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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7799DA it is the complementary color #886625. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7799DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7799DA shade: #7C99D5, #8DABE8, #9EBDFB, #AFCFFF and #C0E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7799DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7799DA shade: #7799DA, #6687C7, #5575B4, #4463A1 and #33518E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7799DA shade: #7698D9, #767ED9, #8A76D9, #A476D9 and #BF76D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7799DA shade: #7698D9, #767ED9 and #7676D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7799DA shade matches the following richer shades: #7698D9, #6894E7 and #5A90F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7799DA shade: #7698D9, #849DCB, #92A1BD, #A0A6AF and #AEAAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7799DA shade: #76CED9, #76B3D9, #7699D9, #767FD9 and #8976D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7799DA shade: #3668C7, #5680D0, #7698D9, #97B1E2 and #B7C9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7799DA shade: #7799DA, #CA76D9 and #C1D976

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7799DA shade: #7799DA, #D97699 and #99D976

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7799DA shade: #7799DA, #CA76D9, #D9B776 and #85D976

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7799DA shade: #7799DA, #D976CA, #D9B776 and #76D985

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 30 / 0 / 15

HEX #7799DA

RGB 119 153 218

HSL 219.39, 0.57%, 0.66%

LAB 63.15, 5.42, -36.8

 

Complementary color

CMYK 0 / 25 / 73 / 47

HEX #886625

RGB 136 102 37

HSL 39.39, 0.57%, 0.34%

LAB 45.46, 6.73, 40.5

 

CMYK 42 / 28 / 0 / 16

HEX #7C99D5

RGB 124 153 213

HSL 220.45, 0.51%, 0.66%

LAB 63.24, 5.26, -33.86

 

CMYK 39 / 26 / 0 / 9

HEX #8DABE8

RGB 141 171 232

HSL 220.22, 0.66%, 0.73%

LAB 69.91, 4.77, -33.9

 

CMYK 37 / 25 / 0 / 2

HEX #9EBDFB

RGB 158 189 251

HSL 220, 0.92%, 0.8%

LAB 76.45, 4.34, -33.97

 

CMYK 31 / 19 / 0 / 0

HEX #AFCFFF

RGB 175 207 255

HSL 216, 1%, 0.84%

LAB 82.36, 0.25, -26.95

 

CMYK 25 / 12 / 0 / 0

HEX #C0E1FF

RGB 192 225 255

HSL 208.57, 1%, 0.88%

LAB 88.1, -4.36, -18.13

 

CMYK 45 / 30 / 0 / 15

HEX #7799DA

RGB 119 153 218

HSL 219.39, 0.57%, 0.66%

LAB 63.15, 5.42, -36.8

 

CMYK 49 / 32 / 0 / 22

HEX #6687C7

RGB 102 135 199

HSL 219.59, 0.46%, 0.59%

LAB 56.36, 6.09, -36.83

 

CMYK 53 / 35 / 0 / 29

HEX #5575B4

RGB 85 117 180

HSL 219.79, 0.39%, 0.52%

LAB 49.43, 6.91, -36.9

 

CMYK 58 / 39 / 0 / 37

HEX #4463A1

RGB 68 99 161

HSL 220, 0.41%, 0.45%

LAB 42.35, 7.95, -37.02

 

CMYK 64 / 43 / 0 / 44

HEX #33518E

RGB 51 81 142

HSL 220.22, 0.47%, 0.38%

LAB 35.09, 9.29, -37.19

 

CMYK 46 / 30 / 0 / 15

HEX #7698D9

RGB 118 152 217

HSL 219.39, 0.57%, 0.66%

LAB 62.77, 5.45, -36.83

 

CMYK 46 / 42 / 0 / 15

HEX #767ED9

RGB 118 126 217

HSL 235.15, 0.57%, 0.66%

LAB 55.87, 20.74, -47.7

 

CMYK 36 / 46 / 0 / 15

HEX #8A76D9

RGB 138 118 217

HSL 252.12, 0.57%, 0.66%

LAB 55.45, 30.49, -48.27

 

CMYK 24 / 46 / 0 / 15

HEX #A476D9

RGB 164 118 217

HSL 267.88, 0.57%, 0.66%

LAB 57.9, 37.47, -44.23

 

CMYK 12 / 46 / 0 / 15

HEX #BF76D9

RGB 191 118 217

HSL 284.24, 0.57%, 0.66%

LAB 60.82, 45.1, -39.44

 

CMYK 46 / 30 / 0 / 15

HEX #7698D9

RGB 118 152 217

HSL 219.39, 0.57%, 0.66%

LAB 62.77, 5.45, -36.83

 

CMYK 46 / 42 / 0 / 15

HEX #767ED9

RGB 118 126 217

HSL 235.15, 0.57%, 0.66%

LAB 55.87, 20.74, -47.7

 

CMYK 46 / 46 / 0 / 15

HEX #7676D9

RGB 118 118 217

HSL 240, 0.57%, 0.66%

LAB 53.83, 25.53, -50.94

 

CMYK 46 / 30 / 0 / 15

HEX #7698D9

RGB 118 152 217

HSL 219.39, 0.57%, 0.66%

LAB 62.77, 5.45, -36.83

 

CMYK 55 / 36 / 0 / 9

HEX #6894E7

RGB 104 148 231

HSL 219.21, 0.73%, 0.66%

LAB 61.56, 8.83, -46.56

 

CMYK 63 / 41 / 0 / 4

HEX #5A90F5

RGB 90 144 245

HSL 219.1, 0.89%, 0.66%

LAB 60.53, 13.09, -55.97

 

CMYK 46 / 30 / 0 / 15

HEX #7698D9

RGB 118 152 217

HSL 219.39, 0.57%, 0.66%

LAB 62.77, 5.45, -36.83

 

CMYK 35 / 23 / 0 / 20

HEX #849DCB

RGB 132 157 203

HSL 218.87, 0.41%, 0.66%

LAB 64.43, 2.43, -26.41

 

CMYK 23 / 15 / 0 / 26

HEX #92A1BD

RGB 146 161 189

HSL 219.07, 0.25%, 0.66%

LAB 65.96, 0.9, -16.18

 

CMYK 9 / 5 / 0 / 31

HEX #A0A6AF

RGB 160 166 175

HSL 216, 0.09%, 0.66%

LAB 67.9, -0.32, -5.38

 

CMYK 0 / 2 / 7 / 32

HEX #AEAAA1

RGB 174 170 161

HSL 41.54, 0.07%, 0.66%

LAB 69.7, -0.2, 5.13

 

CMYK 46 / 5 / 0 / 15

HEX #76CED9

RGB 118 206 217

HSL 186.67, 0.57%, 0.66%

LAB 77.88, -23.6, -13.71

 

CMYK 46 / 18 / 0 / 15

HEX #76B3D9

RGB 118 179 217

HSL 203.03, 0.57%, 0.66%

LAB 70.25, -9.6, -25.28

 

CMYK 46 / 29 / 0 / 15

HEX #7699D9

RGB 118 153 217

HSL 218.79, 0.57%, 0.66%

LAB 63.05, 4.88, -36.41

 

CMYK 46 / 41 / 0 / 15

HEX #767FD9

RGB 118 127 217

HSL 234.55, 0.57%, 0.66%

LAB 56.13, 20.14, -47.29

 

CMYK 37 / 46 / 0 / 15

HEX #8976D9

RGB 137 118 217

HSL 251.52, 0.57%, 0.66%

LAB 55.36, 30.23, -48.41

 

CMYK 73 / 48 / 0 / 22

HEX #3668C7

RGB 54 104 199

HSL 219.31, 0.57%, 0.5%

LAB 45.37, 15.97, -54.44

 

CMYK 59 / 38 / 0 / 18

HEX #5680D0

RGB 86 128 208

HSL 219.34, 0.56%, 0.58%

LAB 54, 9.61, -45.71

 

CMYK 46 / 30 / 0 / 15

HEX #7698D9

RGB 118 152 217

HSL 219.39, 0.57%, 0.66%

LAB 62.77, 5.45, -36.83

 

CMYK 33 / 22 / 0 / 11

HEX #97B1E2

RGB 151 177 226

HSL 219.2, 0.56%, 0.74%

LAB 71.9, 2.59, -27.49

 

CMYK 22 / 14 / 0 / 8

HEX #B7C9EB

RGB 183 201 235

HSL 219.23, 0.57%, 0.82%

LAB 80.65, 1.1, -18.84

 

CMYK 45 / 30 / 0 / 15

HEX #7799DA

RGB 119 153 218

HSL 219.39, 0.57%, 0.66%

LAB 63.15, 5.42, -36.8

 

CMYK 7 / 46 / 0 / 15

HEX #CA76D9

RGB 202 118 217

HSL 290.91, 0.57%, 0.66%

LAB 62.1, 48.25, -37.34

 

CMYK 11 / 0 / 46 / 15

HEX #C1D976

RGB 193 217 118

HSL 74.55, 0.57%, 0.66%

LAB 83.06, -23.14, 45.89

 

CMYK 45 / 30 / 0 / 15

HEX #7799DA

RGB 119 153 218

HSL 219.39, 0.57%, 0.66%

LAB 63.15, 5.42, -36.8

 

CMYK 0 / 46 / 29 / 15

HEX #D97699

RGB 217 118 153

HSL 338.79, 0.57%, 0.66%

LAB 61.66, 42.56, -1.49

 

CMYK 29 / 0 / 46 / 15

HEX #99D976

RGB 153 217 118

HSL 98.79, 0.57%, 0.66%

LAB 80.58, -37.81, 42.26

 

CMYK 45 / 30 / 0 / 15

HEX #7799DA

RGB 119 153 218

HSL 219.39, 0.57%, 0.66%

LAB 63.15, 5.42, -36.8

 

CMYK 7 / 46 / 0 / 15

HEX #CA76D9

RGB 202 118 217

HSL 290.91, 0.57%, 0.66%

LAB 62.1, 48.25, -37.34

 

CMYK 0 / 16 / 46 / 15

HEX #D9B776

RGB 217 183 118

HSL 39.39, 0.57%, 0.66%

LAB 76.02, 3.77, 37.51

 

CMYK 39 / 0 / 46 / 15

HEX #85D976

RGB 133 217 118

HSL 110.91, 0.57%, 0.66%

LAB 79.57, -44.38, 40.78

 

CMYK 45 / 30 / 0 / 15

HEX #7799DA

RGB 119 153 218

HSL 219.39, 0.57%, 0.66%

LAB 63.15, 5.42, -36.8

 

CMYK 0 / 46 / 7 / 15

HEX #D976CA

RGB 217 118 202

HSL 309.09, 0.57%, 0.66%

LAB 63.32, 49.96, -26.88

 

CMYK 0 / 16 / 46 / 15

HEX #D9B776

RGB 217 183 118

HSL 39.39, 0.57%, 0.66%

LAB 76.02, 3.77, 37.51

 

CMYK 46 / 0 / 39 / 15

HEX #76D985

RGB 118 217 133

HSL 129.09, 0.57%, 0.66%

LAB 79.14, -46.59, 32.58

 

Description

Color code: HEX #7799DA | qconv.com Color code: HEX #7799DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 153 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 153 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 30 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 30% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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