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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #778B2A it is the complementary color #8874D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #778B2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #778B2A shade: #7C8B25, #8D9D38, #9EAF4B, #AFC15E and #C0D371

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #778B2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #778B2A shade: #778B2A, #667917, #556704, #445500 and #334300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #778B2A shade: #758929, #898329, #896929, #894F29 and #893529

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #778B2A shade: #758929, #5B8929, #418929, #29892A and #298944

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #778B2A shade matches the following richer shades: #758929, #7E971A and #86A60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #778B2A shade: #758929, #6D7B37, #646C45, #5C5E54 and #534F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #778B2A shade: #896929, #898329, #768929, #5C8929 and #428929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #778B2A shade: #3F4916, #5A691F, #758929, #90A932 and #AAC53F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #778B2A shade: #778B2A, #29894F and #762989

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #778B2A shade: #778B2A, #297689 and #892976

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #778B2A shade: #778B2A, #29894F, #3C2989 and #892962

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #778B2A shade: #778B2A, #29896C, #3C2989 and #892945

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 70 / 45

HEX #778B2A

RGB 119 139 42

HSL 72.37, 0.54%, 0.35%

LAB 54.61, -21.22, 47.21

 

Complementary color

CMYK 36 / 46 / 0 / 16

HEX #8874D5

RGB 136 116 213

HSL 252.37, 0.54%, 0.65%

LAB 54.58, 30.06, -47.4

 

CMYK 11 / 0 / 73 / 45

HEX #7C8B25

RGB 124 139 37

HSL 68.82, 0.58%, 0.35%

LAB 54.95, -19.34, 49.65

 

CMYK 10 / 0 / 64 / 38

HEX #8D9D38

RGB 141 157 56

HSL 69.5, 0.47%, 0.42%

LAB 61.71, -20, 49.21

 

CMYK 10 / 0 / 57 / 31

HEX #9EAF4B

RGB 158 175 75

HSL 70.2, 0.4%, 0.49%

LAB 68.34, -20.48, 48.32

 

CMYK 9 / 0 / 51 / 24

HEX #AFC15E

RGB 175 193 94

HSL 70.91, 0.44%, 0.56%

LAB 74.86, -20.84, 47.26

 

CMYK 9 / 0 / 46 / 17

HEX #C0D371

RGB 192 211 113

HSL 71.63, 0.53%, 0.64%

LAB 81.28, -21.12, 46.12

 

CMYK 14 / 0 / 70 / 45

HEX #778B2A

RGB 119 139 42

HSL 72.37, 0.54%, 0.35%

LAB 54.61, -21.22, 47.21

 

CMYK 16 / 0 / 81 / 53

HEX #667917

RGB 102 121 23

HSL 71.63, 0.68%, 0.28%

LAB 47.7, -20.5, 47.16

 

CMYK 17 / 0 / 96 / 60

HEX #556704

RGB 85 103 4

HSL 70.91, 0.93%, 0.21%

LAB 40.64, -19.5, 45.71

 

CMYK 20 / 0 / 100 / 67

HEX #445500

RGB 68 85 0

HSL 72, 1%, 0.17%

LAB 33.41, -18.02, 40.74

 

CMYK 24 / 0 / 100 / 74

HEX #334300

RGB 51 67 0

HSL 74.33, 1%, 0.13%

LAB 25.92, -16.37, 34.2

 

CMYK 15 / 0 / 70 / 46

HEX #758929

RGB 117 137 41

HSL 72.5, 0.54%, 0.35%

LAB 53.85, -21.13, 46.8

 

CMYK 0 / 4 / 70 / 46

HEX #898329

RGB 137 131 41

HSL 56.25, 0.54%, 0.35%

LAB 53.72, -9.02, 47.2

 

CMYK 0 / 23 / 70 / 46

HEX #896929

RGB 137 105 41

HSL 40, 0.54%, 0.35%

LAB 46.42, 5.68, 39.65

 

CMYK 0 / 42 / 70 / 46

HEX #894F29

RGB 137 79 41

HSL 23.75, 0.54%, 0.35%

LAB 39.7, 20.88, 32.31

 

CMYK 0 / 61 / 70 / 46

HEX #893529

RGB 137 53 41

HSL 7.5, 0.54%, 0.35%

LAB 34.03, 35.1, 25.76

 

CMYK 15 / 0 / 70 / 46

HEX #758929

RGB 117 137 41

HSL 72.5, 0.54%, 0.35%

LAB 53.85, -21.13, 46.8

 

CMYK 34 / 0 / 70 / 46

HEX #5B8929

RGB 91 137 41

HSL 88.75, 0.54%, 0.35%

LAB 52.15, -31.83, 44.51

 

CMYK 53 / 0 / 70 / 46

HEX #418929

RGB 65 137 41

HSL 105, 0.54%, 0.35%

LAB 50.89, -40.84, 42.81

 

CMYK 70 / 0 / 69 / 46

HEX #29892A

RGB 41 137 42

HSL 120.63, 0.54%, 0.35%

LAB 50.13, -46.84, 41.34

 

CMYK 70 / 0 / 50 / 46

HEX #298944

RGB 41 137 68

HSL 136.88, 0.54%, 0.35%

LAB 50.43, -43.38, 28.99

 

CMYK 15 / 0 / 70 / 46

HEX #758929

RGB 117 137 41

HSL 72.5, 0.54%, 0.35%

LAB 53.85, -21.13, 46.8

 

CMYK 17 / 0 / 83 / 41

HEX #7E971A

RGB 126 151 26

HSL 72, 0.71%, 0.35%

LAB 58.64, -25.05, 56.73

 

CMYK 19 / 0 / 93 / 35

HEX #86A60C

RGB 134 166 12

HSL 72.47, 0.87%, 0.35%

LAB 63.65, -29.33, 64.04

 

CMYK 15 / 0 / 70 / 46

HEX #758929

RGB 117 137 41

HSL 72.5, 0.54%, 0.35%

LAB 53.85, -21.13, 46.8

 

CMYK 11 / 0 / 55 / 52

HEX #6D7B37

RGB 109 123 55

HSL 72.35, 0.38%, 0.35%

LAB 49.12, -16.14, 34.97

 

CMYK 7 / 0 / 36 / 58

HEX #646C45

RGB 100 108 69

HSL 72.31, 0.22%, 0.35%

LAB 44.04, -10.11, 20.84

 

CMYK 2 / 0 / 11 / 63

HEX #5C5E54

RGB 92 94 84

HSL 72, 0.06%, 0.35%

LAB 39.45, -2.82, 5.46

 

CMYK 15 / 19 / 0 / 62

HEX #534F62

RGB 83 79 98

HSL 252.63, 0.11%, 0.35%

LAB 34.63, 5.97, -10.45

 

CMYK 0 / 23 / 70 / 46

HEX #896929

RGB 137 105 41

HSL 40, 0.54%, 0.35%

LAB 46.42, 5.68, 39.65

 

CMYK 0 / 4 / 70 / 46

HEX #898329

RGB 137 131 41

HSL 56.25, 0.54%, 0.35%

LAB 53.72, -9.02, 47.2

 

CMYK 14 / 0 / 70 / 46

HEX #768929

RGB 118 137 41

HSL 71.88, 0.54%, 0.35%

LAB 53.92, -20.7, 46.9

 

CMYK 33 / 0 / 70 / 46

HEX #5C8929

RGB 92 137 41

HSL 88.13, 0.54%, 0.35%

LAB 52.2, -31.45, 44.59

 

CMYK 52 / 0 / 70 / 46

HEX #428929

RGB 66 137 41

HSL 104.38, 0.54%, 0.35%

LAB 50.93, -40.54, 42.86

 

CMYK 14 / 0 / 70 / 71

HEX #3F4916

RGB 63 73 22

HSL 71.76, 0.54%, 0.19%

LAB 29.11, -12.52, 28.25

 

CMYK 14 / 0 / 70 / 59

HEX #5A691F

RGB 90 105 31

HSL 72.16, 0.54%, 0.27%

LAB 41.81, -17, 38.05

 

CMYK 15 / 0 / 70 / 46

HEX #758929

RGB 117 137 41

HSL 72.5, 0.54%, 0.35%

LAB 53.85, -21.13, 46.8

 

CMYK 15 / 0 / 70 / 34

HEX #90A932

RGB 144 169 50

HSL 72.61, 0.54%, 0.43%

LAB 65.39, -25.12, 55.52

 

CMYK 14 / 0 / 68 / 23

HEX #AAC53F

RGB 170 197 63

HSL 72.09, 0.54%, 0.51%

LAB 75.35, -27.22, 61.2

 

CMYK 14 / 0 / 70 / 45

HEX #778B2A

RGB 119 139 42

HSL 72.37, 0.54%, 0.35%

LAB 54.61, -21.22, 47.21

 

CMYK 70 / 0 / 42 / 46

HEX #29894F

RGB 41 137 79

HSL 143.75, 0.54%, 0.35%

LAB 50.6, -41.43, 23.24

 

CMYK 14 / 70 / 0 / 46

HEX #762989

RGB 118 41 137

HSL 288.13, 0.54%, 0.35%

LAB 32.36, 47.72, -38.1

 

CMYK 14 / 0 / 70 / 45

HEX #778B2A

RGB 119 139 42

HSL 72.37, 0.54%, 0.35%

LAB 54.61, -21.22, 47.21

 

CMYK 70 / 14 / 0 / 46

HEX #297689

RGB 41 118 137

HSL 191.88, 0.54%, 0.35%

LAB 45.95, -16.85, -17.23

 

CMYK 0 / 70 / 14 / 46

HEX #892976

RGB 137 41 118

HSL 311.88, 0.54%, 0.35%

LAB 34.42, 49.09, -22.77

 

CMYK 14 / 0 / 70 / 45

HEX #778B2A

RGB 119 139 42

HSL 72.37, 0.54%, 0.35%

LAB 54.61, -21.22, 47.21

 

CMYK 70 / 0 / 42 / 46

HEX #29894F

RGB 41 137 79

HSL 143.75, 0.54%, 0.35%

LAB 50.6, -41.43, 23.24

 

CMYK 56 / 70 / 0 / 46

HEX #3C2989

RGB 60 41 137

HSL 251.88, 0.54%, 0.35%

LAB 24.8, 35.4, -50.68

 

CMYK 0 / 70 / 28 / 46

HEX #892962

RGB 137 41 98

HSL 324.38, 0.54%, 0.35%

LAB 33.53, 46.17, -11.43

 

CMYK 14 / 0 / 70 / 45

HEX #778B2A

RGB 119 139 42

HSL 72.37, 0.54%, 0.35%

LAB 54.61, -21.22, 47.21

 

CMYK 70 / 0 / 21 / 46

HEX #29896C

RGB 41 137 108

HSL 161.88, 0.54%, 0.35%

LAB 51.2, -34.95, 7.59

 

CMYK 56 / 70 / 0 / 46

HEX #3C2989

RGB 60 41 137

HSL 251.88, 0.54%, 0.35%

LAB 24.8, 35.4, -50.68

 

CMYK 0 / 70 / 50 / 46

HEX #892945

RGB 137 41 69

HSL 342.5, 0.54%, 0.35%

LAB 32.56, 42.82, 5.94

 

Description

Color code: HEX #778B2A | qconv.com Color code: HEX #778B2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 139 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 139 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 70 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 70% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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