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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77504F it is the complementary color #88AFB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77504F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77504F shade: #7C504A, #8D625D, #9E7470, #AF8683 and #C09896

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77504F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77504F shade: #77504F, #663E3C, #552C29, #441A16 and #330803

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77504F shade: #77504F and #774F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77504F shade: #77504F, #775B4F, #77664F, #77704F and #73774F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77504F shade matches the following richer shades: #77504F, #87413F, #97312F, #A7221F and #B7130F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77504F shade: #77504F, #675F5F, #576F6F, #477E7F and #368D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77504F shade: #774F64, #774F59, #77504F, #775A4F and #77654F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77504F shade: #452F2E, #5E3F3F, #77504F, #906160 and #A37675

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77504F shade: #77504F, #6E774F and #4F5E77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77504F shade: #77504F, #4F7750 and #504F77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77504F shade: #77504F, #6E774F, #4F7677 and #584F77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77504F shade: #77504F, #62774F, #4F7677 and #644F77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

Complementary color

CMYK 23 / 1 / 0 / 31

HEX #88AFB0

RGB 136 175 176

HSL 181.5, 0.2%, 0.61%

LAB 68.77, -12.84, -4.83

 

CMYK 0 / 35 / 40 / 51

HEX #7C504A

RGB 124 80 74

HSL 7.2, 0.25%, 0.39%

LAB 38.75, 17.69, 11.15

 

CMYK 0 / 30 / 34 / 45

HEX #8D625D

RGB 141 98 93

HSL 6.25, 0.21%, 0.46%

LAB 45.89, 16.74, 9.83

 

CMYK 0 / 27 / 29 / 38

HEX #9E7470

RGB 158 116 112

HSL 5.22, 0.19%, 0.53%

LAB 52.87, 15.93, 8.69

 

CMYK 0 / 23 / 25 / 31

HEX #AF8683

RGB 175 134 131

HSL 4.09, 0.22%, 0.6%

LAB 59.71, 15.23, 7.67

 

CMYK 0 / 21 / 22 / 25

HEX #C09896

RGB 192 152 150

HSL 2.86, 0.25%, 0.67%

LAB 66.42, 14.62, 6.75

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 0 / 39 / 41 / 60

HEX #663E3C

RGB 102 62 60

HSL 2.86, 0.26%, 0.32%

LAB 30.87, 17.26, 8.6

 

CMYK 0 / 48 / 52 / 67

HEX #552C29

RGB 85 44 41

HSL 4.09, 0.35%, 0.25%

LAB 23.31, 18.48, 10.31

 

CMYK 0 / 62 / 68 / 73

HEX #441A16

RGB 68 26 22

HSL 5.22, 0.51%, 0.18%

LAB 15.62, 19.91, 12.67

 

CMYK 0 / 84 / 94 / 80

HEX #330803

RGB 51 8 3

HSL 6.25, 0.89%, 0.11%

LAB 7.99, 21.15, 11.2

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 0 / 34 / 34 / 53

HEX #774F4F

RGB 119 79 79

HSL 0, 0.2%, 0.39%

LAB 37.98, 16.85, 6.87

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 0 / 24 / 34 / 53

HEX #775B4F

RGB 119 91 79

HSL 18, 0.2%, 0.39%

LAB 41.17, 9.61, 11.33

 

CMYK 0 / 14 / 34 / 53

HEX #77664F

RGB 119 102 79

HSL 34.5, 0.2%, 0.39%

LAB 44.22, 3.05, 15.52

 

CMYK 0 / 6 / 34 / 53

HEX #77704F

RGB 119 112 79

HSL 49.5, 0.2%, 0.39%

LAB 47.07, -2.79, 19.36

 

CMYK 3 / 0 / 34 / 53

HEX #73774F

RGB 115 119 79

HSL 66, 0.2%, 0.39%

LAB 48.76, -8.48, 21.54

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 0 / 52 / 53 / 47

HEX #87413F

RGB 135 65 63

HSL 1.67, 0.36%, 0.39%

LAB 36.54, 29.69, 15.23

 

CMYK 0 / 68 / 69 / 41

HEX #97312F

RGB 151 49 47

HSL 1.15, 0.53%, 0.39%

LAB 35.95, 42.47, 24.99

 

CMYK 0 / 80 / 81 / 35

HEX #A7221F

RGB 167 34 31

HSL 1.32, 0.69%, 0.39%

LAB 36.85, 52.54, 36.33

 

CMYK 0 / 90 / 92 / 28

HEX #B7130F

RGB 183 19 15

HSL 1.43, 0.85%, 0.39%

LAB 38.84, 60.25, 47.2

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 0 / 8 / 8 / 60

HEX #675F5F

RGB 103 95 95

HSL 0, 0.04%, 0.39%

LAB 41.05, 3.19, 1.15

 

CMYK 22 / 0 / 0 / 56

HEX #576F6F

RGB 87 111 111

HSL 180, 0.12%, 0.39%

LAB 45, -8.78, -2.91

 

CMYK 44 / 1 / 0 / 50

HEX #477E7F

RGB 71 126 127

HSL 181.07, 0.28%, 0.39%

LAB 49.24, -17.86, -6.24

 

CMYK 62 / 1 / 0 / 44

HEX #368D8F

RGB 54 141 143

HSL 181.35, 0.45%, 0.39%

LAB 53.83, -24.9, -8.8

 

CMYK 0 / 34 / 16 / 53

HEX #774F64

RGB 119 79 100

HSL 328.5, 0.2%, 0.39%

LAB 38.61, 20.26, -5.33

 

CMYK 0 / 34 / 25 / 53

HEX #774F59

RGB 119 79 89

HSL 345, 0.2%, 0.39%

LAB 38.26, 18.38, 1.02

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 0 / 24 / 34 / 53

HEX #775A4F

RGB 119 90 79

HSL 16.5, 0.2%, 0.39%

LAB 40.89, 10.22, 10.95

 

CMYK 0 / 15 / 34 / 53

HEX #77654F

RGB 119 101 79

HSL 33, 0.2%, 0.39%

LAB 43.94, 3.64, 15.14

 

CMYK 0 / 32 / 33 / 73

HEX #452F2E

RGB 69 47 46

HSL 2.61, 0.2%, 0.23%

LAB 21.93, 9.91, 4.65

 

CMYK 0 / 33 / 33 / 63

HEX #5E3F3F

RGB 94 63 63

HSL 0, 0.2%, 0.31%

LAB 30.14, 13.56, 5.47

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 0 / 33 / 33 / 44

HEX #906160

RGB 144 97 96

HSL 1.25, 0.2%, 0.47%

LAB 46.07, 18.97, 8.34

 

CMYK 0 / 28 / 28 / 36

HEX #A37675

RGB 163 118 117

HSL 1.3, 0.2%, 0.55%

LAB 54.06, 17.51, 7.53

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 8 / 0 / 34 / 53

HEX #6E774F

RGB 110 119 79

HSL 73.5, 0.2%, 0.39%

LAB 48.35, -10.59, 20.92

 

CMYK 34 / 21 / 0 / 53

HEX #4F5E77

RGB 79 94 119

HSL 217.5, 0.2%, 0.39%

LAB 39.58, 0.78, -15.97

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 34 / 0 / 33 / 53

HEX #4F7750

RGB 79 119 80

HSL 121.5, 0.2%, 0.39%

LAB 46.22, -22.57, 17.12

 

CMYK 33 / 34 / 0 / 53

HEX #504F77

RGB 80 79 119

HSL 241.5, 0.2%, 0.39%

LAB 35.26, 10.55, -22.63

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 8 / 0 / 34 / 53

HEX #6E774F

RGB 110 119 79

HSL 73.5, 0.2%, 0.39%

LAB 48.35, -10.59, 20.92

 

CMYK 34 / 1 / 0 / 53

HEX #4F7677

RGB 79 118 119

HSL 181.5, 0.2%, 0.39%

LAB 46.91, -13.33, -4.93

 

CMYK 26 / 34 / 0 / 53

HEX #584F77

RGB 88 79 119

HSL 253.5, 0.2%, 0.39%

LAB 35.98, 13.16, -21.46

 

CMYK 0 / 33 / 34 / 53

HEX #77504F

RGB 119 80 79

HSL 1.5, 0.2%, 0.39%

LAB 38.24, 16.25, 7.23

 

CMYK 18 / 0 / 34 / 53

HEX #62774F

RGB 98 119 79

HSL 91.5, 0.2%, 0.39%

LAB 47.44, -15.52, 19.54

 

CMYK 34 / 1 / 0 / 53

HEX #4F7677

RGB 79 118 119

HSL 181.5, 0.2%, 0.39%

LAB 46.91, -13.33, -4.93

 

CMYK 16 / 34 / 0 / 53

HEX #644F77

RGB 100 79 119

HSL 271.5, 0.2%, 0.39%

LAB 37.18, 17.24, -19.51

 

Description

Color code: HEX #77504F | qconv.com Color code: HEX #77504F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 80 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 80 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 34 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 34% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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