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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7800A0 it is the complementary color #87FF5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7800A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7800A0 shade: #7D009B, #8E12AE, #9F24C1, #B036D4 and #C148E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7800A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7800A0 shade: #7800A0, #67008D, #56007A, #450067 and #340054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7800A0 shade: #76009E, #9E009A, #9E0070, #9E0045 and #9E001B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7800A0 shade: #76009E, #4B009E, #21009E and #00009E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7800A0 shade matches the following richer shades: #76009E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7800A0 shade: #76009E, #700C91, #691984, #632677 and #5C336A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7800A0 shade: #22009E, #4C009E, #76009E, #9E009B and #9E0071

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7800A0 shade: #38004B, #570074, #76009E, #9500C7 and #B400F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7800A0 shade: #7800A0, #9E0007 and #009E37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7800A0 shade: #7800A0, #9E7600 and #009E76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7800A0 shade: #7800A0, #9E0007, #279E00 and #009E96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7800A0 shade: #7800A0, #9E2700, #279E00 and #00769E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 100 / 0 / 37

HEX #7800A0

RGB 120 0 160

HSL 285, 1%, 0.31%

LAB 30.71, 63.27, -54.84

 

Complementary color

CMYK 47 / 0 / 63 / 0

HEX #87FF5F

RGB 135 255 95

HSL 105, 1%, 0.69%

LAB 90.55, -61.6, 64.14

 

CMYK 19 / 100 / 0 / 39

HEX #7D009B

RGB 125 0 155

HSL 288.39, 1%, 0.3%

LAB 31.18, 63.04, -51.01

 

CMYK 18 / 90 / 0 / 32

HEX #8E12AE

RGB 142 18 174

HSL 287.69, 0.81%, 0.38%

LAB 36.44, 66.37, -53.8

 

CMYK 18 / 81 / 0 / 24

HEX #9F24C1

RGB 159 36 193

HSL 287.01, 0.69%, 0.45%

LAB 41.97, 68.56, -55.94

 

CMYK 17 / 75 / 0 / 17

HEX #B036D4

RGB 176 54 212

HSL 286.33, 0.65%, 0.52%

LAB 47.78, 69.66, -57.44

 

CMYK 16 / 69 / 0 / 9

HEX #C148E7

RGB 193 72 231

HSL 285.66, 0.77%, 0.59%

LAB 53.75, 70.04, -58.51

 

CMYK 25 / 100 / 0 / 37

HEX #7800A0

RGB 120 0 160

HSL 285, 1%, 0.31%

LAB 30.71, 63.27, -54.84

 

CMYK 27 / 100 / 0 / 45

HEX #67008D

RGB 103 0 141

HSL 283.83, 1%, 0.28%

LAB 26.18, 57.36, -50.69

 

CMYK 30 / 100 / 0 / 52

HEX #56007A

RGB 86 0 122

HSL 282.3, 1%, 0.24%

LAB 21.52, 51.31, -46.44

 

CMYK 33 / 100 / 0 / 60

HEX #450067

RGB 69 0 103

HSL 280.19, 1%, 0.2%

LAB 16.72, 45.08, -42.08

 

CMYK 38 / 100 / 0 / 67

HEX #340054

RGB 52 0 84

HSL 277.14, 1%, 0.16%

LAB 11.76, 38.66, -37.6

 

CMYK 25 / 100 / 0 / 38

HEX #76009E

RGB 118 0 158

HSL 284.81, 1%, 0.31%

LAB 30.21, 62.63, -54.47

 

CMYK 0 / 100 / 3 / 38

HEX #9E009A

RGB 158 0 154

HSL 301.52, 1%, 0.31%

LAB 37.12, 68.1, -40.52

 

CMYK 0 / 100 / 29 / 38

HEX #9E0070

RGB 158 0 112

HSL 317.47, 1%, 0.31%

LAB 34.88, 62.54, -17.95

 

CMYK 0 / 100 / 56 / 38

HEX #9E0045

RGB 158 0 69

HSL 333.8, 1%, 0.31%

LAB 33.35, 58.54, 7.66

 

CMYK 0 / 100 / 83 / 38

HEX #9E001B

RGB 158 0 27

HSL 349.75, 1%, 0.31%

LAB 32.59, 56.49, 33.77

 

CMYK 25 / 100 / 0 / 38

HEX #76009E

RGB 118 0 158

HSL 284.81, 1%, 0.31%

LAB 30.21, 62.63, -54.47

 

CMYK 53 / 100 / 0 / 38

HEX #4B009E

RGB 75 0 158

HSL 268.48, 1%, 0.31%

LAB 23.55, 58.02, -65.65

 

CMYK 79 / 100 / 0 / 38

HEX #21009E

RGB 33 0 158

HSL 252.53, 1%, 0.31%

LAB 19.19, 55.87, -73.03

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 25 / 100 / 0 / 38

HEX #76009E

RGB 118 0 158

HSL 284.81, 1%, 0.31%

LAB 30.21, 62.63, -54.47

 

CMYK 25 / 100 / 0 / 38

HEX #76009E

RGB 118 0 158

HSL 284.81, 1%, 0.31%

LAB 30.21, 62.63, -54.47

 

CMYK 23 / 92 / 0 / 43

HEX #700C91

RGB 112 12 145

HSL 285.11, 0.85%, 0.31%

LAB 28.78, 57.3, -48.86

 

CMYK 20 / 81 / 0 / 48

HEX #691984

RGB 105 25 132

HSL 284.86, 0.68%, 0.31%

LAB 27.75, 50.1, -42.5

 

CMYK 17 / 68 / 0 / 53

HEX #632677

RGB 99 38 119

HSL 285.19, 0.52%, 0.31%

LAB 27.77, 40.66, -34.32

 

CMYK 13 / 52 / 0 / 58

HEX #5C336A

RGB 92 51 106

HSL 284.73, 0.35%, 0.31%

LAB 28.6, 28.68, -24.77

 

CMYK 78 / 100 / 0 / 38

HEX #22009E

RGB 34 0 158

HSL 252.91, 1%, 0.31%

LAB 19.26, 55.9, -72.91

 

CMYK 52 / 100 / 0 / 38

HEX #4C009E

RGB 76 0 158

HSL 268.86, 1%, 0.31%

LAB 23.69, 58.1, -65.42

 

CMYK 25 / 100 / 0 / 38

HEX #76009E

RGB 118 0 158

HSL 284.81, 1%, 0.31%

LAB 30.21, 62.63, -54.47

 

CMYK 0 / 100 / 2 / 38

HEX #9E009B

RGB 158 0 155

HSL 301.14, 1%, 0.31%

LAB 37.18, 68.25, -41.03

 

CMYK 0 / 100 / 28 / 38

HEX #9E0071

RGB 158 0 113

HSL 317.09, 1%, 0.31%

LAB 34.93, 62.65, -18.51

 

CMYK 25 / 100 / 0 / 71

HEX #38004B

RGB 56 0 75

HSL 284.8, 1%, 0.15%

LAB 11.61, 37.24, -31.6

 

CMYK 25 / 100 / 0 / 55

HEX #570074

RGB 87 0 116

HSL 285, 1%, 0.23%

LAB 21.16, 50.24, -43.17

 

CMYK 25 / 100 / 0 / 38

HEX #76009E

RGB 118 0 158

HSL 284.81, 1%, 0.31%

LAB 30.21, 62.63, -54.47

 

CMYK 25 / 100 / 0 / 22

HEX #9500C7

RGB 149 0 199

HSL 284.92, 1%, 0.39%

LAB 38.75, 74.25, -64.76

 

CMYK 25 / 100 / 0 / 6

HEX #B400F0

RGB 180 0 240

HSL 285, 1%, 0.47%

LAB 46.97, 85.43, -74.65

 

CMYK 25 / 100 / 0 / 37

HEX #7800A0

RGB 120 0 160

HSL 285, 1%, 0.31%

LAB 30.71, 63.27, -54.84

 

CMYK 0 / 100 / 96 / 38

HEX #9E0007

RGB 158 0 7

HSL 357.34, 1%, 0.31%

LAB 32.45, 56.11, 43.61

 

CMYK 100 / 0 / 65 / 38

HEX #009E37

RGB 0 158 55

HSL 140.89, 1%, 0.31%

LAB 56.81, -56.78, 42.8

 

CMYK 25 / 100 / 0 / 37

HEX #7800A0

RGB 120 0 160

HSL 285, 1%, 0.31%

LAB 30.71, 63.27, -54.84

 

CMYK 0 / 25 / 100 / 38

HEX #9E7600

RGB 158 118 0

HSL 44.81, 1%, 0.31%

LAB 52.09, 6.74, 58.23

 

CMYK 100 / 0 / 25 / 38

HEX #009E76

RGB 0 158 118

HSL 164.81, 1%, 0.31%

LAB 57.81, -44.99, 11.17

 

CMYK 25 / 100 / 0 / 37

HEX #7800A0

RGB 120 0 160

HSL 285, 1%, 0.31%

LAB 30.71, 63.27, -54.84

 

CMYK 0 / 100 / 96 / 38

HEX #9E0007

RGB 158 0 7

HSL 357.34, 1%, 0.31%

LAB 32.45, 56.11, 43.61

 

CMYK 75 / 0 / 100 / 38

HEX #279E00

RGB 39 158 0

HSL 105.19, 1%, 0.31%

LAB 56.96, -56.46, 58.68

 

CMYK 100 / 0 / 5 / 38

HEX #009E96

RGB 0 158 150

HSL 176.96, 1%, 0.31%

LAB 58.65, -36.09, -5.72

 

CMYK 25 / 100 / 0 / 37

HEX #7800A0

RGB 120 0 160

HSL 285, 1%, 0.31%

LAB 30.71, 63.27, -54.84

 

CMYK 0 / 75 / 100 / 38

HEX #9E2700

RGB 158 39 0

HSL 14.81, 1%, 0.31%

LAB 35.44, 47.43, 48.21

 

CMYK 75 / 0 / 100 / 38

HEX #279E00

RGB 39 158 0

HSL 105.19, 1%, 0.31%

LAB 56.96, -56.46, 58.68

 

CMYK 100 / 25 / 0 / 38

HEX #00769E

RGB 0 118 158

HSL 195.19, 1%, 0.31%

LAB 46.21, -12.87, -29.3

 

Description

Color code: HEX #7800A0 | qconv.com Color code: HEX #7800A0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, none green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 0 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 100 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 100% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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