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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #776FA8 it is the complementary color #889057. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #776FA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #776FA8 shade: #7C6FA3, #8D81B6, #9E93C9, #AFA5DC and #C0B7EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #776FA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #776FA8 shade: #776FA8, #665D95, #554B82, #44396F and #33275C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #776FA8 shade: #776FA8, #876FA8, #966FA8, #A66FA8 and #A86F9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #776FA8 shade: #776FA8 and #6F6FA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #776FA8 shade matches the following richer shades: #776FA8, #6A5CBB, #5C4ACE, #4F37E0 and #4225F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #776FA8 shade: #776FA8, #848296, #929483, #9FA771 and #ADB95E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #776FA8 shade: #6F86A8, #6F77A8, #776FA8, #866FA8 and #956FA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #776FA8 shade: #514A7B, #625995, #776FA8, #8F89B8 and #A8A3C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #776FA8 shade: #776FA8, #A86F95 and #7EA86F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #776FA8 shade: #776FA8, #A8776F and #6FA877

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #776FA8 shade: #776FA8, #A86F95, #A1A86F and #6FA882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #776FA8 shade: #776FA8, #A86F84, #A1A86F and #6FA893

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

Complementary color

CMYK 6 / 0 / 40 / 44

HEX #889057

RGB 136 144 87

HSL 68.42, 0.25%, 0.45%

LAB 57.91, -12.31, 29.31

 

CMYK 24 / 32 / 0 / 36

HEX #7C6FA3

RGB 124 111 163

HSL 255, 0.22%, 0.54%

LAB 49.86, 16.51, -26.14

 

CMYK 23 / 29 / 0 / 29

HEX #8D81B6

RGB 141 129 182

HSL 253.58, 0.27%, 0.61%

LAB 56.82, 15.92, -26.23

 

CMYK 21 / 27 / 0 / 21

HEX #9E93C9

RGB 158 147 201

HSL 252.22, 0.33%, 0.68%

LAB 63.63, 15.39, -26.35

 

CMYK 20 / 25 / 0 / 14

HEX #AFA5DC

RGB 175 165 220

HSL 250.91, 0.44%, 0.75%

LAB 70.31, 14.92, -26.51

 

CMYK 20 / 23 / 0 / 6

HEX #C0B7EF

RGB 192 183 239

HSL 249.64, 0.64%, 0.83%

LAB 76.86, 14.48, -26.68

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 32 / 38 / 0 / 42

HEX #665D95

RGB 102 93 149

HSL 249.64, 0.23%, 0.47%

LAB 42.5, 16.97, -29.47

 

CMYK 35 / 42 / 0 / 49

HEX #554B82

RGB 85 75 130

HSL 250.91, 0.27%, 0.4%

LAB 35.15, 17.83, -29.58

 

CMYK 39 / 49 / 0 / 56

HEX #44396F

RGB 68 57 111

HSL 252.22, 0.32%, 0.33%

LAB 27.58, 18.86, -29.76

 

CMYK 45 / 58 / 0 / 64

HEX #33275C

RGB 51 39 92

HSL 253.58, 0.4%, 0.26%

LAB 19.75, 20.14, -30.01

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 20 / 34 / 0 / 34

HEX #876FA8

RGB 135 111 168

HSL 265.26, 0.25%, 0.55%

LAB 51.09, 21.23, -27.06

 

CMYK 11 / 34 / 0 / 34

HEX #966FA8

RGB 150 111 168

HSL 281.05, 0.25%, 0.55%

LAB 52.6, 26.08, -24.61

 

CMYK 1 / 34 / 0 / 34

HEX #A66FA8

RGB 166 111 168

HSL 297.89, 0.25%, 0.55%

LAB 54.35, 31.36, -21.77

 

CMYK 0 / 34 / 7 / 34

HEX #A86F9C

RGB 168 111 156

HSL 312.63, 0.25%, 0.55%

LAB 54.13, 29.76, -15.11

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 34 / 34 / 0 / 34

HEX #6F6FA8

RGB 111 111 168

HSL 240, 0.25%, 0.55%

LAB 48.98, 13.85, -30.52

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 43 / 51 / 0 / 27

HEX #6A5CBB

RGB 106 92 187

HSL 248.84, 0.41%, 0.55%

LAB 44.67, 29.51, -48.44

 

CMYK 55 / 64 / 0 / 19

HEX #5C4ACE

RGB 92 74 206

HSL 248.18, 0.57%, 0.55%

LAB 40.62, 43.09, -66.06

 

CMYK 65 / 75 / 0 / 12

HEX #4F37E0

RGB 79 55 224

HSL 248.52, 0.73%, 0.55%

LAB 37.44, 57.03, -81.67

 

CMYK 73 / 85 / 0 / 5

HEX #4225F3

RGB 66 37 243

HSL 248.45, 0.9%, 0.55%

LAB 35.89, 69.12, -95.06

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 12 / 13 / 0 / 41

HEX #848296

RGB 132 130 150

HSL 246, 0.09%, 0.55%

LAB 55.15, 4.92, -10.44

 

CMYK 1 / 0 / 11 / 42

HEX #929483

RGB 146 148 131

HSL 67.06, 0.07%, 0.55%

LAB 60.72, -3.88, 8.74

 

CMYK 5 / 0 / 32 / 35

HEX #9FA771

RGB 159 167 113

HSL 68.89, 0.23%, 0.55%

LAB 66.67, -11.81, 27.04

 

CMYK 6 / 0 / 49 / 27

HEX #ADB95E

RGB 173 185 94

HSL 67.91, 0.39%, 0.55%

LAB 72.49, -17.64, 44.39

 

CMYK 34 / 20 / 0 / 34

HEX #6F86A8

RGB 111 134 168

HSL 215.79, 0.25%, 0.55%

LAB 55.34, 0.2, -20.68

 

CMYK 34 / 29 / 0 / 34

HEX #6F77A8

RGB 111 119 168

HSL 231.58, 0.25%, 0.55%

LAB 51.15, 9.03, -27.13

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 20 / 34 / 0 / 34

HEX #866FA8

RGB 134 111 168

HSL 264.21, 0.25%, 0.55%

LAB 51, 20.92, -27.22

 

CMYK 11 / 34 / 0 / 34

HEX #956FA8

RGB 149 111 168

HSL 280, 0.25%, 0.55%

LAB 52.49, 25.76, -24.78

 

CMYK 34 / 40 / 0 / 52

HEX #514A7B

RGB 81 74 123

HSL 248.57, 0.25%, 0.39%

LAB 34.14, 15.23, -26.86

 

CMYK 34 / 40 / 0 / 42

HEX #625995

RGB 98 89 149

HSL 249, 0.25%, 0.47%

LAB 41.07, 18.26, -31.73

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 22 / 26 / 0 / 28

HEX #8F89B8

RGB 143 137 184

HSL 247.66, 0.25%, 0.63%

LAB 59.15, 12.39, -23.77

 

CMYK 16 / 18 / 0 / 22

HEX #A8A3C7

RGB 168 163 199

HSL 248.33, 0.24%, 0.71%

LAB 68.49, 9.11, -17.75

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 0 / 34 / 11 / 34

HEX #A86F95

RGB 168 111 149

HSL 320, 0.25%, 0.55%

LAB 53.88, 28.51, -11.39

 

CMYK 25 / 0 / 34 / 34

HEX #7EA86F

RGB 126 168 111

HSL 104.21, 0.25%, 0.55%

LAB 64.63, -25.18, 25

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 0 / 29 / 34 / 34

HEX #A8776F

RGB 168 119 111

HSL 8.42, 0.25%, 0.55%

LAB 54.73, 18.11, 12.05

 

CMYK 34 / 0 / 29 / 34

HEX #6FA877

RGB 111 168 119

HSL 128.42, 0.25%, 0.55%

LAB 63.93, -28.99, 19.55

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 0 / 34 / 11 / 34

HEX #A86F95

RGB 168 111 149

HSL 320, 0.25%, 0.55%

LAB 53.88, 28.51, -11.39

 

CMYK 4 / 0 / 34 / 34

HEX #A1A86F

RGB 161 168 111

HSL 67.37, 0.25%, 0.55%

LAB 67.07, -11.81, 28.67

 

CMYK 34 / 0 / 23 / 34

HEX #6FA882

RGB 111 168 130

HSL 140, 0.25%, 0.55%

LAB 64.16, -26.92, 13.82

 

CMYK 29 / 34 / 0 / 34

HEX #776FA8

RGB 119 111 168

HSL 248.42, 0.25%, 0.55%

LAB 49.64, 16.24, -29.43

 

CMYK 0 / 34 / 21 / 34

HEX #A86F84

RGB 168 111 132

HSL 337.89, 0.25%, 0.55%

LAB 53.34, 25.68, -2.23

 

CMYK 4 / 0 / 34 / 34

HEX #A1A86F

RGB 161 168 111

HSL 67.37, 0.25%, 0.55%

LAB 67.07, -11.81, 28.67

 

CMYK 34 / 0 / 13 / 34

HEX #6FA893

RGB 111 168 147

HSL 157.89, 0.25%, 0.55%

LAB 64.56, -23.38, 4.95

 

Description

Color code: HEX #776FA8 | qconv.com Color code: HEX #776FA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 111 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 111 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 34 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 34% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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