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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7781C9 it is the complementary color #887E36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7781C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7781C9 shade: #7C81C4, #8D93D7, #9EA5EA, #AFB7FD and #C0C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7781C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7781C9 shade: #7781C9, #666FB6, #555DA3, #444B90 and #33397D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7781C9 shade: #7881C9, #8478C9, #9978C9, #AF78C9 and #C578C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7781C9 shade: #7881C9 and #7878C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7781C9 shade matches the following richer shades: #7881C9, #6876D8, #596AE7 and #4A5FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7781C9 shade: #7881C9, #878DB9, #9699AA, #A5A49B and #B5B08C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7781C9 shade: #78AEC9, #7898C9, #7882C9, #8278C9 and #9878C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7781C9 shade: #4450AA, #5A66BD, #7881C9, #959DD4 and #B3B8E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7781C9 shade: #7781C9, #C978C3 and #A3C978

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7781C9 shade: #7781C9, #C97882 and #82C978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7781C9 shade: #7781C9, #C978C3, #C9BE78 and #78C97D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7781C9 shade: #7781C9, #C978AB, #C9BE78 and #78C995

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 36 / 0 / 21

HEX #7781C9

RGB 119 129 201

HSL 232.68, 0.43%, 0.63%

LAB 55.93, 14.55, -38.57

 

Complementary color

CMYK 0 / 7 / 60 / 47

HEX #887E36

RGB 136 126 54

HSL 52.68, 0.43%, 0.37%

LAB 52.31, -5.83, 39.74

 

CMYK 37 / 34 / 0 / 23

HEX #7C81C4

RGB 124 129 196

HSL 235.83, 0.38%, 0.63%

LAB 56.06, 14.5, -35.5

 

CMYK 34 / 32 / 0 / 16

HEX #8D93D7

RGB 141 147 215

HSL 235.14, 0.48%, 0.7%

LAB 62.87, 13.86, -35.45

 

CMYK 32 / 29 / 0 / 8

HEX #9EA5EA

RGB 158 165 234

HSL 234.47, 0.64%, 0.77%

LAB 69.55, 13.29, -35.45

 

CMYK 31 / 28 / 0 / 1

HEX #AFB7FD

RGB 175 183 253

HSL 233.85, 0.95%, 0.84%

LAB 76.11, 12.79, -35.48

 

CMYK 25 / 21 / 0 / 0

HEX #C0C9FF

RGB 192 201 255

HSL 231.43, 1%, 0.88%

LAB 81.95, 8.34, -27.48

 

CMYK 41 / 36 / 0 / 21

HEX #7781C9

RGB 119 129 201

HSL 232.68, 0.43%, 0.63%

LAB 55.93, 14.55, -38.57

 

CMYK 44 / 39 / 0 / 29

HEX #666FB6

RGB 102 111 182

HSL 233.25, 0.35%, 0.56%

LAB 48.97, 15.39, -38.72

 

CMYK 48 / 43 / 0 / 36

HEX #555DA3

RGB 85 93 163

HSL 233.85, 0.31%, 0.49%

LAB 41.85, 16.39, -38.93

 

CMYK 53 / 48 / 0 / 44

HEX #444B90

RGB 68 75 144

HSL 234.47, 0.36%, 0.42%

LAB 34.55, 17.64, -39.21

 

CMYK 59 / 54 / 0 / 51

HEX #33397D

RGB 51 57 125

HSL 235.14, 0.42%, 0.35%

LAB 27.05, 19.23, -39.55

 

CMYK 40 / 36 / 0 / 21

HEX #7881C9

RGB 120 129 201

HSL 233.33, 0.43%, 0.63%

LAB 56, 14.81, -38.45

 

CMYK 34 / 40 / 0 / 21

HEX #8478C9

RGB 132 120 201

HSL 248.89, 0.43%, 0.63%

LAB 54.61, 23.41, -40.57

 

CMYK 24 / 40 / 0 / 21

HEX #9978C9

RGB 153 120 201

HSL 264.44, 0.43%, 0.63%

LAB 56.51, 29.39, -37.46

 

CMYK 13 / 40 / 0 / 21

HEX #AF78C9

RGB 175 120 201

HSL 280.74, 0.43%, 0.63%

LAB 58.76, 35.95, -33.78

 

CMYK 2 / 40 / 0 / 21

HEX #C578C9

RGB 197 120 201

HSL 297.04, 0.43%, 0.63%

LAB 61.24, 42.66, -29.73

 

CMYK 40 / 36 / 0 / 21

HEX #7881C9

RGB 120 129 201

HSL 233.33, 0.43%, 0.63%

LAB 56, 14.81, -38.45

 

CMYK 40 / 40 / 0 / 21

HEX #7878C9

RGB 120 120 201

HSL 240, 0.43%, 0.63%

LAB 53.65, 20.18, -42.16

 

CMYK 40 / 36 / 0 / 21

HEX #7881C9

RGB 120 129 201

HSL 233.33, 0.43%, 0.63%

LAB 56, 14.81, -38.45

 

CMYK 52 / 45 / 0 / 15

HEX #6876D8

RGB 104 118 216

HSL 232.5, 0.59%, 0.63%

LAB 52.79, 22.04, -52.09

 

CMYK 61 / 54 / 0 / 9

HEX #596AE7

RGB 89 106 231

HSL 232.82, 0.75%, 0.63%

LAB 49.74, 31.34, -65.51

 

CMYK 70 / 62 / 0 / 3

HEX #4A5FF7

RGB 74 95 247

HSL 232.72, 0.92%, 0.63%

LAB 47.44, 41.29, -78.25

 

CMYK 40 / 36 / 0 / 21

HEX #7881C9

RGB 120 129 201

HSL 233.33, 0.43%, 0.63%

LAB 56, 14.81, -38.45

 

CMYK 27 / 24 / 0 / 27

HEX #878DB9

RGB 135 141 185

HSL 232.8, 0.26%, 0.63%

LAB 59.62, 7.82, -23.67

 

CMYK 12 / 10 / 0 / 33

HEX #9699AA

RGB 150 153 170

HSL 231, 0.11%, 0.63%

LAB 63.48, 2.41, -9.23

 

CMYK 0 / 1 / 6 / 35

HEX #A5A49B

RGB 165 164 155

HSL 54, 0.05%, 0.63%

LAB 67.21, -1.3, 4.79

 

CMYK 0 / 3 / 23 / 29

HEX #B5B08C

RGB 181 176 140

HSL 52.68, 0.22%, 0.63%

LAB 71.4, -4.17, 19.12

 

CMYK 40 / 13 / 0 / 21

HEX #78AEC9

RGB 120 174 201

HSL 200, 0.43%, 0.63%

LAB 68.37, -10.76, -19.33

 

CMYK 40 / 24 / 0 / 21

HEX #7898C9

RGB 120 152 201

HSL 216.3, 0.43%, 0.63%

LAB 62.23, 1.42, -28.75

 

CMYK 40 / 35 / 0 / 21

HEX #7882C9

RGB 120 130 201

HSL 232.59, 0.43%, 0.63%

LAB 56.26, 14.22, -38.04

 

CMYK 35 / 40 / 0 / 21

HEX #8278C9

RGB 130 120 201

HSL 247.41, 0.43%, 0.63%

LAB 54.44, 22.86, -40.84

 

CMYK 24 / 40 / 0 / 21

HEX #9878C9

RGB 152 120 201

HSL 263.7, 0.43%, 0.63%

LAB 56.41, 29.1, -37.61

 

CMYK 60 / 53 / 0 / 33

HEX #4450AA

RGB 68 80 170

HSL 232.94, 0.43%, 0.47%

LAB 37.61, 23.27, -49.95

 

CMYK 52 / 46 / 0 / 26

HEX #5A66BD

RGB 90 102 189

HSL 232.73, 0.43%, 0.55%

LAB 46.11, 20.23, -47.37

 

CMYK 40 / 36 / 0 / 21

HEX #7881C9

RGB 120 129 201

HSL 233.33, 0.43%, 0.63%

LAB 56, 14.81, -38.45

 

CMYK 30 / 26 / 0 / 17

HEX #959DD4

RGB 149 157 212

HSL 232.38, 0.42%, 0.71%

LAB 65.95, 9.66, -28.97

 

CMYK 20 / 18 / 0 / 12

HEX #B3B8E0

RGB 179 184 224

HSL 233.33, 0.42%, 0.79%

LAB 75.6, 6.58, -20.58

 

CMYK 41 / 36 / 0 / 21

HEX #7781C9

RGB 119 129 201

HSL 232.68, 0.43%, 0.63%

LAB 55.93, 14.55, -38.57

 

CMYK 0 / 40 / 3 / 21

HEX #C978C3

RGB 201 120 195

HSL 304.44, 0.43%, 0.63%

LAB 61.47, 42.79, -25.94

 

CMYK 19 / 0 / 40 / 21

HEX #A3C978

RGB 163 201 120

HSL 88.15, 0.43%, 0.63%

LAB 76.63, -26.51, 36.39

 

CMYK 41 / 36 / 0 / 21

HEX #7781C9

RGB 119 129 201

HSL 232.68, 0.43%, 0.63%

LAB 55.93, 14.55, -38.57

 

CMYK 0 / 40 / 35 / 21

HEX #C97882

RGB 201 120 130

HSL 352.59, 0.43%, 0.63%

LAB 59.4, 32.81, 8.21

 

CMYK 35 / 0 / 40 / 21

HEX #82C978

RGB 130 201 120

HSL 112.59, 0.43%, 0.63%

LAB 74.75, -38.02, 33.59

 

CMYK 41 / 36 / 0 / 21

HEX #7781C9

RGB 119 129 201

HSL 232.68, 0.43%, 0.63%

LAB 55.93, 14.55, -38.57

 

CMYK 0 / 40 / 3 / 21

HEX #C978C3

RGB 201 120 195

HSL 304.44, 0.43%, 0.63%

LAB 61.47, 42.79, -25.94

 

CMYK 0 / 5 / 40 / 21

HEX #C9BE78

RGB 201 190 120

HSL 51.85, 0.43%, 0.63%

LAB 76.44, -6.18, 36.71

 

CMYK 40 / 0 / 38 / 21

HEX #78C97D

RGB 120 201 125

HSL 123.7, 0.43%, 0.63%

LAB 74.35, -40.39, 30.4

 

CMYK 41 / 36 / 0 / 21

HEX #7781C9

RGB 119 129 201

HSL 232.68, 0.43%, 0.63%

LAB 55.93, 14.55, -38.57

 

CMYK 0 / 40 / 15 / 21

HEX #C978AB

RGB 201 120 171

HSL 322.22, 0.43%, 0.63%

LAB 60.6, 38.68, -13.61

 

CMYK 0 / 5 / 40 / 21

HEX #C9BE78

RGB 201 190 120

HSL 51.85, 0.43%, 0.63%

LAB 76.44, -6.18, 36.71

 

CMYK 40 / 0 / 26 / 21

HEX #78C995

RGB 120 201 149

HSL 141.48, 0.43%, 0.63%

LAB 74.78, -36.18, 18.37

 

Description

Color code: HEX #7781C9 | qconv.com Color code: HEX #7781C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 129 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 129 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 36 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 36% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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