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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #781E93 it is the complementary color #87E16C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #781E93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #781E93 shade: #7D1E8E, #8E30A1, #9F42B4, #B054C7 and #C166DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #781E93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #781E93 shade: #781E93, #670C80, #56006D, #45005A and #340047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #781E93 shade: #781E94, #941E8F, #941E6F, #941E50 and #941E30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #781E93 shade: #781E94, #591E94, #391E94 and #1E1E94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #781E93 shade matches the following richer shades: #781E94, #800FA2 and #8801B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #781E93 shade: #781E94, #712C85, #693B77, #614968 and #59585A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #781E93 shade: #391E94, #591E94, #781E94, #941E90 and #941E70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #781E93 shade: #41104F, #5D1771, #781E94, #9425B6 and #AE30D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #781E93 shade: #781E93, #941E22 and #1E9449

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #781E93 shade: #781E93, #94781E and #1E9478

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #781E93 shade: #781E93, #941E22, #39941E and #1E9490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #781E93 shade: #781E93, #943D1E, #39941E and #1E7494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 80 / 0 / 42

HEX #781E93

RGB 120 30 147

HSL 286.15, 0.66%, 0.35%

LAB 31.87, 54.38, -45.02

 

Complementary color

CMYK 40 / 0 / 52 / 12

HEX #87E16C

RGB 135 225 108

HSL 106.15, 0.66%, 0.65%

LAB 81.88, -48.4, 48.46

 

CMYK 12 / 79 / 0 / 44

HEX #7D1E8E

RGB 125 30 142

HSL 290.89, 0.65%, 0.34%

LAB 32.35, 54.41, -41.13

 

CMYK 12 / 70 / 0 / 37

HEX #8E30A1

RGB 142 48 161

HSL 289.91, 0.54%, 0.41%

LAB 38.62, 55.1, -42.51

 

CMYK 12 / 63 / 0 / 29

HEX #9F42B4

RGB 159 66 180

HSL 288.95, 0.46%, 0.48%

LAB 45.03, 55.08, -43.42

 

CMYK 12 / 58 / 0 / 22

HEX #B054C7

RGB 176 84 199

HSL 288, 0.51%, 0.55%

LAB 51.49, 54.68, -44.05

 

CMYK 11 / 53 / 0 / 15

HEX #C166DA

RGB 193 102 218

HSL 287.07, 0.61%, 0.63%

LAB 57.94, 54.08, -44.51

 

CMYK 18 / 80 / 0 / 42

HEX #781E93

RGB 120 30 147

HSL 286.15, 0.66%, 0.35%

LAB 31.87, 54.38, -45.02

 

CMYK 20 / 91 / 0 / 50

HEX #670C80

RGB 103 12 128

HSL 287.07, 0.83%, 0.27%

LAB 25.88, 52.52, -43.03

 

CMYK 21 / 100 / 0 / 57

HEX #56006D

RGB 86 0 109

HSL 287.34, 1%, 0.21%

LAB 20.37, 48.72, -39.93

 

CMYK 23 / 100 / 0 / 65

HEX #45005A

RGB 69 0 90

HSL 286, 1%, 0.18%

LAB 15.51, 42.36, -35.41

 

CMYK 27 / 100 / 0 / 72

HEX #340047

RGB 52 0 71

HSL 283.94, 1%, 0.14%

LAB 10.45, 35.76, -30.74

 

CMYK 19 / 80 / 0 / 42

HEX #781E94

RGB 120 30 148

HSL 285.76, 0.66%, 0.35%

LAB 31.94, 54.58, -45.52

 

CMYK 0 / 80 / 3 / 42

HEX #941E8F

RGB 148 30 143

HSL 302.54, 0.66%, 0.35%

LAB 36.38, 59.4, -35.08

 

CMYK 0 / 80 / 25 / 42

HEX #941E6F

RGB 148 30 111

HSL 318.81, 0.66%, 0.35%

LAB 34.75, 54.71, -17.68

 

CMYK 0 / 80 / 46 / 42

HEX #941E50

RGB 148 30 80

HSL 334.58, 0.66%, 0.35%

LAB 33.57, 51.18, 0.49

 

CMYK 0 / 80 / 68 / 42

HEX #941E30

RGB 148 30 48

HSL 350.85, 0.66%, 0.35%

LAB 32.78, 48.72, 20.3

 

CMYK 19 / 80 / 0 / 42

HEX #781E94

RGB 120 30 148

HSL 285.76, 0.66%, 0.35%

LAB 31.94, 54.58, -45.52

 

CMYK 40 / 80 / 0 / 42

HEX #591E94

RGB 89 30 148

HSL 270, 0.66%, 0.35%

LAB 27.27, 48.97, -53.32

 

CMYK 61 / 80 / 0 / 42

HEX #391E94

RGB 57 30 148

HSL 253.73, 0.66%, 0.35%

LAB 23.46, 44.34, -59.72

 

CMYK 80 / 80 / 0 / 42

HEX #1E1E94

RGB 30 30 148

HSL 240, 0.66%, 0.35%

LAB 21.37, 41.77, -63.25

 

CMYK 19 / 80 / 0 / 42

HEX #781E94

RGB 120 30 148

HSL 285.76, 0.66%, 0.35%

LAB 31.94, 54.58, -45.52

 

CMYK 21 / 91 / 0 / 36

HEX #800FA2

RGB 128 15 162

HSL 286.12, 0.83%, 0.35%

LAB 33, 62.5, -52.27

 

CMYK 23 / 99 / 0 / 31

HEX #8801B1

RGB 136 1 177

HSL 286.02, 0.99%, 0.35%

LAB 34.86, 68.42, -58.2

 

CMYK 19 / 80 / 0 / 42

HEX #781E94

RGB 120 30 148

HSL 285.76, 0.66%, 0.35%

LAB 31.94, 54.58, -45.52

 

CMYK 15 / 67 / 0 / 48

HEX #712C85

RGB 113 44 133

HSL 286.52, 0.5%, 0.35%

LAB 31.82, 44.33, -36.51

 

CMYK 12 / 50 / 0 / 53

HEX #693B77

RGB 105 59 119

HSL 286, 0.34%, 0.35%

LAB 32.84, 31.06, -26.22

 

CMYK 7 / 30 / 0 / 59

HEX #614968

RGB 97 73 104

HSL 286.45, 0.18%, 0.35%

LAB 34.61, 16.39, -14.12

 

CMYK 1 / 2 / 0 / 65

HEX #59585A

RGB 89 88 90

HSL 270, 0.01%, 0.35%

LAB 37.56, 0.83, -1.02

 

CMYK 61 / 80 / 0 / 42

HEX #391E94

RGB 57 30 148

HSL 253.73, 0.66%, 0.35%

LAB 23.46, 44.34, -59.72

 

CMYK 40 / 80 / 0 / 42

HEX #591E94

RGB 89 30 148

HSL 270, 0.66%, 0.35%

LAB 27.27, 48.97, -53.32

 

CMYK 19 / 80 / 0 / 42

HEX #781E94

RGB 120 30 148

HSL 285.76, 0.66%, 0.35%

LAB 31.94, 54.58, -45.52

 

CMYK 0 / 80 / 3 / 42

HEX #941E90

RGB 148 30 144

HSL 302.03, 0.66%, 0.35%

LAB 36.44, 59.56, -35.6

 

CMYK 0 / 80 / 24 / 42

HEX #941E70

RGB 148 30 112

HSL 318.31, 0.66%, 0.35%

LAB 34.79, 54.84, -18.25

 

CMYK 18 / 80 / 0 / 69

HEX #41104F

RGB 65 16 79

HSL 286.67, 0.66%, 0.19%

LAB 15.79, 33.58, -27.51

 

CMYK 18 / 80 / 0 / 56

HEX #5D1771

RGB 93 23 113

HSL 286.67, 0.66%, 0.27%

LAB 24.1, 44.43, -36.42

 

CMYK 19 / 80 / 0 / 42

HEX #781E94

RGB 120 30 148

HSL 285.76, 0.66%, 0.35%

LAB 31.94, 54.58, -45.52

 

CMYK 19 / 80 / 0 / 29

HEX #9425B6

RGB 148 37 182

HSL 285.93, 0.66%, 0.43%

LAB 39.57, 64.24, -53.44

 

CMYK 18 / 77 / 0 / 17

HEX #AE30D4

RGB 174 48 212

HSL 286.1, 0.66%, 0.51%

LAB 46.8, 71.24, -59.04

 

CMYK 18 / 80 / 0 / 42

HEX #781E93

RGB 120 30 147

HSL 286.15, 0.66%, 0.35%

LAB 31.87, 54.38, -45.02

 

CMYK 0 / 80 / 77 / 42

HEX #941E22

RGB 148 30 34

HSL 357.97, 0.66%, 0.35%

LAB 32.57, 48.04, 28.88

 

CMYK 80 / 0 / 51 / 42

HEX #1E9449

RGB 30 148 73

HSL 141.86, 0.66%, 0.35%

LAB 53.96, -48.45, 30.72

 

CMYK 18 / 80 / 0 / 42

HEX #781E93

RGB 120 30 147

HSL 286.15, 0.66%, 0.35%

LAB 31.87, 54.38, -45.02

 

CMYK 0 / 19 / 80 / 42

HEX #94781E

RGB 148 120 30

HSL 45.76, 0.66%, 0.35%

LAB 51.64, 1.66, 49.88

 

CMYK 80 / 0 / 19 / 42

HEX #1E9478

RGB 30 148 120

HSL 165.76, 0.66%, 0.35%

LAB 54.88, -38.25, 5.91

 

CMYK 18 / 80 / 0 / 42

HEX #781E93

RGB 120 30 147

HSL 286.15, 0.66%, 0.35%

LAB 31.87, 54.38, -45.02

 

CMYK 0 / 80 / 77 / 42

HEX #941E22

RGB 148 30 34

HSL 357.97, 0.66%, 0.35%

LAB 32.57, 48.04, 28.88

 

CMYK 61 / 0 / 80 / 42

HEX #39941E

RGB 57 148 30

HSL 106.27, 0.66%, 0.35%

LAB 54.18, -48.15, 50.14

 

CMYK 80 / 0 / 3 / 42

HEX #1E9490

RGB 30 148 144

HSL 177.97, 0.66%, 0.35%

LAB 55.55, -31.43, -6.87

 

CMYK 18 / 80 / 0 / 42

HEX #781E93

RGB 120 30 147

HSL 286.15, 0.66%, 0.35%

LAB 31.87, 54.38, -45.02

 

CMYK 0 / 59 / 80 / 42

HEX #943D1E

RGB 148 61 30

HSL 15.76, 0.66%, 0.35%

LAB 37.35, 34.84, 36.2

 

CMYK 61 / 0 / 80 / 42

HEX #39941E

RGB 57 148 30

HSL 106.27, 0.66%, 0.35%

LAB 54.18, -48.15, 50.14

 

CMYK 80 / 22 / 0 / 42

HEX #1E7494

RGB 30 116 148

HSL 196.27, 0.66%, 0.35%

LAB 45.5, -13.39, -24.47

 

Description

Color code: HEX #781E93 | qconv.com Color code: HEX #781E93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 30 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 30 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 80 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 80% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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