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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #776BC2 it is the complementary color #88943D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #776BC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #776BC2 shade: #7C6BBD, #8D7DD0, #9E8FE3, #AFA1F6 and #C0B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #776BC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #776BC2 shade: #776BC2, #6659AF, #55479C, #443589 and #332376

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #776BC2 shade: #766AC2, #8E6AC2, #A66AC2, #BD6AC2 and #C26AAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #776BC2 shade: #766AC2 and #6A6AC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #776BC2 shade matches the following richer shades: #766AC2, #6A59D3, #5E48E4 and #5137F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #776BC2 shade: #766AC2, #827BB1, #8F8CA0, #9B9D8F and #A7AE7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #776BC2 shade: #6A8DC2, #6A76C2, #766AC2, #8D6AC2 and #A56AC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #776BC2 shade: #4B3F9B, #5B4DB6, #766AC2, #9187CE and #ACA5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #776BC2 shade: #776BC2, #C26AA5 and #81C26A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #776BC2 shade: #776BC2, #C2766A and #6AC276

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #776BC2 shade: #776BC2, #C26AA5, #B6C26A and #6AC287

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #776BC2 shade: #776BC2, #C26A8A, #B6C26A and #6AC2A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 45 / 0 / 24

HEX #776BC2

RGB 119 107 194

HSL 248.28, 0.42%, 0.59%

LAB 49.9, 25.74, -44.09

 

Complementary color

CMYK 8 / 0 / 59 / 42

HEX #88943D

RGB 136 148 61

HSL 68.28, 0.42%, 0.41%

LAB 58.74, -17.11, 43.59

 

CMYK 34 / 43 / 0 / 26

HEX #7C6BBD

RGB 124 107 189

HSL 252.44, 0.38%, 0.58%

LAB 50.07, 25.7, -40.92

 

CMYK 32 / 40 / 0 / 18

HEX #8D7DD0

RGB 141 125 208

HSL 251.57, 0.47%, 0.65%

LAB 56.96, 24.81, -40.78

 

CMYK 30 / 37 / 0 / 11

HEX #9E8FE3

RGB 158 143 227

HSL 250.71, 0.6%, 0.73%

LAB 63.72, 24.03, -40.69

 

CMYK 29 / 35 / 0 / 4

HEX #AFA1F6

RGB 175 161 246

HSL 249.88, 0.83%, 0.8%

LAB 70.36, 23.33, -40.65

 

CMYK 25 / 30 / 0 / 0

HEX #C0B3FF

RGB 192 179 255

HSL 250.26, 1%, 0.85%

LAB 76.48, 20.33, -35.89

 

CMYK 39 / 45 / 0 / 24

HEX #776BC2

RGB 119 107 194

HSL 248.28, 0.42%, 0.59%

LAB 49.9, 25.74, -44.09

 

CMYK 42 / 49 / 0 / 31

HEX #6659AF

RGB 102 89 175

HSL 249.07, 0.35%, 0.52%

LAB 42.86, 26.84, -44.33

 

CMYK 46 / 54 / 0 / 39

HEX #55479C

RGB 85 71 156

HSL 249.88, 0.37%, 0.45%

LAB 35.67, 28.12, -44.61

 

CMYK 50 / 61 / 0 / 46

HEX #443589

RGB 68 53 137

HSL 250.71, 0.44%, 0.37%

LAB 28.33, 29.61, -44.9

 

CMYK 57 / 70 / 0 / 54

HEX #332376

RGB 51 35 118

HSL 251.57, 0.54%, 0.3%

LAB 20.88, 31.28, -45.12

 

CMYK 39 / 45 / 0 / 24

HEX #766AC2

RGB 118 106 194

HSL 248.18, 0.42%, 0.59%

LAB 49.56, 26.08, -44.63

 

CMYK 27 / 45 / 0 / 24

HEX #8E6AC2

RGB 142 106 194

HSL 264.55, 0.42%, 0.59%

LAB 51.79, 32.59, -40.97

 

CMYK 14 / 45 / 0 / 24

HEX #A66AC2

RGB 166 106 194

HSL 280.91, 0.42%, 0.59%

LAB 54.35, 39.5, -36.75

 

CMYK 3 / 45 / 0 / 24

HEX #BD6AC2

RGB 189 106 194

HSL 296.59, 0.42%, 0.59%

LAB 57.1, 46.28, -32.26

 

CMYK 0 / 45 / 10 / 24

HEX #C26AAF

RGB 194 106 175

HSL 312.95, 0.42%, 0.59%

LAB 56.95, 44.42, -21.53

 

CMYK 39 / 45 / 0 / 24

HEX #766AC2

RGB 118 106 194

HSL 248.18, 0.42%, 0.59%

LAB 49.56, 26.08, -44.63

 

CMYK 45 / 45 / 0 / 24

HEX #6A6AC2

RGB 106 106 194

HSL 240, 0.42%, 0.59%

LAB 48.6, 23.05, -46.23

 

CMYK 39 / 45 / 0 / 24

HEX #766AC2

RGB 118 106 194

HSL 248.18, 0.42%, 0.59%

LAB 49.56, 26.08, -44.63

 

CMYK 50 / 58 / 0 / 17

HEX #6A59D3

RGB 106 89 211

HSL 248.36, 0.58%, 0.59%

LAB 45.51, 38.44, -60.94

 

CMYK 59 / 68 / 0 / 11

HEX #5E48E4

RGB 94 72 228

HSL 248.46, 0.74%, 0.59%

LAB 42.18, 51.2, -76.11

 

CMYK 67 / 78 / 0 / 4

HEX #5137F5

RGB 81 55 245

HSL 248.21, 0.9%, 0.59%

LAB 39.71, 63.31, -89.83

 

CMYK 39 / 45 / 0 / 24

HEX #766AC2

RGB 118 106 194

HSL 248.18, 0.42%, 0.59%

LAB 49.56, 26.08, -44.63

 

CMYK 27 / 31 / 0 / 31

HEX #827BB1

RGB 130 123 177

HSL 247.78, 0.26%, 0.59%

LAB 54.12, 14.78, -27.62

 

CMYK 11 / 13 / 0 / 37

HEX #8F8CA0

RGB 143 140 160

HSL 249, 0.1%, 0.59%

LAB 59.1, 5.19, -10.17

 

CMYK 1 / 0 / 9 / 38

HEX #9B9D8F

RGB 155 157 143

HSL 68.57, 0.07%, 0.59%

LAB 64.21, -3.32, 7.07

 

CMYK 4 / 0 / 28 / 32

HEX #A7AE7E

RGB 167 174 126

HSL 68.75, 0.23%, 0.59%

LAB 69.47, -10.56, 23.88

 

CMYK 45 / 27 / 0 / 24

HEX #6A8DC2

RGB 106 141 194

HSL 216.14, 0.42%, 0.59%

LAB 58.05, 2.08, -31.36

 

CMYK 45 / 39 / 0 / 24

HEX #6A76C2

RGB 106 118 194

HSL 231.82, 0.42%, 0.59%

LAB 51.74, 15.74, -41.23

 

CMYK 39 / 45 / 0 / 24

HEX #766AC2

RGB 118 106 194

HSL 248.18, 0.42%, 0.59%

LAB 49.56, 26.08, -44.63

 

CMYK 27 / 45 / 0 / 24

HEX #8D6AC2

RGB 141 106 194

HSL 263.86, 0.42%, 0.59%

LAB 51.69, 32.31, -41.13

 

CMYK 15 / 45 / 0 / 24

HEX #A56AC2

RGB 165 106 194

HSL 280.23, 0.42%, 0.59%

LAB 54.24, 39.21, -36.93

 

CMYK 52 / 59 / 0 / 39

HEX #4B3F9B

RGB 75 63 155

HSL 247.83, 0.42%, 0.43%

LAB 32.74, 30.56, -48.78

 

CMYK 50 / 58 / 0 / 29

HEX #5B4DB6

RGB 91 77 182

HSL 248, 0.42%, 0.51%

LAB 39.43, 33.74, -54.01

 

CMYK 39 / 45 / 0 / 24

HEX #766AC2

RGB 118 106 194

HSL 248.18, 0.42%, 0.59%

LAB 49.56, 26.08, -44.63

 

CMYK 30 / 34 / 0 / 19

HEX #9187CE

RGB 145 135 206

HSL 248.45, 0.42%, 0.67%

LAB 59.71, 19.61, -35.32

 

CMYK 21 / 24 / 0 / 15

HEX #ACA5DA

RGB 172 165 218

HSL 247.92, 0.42%, 0.75%

LAB 70, 13.53, -25.91

 

CMYK 39 / 45 / 0 / 24

HEX #776BC2

RGB 119 107 194

HSL 248.28, 0.42%, 0.59%

LAB 49.9, 25.74, -44.09

 

CMYK 0 / 45 / 15 / 24

HEX #C26AA5

RGB 194 106 165

HSL 319.77, 0.42%, 0.59%

LAB 56.58, 42.77, -16.32

 

CMYK 34 / 0 / 45 / 24

HEX #81C26A

RGB 129 194 106

HSL 104.32, 0.42%, 0.59%

LAB 72.42, -37.16, 37.72

 

CMYK 39 / 45 / 0 / 24

HEX #776BC2

RGB 119 107 194

HSL 248.28, 0.42%, 0.59%

LAB 49.9, 25.74, -44.09

 

CMYK 0 / 39 / 45 / 24

HEX #C2766A

RGB 194 118 106

HSL 8.18, 0.42%, 0.59%

LAB 57.53, 28.46, 19.29

 

CMYK 45 / 0 / 39 / 24

HEX #6AC276

RGB 106 194 118

HSL 128.18, 0.42%, 0.59%

LAB 71.52, -42.58, 30.21

 

CMYK 39 / 45 / 0 / 24

HEX #776BC2

RGB 119 107 194

HSL 248.28, 0.42%, 0.59%

LAB 49.9, 25.74, -44.09

 

CMYK 0 / 45 / 15 / 24

HEX #C26AA5

RGB 194 106 165

HSL 319.77, 0.42%, 0.59%

LAB 56.58, 42.77, -16.32

 

CMYK 6 / 0 / 45 / 24

HEX #B6C26A

RGB 182 194 106

HSL 68.18, 0.42%, 0.59%

LAB 75.8, -17.35, 42.67

 

CMYK 45 / 0 / 30 / 24

HEX #6AC287

RGB 106 194 135

HSL 139.77, 0.42%, 0.59%

LAB 71.82, -39.6, 21.66

 

CMYK 39 / 45 / 0 / 24

HEX #776BC2

RGB 119 107 194

HSL 248.28, 0.42%, 0.59%

LAB 49.9, 25.74, -44.09

 

CMYK 0 / 45 / 29 / 24

HEX #C26A8A

RGB 194 106 138

HSL 338.18, 0.42%, 0.59%

LAB 55.7, 38.76, -1.9

 

CMYK 6 / 0 / 45 / 24

HEX #B6C26A

RGB 182 194 106

HSL 68.18, 0.42%, 0.59%

LAB 75.8, -17.35, 42.67

 

CMYK 45 / 0 / 16 / 24

HEX #6AC2A2

RGB 106 194 162

HSL 158.18, 0.42%, 0.59%

LAB 72.4, -34.08, 7.93

 

Description

Color code: HEX #776BC2 | qconv.com Color code: HEX #776BC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 107 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 107 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 45 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 45% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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