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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #775B1C it is the complementary color #88A4E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #775B1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #775B1C shade: #7C5B17, #8D6D2A, #9E7F3D, #AF9150 and #C0A363

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #775B1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #775B1C shade: #775B1C, #664909, #553700, #442500 and #331300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #775B1C shade: #775B1C, #77421C, #772A1C and #771C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #775B1C shade: #775B1C, #77741C, #62771C, #49771C and #31771C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #775B1C shade matches the following richer shades: #775B1C, #836010 and #8F6404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #775B1C shade: #775B1C, #6B5628, #5F5234, #534D3F and #47494B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #775B1C shade: #77291C, #77421C, #775A1C, #77731C and #63771C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #775B1C shade: #34280C, #564214, #775B1C, #997523 and #BA8E2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #775B1C shade: #775B1C, #26771C and #361C77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #775B1C shade: #775B1C, #1C775A and #5A1C77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #775B1C shade: #775B1C, #26771C, #1C3977 and #6D1C77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #775B1C shade: #775B1C, #1C772C, #1C3977 and #771C66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

Complementary color

CMYK 40 / 28 / 0 / 11

HEX #88A4E3

RGB 136 164 227

HSL 221.54, 0.62%, 0.71%

LAB 67.52, 6.03, -34.88

 

CMYK 0 / 27 / 81 / 51

HEX #7C5B17

RGB 124 91 23

HSL 40.4, 0.69%, 0.29%

LAB 40.94, 6.83, 41.71

 

CMYK 0 / 23 / 70 / 45

HEX #8D6D2A

RGB 141 109 42

HSL 40.61, 0.54%, 0.36%

LAB 47.97, 5.29, 40.94

 

CMYK 0 / 20 / 61 / 38

HEX #9E7F3D

RGB 158 127 61

HSL 40.82, 0.44%, 0.43%

LAB 54.85, 4.06, 39.72

 

CMYK 0 / 17 / 54 / 31

HEX #AF9150

RGB 175 145 80

HSL 41.05, 0.37%, 0.5%

LAB 61.61, 3.07, 38.38

 

CMYK 0 / 15 / 48 / 25

HEX #C0A363

RGB 192 163 99

HSL 41.29, 0.42%, 0.57%

LAB 68.24, 2.26, 37.04

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 0 / 28 / 91 / 60

HEX #664909

RGB 102 73 9

HSL 41.29, 0.84%, 0.22%

LAB 33.16, 6.43, 38.92

 

CMYK 0 / 35 / 100 / 67

HEX #553700

RGB 85 55 0

HSL 38.82, 1%, 0.17%

LAB 25.75, 8.77, 35.38

 

CMYK 0 / 46 / 100 / 73

HEX #442500

RGB 68 37 0

HSL 32.65, 1%, 0.13%

LAB 18.15, 11.6, 26.55

 

CMYK 0 / 63 / 100 / 80

HEX #331300

RGB 51 19 0

HSL 22.35, 1%, 0.1%

LAB 10.33, 14.6, 15.79

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 0 / 45 / 76 / 53

HEX #77421C

RGB 119 66 28

HSL 25.05, 0.62%, 0.29%

LAB 33.78, 19.62, 32.11

 

CMYK 0 / 65 / 76 / 53

HEX #772A1C

RGB 119 42 28

HSL 9.23, 0.62%, 0.29%

LAB 28.54, 32.87, 26.46

 

CMYK 0 / 76 / 76 / 53

HEX #771C1C

RGB 119 28 28

HSL 0, 0.62%, 0.29%

LAB 26.26, 39.06, 23.9

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 0 / 3 / 76 / 53

HEX #77741C

RGB 119 116 28

HSL 58.02, 0.62%, 0.29%

LAB 47.62, -9.77, 45.85

 

CMYK 18 / 0 / 76 / 53

HEX #62771C

RGB 98 119 28

HSL 73.85, 0.62%, 0.29%

LAB 46.81, -20.99, 44.47

 

CMYK 39 / 0 / 76 / 53

HEX #49771C

RGB 73 119 28

HSL 90.33, 0.62%, 0.29%

LAB 45.21, -31.36, 42.37

 

CMYK 59 / 0 / 76 / 53

HEX #31771C

RGB 49 119 28

HSL 106.15, 0.62%, 0.29%

LAB 44.13, -39.41, 40.93

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 0 / 27 / 88 / 49

HEX #836010

RGB 131 96 16

HSL 41.74, 0.78%, 0.29%

LAB 43.11, 6.99, 46.42

 

CMYK 0 / 30 / 97 / 44

HEX #8F6404

RGB 143 100 4

HSL 41.44, 0.95%, 0.29%

LAB 45.58, 10.1, 52

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 0 / 20 / 63 / 58

HEX #6B5628

RGB 107 86 40

HSL 41.19, 0.46%, 0.29%

LAB 37.72, 2.68, 29.59

 

CMYK 0 / 14 / 45 / 63

HEX #5F5234

RGB 95 82 52

HSL 41.86, 0.29%, 0.29%

LAB 35.43, 0.65, 19.57

 

CMYK 0 / 7 / 24 / 67

HEX #534D3F

RGB 83 77 63

HSL 42, 0.14%, 0.29%

LAB 32.93, -0.15, 9.22

 

CMYK 5 / 3 / 0 / 71

HEX #47494B

RGB 71 73 75

HSL 210, 0.03%, 0.29%

LAB 30.91, -0.37, -1.48

 

CMYK 0 / 66 / 76 / 53

HEX #77291C

RGB 119 41 28

HSL 8.57, 0.62%, 0.29%

LAB 28.36, 33.36, 26.26

 

CMYK 0 / 45 / 76 / 53

HEX #77421C

RGB 119 66 28

HSL 25.05, 0.62%, 0.29%

LAB 33.78, 19.62, 32.11

 

CMYK 0 / 24 / 76 / 53

HEX #775A1C

RGB 119 90 28

HSL 40.88, 0.62%, 0.29%

LAB 40.11, 5.25, 38.58

 

CMYK 0 / 3 / 76 / 53

HEX #77731C

RGB 119 115 28

HSL 57.36, 0.62%, 0.29%

LAB 47.32, -9.21, 45.57

 

CMYK 17 / 0 / 76 / 53

HEX #63771C

RGB 99 119 28

HSL 73.19, 0.62%, 0.29%

LAB 46.88, -20.55, 44.56

 

CMYK 0 / 23 / 77 / 80

HEX #34280C

RGB 52 40 12

HSL 42, 0.63%, 0.13%

LAB 16.87, 1.72, 19.51

 

CMYK 0 / 23 / 77 / 66

HEX #564214

RGB 86 66 20

HSL 41.82, 0.62%, 0.21%

LAB 29.22, 3.18, 30.09

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 0 / 24 / 77 / 40

HEX #997523

RGB 153 117 35

HSL 41.69, 0.63%, 0.37%

LAB 51.4, 5.89, 47.93

 

CMYK 0 / 24 / 77 / 27

HEX #BA8E2B

RGB 186 142 43

HSL 41.54, 0.62%, 0.45%

LAB 61.62, 7.22, 55.79

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 68 / 0 / 76 / 53

HEX #26771C

RGB 38 119 28

HSL 113.41, 0.62%, 0.29%

LAB 43.78, -42.23, 40.47

 

CMYK 55 / 76 / 0 / 53

HEX #361C77

RGB 54 28 119

HSL 257.14, 0.62%, 0.29%

LAB 19.83, 36.18, -47.47

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 76 / 0 / 24 / 53

HEX #1C775A

RGB 28 119 90

HSL 160.88, 0.62%, 0.29%

LAB 44.49, -33.5, 8.56

 

CMYK 24 / 76 / 0 / 53

HEX #5A1C77

RGB 90 28 119

HSL 280.88, 0.62%, 0.29%

LAB 24.75, 43.11, -39.24

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 68 / 0 / 76 / 53

HEX #26771C

RGB 38 119 28

HSL 113.41, 0.62%, 0.29%

LAB 43.78, -42.23, 40.47

 

CMYK 76 / 52 / 0 / 53

HEX #1C3977

RGB 28 57 119

HSL 220.88, 0.62%, 0.29%

LAB 25.28, 12.77, -38.69

 

CMYK 8 / 76 / 0 / 53

HEX #6D1C77

RGB 109 28 119

HSL 293.41, 0.62%, 0.29%

LAB 27.88, 47.3, -34.04

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 76 / 0 / 63 / 53

HEX #1C772C

RGB 28 119 44

HSL 130.55, 0.62%, 0.29%

LAB 43.69, -42.52, 33.17

 

CMYK 76 / 52 / 0 / 53

HEX #1C3977

RGB 28 57 119

HSL 220.88, 0.62%, 0.29%

LAB 25.28, 12.77, -38.69

 

CMYK 0 / 76 / 14 / 53

HEX #771C66

RGB 119 28 102

HSL 311.21, 0.62%, 0.29%

LAB 28.67, 46.75, -21.77

 

Description

Color code: HEX #775B1C | qconv.com Color code: HEX #775B1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 91 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 91 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 76 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 76% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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