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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #779FBF it is the complementary color #886040. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #779FBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #779FBF shade: #7C9FBA, #8DB1CD, #9EC3E0, #AFD5F3 and #C0E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #779FBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #779FBF shade: #779FBF, #668DAC, #557B99, #446986 and #335773

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #779FBF shade: #779FBF, #778CBF, #7778BF, #8977BF and #9D77BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #779FBF shade: #779FBF, #778CBF, #7778BF and #7777BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #779FBF shade matches the following richer shades: #779FBF, #67A1CF, #57A3DF and #47A4EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #779FBF shade: #779FBF, #879DAF, #979B9F, #A89A8F and #B8987E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #779FBF shade: #77BFB8, #77B3BF, #77A0BF, #778DBF and #777ABF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #779FBF shade: #49769B, #5B8BB2, #779FBF, #93B3CC and #AFC7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #779FBF shade: #779FBF, #A577BF and #BCBF77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #779FBF shade: #779FBF, #BF77A0 and #A0BF77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #779FBF shade: #779FBF, #A577BF, #BF9677 and #92BF77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #779FBF shade: #779FBF, #BA77BF, #BF9677 and #7CBF77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

Complementary color

CMYK 0 / 29 / 53 / 47

HEX #886040

RGB 136 96 64

HSL 26.67, 0.36%, 0.39%

LAB 44.19, 12.32, 24.65

 

CMYK 33 / 15 / 0 / 27

HEX #7C9FBA

RGB 124 159 186

HSL 206.13, 0.31%, 0.61%

LAB 63.86, -5.4, -17.83

 

CMYK 31 / 14 / 0 / 20

HEX #8DB1CD

RGB 141 177 205

HSL 206.25, 0.39%, 0.68%

LAB 70.54, -5.54, -18.15

 

CMYK 29 / 13 / 0 / 12

HEX #9EC3E0

RGB 158 195 224

HSL 206.36, 0.52%, 0.75%

LAB 77.09, -5.66, -18.47

 

CMYK 28 / 12 / 0 / 5

HEX #AFD5F3

RGB 175 213 243

HSL 206.47, 0.74%, 0.82%

LAB 83.53, -5.78, -18.79

 

CMYK 25 / 9 / 0 / 0

HEX #C0E7FF

RGB 192 231 255

HSL 202.86, 1%, 0.88%

LAB 89.66, -7.46, -15.79

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 41 / 18 / 0 / 33

HEX #668DAC

RGB 102 141 172

HSL 206.57, 0.3%, 0.54%

LAB 56.93, -5.28, -20.58

 

CMYK 44 / 20 / 0 / 40

HEX #557B99

RGB 85 123 153

HSL 206.47, 0.29%, 0.47%

LAB 49.97, -5, -20.34

 

CMYK 49 / 22 / 0 / 47

HEX #446986

RGB 68 105 134

HSL 206.36, 0.33%, 0.4%

LAB 42.84, -4.64, -20.12

 

CMYK 56 / 24 / 0 / 55

HEX #335773

RGB 51 87 115

HSL 206.25, 0.39%, 0.33%

LAB 35.51, -4.13, -19.91

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 38 / 27 / 0 / 25

HEX #778CBF

RGB 119 140 191

HSL 222.5, 0.36%, 0.61%

LAB 58.45, 5.27, -28.96

 

CMYK 38 / 37 / 0 / 25

HEX #7778BF

RGB 119 120 191

HSL 239.17, 0.36%, 0.61%

LAB 53.08, 17.09, -37.35

 

CMYK 28 / 38 / 0 / 25

HEX #8977BF

RGB 137 119 191

HSL 255, 0.36%, 0.61%

LAB 54.32, 22.8, -35.3

 

CMYK 18 / 38 / 0 / 25

HEX #9D77BF

RGB 157 119 191

HSL 271.67, 0.36%, 0.61%

LAB 56.21, 28.82, -32.2

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 38 / 27 / 0 / 25

HEX #778CBF

RGB 119 140 191

HSL 222.5, 0.36%, 0.61%

LAB 58.45, 5.27, -28.96

 

CMYK 38 / 37 / 0 / 25

HEX #7778BF

RGB 119 120 191

HSL 239.17, 0.36%, 0.61%

LAB 53.08, 17.09, -37.35

 

CMYK 38 / 38 / 0 / 25

HEX #7777BF

RGB 119 119 191

HSL 240, 0.36%, 0.61%

LAB 52.81, 17.69, -37.76

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 50 / 22 / 0 / 19

HEX #67A1CF

RGB 103 161 207

HSL 206.54, 0.52%, 0.61%

LAB 64.06, -6.18, -29.34

 

CMYK 61 / 27 / 0 / 13

HEX #57A3DF

RGB 87 163 223

HSL 206.47, 0.68%, 0.61%

LAB 64.6, -5.68, -37.41

 

CMYK 70 / 31 / 0 / 6

HEX #47A4EF

RGB 71 164 239

HSL 206.79, 0.84%, 0.61%

LAB 65.06, -3.55, -45.54

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 23 / 10 / 0 / 31

HEX #879DAF

RGB 135 157 175

HSL 207, 0.2%, 0.61%

LAB 63.64, -3.65, -11.92

 

CMYK 5 / 3 / 0 / 38

HEX #979B9F

RGB 151 155 159

HSL 210, 0.04%, 0.61%

LAB 63.77, -0.64, -2.6

 

CMYK 0 / 8 / 15 / 34

HEX #A89A8F

RGB 168 154 143

HSL 26.4, 0.13%, 0.61%

LAB 64.5, 3.24, 7.62

 

CMYK 0 / 17 / 32 / 28

HEX #B8987E

RGB 184 152 126

HSL 26.9, 0.29%, 0.61%

LAB 65.08, 8.07, 18.16

 

CMYK 38 / 0 / 4 / 25

HEX #77BFB8

RGB 119 191 184

HSL 174.17, 0.36%, 0.61%

LAB 72.66, -24.13, -3.6

 

CMYK 38 / 6 / 0 / 25

HEX #77B3BF

RGB 119 179 191

HSL 190, 0.36%, 0.61%

LAB 69.42, -16.28, -12.25

 

CMYK 38 / 16 / 0 / 25

HEX #77A0BF

RGB 119 160 191

HSL 205.83, 0.36%, 0.61%

LAB 64.02, -6.06, -20.41

 

CMYK 38 / 26 / 0 / 25

HEX #778DBF

RGB 119 141 191

HSL 221.67, 0.36%, 0.61%

LAB 58.73, 4.7, -28.54

 

CMYK 38 / 36 / 0 / 25

HEX #777ABF

RGB 119 122 191

HSL 237.5, 0.36%, 0.61%

LAB 53.6, 15.89, -36.52

 

CMYK 53 / 24 / 0 / 39

HEX #49769B

RGB 73 118 155

HSL 207.07, 0.36%, 0.45%

LAB 47.93, -4.51, -24.72

 

CMYK 49 / 22 / 0 / 30

HEX #5B8BB2

RGB 91 139 178

HSL 206.9, 0.36%, 0.53%

LAB 55.99, -5.26, -25.51

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 28 / 12 / 0 / 20

HEX #93B3CC

RGB 147 179 204

HSL 206.32, 0.36%, 0.69%

LAB 71.42, -5.1, -16.22

 

CMYK 19 / 8 / 0 / 15

HEX #AFC7D9

RGB 175 199 217

HSL 205.71, 0.36%, 0.77%

LAB 79.02, -4.28, -11.68

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 14 / 38 / 0 / 25

HEX #A577BF

RGB 165 119 191

HSL 278.33, 0.36%, 0.61%

LAB 57.03, 31.29, -30.86

 

CMYK 2 / 0 / 38 / 25

HEX #BCBF77

RGB 188 191 119

HSL 62.5, 0.36%, 0.61%

LAB 75.63, -12.01, 35.98

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 0 / 38 / 16 / 25

HEX #BF77A0

RGB 191 119 160

HSL 325.83, 0.36%, 0.61%

LAB 58.8, 34.02, -10.12

 

CMYK 16 / 0 / 38 / 25

HEX #A0BF77

RGB 160 191 119

HSL 85.83, 0.36%, 0.61%

LAB 73.59, -22.87, 32.95

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 14 / 38 / 0 / 25

HEX #A577BF

RGB 165 119 191

HSL 278.33, 0.36%, 0.61%

LAB 57.03, 31.29, -30.86

 

CMYK 0 / 21 / 38 / 25

HEX #BF9677

RGB 191 150 119

HSL 25.83, 0.36%, 0.61%

LAB 65.14, 11.1, 22.22

 

CMYK 24 / 0 / 38 / 25

HEX #92BF77

RGB 146 191 119

HSL 97.5, 0.36%, 0.61%

LAB 72.7, -28.02, 31.61

 

CMYK 38 / 17 / 0 / 25

HEX #779FBF

RGB 119 159 191

HSL 206.67, 0.36%, 0.61%

LAB 63.74, -5.51, -20.84

 

CMYK 3 / 38 / 0 / 25

HEX #BA77BF

RGB 186 119 191

HSL 295.83, 0.36%, 0.61%

LAB 59.34, 37.87, -27.1

 

CMYK 0 / 21 / 38 / 25

HEX #BF9677

RGB 191 150 119

HSL 25.83, 0.36%, 0.61%

LAB 65.14, 11.1, 22.22

 

CMYK 35 / 0 / 38 / 25

HEX #7CBF77

RGB 124 191 119

HSL 115.83, 0.36%, 0.61%

LAB 71.47, -35.58, 29.78

 

Description

Color code: HEX #779FBF | qconv.com Color code: HEX #779FBF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 159 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 159 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 17 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 17% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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