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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #782392 it is the complementary color #87DC6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #782392. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #782392 shade: #7D238D, #8E35A0, #9F47B3, #B059C6 and #C16BD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #782392. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #782392 shade: #782392, #67117F, #56006C, #450059 and #340046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #782392 shade: #76228F, #8F228B, #8F226E, #8F2251 and #8F2233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #782392 shade: #76228F, #58228F, #3B228F and #22228F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #782392 shade matches the following richer shades: #76228F, #7D149E and #8505AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #782392 shade: #76228F, #6E3181, #663F72, #5F4E64 and #575C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #782392 shade: #3A228F, #57228F, #74228F, #8F228D and #8F2270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #782392 shade: #3F124D, #5A1A6E, #76228F, #912AB0 and #AA36CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #782392 shade: #782392, #8F2228 and #228F48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #782392 shade: #782392, #8F7422 and #228F74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #782392 shade: #782392, #8F2228, #3E8F22 and #228F8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #782392 shade: #782392, #8F3E22, #3E8F22 and #22748F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 76 / 0 / 43

HEX #782392

RGB 120 35 146

HSL 285.95, 0.61%, 0.35%

LAB 32.41, 52.42, -43.53

 

Complementary color

CMYK 39 / 0 / 50 / 14

HEX #87DC6D

RGB 135 220 109

HSL 105.95, 0.61%, 0.65%

LAB 80.43, -46.18, 46.23

 

CMYK 11 / 75 / 0 / 45

HEX #7D238D

RGB 125 35 141

HSL 290.94, 0.6%, 0.35%

LAB 32.89, 52.5, -39.65

 

CMYK 11 / 67 / 0 / 37

HEX #8E35A0

RGB 142 53 160

HSL 289.91, 0.5%, 0.42%

LAB 39.3, 52.82, -40.82

 

CMYK 11 / 60 / 0 / 30

HEX #9F47B3

RGB 159 71 179

HSL 288.89, 0.43%, 0.49%

LAB 45.81, 52.58, -41.59

 

CMYK 11 / 55 / 0 / 22

HEX #B059C6

RGB 176 89 198

HSL 287.89, 0.49%, 0.56%

LAB 52.34, 52.05, -42.12

 

CMYK 11 / 51 / 0 / 15

HEX #C16BD9

RGB 193 107 217

HSL 286.91, 0.59%, 0.64%

LAB 58.85, 51.37, -42.52

 

CMYK 18 / 76 / 0 / 43

HEX #782392

RGB 120 35 146

HSL 285.95, 0.61%, 0.35%

LAB 32.41, 52.42, -43.53

 

CMYK 19 / 87 / 0 / 50

HEX #67117F

RGB 103 17 127

HSL 286.91, 0.76%, 0.28%

LAB 26.21, 51.13, -41.86

 

CMYK 20 / 100 / 0 / 58

HEX #56006C

RGB 86 0 108

HSL 287.78, 1%, 0.21%

LAB 20.29, 48.53, -39.41

 

CMYK 22 / 100 / 0 / 65

HEX #450059

RGB 69 0 89

HSL 286.52, 1%, 0.17%

LAB 15.42, 42.16, -34.88

 

CMYK 26 / 100 / 0 / 73

HEX #340046

RGB 52 0 70

HSL 284.57, 1%, 0.14%

LAB 10.35, 35.54, -30.2

 

CMYK 17 / 76 / 0 / 44

HEX #76228F

RGB 118 34 143

HSL 286.24, 0.62%, 0.35%

LAB 31.76, 51.77, -42.76

 

CMYK 0 / 76 / 3 / 44

HEX #8F228B

RGB 143 34 139

HSL 302.2, 0.62%, 0.35%

LAB 35.69, 56.46, -33.77

 

CMYK 0 / 76 / 23 / 44

HEX #8F226E

RGB 143 34 110

HSL 318.17, 0.62%, 0.35%

LAB 34.21, 52.05, -17.95

 

CMYK 0 / 76 / 43 / 44

HEX #8F2251

RGB 143 34 81

HSL 334.13, 0.62%, 0.35%

LAB 33.09, 48.55, -0.98

 

CMYK 0 / 76 / 64 / 44

HEX #8F2233

RGB 143 34 51

HSL 350.64, 0.62%, 0.35%

LAB 32.31, 46.02, 17.55

 

CMYK 17 / 76 / 0 / 44

HEX #76228F

RGB 118 34 143

HSL 286.24, 0.62%, 0.35%

LAB 31.76, 51.77, -42.76

 

CMYK 38 / 76 / 0 / 44

HEX #58228F

RGB 88 34 143

HSL 269.72, 0.62%, 0.35%

LAB 27.3, 45.84, -50.19

 

CMYK 59 / 76 / 0 / 44

HEX #3B228F

RGB 59 34 143

HSL 253.76, 0.62%, 0.35%

LAB 23.86, 41.05, -55.96

 

CMYK 76 / 76 / 0 / 44

HEX #22228F

RGB 34 34 143

HSL 240, 0.62%, 0.35%

LAB 21.83, 38.12, -59.38

 

CMYK 17 / 76 / 0 / 44

HEX #76228F

RGB 118 34 143

HSL 286.24, 0.62%, 0.35%

LAB 31.76, 51.77, -42.76

 

CMYK 21 / 87 / 0 / 38

HEX #7D149E

RGB 125 20 158

HSL 285.65, 0.78%, 0.35%

LAB 32.54, 60.23, -50.62

 

CMYK 23 / 97 / 0 / 33

HEX #8505AC

RGB 133 5 172

HSL 285.99, 0.94%, 0.35%

LAB 34.14, 66.57, -56.42

 

CMYK 17 / 76 / 0 / 44

HEX #76228F

RGB 118 34 143

HSL 286.24, 0.62%, 0.35%

LAB 31.76, 51.77, -42.76

 

CMYK 15 / 62 / 0 / 49

HEX #6E3181

RGB 110 49 129

HSL 285.75, 0.45%, 0.35%

LAB 32.03, 40.23, -33.72

 

CMYK 11 / 45 / 0 / 55

HEX #663F72

RGB 102 63 114

HSL 285.88, 0.29%, 0.35%

LAB 33.12, 26.59, -22.66

 

CMYK 5 / 22 / 0 / 61

HEX #5F4E64

RGB 95 78 100

HSL 286.36, 0.12%, 0.35%

LAB 35.6, 11.6, -10.12

 

CMYK 5 / 0 / 8 / 64

HEX #575C55

RGB 87 92 85

HSL 102.86, 0.04%, 0.35%

LAB 38.44, -3.45, 3.34

 

CMYK 59 / 76 / 0 / 44

HEX #3A228F

RGB 58 34 143

HSL 253.21, 0.62%, 0.35%

LAB 23.76, 40.91, -56.13

 

CMYK 39 / 76 / 0 / 44

HEX #57228F

RGB 87 34 143

HSL 269.17, 0.62%, 0.35%

LAB 27.17, 45.65, -50.42

 

CMYK 19 / 76 / 0 / 44

HEX #74228F

RGB 116 34 143

HSL 285.14, 0.62%, 0.35%

LAB 31.44, 51.35, -43.29

 

CMYK 0 / 76 / 1 / 44

HEX #8F228D

RGB 143 34 141

HSL 301.1, 0.62%, 0.35%

LAB 35.8, 56.79, -34.82

 

CMYK 0 / 76 / 22 / 44

HEX #8F2270

RGB 143 34 112

HSL 317.06, 0.62%, 0.35%

LAB 34.3, 52.33, -19.08

 

CMYK 18 / 77 / 0 / 70

HEX #3F124D

RGB 63 18 77

HSL 285.76, 0.62%, 0.19%

LAB 15.62, 31.72, -26.44

 

CMYK 18 / 76 / 0 / 57

HEX #5A1A6E

RGB 90 26 110

HSL 285.71, 0.62%, 0.27%

LAB 23.8, 41.96, -35

 

CMYK 17 / 76 / 0 / 44

HEX #76228F

RGB 118 34 143

HSL 286.24, 0.62%, 0.35%

LAB 31.76, 51.77, -42.76

 

CMYK 18 / 76 / 0 / 31

HEX #912AB0

RGB 145 42 176

HSL 286.12, 0.61%, 0.43%

LAB 39.26, 60.89, -50.42

 

CMYK 17 / 74 / 0 / 19

HEX #AA36CE

RGB 170 54 206

HSL 285.79, 0.61%, 0.51%

LAB 46.5, 67.36, -56.1

 

CMYK 18 / 76 / 0 / 43

HEX #782392

RGB 120 35 146

HSL 285.95, 0.61%, 0.35%

LAB 32.41, 52.42, -43.53

 

CMYK 0 / 76 / 72 / 44

HEX #8F2228

RGB 143 34 40

HSL 356.7, 0.62%, 0.35%

LAB 32.12, 45.39, 24.37

 

CMYK 76 / 0 / 50 / 44

HEX #228F48

RGB 34 143 72

HSL 140.92, 0.62%, 0.35%

LAB 52.35, -46.21, 29.24

 

CMYK 18 / 76 / 0 / 43

HEX #782392

RGB 120 35 146

HSL 285.95, 0.61%, 0.35%

LAB 32.41, 52.42, -43.53

 

CMYK 0 / 19 / 76 / 44

HEX #8F7422

RGB 143 116 34

HSL 45.14, 0.62%, 0.35%

LAB 50.03, 1.77, 46.64

 

CMYK 76 / 0 / 19 / 44

HEX #228F74

RGB 34 143 116

HSL 165.14, 0.62%, 0.35%

LAB 53.22, -36.61, 5.83

 

CMYK 18 / 76 / 0 / 43

HEX #782392

RGB 120 35 146

HSL 285.95, 0.61%, 0.35%

LAB 32.41, 52.42, -43.53

 

CMYK 0 / 76 / 72 / 44

HEX #8F2228

RGB 143 34 40

HSL 356.7, 0.62%, 0.35%

LAB 32.12, 45.39, 24.37

 

CMYK 57 / 0 / 76 / 44

HEX #3E8F22

RGB 62 143 34

HSL 104.59, 0.62%, 0.35%

LAB 52.71, -44.66, 47.39

 

CMYK 76 / 0 / 3 / 44

HEX #228F8A

RGB 34 143 138

HSL 177.25, 0.62%, 0.35%

LAB 53.84, -30.4, -5.96

 

CMYK 18 / 76 / 0 / 43

HEX #782392

RGB 120 35 146

HSL 285.95, 0.61%, 0.35%

LAB 32.41, 52.42, -43.53

 

CMYK 0 / 57 / 76 / 44

HEX #8F3E22

RGB 143 62 34

HSL 15.41, 0.62%, 0.35%

LAB 36.74, 32.49, 33.16

 

CMYK 57 / 0 / 76 / 44

HEX #3E8F22

RGB 62 143 34

HSL 104.59, 0.62%, 0.35%

LAB 52.71, -44.66, 47.39

 

CMYK 76 / 19 / 0 / 44

HEX #22748F

RGB 34 116 143

HSL 194.86, 0.62%, 0.35%

LAB 45.38, -14.69, -21.69

 

Description

Color code: HEX #782392 | qconv.com Color code: HEX #782392 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 35 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 35 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 76 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 76% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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