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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #775563 it is the complementary color #88AA9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #775563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #775563 shade: #7C555E, #8D6771, #9E7984, #AF8B97 and #C09DAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #775563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #775563 shade: #775563, #664350, #55313D, #441F2A and #330D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #775563 shade: #775462, #775459 and #775454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #775563 shade: #775462, #77546C, #775475, #6F5477 and #665477

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #775563 shade matches the following richer shades: #775462, #874460, #98335D, #A8235A and #B91257

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #775563 shade: #775462, #666565, #567568, #45866B and #35966E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #775563 shade: #775475, #77546C, #775463, #775459 and #775854

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #775563 shade: #47323A, #5F434E, #775462, #8F6576 and #A27C8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #775563 shade: #775563, #776F54 and #547077

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #775563 shade: #775563, #637754 and #546377

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #775563 shade: #775563, #776F54, #547768 and #545C77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #775563 shade: #775563, #747754, #547768 and #575477

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 17 / 53

HEX #775563

RGB 119 85 99

HSL 335.29, 0.17%, 0.4%

LAB 40.11, 16.46, -2.48

 

Complementary color

CMYK 20 / 0 / 8 / 33

HEX #88AA9C

RGB 136 170 156

HSL 155.29, 0.17%, 0.6%

LAB 66.81, -14.53, 3.38

 

CMYK 0 / 31 / 24 / 51

HEX #7C555E

RGB 124 85 94

HSL 346.15, 0.19%, 0.41%

LAB 40.56, 17.62, 1.33

 

CMYK 0 / 27 / 20 / 45

HEX #8D6771

RGB 141 103 113

HSL 344.21, 0.16%, 0.48%

LAB 47.69, 16.86, 0.41

 

CMYK 0 / 23 / 16 / 38

HEX #9E7984

RGB 158 121 132

HSL 342.16, 0.16%, 0.55%

LAB 54.67, 16.19, -0.42

 

CMYK 0 / 21 / 14 / 31

HEX #AF8B97

RGB 175 139 151

HSL 340, 0.18%, 0.62%

LAB 61.49, 15.61, -1.17

 

CMYK 0 / 18 / 11 / 25

HEX #C09DAA

RGB 192 157 170

HSL 337.71, 0.22%, 0.68%

LAB 68.18, 15.08, -1.87

 

CMYK 0 / 29 / 17 / 53

HEX #775563

RGB 119 85 99

HSL 335.29, 0.17%, 0.4%

LAB 40.11, 16.46, -2.48

 

CMYK 0 / 34 / 22 / 60

HEX #664350

RGB 102 67 80

HSL 337.71, 0.21%, 0.33%

LAB 32.74, 17.25, -1.61

 

CMYK 0 / 42 / 28 / 67

HEX #55313D

RGB 85 49 61

HSL 340, 0.27%, 0.26%

LAB 25.15, 18.18, -0.56

 

CMYK 0 / 54 / 38 / 73

HEX #441F2A

RGB 68 31 42

HSL 342.16, 0.37%, 0.19%

LAB 17.35, 19.24, 0.84

 

CMYK 0 / 75 / 55 / 80

HEX #330D17

RGB 51 13 23

HSL 344.21, 0.59%, 0.13%

LAB 9.43, 20.22, 3.01

 

CMYK 0 / 29 / 18 / 53

HEX #775462

RGB 119 84 98

HSL 336, 0.17%, 0.4%

LAB 39.82, 16.89, -2.29

 

CMYK 0 / 29 / 25 / 53

HEX #775459

RGB 119 84 89

HSL 351.43, 0.17%, 0.4%

LAB 39.55, 15.37, 2.89

 

CMYK 0 / 29 / 29 / 53

HEX #775454

RGB 119 84 84

HSL 0, 0.17%, 0.4%

LAB 39.42, 14.58, 5.79

 

CMYK 0 / 29 / 18 / 53

HEX #775462

RGB 119 84 98

HSL 336, 0.17%, 0.4%

LAB 39.82, 16.89, -2.29

 

CMYK 0 / 29 / 9 / 53

HEX #77546C

RGB 119 84 108

HSL 318.86, 0.17%, 0.4%

LAB 40.16, 18.73, -7.98

 

CMYK 0 / 29 / 2 / 53

HEX #775475

RGB 119 84 117

HSL 303.43, 0.17%, 0.4%

LAB 40.49, 20.51, -13.02

 

CMYK 7 / 29 / 0 / 53

HEX #6F5477

RGB 111 84 119

HSL 286.29, 0.17%, 0.4%

LAB 39.67, 18.03, -15.58

 

CMYK 14 / 29 / 0 / 53

HEX #665477

RGB 102 84 119

HSL 270.86, 0.17%, 0.4%

LAB 38.72, 14.83, -17.12

 

CMYK 0 / 29 / 18 / 53

HEX #775462

RGB 119 84 98

HSL 336, 0.17%, 0.4%

LAB 39.82, 16.89, -2.29

 

CMYK 0 / 50 / 29 / 47

HEX #874460

RGB 135 68 96

HSL 334.93, 0.33%, 0.4%

LAB 38.07, 32.05, -3.38

 

CMYK 0 / 66 / 39 / 40

HEX #98335D

RGB 152 51 93

HSL 335.05, 0.5%, 0.4%

LAB 37.54, 45.92, -1.96

 

CMYK 0 / 79 / 46 / 34

HEX #A8235A

RGB 168 35 90

HSL 335.19, 0.66%, 0.4%

LAB 38.31, 56.15, 1.43

 

CMYK 0 / 90 / 53 / 27

HEX #B91257

RGB 185 18 87

HSL 335.21, 0.82%, 0.4%

LAB 40.3, 64.05, 6.64

 

CMYK 0 / 29 / 18 / 53

HEX #775462

RGB 119 84 98

HSL 336, 0.17%, 0.4%

LAB 39.82, 16.89, -2.29

 

CMYK 0 / 1 / 1 / 60

HEX #666565

RGB 102 101 101

HSL 0, 0%, 0.4%

LAB 42.87, 0.39, 0.13

 

CMYK 26 / 0 / 11 / 54

HEX #567568

RGB 86 117 104

HSL 154.84, 0.15%, 0.4%

LAB 46.58, -14.13, 3.56

 

CMYK 49 / 0 / 20 / 47

HEX #45866B

RGB 69 134 107

HSL 155.08, 0.32%, 0.4%

LAB 51.13, -27.6, 8.18

 

CMYK 65 / 0 / 27 / 41

HEX #35966E

RGB 53 150 110

HSL 155.26, 0.48%, 0.4%

LAB 55.78, -38.07, 12.94

 

CMYK 0 / 29 / 2 / 53

HEX #775475

RGB 119 84 117

HSL 303.43, 0.17%, 0.4%

LAB 40.49, 20.51, -13.02

 

CMYK 0 / 29 / 9 / 53

HEX #77546C

RGB 119 84 108

HSL 318.86, 0.17%, 0.4%

LAB 40.16, 18.73, -7.98

 

CMYK 0 / 29 / 17 / 53

HEX #775463

RGB 119 84 99

HSL 334.29, 0.17%, 0.4%

LAB 39.85, 17.06, -2.86

 

CMYK 0 / 29 / 25 / 53

HEX #775459

RGB 119 84 89

HSL 351.43, 0.17%, 0.4%

LAB 39.55, 15.37, 2.89

 

CMYK 0 / 26 / 29 / 53

HEX #775854

RGB 119 88 84

HSL 6.86, 0.17%, 0.4%

LAB 40.48, 12.16, 7.3

 

CMYK 0 / 30 / 18 / 72

HEX #47323A

RGB 71 50 58

HSL 337.14, 0.17%, 0.24%

LAB 23.43, 10.98, -1.29

 

CMYK 0 / 29 / 18 / 63

HEX #5F434E

RGB 95 67 78

HSL 336.43, 0.17%, 0.32%

LAB 31.8, 14.01, -1.81

 

CMYK 0 / 29 / 18 / 53

HEX #775462

RGB 119 84 98

HSL 336, 0.17%, 0.4%

LAB 39.82, 16.89, -2.29

 

CMYK 0 / 29 / 17 / 44

HEX #8F6576

RGB 143 101 118

HSL 335.71, 0.17%, 0.48%

LAB 47.57, 19.65, -2.75

 

CMYK 0 / 23 / 14 / 36

HEX #A27C8B

RGB 162 124 139

HSL 336.32, 0.17%, 0.56%

LAB 56.05, 17.19, -2.41

 

CMYK 0 / 29 / 17 / 53

HEX #775563

RGB 119 85 99

HSL 335.29, 0.17%, 0.4%

LAB 40.11, 16.46, -2.48

 

CMYK 0 / 7 / 29 / 53

HEX #776F54

RGB 119 111 84

HSL 46.29, 0.17%, 0.4%

LAB 46.88, -1.5, 16.19

 

CMYK 29 / 6 / 0 / 53

HEX #547077

RGB 84 112 119

HSL 192, 0.17%, 0.4%

LAB 45.37, -8.35, -7.19

 

CMYK 0 / 29 / 17 / 53

HEX #775563

RGB 119 85 99

HSL 335.29, 0.17%, 0.4%

LAB 40.11, 16.46, -2.48

 

CMYK 17 / 0 / 29 / 53

HEX #637754

RGB 99 119 84

HSL 94.29, 0.17%, 0.4%

LAB 47.61, -14.31, 16.9

 

CMYK 29 / 17 / 0 / 53

HEX #546377

RGB 84 99 119

HSL 214.29, 0.17%, 0.4%

LAB 41.44, -0.65, -13.11

 

CMYK 0 / 29 / 17 / 53

HEX #775563

RGB 119 85 99

HSL 335.29, 0.17%, 0.4%

LAB 40.11, 16.46, -2.48

 

CMYK 0 / 7 / 29 / 53

HEX #776F54

RGB 119 111 84

HSL 46.29, 0.17%, 0.4%

LAB 46.88, -1.5, 16.19

 

CMYK 29 / 0 / 13 / 53

HEX #547768

RGB 84 119 104

HSL 154.29, 0.17%, 0.4%

LAB 47.08, -15.92, 4.26

 

CMYK 29 / 23 / 0 / 53

HEX #545C77

RGB 84 92 119

HSL 226.29, 0.17%, 0.4%

LAB 39.36, 3.64, -16.27

 

CMYK 0 / 29 / 17 / 53

HEX #775563

RGB 119 85 99

HSL 335.29, 0.17%, 0.4%

LAB 40.11, 16.46, -2.48

 

CMYK 3 / 0 / 29 / 53

HEX #747754

RGB 116 119 84

HSL 65.14, 0.17%, 0.4%

LAB 48.94, -7.34, 18.93

 

CMYK 29 / 0 / 13 / 53

HEX #547768

RGB 84 119 104

HSL 154.29, 0.17%, 0.4%

LAB 47.08, -15.92, 4.26

 

CMYK 27 / 29 / 0 / 53

HEX #575477

RGB 87 84 119

HSL 245.14, 0.17%, 0.4%

LAB 37.3, 9.66, -19.43

 

Description

Color code: HEX #775563 | qconv.com Color code: HEX #775563 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 85 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 85 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 17 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 17% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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