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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7820A0 it is the complementary color #87DF5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7820A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7820A0 shade: #7D209B, #8E32AE, #9F44C1, #B056D4 and #C168E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7820A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7820A0 shade: #7820A0, #670E8D, #56007A, #450067 and #340054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7820A0 shade: #791FA1, #9C1FA1, #A11F84, #A11F61 and #A11F3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7820A0 shade: #791FA1, #561FA1, #331FA1 and #1F1FA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7820A0 shade matches the following richer shades: #791FA1, #7F10B1 and #8500C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7820A0 shade: #791FA1, #732F92, #6D3F82, #674F72 and #615E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7820A0 shade: #331FA1, #561FA1, #781FA1, #9B1FA1 and #A11F85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7820A0 shade: #45125C, #5F197F, #791FA1, #9326C4 and #A73BD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7820A0 shade: #7820A0, #A11F2F and #1FA144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7820A0 shade: #7820A0, #A1781F and #1FA178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7820A0 shade: #7820A0, #A11F2F, #49A11F and #1FA192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7820A0 shade: #7820A0, #A1371F, #49A11F and #1F8AA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 80 / 0 / 37

HEX #7820A0

RGB 120 32 160

HSL 281.25, 0.67%, 0.38%

LAB 33.06, 56.37, -51.03

 

Complementary color

CMYK 39 / 0 / 57 / 13

HEX #87DF5F

RGB 135 223 95

HSL 101.25, 0.67%, 0.62%

LAB 81.16, -49, 53.55

 

CMYK 19 / 79 / 0 / 39

HEX #7D209B

RGB 125 32 155

HSL 285.37, 0.66%, 0.37%

LAB 33.48, 56.28, -47.28

 

CMYK 18 / 71 / 0 / 32

HEX #8E32AE

RGB 142 50 174

HSL 284.52, 0.55%, 0.44%

LAB 39.73, 56.87, -48.5

 

CMYK 18 / 65 / 0 / 24

HEX #9F44C1

RGB 159 68 193

HSL 283.68, 0.5%, 0.51%

LAB 46.12, 56.79, -49.28

 

CMYK 17 / 59 / 0 / 17

HEX #B056D4

RGB 176 86 212

HSL 282.86, 0.59%, 0.58%

LAB 52.55, 56.35, -49.8

 

CMYK 16 / 55 / 0 / 9

HEX #C168E7

RGB 193 104 231

HSL 282.05, 0.73%, 0.66%

LAB 58.98, 55.72, -50.16

 

CMYK 25 / 80 / 0 / 37

HEX #7820A0

RGB 120 32 160

HSL 281.25, 0.67%, 0.38%

LAB 33.06, 56.37, -51.03

 

CMYK 27 / 90 / 0 / 45

HEX #670E8D

RGB 103 14 141

HSL 282.05, 0.82%, 0.3%

LAB 27.08, 54.68, -49.22

 

CMYK 30 / 100 / 0 / 52

HEX #56007A

RGB 86 0 122

HSL 282.3, 1%, 0.24%

LAB 21.52, 51.31, -46.44

 

CMYK 33 / 100 / 0 / 60

HEX #450067

RGB 69 0 103

HSL 280.19, 1%, 0.2%

LAB 16.72, 45.08, -42.08

 

CMYK 38 / 100 / 0 / 67

HEX #340054

RGB 52 0 84

HSL 277.14, 1%, 0.16%

LAB 11.76, 38.66, -37.6

 

CMYK 25 / 81 / 0 / 37

HEX #791FA1

RGB 121 31 161

HSL 281.54, 0.68%, 0.38%

LAB 33.17, 57.09, -51.44

 

CMYK 3 / 81 / 0 / 37

HEX #9C1FA1

RGB 156 31 161

HSL 297.69, 0.68%, 0.38%

LAB 38.93, 63.71, -41.87

 

CMYK 0 / 81 / 18 / 37

HEX #A11F84

RGB 161 31 132

HSL 313.38, 0.68%, 0.38%

LAB 38.24, 60.36, -25.22

 

CMYK 0 / 81 / 40 / 37

HEX #A11F61

RGB 161 31 97

HSL 329.54, 0.68%, 0.38%

LAB 36.78, 56.11, -5.45

 

CMYK 0 / 81 / 61 / 37

HEX #A11F3E

RGB 161 31 62

HSL 345.69, 0.68%, 0.38%

LAB 35.8, 53.13, 15.69

 

CMYK 25 / 81 / 0 / 37

HEX #791FA1

RGB 121 31 161

HSL 281.54, 0.68%, 0.38%

LAB 33.17, 57.09, -51.44

 

CMYK 47 / 81 / 0 / 37

HEX #561FA1

RGB 86 31 161

HSL 265.38, 0.68%, 0.38%

LAB 28.2, 51.37, -59.77

 

CMYK 68 / 81 / 0 / 37

HEX #331FA1

RGB 51 31 161

HSL 249.23, 0.68%, 0.38%

LAB 24.5, 47.14, -65.99

 

CMYK 81 / 81 / 0 / 37

HEX #1F1FA1

RGB 31 31 161

HSL 240, 0.68%, 0.38%

LAB 23.15, 45.59, -68.27

 

CMYK 25 / 81 / 0 / 37

HEX #791FA1

RGB 121 31 161

HSL 281.54, 0.68%, 0.38%

LAB 33.17, 57.09, -51.44

 

CMYK 28 / 91 / 0 / 31

HEX #7F10B1

RGB 127 16 177

HSL 281.37, 0.83%, 0.38%

LAB 34.1, 65.06, -59.51

 

CMYK 31 / 100 / 0 / 24

HEX #8500C1

RGB 133 0 193

HSL 281.35, 1%, 0.38%

LAB 35.67, 71.17, -66.38

 

CMYK 25 / 81 / 0 / 37

HEX #791FA1

RGB 121 31 161

HSL 281.54, 0.68%, 0.38%

LAB 33.17, 57.09, -51.44

 

CMYK 21 / 68 / 0 / 43

HEX #732F92

RGB 115 47 146

HSL 281.21, 0.51%, 0.38%

LAB 33.46, 46.21, -41.89

 

CMYK 16 / 52 / 0 / 49

HEX #6D3F82

RGB 109 63 130

HSL 281.19, 0.35%, 0.38%

LAB 34.84, 32.49, -29.89

 

CMYK 10 / 31 / 0 / 55

HEX #674F72

RGB 103 79 114

HSL 281.14, 0.18%, 0.38%

LAB 37.28, 17.11, -16.23

 

CMYK 2 / 5 / 0 / 61

HEX #615E63

RGB 97 94 99

HSL 276, 0.03%, 0.38%

LAB 40.32, 2.24, -2.43

 

CMYK 68 / 81 / 0 / 37

HEX #331FA1

RGB 51 31 161

HSL 249.23, 0.68%, 0.38%

LAB 24.5, 47.14, -65.99

 

CMYK 47 / 81 / 0 / 37

HEX #561FA1

RGB 86 31 161

HSL 265.38, 0.68%, 0.38%

LAB 28.2, 51.37, -59.77

 

CMYK 25 / 81 / 0 / 37

HEX #781FA1

RGB 120 31 161

HSL 281.08, 0.68%, 0.38%

LAB 33.02, 56.91, -51.7

 

CMYK 4 / 81 / 0 / 37

HEX #9B1FA1

RGB 155 31 161

HSL 297.23, 0.68%, 0.38%

LAB 38.76, 63.52, -42.16

 

CMYK 0 / 81 / 17 / 37

HEX #A11F85

RGB 161 31 133

HSL 312.92, 0.68%, 0.38%

LAB 38.29, 60.5, -25.76

 

CMYK 25 / 80 / 0 / 64

HEX #45125C

RGB 69 18 92

HSL 281.35, 0.67%, 0.22%

LAB 17.78, 36.62, -33.05

 

CMYK 25 / 80 / 0 / 50

HEX #5F197F

RGB 95 25 127

HSL 281.18, 0.67%, 0.3%

LAB 25.74, 47.1, -42.67

 

CMYK 25 / 81 / 0 / 37

HEX #791FA1

RGB 121 31 161

HSL 281.54, 0.68%, 0.38%

LAB 33.17, 57.09, -51.44

 

CMYK 25 / 81 / 0 / 23

HEX #9326C4

RGB 147 38 196

HSL 281.39, 0.68%, 0.46%

LAB 40.53, 66.5, -60.12

 

CMYK 23 / 73 / 0 / 15

HEX #A73BD8

RGB 167 59 216

HSL 281.27, 0.67%, 0.54%

LAB 47.37, 66.9, -60.46

 

CMYK 25 / 80 / 0 / 37

HEX #7820A0

RGB 120 32 160

HSL 281.25, 0.67%, 0.38%

LAB 33.06, 56.37, -51.03

 

CMYK 0 / 81 / 71 / 37

HEX #A11F2F

RGB 161 31 47

HSL 352.62, 0.68%, 0.38%

LAB 35.52, 52.27, 24.92

 

CMYK 81 / 0 / 58 / 37

HEX #1FA144

RGB 31 161 68

HSL 137.08, 0.68%, 0.38%

LAB 58.22, -53.67, 38.44

 

CMYK 25 / 80 / 0 / 37

HEX #7820A0

RGB 120 32 160

HSL 281.25, 0.67%, 0.38%

LAB 33.06, 56.37, -51.03

 

CMYK 0 / 25 / 81 / 37

HEX #A1781F

RGB 161 120 31

HSL 41.08, 0.68%, 0.38%

LAB 53.07, 7.7, 51.35

 

CMYK 81 / 0 / 25 / 37

HEX #1FA178

RGB 31 161 120

HSL 161.08, 0.68%, 0.38%

LAB 59.1, -43.66, 11.9

 

CMYK 25 / 80 / 0 / 37

HEX #7820A0

RGB 120 32 160

HSL 281.25, 0.67%, 0.38%

LAB 33.06, 56.37, -51.03

 

CMYK 0 / 81 / 71 / 37

HEX #A11F2F

RGB 161 31 47

HSL 352.62, 0.68%, 0.38%

LAB 35.52, 52.27, 24.92

 

CMYK 55 / 0 / 81 / 37

HEX #49A11F

RGB 73 161 31

HSL 100.62, 0.68%, 0.38%

LAB 58.98, -48.61, 54.55

 

CMYK 81 / 0 / 9 / 37

HEX #1FA192

RGB 31 161 146

HSL 173.08, 0.68%, 0.38%

LAB 59.76, -36.79, -1.79

 

CMYK 25 / 80 / 0 / 37

HEX #7820A0

RGB 120 32 160

HSL 281.25, 0.67%, 0.38%

LAB 33.06, 56.37, -51.03

 

CMYK 0 / 66 / 81 / 37

HEX #A1371F

RGB 161 55 31

HSL 11.08, 0.68%, 0.38%

LAB 38.57, 42.66, 37.65

 

CMYK 55 / 0 / 81 / 37

HEX #49A11F

RGB 73 161 31

HSL 100.62, 0.68%, 0.38%

LAB 58.98, -48.61, 54.55

 

CMYK 81 / 14 / 0 / 37

HEX #1F8AA1

RGB 31 138 161

HSL 190.62, 0.68%, 0.38%

LAB 52.99, -20.82, -20.52

 

Description

Color code: HEX #7820A0 | qconv.com Color code: HEX #7820A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 32 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 32 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 80 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 80% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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