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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7764A5 it is the complementary color #889B5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7764A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7764A5 shade: #7C64A0, #8D76B3, #9E88C6, #AF9AD9 and #C0ACEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7764A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7764A5 shade: #7764A5, #665292, #55407F, #442E6C and #331C59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7764A5 shade: #7663A5, #8863A5, #9A63A5, #A5639E and #A5638D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7764A5 shade: #7663A5, #6563A5 and #6363A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7764A5 shade matches the following richer shades: #7663A5, #6E4FB9, #663BCD, #5E28E1 and #5514F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7764A5 shade: #7663A5, #7F7791, #878B7E, #8F9E6A and #97B256

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7764A5 shade: #6374A5, #6463A5, #7663A5, #8763A5 and #9963A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7764A5 shade: #514274, #63518E, #7663A5, #8D7DB4 and #A497C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7764A5 shade: #7764A5, #A56385 and #6BA563

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7764A5 shade: #7764A5, #A57663 and #63A576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7764A5 shade: #7764A5, #A56385, #92A563 and #63A583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7764A5 shade: #7764A5, #A56371, #92A563 and #63A597

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 39 / 0 / 35

HEX #7764A5

RGB 119 100 165

HSL 257.54, 0.27%, 0.52%

LAB 46.65, 22.09, -32.35

 

Complementary color

CMYK 12 / 0 / 42 / 39

HEX #889B5A

RGB 136 155 90

HSL 77.54, 0.27%, 0.48%

LAB 61.15, -17.73, 31.82

 

CMYK 23 / 38 / 0 / 37

HEX #7C64A0

RGB 124 100 160

HSL 264, 0.24%, 0.51%

LAB 46.89, 22.36, -28.99

 

CMYK 21 / 34 / 0 / 30

HEX #8D76B3

RGB 141 118 179

HSL 262.62, 0.29%, 0.58%

LAB 53.89, 21.64, -29.04

 

CMYK 20 / 31 / 0 / 22

HEX #9E88C6

RGB 158 136 198

HSL 261.29, 0.35%, 0.65%

LAB 60.74, 20.99, -29.13

 

CMYK 19 / 29 / 0 / 15

HEX #AF9AD9

RGB 175 154 217

HSL 260, 0.45%, 0.73%

LAB 67.45, 20.4, -29.25

 

CMYK 19 / 27 / 0 / 7

HEX #C0ACEC

RGB 192 172 236

HSL 258.75, 0.63%, 0.8%

LAB 74.04, 19.86, -29.39

 

CMYK 28 / 39 / 0 / 35

HEX #7764A5

RGB 119 100 165

HSL 257.54, 0.27%, 0.52%

LAB 46.65, 22.09, -32.35

 

CMYK 30 / 44 / 0 / 43

HEX #665292

RGB 102 82 146

HSL 258.75, 0.28%, 0.45%

LAB 39.47, 22.97, -32.42

 

CMYK 33 / 50 / 0 / 50

HEX #55407F

RGB 85 64 127

HSL 260, 0.33%, 0.37%

LAB 32.1, 23.97, -32.54

 

CMYK 37 / 57 / 0 / 58

HEX #442E6C

RGB 68 46 108

HSL 261.29, 0.4%, 0.3%

LAB 24.53, 25.13, -32.7

 

CMYK 43 / 69 / 0 / 65

HEX #331C59

RGB 51 28 89

HSL 262.62, 0.52%, 0.23%

LAB 16.78, 26.39, -32.81

 

CMYK 28 / 40 / 0 / 35

HEX #7663A5

RGB 118 99 165

HSL 257.27, 0.27%, 0.52%

LAB 46.3, 22.4, -32.9

 

CMYK 18 / 40 / 0 / 35

HEX #8863A5

RGB 136 99 165

HSL 273.64, 0.27%, 0.52%

LAB 48.1, 27.91, -29.95

 

CMYK 7 / 40 / 0 / 35

HEX #9A63A5

RGB 154 99 165

HSL 290, 0.27%, 0.52%

LAB 50.11, 33.6, -26.67

 

CMYK 0 / 40 / 4 / 35

HEX #A5639E

RGB 165 99 158

HSL 306.36, 0.27%, 0.52%

LAB 51.14, 35.79, -20.86

 

CMYK 0 / 40 / 15 / 35

HEX #A5638D

RGB 165 99 141

HSL 321.82, 0.27%, 0.52%

LAB 50.51, 32.78, -11.8

 

CMYK 28 / 40 / 0 / 35

HEX #7663A5

RGB 118 99 165

HSL 257.27, 0.27%, 0.52%

LAB 46.3, 22.4, -32.9

 

CMYK 39 / 40 / 0 / 35

HEX #6563A5

RGB 101 99 165

HSL 241.82, 0.27%, 0.52%

LAB 44.81, 17.48, -35.35

 

CMYK 40 / 40 / 0 / 35

HEX #6363A5

RGB 99 99 165

HSL 240, 0.27%, 0.52%

LAB 44.65, 16.93, -35.61

 

CMYK 28 / 40 / 0 / 35

HEX #7663A5

RGB 118 99 165

HSL 257.27, 0.27%, 0.52%

LAB 46.3, 22.4, -32.9

 

CMYK 41 / 57 / 0 / 27

HEX #6E4FB9

RGB 110 79 185

HSL 257.55, 0.43%, 0.52%

LAB 41.86, 37.65, -51.76

 

CMYK 50 / 71 / 0 / 20

HEX #663BCD

RGB 102 59 205

HSL 257.67, 0.59%, 0.52%

LAB 38.48, 52.63, -68.94

 

CMYK 58 / 82 / 0 / 12

HEX #5E28E1

RGB 94 40 225

HSL 257.51, 0.76%, 0.52%

LAB 36.62, 65.37, -83.55

 

CMYK 65 / 92 / 0 / 4

HEX #5514F4

RGB 85 20 244

HSL 257.41, 0.91%, 0.52%

LAB 35.91, 75.24, -95.54

 

CMYK 28 / 40 / 0 / 35

HEX #7663A5

RGB 118 99 165

HSL 257.27, 0.27%, 0.52%

LAB 46.3, 22.4, -32.9

 

CMYK 12 / 18 / 0 / 43

HEX #7F7791

RGB 127 119 145

HSL 258.46, 0.11%, 0.52%

LAB 51.55, 8.48, -12.98

 

CMYK 3 / 0 / 9 / 45

HEX #878B7E

RGB 135 139 126

HSL 78.46, 0.05%, 0.52%

LAB 57.19, -3.96, 6.44

 

CMYK 9 / 0 / 33 / 38

HEX #8F9E6A

RGB 143 158 106

HSL 77.31, 0.21%, 0.52%

LAB 62.79, -14.38, 25.46

 

CMYK 15 / 0 / 52 / 30

HEX #97B256

RGB 151 178 86

HSL 77.61, 0.37%, 0.52%

LAB 68.82, -23.8, 43.52

 

CMYK 40 / 30 / 0 / 35

HEX #6374A5

RGB 99 116 165

HSL 224.55, 0.27%, 0.52%

LAB 49.33, 6.52, -28.29

 

CMYK 39 / 40 / 0 / 35

HEX #6463A5

RGB 100 99 165

HSL 240.91, 0.27%, 0.52%

LAB 44.73, 17.21, -35.48

 

CMYK 28 / 40 / 0 / 35

HEX #7663A5

RGB 118 99 165

HSL 257.27, 0.27%, 0.52%

LAB 46.3, 22.4, -32.9

 

CMYK 18 / 40 / 0 / 35

HEX #8763A5

RGB 135 99 165

HSL 272.73, 0.27%, 0.52%

LAB 48, 27.6, -30.13

 

CMYK 7 / 40 / 0 / 35

HEX #9963A5

RGB 153 99 165

HSL 289.09, 0.27%, 0.52%

LAB 49.99, 33.28, -26.86

 

CMYK 30 / 43 / 0 / 55

HEX #514274

RGB 81 66 116

HSL 258, 0.27%, 0.36%

LAB 31.59, 18.4, -26.49

 

CMYK 30 / 43 / 0 / 44

HEX #63518E

RGB 99 81 142

HSL 257.7, 0.27%, 0.44%

LAB 38.71, 21.61, -31.22

 

CMYK 28 / 40 / 0 / 35

HEX #7663A5

RGB 118 99 165

HSL 257.27, 0.27%, 0.52%

LAB 46.3, 22.4, -32.9

 

CMYK 22 / 31 / 0 / 29

HEX #8D7DB4

RGB 141 125 180

HSL 257.45, 0.27%, 0.6%

LAB 55.71, 17.78, -26.8

 

CMYK 16 / 23 / 0 / 24

HEX #A497C3

RGB 164 151 195

HSL 257.73, 0.27%, 0.68%

LAB 64.94, 13.66, -20.96

 

CMYK 28 / 39 / 0 / 35

HEX #7764A5

RGB 119 100 165

HSL 257.54, 0.27%, 0.52%

LAB 46.65, 22.09, -32.35

 

CMYK 0 / 40 / 19 / 35

HEX #A56385

RGB 165 99 133

HSL 329.09, 0.27%, 0.52%

LAB 50.24, 31.46, -7.46

 

CMYK 35 / 0 / 40 / 35

HEX #6BA563

RGB 107 165 99

HSL 112.73, 0.27%, 0.52%

LAB 62.45, -32.24, 28.36

 

CMYK 28 / 39 / 0 / 35

HEX #7764A5

RGB 119 100 165

HSL 257.54, 0.27%, 0.52%

LAB 46.65, 22.09, -32.35

 

CMYK 0 / 28 / 40 / 35

HEX #A57663

RGB 165 118 99

HSL 17.27, 0.27%, 0.52%

LAB 53.88, 15.93, 17.77

 

CMYK 40 / 0 / 28 / 35

HEX #63A576

RGB 99 165 118

HSL 137.27, 0.27%, 0.52%

LAB 62.4, -31.53, 17.91

 

CMYK 28 / 39 / 0 / 35

HEX #7764A5

RGB 119 100 165

HSL 257.54, 0.27%, 0.52%

LAB 46.65, 22.09, -32.35

 

CMYK 0 / 40 / 19 / 35

HEX #A56385

RGB 165 99 133

HSL 329.09, 0.27%, 0.52%

LAB 50.24, 31.46, -7.46

 

CMYK 12 / 0 / 40 / 35

HEX #92A563

RGB 146 165 99

HSL 77.27, 0.27%, 0.52%

LAB 64.9, -17.76, 32

 

CMYK 40 / 0 / 21 / 35

HEX #63A583

RGB 99 165 131

HSL 149.09, 0.27%, 0.52%

LAB 62.68, -28.92, 11.1

 

CMYK 28 / 39 / 0 / 35

HEX #7764A5

RGB 119 100 165

HSL 257.54, 0.27%, 0.52%

LAB 46.65, 22.09, -32.35

 

CMYK 0 / 40 / 32 / 35

HEX #A56371

RGB 165 99 113

HSL 347.27, 0.27%, 0.52%

LAB 49.64, 28.48, 3.58

 

CMYK 12 / 0 / 40 / 35

HEX #92A563

RGB 146 165 99

HSL 77.27, 0.27%, 0.52%

LAB 64.9, -17.76, 32

 

CMYK 40 / 0 / 8 / 35

HEX #63A597

RGB 99 165 151

HSL 167.27, 0.27%, 0.52%

LAB 63.17, -24.42, 0.64

 

Description

Color code: HEX #7764A5 | qconv.com Color code: HEX #7764A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 100 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 100 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 39 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 39% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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