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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7740AE it is the complementary color #88BF51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7740AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7740AE shade: #7C40A9, #8D52BC, #9E64CF, #AF76E2 and #C088F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7740AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7740AE shade: #7740AE, #662E9B, #551C88, #440A75 and #330062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7740AE shade: #7740AE, #9540AE, #AE40AA, #AE408C and #AE406F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7740AE shade: #7740AE, #5A40AE and #4040AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7740AE shade matches the following richer shades: #7740AE, #772DC2, #7719D5 and #7706E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7740AE shade: #7740AE, #77549B, #776788, #777A74 and #778E61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7740AE shade: #4044AE, #5A40AE, #7740AE, #9540AE and #AE40AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7740AE shade: #4E2A72, #633590, #7740AE, #8C57C1 and #A175CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7740AE shade: #7740AE, #AE4061 and #40AE4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7740AE shade: #7740AE, #AE7740 and #40AE77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7740AE shade: #7740AE, #AE4061, #77AE40 and #40AE8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7740AE shade: #7740AE, #AE4040, #77AE40 and #40AEAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

Complementary color

CMYK 29 / 0 / 58 / 25

HEX #88BF51

RGB 136 191 81

HSL 90, 0.46%, 0.53%

LAB 71.62, -36.21, 48.91

 

CMYK 27 / 62 / 0 / 34

HEX #7C40A9

RGB 124 64 169

HSL 274.29, 0.45%, 0.46%

LAB 39.27, 45.17, -46.39

 

CMYK 25 / 56 / 0 / 26

HEX #8D52BC

RGB 141 82 188

HSL 273.4, 0.44%, 0.53%

LAB 46.08, 44.35, -46.56

 

CMYK 24 / 52 / 0 / 19

HEX #9E64CF

RGB 158 100 207

HSL 272.52, 0.53%, 0.6%

LAB 52.83, 43.46, -46.64

 

CMYK 23 / 48 / 0 / 11

HEX #AF76E2

RGB 175 118 226

HSL 271.67, 0.65%, 0.67%

LAB 59.49, 42.58, -46.69

 

CMYK 22 / 44 / 0 / 4

HEX #C088F5

RGB 192 136 245

HSL 270.83, 0.84%, 0.75%

LAB 66.06, 41.73, -46.72

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 34 / 70 / 0 / 39

HEX #662E9B

RGB 102 46 155

HSL 270.83, 0.54%, 0.39%

LAB 32.14, 45.92, -49.61

 

CMYK 38 / 79 / 0 / 47

HEX #551C88

RGB 85 28 136

HSL 271.67, 0.66%, 0.32%

LAB 25.38, 46.16, -48.99

 

CMYK 42 / 91 / 0 / 54

HEX #440A75

RGB 68 10 117

HSL 272.52, 0.84%, 0.25%

LAB 18.93, 45.19, -47.59

 

CMYK 48 / 100 / 0 / 62

HEX #330062

RGB 51 0 98

HSL 271.22, 1%, 0.19%

LAB 13.14, 41.83, -44.77

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 14 / 63 / 0 / 32

HEX #9540AE

RGB 149 64 174

HSL 286.36, 0.46%, 0.47%

LAB 42.93, 52.36, -43.31

 

CMYK 0 / 63 / 2 / 32

HEX #AE40AA

RGB 174 64 170

HSL 302.18, 0.46%, 0.47%

LAB 46.4, 57.85, -35.21

 

CMYK 0 / 63 / 20 / 32

HEX #AE408C

RGB 174 64 140

HSL 318.55, 0.46%, 0.47%

LAB 45.02, 53.09, -19.43

 

CMYK 0 / 63 / 36 / 32

HEX #AE406F

RGB 174 64 111

HSL 334.36, 0.46%, 0.47%

LAB 43.96, 49.26, -3.32

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 48 / 63 / 0 / 32

HEX #5A40AE

RGB 90 64 174

HSL 254.18, 0.46%, 0.47%

LAB 35.78, 38.89, -55.19

 

CMYK 63 / 63 / 0 / 32

HEX #4040AE

RGB 64 64 174

HSL 240, 0.46%, 0.47%

LAB 33.59, 34.18, -58.86

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 39 / 77 / 0 / 24

HEX #772DC2

RGB 119 45 194

HSL 269.8, 0.62%, 0.47%

LAB 37.29, 58.95, -64.4

 

CMYK 44 / 88 / 0 / 16

HEX #7719D5

RGB 119 25 213

HSL 270, 0.79%, 0.47%

LAB 36.78, 69.71, -76.28

 

CMYK 49 / 97 / 0 / 9

HEX #7706E9

RGB 119 6 233

HSL 269.87, 0.95%, 0.47%

LAB 37.73, 77.18, -86.19

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 23 / 46 / 0 / 39

HEX #77549B

RGB 119 84 155

HSL 269.58, 0.3%, 0.47%

LAB 42.2, 29.16, -33.41

 

CMYK 13 / 24 / 0 / 47

HEX #776788

RGB 119 103 136

HSL 269.09, 0.14%, 0.47%

LAB 46.18, 13.16, -15.87

 

CMYK 2 / 0 / 5 / 52

HEX #777A74

RGB 119 122 116

HSL 90, 0.03%, 0.47%

LAB 50.81, -2.32, 2.88

 

CMYK 16 / 0 / 32 / 44

HEX #778E61

RGB 119 142 97

HSL 90.67, 0.19%, 0.47%

LAB 56.22, -16.7, 21.35

 

CMYK 63 / 61 / 0 / 32

HEX #4044AE

RGB 64 68 174

HSL 237.82, 0.46%, 0.47%

LAB 34.56, 31.65, -57.27

 

CMYK 48 / 63 / 0 / 32

HEX #5A40AE

RGB 90 64 174

HSL 254.18, 0.46%, 0.47%

LAB 35.78, 38.89, -55.19

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 14 / 63 / 0 / 32

HEX #9540AE

RGB 149 64 174

HSL 286.36, 0.46%, 0.47%

LAB 42.93, 52.36, -43.31

 

CMYK 0 / 63 / 2 / 32

HEX #AE40AB

RGB 174 64 171

HSL 301.64, 0.46%, 0.47%

LAB 46.45, 58.02, -35.72

 

CMYK 32 / 63 / 0 / 55

HEX #4E2A72

RGB 78 42 114

HSL 270, 0.46%, 0.31%

LAB 25.23, 31.93, -35.36

 

CMYK 31 / 63 / 0 / 44

HEX #633590

RGB 99 53 144

HSL 270.33, 0.46%, 0.39%

LAB 32.29, 38.83, -42.67

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 27 / 55 / 0 / 24

HEX #8C57C1

RGB 140 87 193

HSL 270, 0.46%, 0.55%

LAB 47.29, 42.56, -47.54

 

CMYK 21 / 43 / 0 / 20

HEX #A175CC

RGB 161 117 204

HSL 270.34, 0.46%, 0.63%

LAB 56.74, 34.14, -38.74

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 0 / 63 / 44 / 32

HEX #AE4061

RGB 174 64 97

HSL 342, 0.46%, 0.47%

LAB 43.55, 47.72, 4.72

 

CMYK 63 / 0 / 57 / 32

HEX #40AE4B

RGB 64 174 75

HSL 126, 0.46%, 0.47%

LAB 63.24, -51.66, 41.17

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 0 / 32 / 63 / 32

HEX #AE7740

RGB 174 119 64

HSL 30, 0.46%, 0.47%

LAB 54.62, 15.87, 38.38

 

CMYK 63 / 0 / 32 / 32

HEX #40AE77

RGB 64 174 119

HSL 150, 0.46%, 0.47%

LAB 63.91, -44.21, 19.23

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 0 / 63 / 44 / 32

HEX #AE4061

RGB 174 64 97

HSL 342, 0.46%, 0.47%

LAB 43.55, 47.72, 4.72

 

CMYK 32 / 0 / 63 / 32

HEX #77AE40

RGB 119 174 64

HSL 90, 0.46%, 0.47%

LAB 65.41, -36.33, 49.3

 

CMYK 63 / 0 / 19 / 32

HEX #40AE8D

RGB 64 174 141

HSL 162, 0.46%, 0.47%

LAB 64.39, -39.25, 7.8

 

CMYK 32 / 63 / 0 / 32

HEX #7740AE

RGB 119 64 174

HSL 270, 0.46%, 0.47%

LAB 38.98, 45.2, -49.87

 

CMYK 0 / 63 / 63 / 32

HEX #AE4040

RGB 174 64 64

HSL 0, 0.46%, 0.47%

LAB 42.82, 44.93, 24.05

 

CMYK 32 / 0 / 63 / 32

HEX #77AE40

RGB 119 174 64

HSL 90, 0.46%, 0.47%

LAB 65.41, -36.33, 49.3

 

CMYK 63 / 0 / 0 / 32

HEX #40AEAE

RGB 64 174 174

HSL 180, 0.46%, 0.47%

LAB 65.29, -30.51, -9.23

 

Description

Color code: HEX #7740AE | qconv.com Color code: HEX #7740AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 64 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 64 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 63 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 63% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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