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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #781B72 it is the complementary color #87E48D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #781B72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #781B72 shade: #7D1B6D, #8E2D80, #9F3F93, #B051A6 and #C163B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #781B72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #781B72 shade: #781B72, #67095F, #56004C, #450039 and #340026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #781B72 shade: #781B72, #781B59, #781B40, #781B27 and #781B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #781B72 shade: #781B72, #651B78, #4C1B78, #331B78 and #1B1B78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #781B72 shade matches the following richer shades: #781B72, #840F7C and #900387

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #781B72 shade: #781B72, #6C2768, #60335D, #543F53 and #484B48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #781B72 shade: #4B1B78, #641B78, #781B73, #781B5B and #781B42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #781B72 shade: #350C32, #561352, #781B72, #9A2292 and #BB2AB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #781B72 shade: #781B72, #78321B and #1B7857

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #781B72 shade: #781B72, #73781B and #1B7378

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #781B72 shade: #781B72, #78321B, #1B7820 and #1B6178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #781B72 shade: #781B72, #784E1B, #1B7820 and #1B4578

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

Complementary color

CMYK 41 / 0 / 38 / 11

HEX #87E48D

RGB 135 228 141

HSL 123.87, 0.63%, 0.71%

LAB 83.21, -45.16, 34.01

 

CMYK 0 / 78 / 13 / 51

HEX #7D1B6D

RGB 125 27 109

HSL 309.8, 0.64%, 0.3%

LAB 30.03, 49.68, -24.07

 

CMYK 0 / 68 / 10 / 44

HEX #8E2D80

RGB 142 45 128

HSL 308.66, 0.52%, 0.37%

LAB 36.34, 50.42, -25.95

 

CMYK 0 / 60 / 8 / 38

HEX #9F3F93

RGB 159 63 147

HSL 307.5, 0.43%, 0.44%

LAB 42.81, 50.4, -27.27

 

CMYK 0 / 54 / 6 / 31

HEX #B051A6

RGB 176 81 166

HSL 306.32, 0.38%, 0.5%

LAB 49.34, 50, -28.24

 

CMYK 0 / 49 / 4 / 24

HEX #C163B9

RGB 193 99 185

HSL 305.11, 0.43%, 0.57%

LAB 55.85, 49.4, -29

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 0 / 91 / 8 / 60

HEX #67095F

RGB 103 9 95

HSL 305.11, 0.84%, 0.22%

LAB 23.36, 47.24, -25.78

 

CMYK 0 / 100 / 12 / 66

HEX #56004C

RGB 86 0 76

HSL 306.98, 1%, 0.17%

LAB 17.92, 42.9, -21.82

 

CMYK 0 / 100 / 17 / 73

HEX #450039

RGB 69 0 57

HSL 310.43, 1%, 0.14%

LAB 12.99, 36.38, -16.53

 

CMYK 0 / 100 / 27 / 80

HEX #340026

RGB 52 0 38

HSL 316.15, 1%, 0.1%

LAB 7.86, 29.59, -10.82

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 0 / 78 / 26 / 53

HEX #781B59

RGB 120 27 89

HSL 320, 0.63%, 0.29%

LAB 28.11, 45.45, -14.15

 

CMYK 0 / 78 / 47 / 53

HEX #781B40

RGB 120 27 64

HSL 336.13, 0.63%, 0.29%

LAB 27.15, 42.44, 1.07

 

CMYK 0 / 78 / 68 / 53

HEX #781B27

RGB 120 27 39

HSL 352.26, 0.63%, 0.29%

LAB 26.52, 40.37, 17.06

 

CMYK 0 / 78 / 78 / 53

HEX #781B1B

RGB 120 27 27

HSL 0, 0.63%, 0.29%

LAB 26.32, 39.73, 24.65

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 16 / 78 / 0 / 53

HEX #651B78

RGB 101 27 120

HSL 287.74, 0.63%, 0.29%

LAB 26.47, 46.1, -37.02

 

CMYK 37 / 78 / 0 / 53

HEX #4C1B78

RGB 76 27 120

HSL 271.61, 0.63%, 0.29%

LAB 22.57, 40.93, -43.51

 

CMYK 58 / 78 / 0 / 53

HEX #331B78

RGB 51 27 120

HSL 255.48, 0.63%, 0.29%

LAB 19.41, 36.55, -48.81

 

CMYK 78 / 78 / 0 / 53

HEX #1B1B78

RGB 27 27 120

HSL 240, 0.63%, 0.29%

LAB 17.33, 33.57, -52.3

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 0 / 89 / 6 / 48

HEX #840F7C

RGB 132 15 124

HSL 304.1, 0.8%, 0.29%

LAB 31.12, 56.64, -31.8

 

CMYK 0 / 98 / 6 / 44

HEX #900387

RGB 144 3 135

HSL 303.83, 0.96%, 0.29%

LAB 33.44, 62.43, -34.85

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 0 / 64 / 4 / 58

HEX #6C2768

RGB 108 39 104

HSL 303.48, 0.47%, 0.29%

LAB 28.48, 39.56, -23.5

 

CMYK 0 / 47 / 3 / 62

HEX #60335D

RGB 96 51 93

HSL 304, 0.31%, 0.29%

LAB 28.5, 27.17, -16.5

 

CMYK 0 / 25 / 1 / 67

HEX #543F53

RGB 84 63 83

HSL 302.86, 0.14%, 0.29%

LAB 29.57, 13.09, -8.5

 

CMYK 4 / 0 / 4 / 71

HEX #484B48

RGB 72 75 72

HSL 120, 0.02%, 0.29%

LAB 31.53, -1.89, 1.36

 

CMYK 38 / 78 / 0 / 53

HEX #4B1B78

RGB 75 27 120

HSL 270.97, 0.63%, 0.29%

LAB 22.43, 40.74, -43.75

 

CMYK 17 / 78 / 0 / 53

HEX #641B78

RGB 100 27 120

HSL 287.1, 0.63%, 0.29%

LAB 26.3, 45.88, -37.3

 

CMYK 0 / 78 / 4 / 53

HEX #781B73

RGB 120 27 115

HSL 303.23, 0.63%, 0.29%

LAB 29.45, 49.46, -28.88

 

CMYK 0 / 78 / 24 / 53

HEX #781B5B

RGB 120 27 91

HSL 318.71, 0.63%, 0.29%

LAB 28.2, 45.73, -15.32

 

CMYK 0 / 78 / 45 / 53

HEX #781B42

RGB 120 27 66

HSL 334.84, 0.63%, 0.29%

LAB 27.21, 42.64, -0.18

 

CMYK 0 / 77 / 6 / 79

HEX #350C32

RGB 53 12 50

HSL 304.39, 0.63%, 0.13%

LAB 10.92, 25.92, -14.94

 

CMYK 0 / 78 / 5 / 66

HEX #561352

RGB 86 19 82

HSL 303.58, 0.64%, 0.21%

LAB 20.26, 38.21, -22.21

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 0 / 78 / 5 / 40

HEX #9A2292

RGB 154 34 146

HSL 304, 0.64%, 0.37%

LAB 38, 60.03, -34.28

 

CMYK 0 / 78 / 5 / 27

HEX #BB2AB2

RGB 187 42 178

HSL 303.72, 0.63%, 0.45%

LAB 46.22, 69.78, -40.08

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 0 / 58 / 78 / 53

HEX #78321B

RGB 120 50 27

HSL 14.84, 0.63%, 0.29%

LAB 30.29, 29.09, 29

 

CMYK 78 / 0 / 28 / 53

HEX #1B7857

RGB 27 120 87

HSL 158.71, 0.63%, 0.29%

LAB 44.74, -34.84, 10.68

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 4 / 0 / 78 / 53

HEX #73781B

RGB 115 120 27

HSL 63.23, 0.63%, 0.29%

LAB 48.46, -13.87, 46.87

 

CMYK 78 / 4 / 0 / 53

HEX #1B7378

RGB 27 115 120

HSL 183.23, 0.63%, 0.29%

LAB 44.02, -22.87, -10.05

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 0 / 58 / 78 / 53

HEX #78321B

RGB 120 50 27

HSL 14.84, 0.63%, 0.29%

LAB 30.29, 29.09, 29

 

CMYK 78 / 0 / 73 / 53

HEX #1B7820

RGB 27 120 32

HSL 123.23, 0.63%, 0.29%

LAB 43.9, -44.41, 38.89

 

CMYK 78 / 19 / 0 / 53

HEX #1B6178

RGB 27 97 120

HSL 194.84, 0.63%, 0.29%

LAB 38.09, -12.96, -19.09

 

CMYK 0 / 78 / 5 / 53

HEX #781B72

RGB 120 27 114

HSL 303.87, 0.63%, 0.29%

LAB 29.39, 49.29, -28.34

 

CMYK 0 / 35 / 78 / 53

HEX #784E1B

RGB 120 78 27

HSL 32.9, 0.63%, 0.29%

LAB 36.97, 12.87, 35.94

 

CMYK 78 / 0 / 73 / 53

HEX #1B7820

RGB 27 120 32

HSL 123.23, 0.63%, 0.29%

LAB 43.9, -44.41, 38.89

 

CMYK 78 / 43 / 0 / 53

HEX #1B4578

RGB 27 69 120

HSL 212.9, 0.63%, 0.29%

LAB 29.02, 4.71, -33.32

 

Description

Color code: HEX #781B72 | qconv.com Color code: HEX #781B72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 27 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 27 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 5 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 5% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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