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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #777FC4 it is the complementary color #88803B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #777FC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #777FC4 shade: #7C7FBF, #8D91D2, #9EA3E5, #AFB5F8 and #C0C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #777FC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #777FC4 shade: #777FC4, #666DB1, #555B9E, #44498B and #333778

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #777FC4 shade: #7880C3, #8478C3, #9978C3, #AD78C3 and #C178C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #777FC4 shade: #7880C3 and #7878C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #777FC4 shade matches the following richer shades: #7880C3, #6873D3, #5867E3 and #495AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #777FC4 shade: #7880C3, #878CB4, #9799A4, #A7A594 and #B7B185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #777FC4 shade: #78A9C3, #7895C3, #7881C3, #8378C3 and #9778C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #777FC4 shade: #4750A2, #5B65B7, #7880C3, #949BD0 and #B1B6DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #777FC4 shade: #777FC4, #C378BD and #9FC378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #777FC4 shade: #777FC4, #C37881 and #81C378

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #777FC4 shade: #777FC4, #C378BD, #C3BB78 and #78C37E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #777FC4 shade: #777FC4, #C378A6, #C3BB78 and #78C395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 35 / 0 / 23

HEX #777FC4

RGB 119 127 196

HSL 233.77, 0.39%, 0.62%

LAB 55.16, 14.32, -36.93

 

Complementary color

CMYK 0 / 6 / 57 / 47

HEX #88803B

RGB 136 128 59

HSL 53.77, 0.39%, 0.38%

LAB 52.94, -6.53, 37.96

 

CMYK 35 / 34 / 0 / 25

HEX #7C7FBF

RGB 124 127 191

HSL 237.31, 0.34%, 0.62%

LAB 55.3, 14.32, -33.83

 

CMYK 33 / 31 / 0 / 18

HEX #8D91D2

RGB 141 145 210

HSL 236.52, 0.43%, 0.69%

LAB 62.14, 13.7, -33.8

 

CMYK 31 / 29 / 0 / 10

HEX #9EA3E5

RGB 158 163 229

HSL 235.77, 0.58%, 0.76%

LAB 68.84, 13.15, -33.82

 

CMYK 29 / 27 / 0 / 3

HEX #AFB5F8

RGB 175 181 248

HSL 235.07, 0.84%, 0.83%

LAB 75.41, 12.67, -33.87

 

CMYK 25 / 22 / 0 / 0

HEX #C0C7FF

RGB 192 199 255

HSL 233.33, 1%, 0.88%

LAB 81.44, 9.41, -28.25

 

CMYK 39 / 35 / 0 / 23

HEX #777FC4

RGB 119 127 196

HSL 233.77, 0.39%, 0.62%

LAB 55.16, 14.32, -36.93

 

CMYK 42 / 38 / 0 / 31

HEX #666DB1

RGB 102 109 177

HSL 234.4, 0.32%, 0.55%

LAB 48.18, 15.12, -37.06

 

CMYK 46 / 42 / 0 / 38

HEX #555B9E

RGB 85 91 158

HSL 235.07, 0.3%, 0.48%

LAB 41.03, 16.09, -37.26

 

CMYK 51 / 47 / 0 / 45

HEX #44498B

RGB 68 73 139

HSL 235.77, 0.34%, 0.41%

LAB 33.69, 17.28, -37.53

 

CMYK 58 / 54 / 0 / 53

HEX #333778

RGB 51 55 120

HSL 236.52, 0.4%, 0.34%

LAB 26.13, 18.81, -37.87

 

CMYK 38 / 34 / 0 / 24

HEX #7880C3

RGB 120 128 195

HSL 233.6, 0.38%, 0.62%

LAB 55.45, 13.71, -35.9

 

CMYK 32 / 38 / 0 / 24

HEX #8478C3

RGB 132 120 195

HSL 249.6, 0.38%, 0.62%

LAB 54.32, 21.81, -37.61

 

CMYK 22 / 38 / 0 / 24

HEX #9978C3

RGB 153 120 195

HSL 266.4, 0.38%, 0.62%

LAB 56.23, 27.96, -34.48

 

CMYK 11 / 38 / 0 / 24

HEX #AD78C3

RGB 173 120 195

HSL 282.4, 0.38%, 0.62%

LAB 58.28, 34.07, -31.13

 

CMYK 1 / 38 / 0 / 24

HEX #C178C3

RGB 193 120 195

HSL 298.4, 0.38%, 0.62%

LAB 60.53, 40.29, -27.48

 

CMYK 38 / 34 / 0 / 24

HEX #7880C3

RGB 120 128 195

HSL 233.6, 0.38%, 0.62%

LAB 55.45, 13.71, -35.9

 

CMYK 38 / 38 / 0 / 24

HEX #7878C3

RGB 120 120 195

HSL 240, 0.38%, 0.62%

LAB 53.35, 18.48, -39.2

 

CMYK 38 / 34 / 0 / 24

HEX #7880C3

RGB 120 128 195

HSL 233.6, 0.38%, 0.62%

LAB 55.45, 13.71, -35.9

 

CMYK 51 / 45 / 0 / 17

HEX #6873D3

RGB 104 115 211

HSL 233.83, 0.55%, 0.62%

LAB 51.73, 22.3, -50.95

 

CMYK 61 / 55 / 0 / 11

HEX #5867E3

RGB 88 103 227

HSL 233.53, 0.71%, 0.62%

LAB 48.66, 31.68, -65

 

CMYK 70 / 63 / 0 / 5

HEX #495AF2

RGB 73 90 242

HSL 233.96, 0.87%, 0.62%

LAB 45.82, 42.5, -78.1

 

CMYK 38 / 34 / 0 / 24

HEX #7880C3

RGB 120 128 195

HSL 233.6, 0.38%, 0.62%

LAB 55.45, 13.71, -35.9

 

CMYK 25 / 22 / 0 / 29

HEX #878CB4

RGB 135 140 180

HSL 233.33, 0.23%, 0.62%

LAB 59.16, 7.16, -21.54

HEX #878CB4

CMYK 8 / 7 / 0 / 36

HEX #9799A4

RGB 151 153 164

HSL 230.77, 0.07%, 0.62%

LAB 63.38, 1.49, -6

HEX #9799A4

CMYK 0 / 1 / 11 / 35

HEX #A7A594

RGB 167 165 148

HSL 53.68, 0.1%, 0.62%

LAB 67.47, -2.32, 9.07

HEX #A7A594

CMYK 0 / 3 / 27 / 28

HEX #B7B185

RGB 183 177 133

HSL 52.8, 0.26%, 0.62%

LAB 71.69, -4.91, 23.34

HEX #B7B185

CMYK 38 / 13 / 0 / 24

HEX #78A9C3

RGB 120 169 195

HSL 200.8, 0.38%, 0.62%

LAB 66.76, -9.65, -18.47

 

CMYK 38 / 24 / 0 / 24

HEX #7895C3

RGB 120 149 195

HSL 216.8, 0.38%, 0.62%

LAB 61.16, 1.47, -27.03

 

CMYK 38 / 34 / 0 / 24

HEX #7881C3

RGB 120 129 195

HSL 232.8, 0.38%, 0.62%

LAB 55.72, 13.12, -35.48

 

CMYK 33 / 38 / 0 / 24

HEX #8378C3

RGB 131 120 195

HSL 248.8, 0.38%, 0.62%

LAB 54.24, 21.53, -37.75

 

CMYK 23 / 38 / 0 / 24

HEX #9778C3

RGB 151 120 195

HSL 264.8, 0.38%, 0.62%

LAB 56.04, 27.36, -34.79

 

CMYK 56 / 51 / 0 / 36

HEX #4750A2

RGB 71 80 162

HSL 234.07, 0.39%, 0.46%

LAB 37.27, 21.13, -45.7

 

CMYK 50 / 45 / 0 / 28

HEX #5B65B7

RGB 91 101 183

HSL 233.48, 0.39%, 0.54%

LAB 45.57, 19.16, -44.75

 

CMYK 38 / 34 / 0 / 24

HEX #7880C3

RGB 120 128 195

HSL 233.6, 0.38%, 0.62%

LAB 55.45, 13.71, -35.9

 

CMYK 29 / 25 / 0 / 18

HEX #949BD0

RGB 148 155 208

HSL 233, 0.39%, 0.7%

LAB 65.19, 9.49, -27.92

 

CMYK 20 / 18 / 0 / 13

HEX #B1B6DD

RGB 177 182 221

HSL 233.18, 0.39%, 0.78%

LAB 74.84, 6.37, -20.13

 

CMYK 39 / 35 / 0 / 23

HEX #777FC4

RGB 119 127 196

HSL 233.77, 0.39%, 0.62%

LAB 55.16, 14.32, -36.93

 

CMYK 0 / 38 / 3 / 24

HEX #C378BD

RGB 195 120 189

HSL 304.8, 0.38%, 0.62%

LAB 60.52, 39.81, -24.05

 

CMYK 18 / 0 / 38 / 24

HEX #9FC378

RGB 159 195 120

HSL 88.8, 0.38%, 0.62%

LAB 74.67, -25.08, 33.82

 

CMYK 39 / 35 / 0 / 23

HEX #777FC4

RGB 119 127 196

HSL 233.77, 0.39%, 0.62%

LAB 55.16, 14.32, -36.93

 

CMYK 0 / 38 / 34 / 24

HEX #C37881

RGB 195 120 129

HSL 352.8, 0.38%, 0.62%

LAB 58.62, 30.43, 7.58

 

CMYK 34 / 0 / 38 / 24

HEX #81C378

RGB 129 195 120

HSL 112.8, 0.38%, 0.62%

LAB 72.93, -35.62, 31.21

 

CMYK 39 / 35 / 0 / 23

HEX #777FC4

RGB 119 127 196

HSL 233.77, 0.39%, 0.62%

LAB 55.16, 14.32, -36.93

 

CMYK 0 / 38 / 3 / 24

HEX #C378BD

RGB 195 120 189

HSL 304.8, 0.38%, 0.62%

LAB 60.52, 39.81, -24.05

 

CMYK 0 / 4 / 38 / 24

HEX #C3BB78

RGB 195 187 120

HSL 53.6, 0.38%, 0.62%

LAB 75.14, -7.03, 34.95

 

CMYK 38 / 0 / 35 / 24

HEX #78C37E

RGB 120 195 126

HSL 124.8, 0.38%, 0.62%

LAB 72.58, -37.54, 27.54

 

CMYK 39 / 35 / 0 / 23

HEX #777FC4

RGB 119 127 196

HSL 233.77, 0.39%, 0.62%

LAB 55.16, 14.32, -36.93

 

CMYK 0 / 38 / 15 / 24

HEX #C378A6

RGB 195 120 166

HSL 323.2, 0.38%, 0.62%

LAB 59.7, 35.84, -12.17

 

CMYK 0 / 4 / 38 / 24

HEX #C3BB78

RGB 195 187 120

HSL 53.6, 0.38%, 0.62%

LAB 75.14, -7.03, 34.95

 

CMYK 38 / 0 / 24 / 24

HEX #78C395

RGB 120 195 149

HSL 143.2, 0.38%, 0.62%

LAB 73.02, -33.4, 15.91

 

Description

Color code: HEX #777FC4 | qconv.com Color code: HEX #777FC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 127 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 127 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 35 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 35% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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