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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #776ABE it is the complementary color #889541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #776ABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #776ABE shade: #7C6AB9, #8D7CCC, #9E8EDF, #AFA0F2 and #C0B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #776ABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #776ABE shade: #776ABE, #6658AB, #554698, #443485 and #332272

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #776ABE shade: #776ABD, #8D6ABD, #A46ABD, #BA6ABD and #BD6AAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #776ABE shade: #776ABD and #6A6ABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #776ABE shade matches the following richer shades: #776ABD, #6B58CE, #5F47E0 and #5336F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #776ABE shade: #776ABD, #837BAC, #8E8C9B, #9A9E89 and #A6AF78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #776ABE shade: #6A8ABD, #6A73BD, #766ABD, #8C6ABD and #A36ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #776ABE shade: #4D4194, #5D4DB0, #776ABD, #9186CA and #ABA3D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #776ABE shade: #776ABE, #BD6AA0 and #7FBD6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #776ABE shade: #776ABE, #BD766A and #6ABD76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #776ABE shade: #776ABE, #BD6AA0, #B1BD6A and #6ABD87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #776ABE shade: #776ABE, #BD6A87, #B1BD6A and #6ABDA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 44 / 0 / 25

HEX #776ABE

RGB 119 106 190

HSL 249.29, 0.39%, 0.58%

LAB 49.43, 25.22, -42.52

 

Complementary color

CMYK 9 / 0 / 56 / 42

HEX #889541

RGB 136 149 65

HSL 69.29, 0.39%, 0.42%

LAB 59.08, -17.29, 42.06

 

CMYK 33 / 43 / 0 / 27

HEX #7C6AB9

RGB 124 106 185

HSL 253.67, 0.36%, 0.57%

LAB 49.61, 25.22, -39.32

 

CMYK 31 / 39 / 0 / 20

HEX #8D7CCC

RGB 141 124 204

HSL 252.75, 0.44%, 0.64%

LAB 56.52, 24.36, -39.21

 

CMYK 29 / 36 / 0 / 13

HEX #9E8EDF

RGB 158 142 223

HSL 251.85, 0.56%, 0.72%

LAB 63.3, 23.6, -39.14

 

CMYK 28 / 34 / 0 / 5

HEX #AFA0F2

RGB 175 160 242

HSL 250.98, 0.76%, 0.79%

LAB 69.94, 22.91, -39.11

 

CMYK 25 / 30 / 0 / 0

HEX #C0B2FF

RGB 192 178 255

HSL 250.91, 1%, 0.85%

LAB 76.23, 20.88, -36.27

 

CMYK 37 / 44 / 0 / 25

HEX #776ABE

RGB 119 106 190

HSL 249.29, 0.39%, 0.58%

LAB 49.43, 25.22, -42.52

 

CMYK 40 / 49 / 0 / 33

HEX #6658AB

RGB 102 88 171

HSL 250.12, 0.33%, 0.51%

LAB 42.38, 26.29, -42.74

 

CMYK 44 / 54 / 0 / 40

HEX #554698

RGB 85 70 152

HSL 250.98, 0.37%, 0.44%

LAB 35.16, 27.53, -43.01

 

CMYK 49 / 61 / 0 / 48

HEX #443485

RGB 68 52 133

HSL 251.85, 0.44%, 0.36%

LAB 27.79, 28.97, -43.3

 

CMYK 55 / 70 / 0 / 55

HEX #332272

RGB 51 34 114

HSL 252.75, 0.54%, 0.29%

LAB 20.29, 30.59, -43.51

 

CMYK 37 / 44 / 0 / 26

HEX #776ABD

RGB 119 106 189

HSL 249.4, 0.39%, 0.58%

LAB 49.38, 24.94, -42.03

 

CMYK 25 / 44 / 0 / 26

HEX #8D6ABD

RGB 141 106 189

HSL 265.3, 0.39%, 0.58%

LAB 51.43, 31.08, -38.65

 

CMYK 13 / 44 / 0 / 26

HEX #A46ABD

RGB 164 106 189

HSL 281.93, 0.39%, 0.58%

LAB 53.89, 37.83, -34.62

 

CMYK 2 / 44 / 0 / 26

HEX #BA6ABD

RGB 186 106 189

HSL 297.83, 0.39%, 0.58%

LAB 56.51, 44.44, -30.35

 

CMYK 0 / 44 / 10 / 26

HEX #BD6AAA

RGB 189 106 170

HSL 313.73, 0.39%, 0.58%

LAB 56.12, 41.97, -19.98

 

CMYK 37 / 44 / 0 / 26

HEX #776ABD

RGB 119 106 189

HSL 249.4, 0.39%, 0.58%

LAB 49.38, 24.94, -42.03

 

CMYK 44 / 44 / 0 / 26

HEX #6A6ABD

RGB 106 106 189

HSL 240, 0.39%, 0.58%

LAB 48.32, 21.56, -43.78

 

CMYK 37 / 44 / 0 / 26

HEX #776ABD

RGB 119 106 189

HSL 249.4, 0.39%, 0.58%

LAB 49.38, 24.94, -42.03

 

CMYK 48 / 57 / 0 / 19

HEX #6B58CE

RGB 107 88 206

HSL 249.66, 0.55%, 0.58%

LAB 45.03, 37.74, -58.85

 

CMYK 58 / 68 / 0 / 12

HEX #5F47E0

RGB 95 71 224

HSL 249.41, 0.71%, 0.58%

LAB 41.72, 50.69, -74.58

 

CMYK 66 / 78 / 0 / 5

HEX #5336F1

RGB 83 54 241

HSL 249.3, 0.87%, 0.58%

LAB 39.29, 62.82, -88.26

 

CMYK 37 / 44 / 0 / 26

HEX #776ABD

RGB 119 106 189

HSL 249.4, 0.39%, 0.58%

LAB 49.38, 24.94, -42.03

 

CMYK 24 / 28 / 0 / 33

HEX #837BAC

RGB 131 123 172

HSL 249.8, 0.23%, 0.58%

LAB 53.99, 13.84, -24.92

 

CMYK 8 / 10 / 0 / 39

HEX #8E8C9B

RGB 142 140 155

HSL 248, 0.07%, 0.58%

LAB 58.86, 3.78, -7.68

 

CMYK 3 / 0 / 13 / 38

HEX #9A9E89

RGB 154 158 137

HSL 71.43, 0.1%, 0.58%

LAB 64.27, -5.28, 10.49

 

CMYK 5 / 0 / 31 / 31

HEX #A6AF78

RGB 166 175 120

HSL 69.82, 0.26%, 0.58%

LAB 69.56, -12.3, 27.21

 

CMYK 44 / 27 / 0 / 26

HEX #6A8ABD

RGB 106 138 189

HSL 216.87, 0.39%, 0.58%

LAB 56.99, 2.36, -30.16

 

CMYK 44 / 39 / 0 / 26

HEX #6A73BD

RGB 106 115 189

HSL 233.49, 0.39%, 0.58%

LAB 50.69, 16.07, -40.03

 

CMYK 38 / 44 / 0 / 26

HEX #766ABD

RGB 118 106 189

HSL 248.67, 0.39%, 0.58%

LAB 49.29, 24.67, -42.17

 

CMYK 26 / 44 / 0 / 26

HEX #8C6ABD

RGB 140 106 189

HSL 264.58, 0.39%, 0.58%

LAB 51.33, 30.79, -38.82

 

CMYK 14 / 44 / 0 / 26

HEX #A36ABD

RGB 163 106 189

HSL 281.2, 0.39%, 0.58%

LAB 53.78, 37.54, -34.8

 

CMYK 48 / 56 / 0 / 42

HEX #4D4194

RGB 77 65 148

HSL 248.67, 0.39%, 0.42%

LAB 32.91, 27.52, -44.23

 

CMYK 47 / 56 / 0 / 31

HEX #5D4DB0

RGB 93 77 176

HSL 249.7, 0.39%, 0.5%

LAB 39.19, 32.34, -50.85

 

CMYK 37 / 44 / 0 / 26

HEX #776ABD

RGB 119 106 189

HSL 249.4, 0.39%, 0.58%

LAB 49.38, 24.94, -42.03

 

CMYK 28 / 34 / 0 / 21

HEX #9186CA

RGB 145 134 202

HSL 249.71, 0.39%, 0.66%

LAB 59.28, 19.17, -33.74

 

CMYK 20 / 24 / 0 / 16

HEX #ABA3D6

RGB 171 163 214

HSL 249.41, 0.38%, 0.74%

LAB 69.26, 13.42, -24.84

 

CMYK 37 / 44 / 0 / 25

HEX #776ABE

RGB 119 106 190

HSL 249.29, 0.39%, 0.58%

LAB 49.43, 25.22, -42.52

 

CMYK 0 / 44 / 15 / 26

HEX #BD6AA0

RGB 189 106 160

HSL 320.96, 0.39%, 0.58%

LAB 55.75, 40.32, -14.73

 

CMYK 33 / 0 / 44 / 26

HEX #7FBD6A

RGB 127 189 106

HSL 104.82, 0.39%, 0.58%

LAB 70.83, -35.56, 35.7

 

CMYK 37 / 44 / 0 / 25

HEX #776ABE

RGB 119 106 190

HSL 249.29, 0.39%, 0.58%

LAB 49.43, 25.22, -42.52

 

CMYK 0 / 38 / 44 / 26

HEX #BD766A

RGB 189 118 106

HSL 8.67, 0.39%, 0.58%

LAB 56.9, 26.48, 18.33

 

CMYK 44 / 0 / 38 / 26

HEX #6ABD76

RGB 106 189 118

HSL 128.67, 0.39%, 0.58%

LAB 70.01, -40.4, 28.22

 

CMYK 37 / 44 / 0 / 25

HEX #776ABE

RGB 119 106 190

HSL 249.29, 0.39%, 0.58%

LAB 49.43, 25.22, -42.52

 

CMYK 0 / 44 / 15 / 26

HEX #BD6AA0

RGB 189 106 160

HSL 320.96, 0.39%, 0.58%

LAB 55.75, 40.32, -14.73

 

CMYK 6 / 0 / 44 / 26

HEX #B1BD6A

RGB 177 189 106

HSL 68.67, 0.39%, 0.58%

LAB 74.05, -16.82, 40.42

 

CMYK 44 / 0 / 29 / 26

HEX #6ABD87

RGB 106 189 135

HSL 140.96, 0.39%, 0.58%

LAB 70.32, -37.36, 19.6

 

CMYK 37 / 44 / 0 / 25

HEX #776ABE

RGB 119 106 190

HSL 249.29, 0.39%, 0.58%

LAB 49.43, 25.22, -42.52

 

CMYK 0 / 44 / 29 / 26

HEX #BD6A87

RGB 189 106 135

HSL 339.04, 0.39%, 0.58%

LAB 54.94, 36.57, -1.33

 

CMYK 6 / 0 / 44 / 26

HEX #B1BD6A

RGB 177 189 106

HSL 68.67, 0.39%, 0.58%

LAB 74.05, -16.82, 40.42

 

CMYK 44 / 0 / 15 / 26

HEX #6ABDA0

RGB 106 189 160

HSL 159.04, 0.39%, 0.58%

LAB 70.87, -32.17, 6.83

 

Description

Color code: HEX #776ABE | qconv.com Color code: HEX #776ABE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 106 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 106 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 44 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 44% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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