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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #780C82 it is the complementary color #87F37D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #780C82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #780C82 shade: #7D0C7D, #8E1E90, #9F30A3, #B042B6 and #C154C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #780C82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #780C82 shade: #780C82, #67006F, #56005C, #450049 and #340036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #780C82 shade: #780C82, #820C6C, #820C4C, #820C2C and #820C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #780C82 shade: #780C82, #580C82, #380C82, #180C82 and #0C0C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #780C82 shade matches the following richer shades: #780C82 and #82008E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #780C82 shade: #780C82, #6F1777, #65236B, #5B2E60 and #523A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #780C82 shade: #370C82, #570C82, #760C82, #820C6E and #820C4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #780C82 shade: #320537, #55085C, #780C82, #9B0FA8 and #BE13CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #780C82 shade: #780C82, #82170C and #0C8247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #780C82 shade: #780C82, #82760C and #0C8276

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #780C82 shade: #780C82, #82170C, #17820C and #0C7682

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #780C82 shade: #780C82, #823B0C, #17820C and #0C5382

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

Complementary color

CMYK 44 / 0 / 49 / 5

HEX #87F37D

RGB 135 243 125

HSL 114.92, 0.83%, 0.72%

LAB 87.36, -53.66, 47.13

 

CMYK 0 / 90 / 0 / 51

HEX #7D0C7D

RGB 125 12 125

HSL 300, 0.82%, 0.27%

LAB 29.67, 55.98, -34.82

 

CMYK 1 / 79 / 0 / 44

HEX #8E1E90

RGB 142 30 144

HSL 298.95, 0.66%, 0.34%

LAB 35.39, 58.29, -37.34

 

CMYK 2 / 71 / 0 / 36

HEX #9F30A3

RGB 159 48 163

HSL 297.91, 0.55%, 0.41%

LAB 41.42, 59.33, -39.08

 

CMYK 3 / 64 / 0 / 29

HEX #B042B6

RGB 176 66 182

HSL 296.9, 0.47%, 0.49%

LAB 47.63, 59.6, -40.31

 

CMYK 4 / 58 / 0 / 21

HEX #C154C9

RGB 193 84 201

HSL 295.9, 0.52%, 0.56%

LAB 53.92, 59.41, -41.21

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 7 / 100 / 0 / 56

HEX #67006F

RGB 103 0 111

HSL 295.68, 1%, 0.22%

LAB 23.77, 51.83, -35.56

 

CMYK 7 / 100 / 0 / 64

HEX #56005C

RGB 86 0 92

HSL 296.09, 1%, 0.18%

LAB 19.02, 45.56, -30.91

 

CMYK 5 / 100 / 0 / 71

HEX #450049

RGB 69 0 73

HSL 296.71, 1%, 0.14%

LAB 14.09, 39.08, -26.07

 

CMYK 4 / 100 / 0 / 79

HEX #340036

RGB 52 0 54

HSL 297.78, 1%, 0.11%

LAB 8.96, 32.31, -20.99

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 0 / 91 / 17 / 49

HEX #820C6C

RGB 130 12 108

HSL 311.19, 0.83%, 0.28%

LAB 29.64, 54.41, -23.97

 

CMYK 0 / 91 / 42 / 49

HEX #820C4C

RGB 130 12 76

HSL 327.46, 0.83%, 0.28%

LAB 28.2, 50.49, -5.21

 

CMYK 0 / 91 / 66 / 49

HEX #820C2C

RGB 130 12 44

HSL 343.73, 0.83%, 0.28%

LAB 27.27, 47.88, 15.09

 

CMYK 0 / 91 / 91 / 49

HEX #820C0C

RGB 130 12 12

HSL 0, 0.83%, 0.28%

LAB 26.84, 46.62, 34.48

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 32 / 91 / 0 / 49

HEX #580C82

RGB 88 12 130

HSL 278.64, 0.83%, 0.28%

LAB 23.5, 50.53, -48.26

 

CMYK 57 / 91 / 0 / 49

HEX #380C82

RGB 56 12 130

HSL 262.37, 0.83%, 0.28%

LAB 18.87, 46.47, -56.06

 

CMYK 82 / 91 / 0 / 49

HEX #180C82

RGB 24 12 130

HSL 246.1, 0.83%, 0.28%

LAB 15.84, 44.12, -61.16

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C82

RGB 12 12 130

HSL 240, 0.83%, 0.28%

LAB 15.24, 43.69, -62.19

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 8 / 100 / 0 / 44

HEX #82008E

RGB 130 0 142

HSL 294.93, 1%, 0.28%

LAB 31.11, 61.55, -43.08

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 7 / 81 / 0 / 53

HEX #6F1777

RGB 111 23 119

HSL 295, 0.68%, 0.28%

LAB 27.64, 49.44, -34.41

 

CMYK 6 / 67 / 0 / 58

HEX #65236B

RGB 101 35 107

HSL 295, 0.51%, 0.28%

LAB 26.82, 40.08, -28.13

 

CMYK 5 / 52 / 0 / 62

HEX #5B2E60

RGB 91 46 96

HSL 294, 0.35%, 0.28%

LAB 26.8, 29.05, -21.14

 

CMYK 2 / 31 / 0 / 67

HEX #523A54

RGB 82 58 84

HSL 295.38, 0.18%, 0.28%

LAB 28.01, 15.75, -11.55

 

CMYK 58 / 91 / 0 / 49

HEX #370C82

RGB 55 12 130

HSL 261.86, 0.83%, 0.28%

LAB 18.74, 46.37, -56.26

 

CMYK 33 / 91 / 0 / 49

HEX #570C82

RGB 87 12 130

HSL 278.14, 0.83%, 0.28%

LAB 23.34, 50.38, -48.54

 

CMYK 9 / 91 / 0 / 49

HEX #760C82

RGB 118 12 130

HSL 293.9, 0.83%, 0.28%

LAB 28.71, 55.52, -39.58

 

CMYK 0 / 91 / 15 / 49

HEX #820C6E

RGB 130 12 110

HSL 310.17, 0.83%, 0.28%

LAB 29.75, 54.69, -25.09

 

CMYK 0 / 91 / 39 / 49

HEX #820C4F

RGB 130 12 79

HSL 325.93, 0.83%, 0.28%

LAB 28.31, 50.8, -7.04

 

CMYK 9 / 91 / 0 / 78

HEX #320537

RGB 50 5 55

HSL 294, 0.83%, 0.12%

LAB 9.5, 29.47, -20.88

 

CMYK 8 / 91 / 0 / 64

HEX #55085C

RGB 85 8 92

HSL 295, 0.84%, 0.2%

LAB 19.55, 43.23, -30.07

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 8 / 91 / 0 / 34

HEX #9B0FA8

RGB 155 15 168

HSL 294.9, 0.84%, 0.36%

LAB 38.09, 67.96, -47.44

 

CMYK 8 / 91 / 0 / 19

HEX #BE13CE

RGB 190 19 206

HSL 294.87, 0.83%, 0.44%

LAB 46.8, 79.33, -55.45

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 0 / 82 / 91 / 49

HEX #82170C

RGB 130 23 12

HSL 5.59, 0.83%, 0.28%

LAB 27.81, 43.87, 35.32

 

CMYK 91 / 0 / 45 / 49

HEX #0C8247

RGB 12 130 71

HSL 150, 0.83%, 0.28%

LAB 47.62, -44.06, 23.69

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 0 / 9 / 91 / 49

HEX #82760C

RGB 130 118 12

HSL 53.9, 0.83%, 0.28%

LAB 49.17, -6.25, 52.36

 

CMYK 91 / 0 / 9 / 49

HEX #0C8276

RGB 12 130 118

HSL 173.9, 0.83%, 0.28%

LAB 48.7, -32.27, -1.92

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 0 / 82 / 91 / 49

HEX #82170C

RGB 130 23 12

HSL 5.59, 0.83%, 0.28%

LAB 27.81, 43.87, 35.32

 

CMYK 82 / 0 / 91 / 49

HEX #17820C

RGB 23 130 12

HSL 114.41, 0.83%, 0.28%

LAB 47.2, -49.69, 48.38

 

CMYK 91 / 9 / 0 / 49

HEX #0C7682

RGB 12 118 130

HSL 186.1, 0.83%, 0.28%

LAB 45.15, -22.44, -14.35

 

CMYK 8 / 91 / 0 / 49

HEX #780C82

RGB 120 12 130

HSL 294.92, 0.83%, 0.28%

LAB 29.08, 55.89, -38.97

 

CMYK 0 / 55 / 91 / 49

HEX #823B0C

RGB 130 59 12

HSL 23.9, 0.83%, 0.28%

LAB 33.77, 27.9, 40.09

 

CMYK 82 / 0 / 91 / 49

HEX #17820C

RGB 23 130 12

HSL 114.41, 0.83%, 0.28%

LAB 47.2, -49.69, 48.38

 

CMYK 91 / 36 / 0 / 49

HEX #0C5382

RGB 12 83 130

HSL 203.9, 0.83%, 0.28%

LAB 33.72, -2.04, -32.08

 

Description

Color code: HEX #780C82 | qconv.com Color code: HEX #780C82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 12 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 12 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 91 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 91% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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