMYK 21 / 37 / 0 / 19

HEX #A382CE

RGB 163 130 206

HSL 266.05, 0.44%, 0.66%

LAB 60.08, 27.81, -34.63

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 0 / 61 / 38 / 28

HEX #B74772

RGB 183 71 114

HSL 336.96, 0.44%, 0.5%

LAB 46.7, 49.34, -0.97

 

CMYK 61 / 0 / 60 / 28

HEX #47B749

RGB 71 183 73

HSL 121.07, 0.44%, 0.5%

LAB 66.28, -53.66, 45.71

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 0 / 36 / 61 / 28

HEX #B77647

RGB 183 118 71

HSL 25.18, 0.44%, 0.5%

LAB 55.56, 20.81, 36.06

 

CMYK 61 / 0 / 36 / 28

HEX #47B776

RGB 71 183 118

HSL 145.18, 0.44%, 0.5%

LAB 66.91, -46.69, 23.86

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 0 / 61 / 38 / 28

HEX #B74772

RGB 183 71 114

HSL 336.96, 0.44%, 0.5%

LAB 46.7, 49.34, -0.97

 

CMYK 26 / 0 / 61 / 28

HEX #88B747

RGB 136 183 71

HSL 85.18, 0.44%, 0.5%

LAB 69.15, -33.46, 50.64

 

CMYK 61 / 0 / 23 / 28

HEX #47B78C

RGB 71 183 140

HSL 156.96, 0.44%, 0.5%

LAB 67.35, -42.08, 12.57

 

CMYK 35 / 61 / 0 / 28

HEX #7747B7

RGB 119 71 183

HSL 265.71, 0.44%, 0.5%

LAB 40.97, 43.72, -51.97

 

CMYK 0 / 61 / 56 / 28

HEX #B74750

RGB 183 71 80

HSL 355.18, 0.44%, 0.5%

LAB 45.84, 46.05, 18.58

 

CMYK 26 / 0 / 61 / 28

HEX #88B747

RGB 136 183 71

HSL 85.18, 0.44%, 0.5%

LAB 69.15, -33.46, 50.64

 

CMYK 61 / 0 / 5 / 28

HEX #47B7AE

RGB 71 183 174

HSL 175.18, 0.44%, 0.5%

LAB 68.21, -33.61, -4.87

 

Description

Color code: HEX #7747B7 | qconv.com Color code: HEX #7747B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 71 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 71 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 61 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 61% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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