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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7772AA it is the complementary color #888D55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7772AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7772AA shade: #7C72A5, #8D84B8, #9E96CB, #AFA8DE and #C0BAF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7772AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7772AA shade: #7772AA, #666097, #554E84, #443C71 and #332A5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7772AA shade: #7772AA, #8672AA, #9672AA, #A572AA and #AA72A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7772AA shade: #7772AA and #7272AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7772AA shade matches the following richer shades: #7772AA, #6860BD, #594ECF, #4B3CE1 and #3C2AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7772AA shade: #7772AA, #868498, #959786, #A4A974 and #B3BB62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7772AA shade: #728BAA, #727DAA, #7772AA, #8672AA and #9572AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7772AA shade: #504C7E, #615B98, #7772AA, #908CBA and #A9A6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7772AA shade: #7772AA, #AA729A and #84AA72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7772AA shade: #7772AA, #AA7772 and #72AA77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7772AA shade: #7772AA, #AA729A, #A6AA72 and #72AA82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7772AA shade: #7772AA, #AA728A, #A6AA72 and #72AA93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

Complementary color

CMYK 4 / 0 / 40 / 45

HEX #888D55

RGB 136 141 85

HSL 65.36, 0.25%, 0.44%

LAB 57.02, -10.94, 29.25

 

CMYK 25 / 31 / 0 / 35

HEX #7C72A5

RGB 124 114 165

HSL 251.76, 0.22%, 0.55%

LAB 50.73, 15.22, -25.96

 

CMYK 23 / 28 / 0 / 28

HEX #8D84B8

RGB 141 132 184

HSL 250.38, 0.27%, 0.62%

LAB 57.68, 14.66, -26.05

 

CMYK 22 / 26 / 0 / 20

HEX #9E96CB

RGB 158 150 203

HSL 249.06, 0.34%, 0.69%

LAB 64.48, 14.16, -26.17

 

CMYK 21 / 24 / 0 / 13

HEX #AFA8DE

RGB 175 168 222

HSL 247.78, 0.45%, 0.76%

LAB 71.14, 13.7, -26.33

 

CMYK 20 / 23 / 0 / 5

HEX #C0BAF1

RGB 192 186 241

HSL 246.55, 0.66%, 0.84%

LAB 77.68, 13.29, -26.51

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 32 / 36 / 0 / 41

HEX #666097

RGB 102 96 151

HSL 246.55, 0.22%, 0.48%

LAB 43.4, 15.66, -29.26

 

CMYK 36 / 41 / 0 / 48

HEX #554E84

RGB 85 78 132

HSL 247.78, 0.26%, 0.41%

LAB 36.07, 16.49, -29.36

 

CMYK 40 / 47 / 0 / 56

HEX #443C71

RGB 68 60 113

HSL 249.06, 0.31%, 0.34%

LAB 28.52, 17.49, -29.54

 

CMYK 46 / 55 / 0 / 63

HEX #332A5E

RGB 51 42 94

HSL 250.38, 0.38%, 0.27%

LAB 20.7, 18.75, -29.81

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 21 / 33 / 0 / 33

HEX #8672AA

RGB 134 114 170

HSL 261.43, 0.25%, 0.56%

LAB 51.84, 19.62, -27.07

 

CMYK 12 / 33 / 0 / 33

HEX #9672AA

RGB 150 114 170

HSL 278.57, 0.25%, 0.56%

LAB 53.41, 24.78, -24.52

 

CMYK 3 / 33 / 0 / 33

HEX #A572AA

RGB 165 114 170

HSL 294.64, 0.25%, 0.56%

LAB 55.01, 29.73, -21.93

 

CMYK 0 / 33 / 5 / 33

HEX #AA72A1

RGB 170 114 161

HSL 309.64, 0.25%, 0.56%

LAB 55.23, 29.69, -16.32

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 33 / 33 / 0 / 33

HEX #7272AA

RGB 114 114 170

HSL 240, 0.25%, 0.56%

LAB 50.11, 13.47, -29.89

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 45 / 49 / 0 / 26

HEX #6860BD

RGB 104 96 189

HSL 245.16, 0.41%, 0.56%

LAB 45.61, 27.18, -48.11

 

CMYK 57 / 62 / 0 / 19

HEX #594ECF

RGB 89 78 207

HSL 245.12, 0.57%, 0.56%

LAB 41.34, 40.55, -65.48

 

CMYK 67 / 73 / 0 / 12

HEX #4B3CE1

RGB 75 60 225

HSL 245.45, 0.73%, 0.56%

LAB 38.13, 54.37, -81.1

 

CMYK 75 / 83 / 0 / 5

HEX #3C2AF3

RGB 60 42 243

HSL 245.37, 0.89%, 0.56%

LAB 36.15, 66.89, -94.64

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 12 / 13 / 0 / 40

HEX #868498

RGB 134 132 152

HSL 246, 0.09%, 0.56%

LAB 55.93, 4.91, -10.41

 

CMYK 1 / 0 / 11 / 41

HEX #959786

RGB 149 151 134

HSL 67.06, 0.08%, 0.56%

LAB 61.86, -3.87, 8.71

 

CMYK 3 / 0 / 31 / 34

HEX #A4A974

RGB 164 169 116

HSL 65.66, 0.24%, 0.56%

LAB 67.67, -10.48, 26.82

 

CMYK 4 / 0 / 48 / 27

HEX #B3BB62

RGB 179 187 98

HSL 65.39, 0.4%, 0.56%

LAB 73.55, -15.83, 43.82

 

CMYK 33 / 18 / 0 / 33

HEX #728BAA

RGB 114 139 170

HSL 213.21, 0.25%, 0.56%

LAB 57.02, -1.25, -19.24

 

CMYK 33 / 26 / 0 / 33

HEX #727DAA

RGB 114 125 170

HSL 228.21, 0.25%, 0.56%

LAB 53.11, 6.9, -25.24

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 21 / 33 / 0 / 33

HEX #8672AA

RGB 134 114 170

HSL 261.43, 0.25%, 0.56%

LAB 51.84, 19.62, -27.07

 

CMYK 12 / 33 / 0 / 33

HEX #9572AA

RGB 149 114 170

HSL 277.5, 0.25%, 0.56%

LAB 53.3, 24.46, -24.69

 

CMYK 37 / 40 / 0 / 51

HEX #504C7E

RGB 80 76 126

HSL 244.8, 0.25%, 0.4%

LAB 34.76, 14.52, -27.75

 

CMYK 36 / 40 / 0 / 40

HEX #615B98

RGB 97 91 152

HSL 245.9, 0.25%, 0.48%

LAB 41.67, 17.57, -32.59

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 23 / 25 / 0 / 27

HEX #908CBA

RGB 144 140 186

HSL 245.22, 0.25%, 0.64%

LAB 60.1, 11.45, -23.44

 

CMYK 16 / 17 / 0 / 21

HEX #A9A6C9

RGB 169 166 201

HSL 245.14, 0.24%, 0.72%

LAB 69.42, 8.2, -17.45

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 0 / 33 / 9 / 33

HEX #AA729A

RGB 170 114 154

HSL 317.14, 0.25%, 0.56%

LAB 54.98, 28.41, -12.63

 

CMYK 22 / 0 / 33 / 33

HEX #84AA72

RGB 132 170 114

HSL 100.71, 0.25%, 0.56%

LAB 65.65, -23.54, 24.8

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 0 / 30 / 33 / 33

HEX #AA7772

RGB 170 119 114

HSL 5.36, 0.25%, 0.56%

LAB 55.03, 19.31, 10.76

 

CMYK 33 / 0 / 30 / 33

HEX #72AA77

RGB 114 170 119

HSL 125.36, 0.25%, 0.56%

LAB 64.69, -28.97, 20.62

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 0 / 33 / 9 / 33

HEX #AA729A

RGB 170 114 154

HSL 317.14, 0.25%, 0.56%

LAB 54.98, 28.41, -12.63

 

CMYK 2 / 0 / 33 / 33

HEX #A6AA72

RGB 166 170 114

HSL 64.29, 0.25%, 0.56%

LAB 68.07, -10.47, 28.45

 

CMYK 33 / 0 / 24 / 33

HEX #72AA82

RGB 114 170 130

HSL 137.14, 0.25%, 0.56%

LAB 64.91, -26.95, 14.9

 

CMYK 30 / 33 / 0 / 33

HEX #7772AA

RGB 119 114 170

HSL 245.36, 0.25%, 0.56%

LAB 50.52, 14.97, -29.22

 

CMYK 0 / 33 / 19 / 33

HEX #AA728A

RGB 170 114 138

HSL 334.29, 0.25%, 0.56%

LAB 54.47, 25.69, -4.06

 

CMYK 2 / 0 / 33 / 33

HEX #A6AA72

RGB 166 170 114

HSL 64.29, 0.25%, 0.56%

LAB 68.07, -10.47, 28.45

 

CMYK 33 / 0 / 14 / 33

HEX #72AA93

RGB 114 170 147

HSL 155.36, 0.25%, 0.56%

LAB 65.31, -23.48, 6.04

 

Description

Color code: HEX #7772AA | qconv.com Color code: HEX #7772AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 114 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 114 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 33 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 33% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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