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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #779505 it is the complementary color #886AFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #779505. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #779505 shade: #7C9500, #8DA713, #9EB926, #AFCB39 and #C0DD4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #779505. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #779505 shade: #779505, #668300, #557100, #445F00 and #334D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #779505 shade: #769404, #948B04, #946404, #943E04 and #941704

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #779505 shade: #769404, #4F9404, #289404, #049407 and #04942D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #779505 shade matches the following richer shades: #769404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #779505 shade: #769404, #6F8810, #687B1D, #606F29 and #596236

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #779505 shade: #946404, #948A04, #779404, #519404 and #2A9404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #779505 shade: #364402, #566C03, #769404, #96BC05 and #B6E407

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #779505 shade: #779505, #04943E and #770494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #779505 shade: #779505, #047794 and #940477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #779505 shade: #779505, #04943E, #210494 and #94045A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #779505 shade: #779505, #049469, #210494 and #94042F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 97 / 42

HEX #779505

RGB 119 149 5

HSL 72.5, 0.94%, 0.3%

LAB 57.49, -27.61, 59.77

 

Complementary color

CMYK 46 / 58 / 0 / 2

HEX #886AFA

RGB 136 106 250

HSL 252.5, 0.94%, 0.7%

LAB 54.5, 46, -68.26

 

CMYK 17 / 0 / 100 / 42

HEX #7C9500

RGB 124 149 0

HSL 70.07, 1%, 0.29%

LAB 57.83, -25.56, 60.96

 

CMYK 16 / 0 / 89 / 35

HEX #8DA713

RGB 141 167 19

HSL 70.54, 0.8%, 0.36%

LAB 64.44, -26.71, 63.7

 

CMYK 15 / 0 / 79 / 27

HEX #9EB926

RGB 158 185 38

HSL 71.02, 0.66%, 0.44%

LAB 70.94, -27.65, 65.15

 

CMYK 14 / 0 / 72 / 20

HEX #AFCB39

RGB 175 203 57

HSL 71.51, 0.58%, 0.51%

LAB 77.35, -28.4, 65.51

 

CMYK 13 / 0 / 66 / 13

HEX #C0DD4C

RGB 192 221 76

HSL 72, 0.68%, 0.58%

LAB 83.67, -28.99, 65.21

 

CMYK 20 / 0 / 97 / 42

HEX #779505

RGB 119 149 5

HSL 72.5, 0.94%, 0.3%

LAB 57.49, -27.61, 59.77

 

CMYK 22 / 0 / 100 / 49

HEX #668300

RGB 102 131 0

HSL 73.28, 1%, 0.26%

LAB 50.75, -26.24, 54.94

 

CMYK 25 / 0 / 100 / 56

HEX #557100

RGB 85 113 0

HSL 74.87, 1%, 0.22%

LAB 43.86, -24.75, 49.2

 

CMYK 28 / 0 / 100 / 63

HEX #445F00

RGB 68 95 0

HSL 77.05, 1%, 0.19%

LAB 36.77, -23.23, 43.3

 

CMYK 34 / 0 / 100 / 70

HEX #334D00

RGB 51 77 0

HSL 80.26, 1%, 0.15%

LAB 29.44, -21.67, 37.19

 

CMYK 20 / 0 / 97 / 42

HEX #769404

RGB 118 148 4

HSL 72.5, 0.95%, 0.3%

LAB 57.11, -27.58, 59.6

 

CMYK 0 / 6 / 97 / 42

HEX #948B04

RGB 148 139 4

HSL 56.25, 0.95%, 0.3%

LAB 56.85, -9.51, 60.45

 

CMYK 0 / 32 / 97 / 42

HEX #946404

RGB 148 100 4

HSL 40, 0.95%, 0.3%

LAB 46.2, 12.44, 52.72

 

CMYK 0 / 58 / 97 / 42

HEX #943E04

RGB 148 62 4

HSL 24.17, 0.95%, 0.3%

LAB 37.39, 33.66, 46.8

 

CMYK 0 / 84 / 97 / 42

HEX #941704

RGB 148 23 4

HSL 7.92, 0.95%, 0.3%

LAB 31.62, 49.3, 43.23

 

CMYK 20 / 0 / 97 / 42

HEX #769404

RGB 118 148 4

HSL 72.5, 0.95%, 0.3%

LAB 57.11, -27.58, 59.6

 

CMYK 47 / 0 / 97 / 42

HEX #4F9404

RGB 79 148 4

HSL 88.75, 0.95%, 0.3%

LAB 54.92, -42.66, 56.94

 

CMYK 73 / 0 / 97 / 42

HEX #289404

RGB 40 148 4

HSL 105, 0.95%, 0.3%

LAB 53.64, -52.98, 55.37

 

CMYK 97 / 0 / 95 / 42

HEX #049407

RGB 4 148 7

HSL 121.25, 0.95%, 0.3%

LAB 53.19, -56.97, 54.31

 

CMYK 97 / 0 / 70 / 42

HEX #04942D

RGB 4 148 45

HSL 137.08, 0.95%, 0.3%

LAB 53.38, -54.55, 43.4

 

CMYK 20 / 0 / 97 / 42

HEX #769404

RGB 118 148 4

HSL 72.5, 0.95%, 0.3%

LAB 57.11, -27.58, 59.6

 

CMYK 20 / 0 / 97 / 42

HEX #769404

RGB 118 148 4

HSL 72.5, 0.95%, 0.3%

LAB 57.11, -27.58, 59.6

 

CMYK 18 / 0 / 88 / 47

HEX #6F8810

RGB 111 136 16

HSL 72.5, 0.79%, 0.3%

LAB 52.98, -24.42, 53.95

 

CMYK 15 / 0 / 76 / 52

HEX #687B1D

RGB 104 123 29

HSL 72.13, 0.62%, 0.3%

LAB 48.51, -20.35, 45.89

 

CMYK 14 / 0 / 63 / 56

HEX #606F29

RGB 96 111 41

HSL 72.86, 0.46%, 0.3%

LAB 44.26, -16.74, 36.16

 

CMYK 9 / 0 / 45 / 62

HEX #596236

RGB 89 98 54

HSL 72.27, 0.29%, 0.3%

LAB 39.79, -11.3, 23.84

 

CMYK 0 / 32 / 97 / 42

HEX #946404

RGB 148 100 4

HSL 40, 0.95%, 0.3%

LAB 46.2, 12.44, 52.72

 

CMYK 0 / 7 / 97 / 42

HEX #948A04

RGB 148 138 4

HSL 55.83, 0.95%, 0.3%

LAB 56.57, -8.97, 60.24

 

CMYK 20 / 0 / 97 / 42

HEX #779404

RGB 119 148 4

HSL 72.08, 0.95%, 0.3%

LAB 57.18, -27.15, 59.68

 

CMYK 45 / 0 / 97 / 42

HEX #519404

RGB 81 148 4

HSL 87.92, 0.95%, 0.3%

LAB 55.01, -41.98, 57.05

 

CMYK 72 / 0 / 97 / 42

HEX #2A9404

RGB 42 148 4

HSL 104.17, 0.95%, 0.3%

LAB 53.69, -52.6, 55.43

 

CMYK 21 / 0 / 97 / 73

HEX #364402

RGB 54 68 2

HSL 72.73, 0.94%, 0.14%

LAB 26.51, -15.34, 34.01

 

CMYK 20 / 0 / 97 / 58

HEX #566C03

RGB 86 108 3

HSL 72.57, 0.95%, 0.22%

LAB 42.32, -21.68, 47.32

 

CMYK 20 / 0 / 97 / 42

HEX #769404

RGB 118 148 4

HSL 72.5, 0.95%, 0.3%

LAB 57.11, -27.58, 59.6

 

CMYK 20 / 0 / 97 / 26

HEX #96BC05

RGB 150 188 5

HSL 72.46, 0.95%, 0.38%

LAB 71.19, -33.17, 71.26

 

CMYK 20 / 0 / 97 / 11

HEX #B6E407

RGB 182 228 7

HSL 72.49, 0.94%, 0.46%

LAB 84.71, -38.52, 82.36

 

CMYK 20 / 0 / 97 / 42

HEX #779505

RGB 119 149 5

HSL 72.5, 0.94%, 0.3%

LAB 57.49, -27.61, 59.77

 

CMYK 97 / 0 / 58 / 42

HEX #04943E

RGB 4 148 62

HSL 144.17, 0.95%, 0.3%

LAB 53.55, -52.42, 35.76

 

CMYK 20 / 97 / 0 / 42

HEX #770494

RGB 119 4 148

HSL 287.92, 0.95%, 0.3%

LAB 29.78, 60.26, -49.03

 

CMYK 20 / 0 / 97 / 42

HEX #779505

RGB 119 149 5

HSL 72.5, 0.94%, 0.3%

LAB 57.49, -27.61, 59.77

 

CMYK 97 / 20 / 0 / 42

HEX #047794

RGB 4 119 148

HSL 192.08, 0.95%, 0.3%

LAB 46.12, -16.98, -23.54

 

CMYK 0 / 97 / 20 / 42

HEX #940477

RGB 148 4 119

HSL 312.08, 0.95%, 0.3%

LAB 33.38, 60.82, -24.87

 

CMYK 20 / 0 / 97 / 42

HEX #779505

RGB 119 149 5

HSL 72.5, 0.94%, 0.3%

LAB 57.49, -27.61, 59.77

 

CMYK 97 / 0 / 58 / 42

HEX #04943E

RGB 4 148 62

HSL 144.17, 0.95%, 0.3%

LAB 53.55, -52.42, 35.76

 

CMYK 78 / 97 / 0 / 42

HEX #210494

RGB 33 4 148

HSL 252.08, 0.95%, 0.3%

LAB 18.14, 52.13, -68.62

 

CMYK 0 / 97 / 39 / 42

HEX #94045A

RGB 148 4 90

HSL 324.17, 0.95%, 0.3%

LAB 32.08, 57.45, -8.24

 

CMYK 20 / 0 / 97 / 42

HEX #779505

RGB 119 149 5

HSL 72.5, 0.94%, 0.3%

LAB 57.49, -27.61, 59.77

 

CMYK 97 / 0 / 29 / 42

HEX #049469

RGB 4 148 105

HSL 162.08, 0.95%, 0.3%

LAB 54.27, -44.01, 13.54

 

CMYK 78 / 97 / 0 / 42

HEX #210494

RGB 33 4 148

HSL 252.08, 0.95%, 0.3%

LAB 18.14, 52.13, -68.62

 

CMYK 0 / 97 / 68 / 42

HEX #94042F

RGB 148 4 47

HSL 342.08, 0.95%, 0.3%

LAB 30.85, 54.14, 18.5

 

Description

Color code: HEX #779505 | qconv.com Color code: HEX #779505 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 149 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 149 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 97 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 97% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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