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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #782CA4 it is the complementary color #87D35B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #782CA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #782CA4 shade: #7D2C9F, #8E3EB2, #9F50C5, #B062D8 and #C174EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #782CA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #782CA4 shade: #782CA4, #671A91, #56087E, #45006B and #340058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #782CA4 shade: #782BA5, #992BA5, #A52B90, #A52B6F and #A52B4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #782CA4 shade: #782BA5, #582BA5, #372BA5 and #2B2BA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #782CA4 shade matches the following richer shades: #782BA5, #7D1AB6 and #810AC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #782CA4 shade: #782BA5, #743C94, #6F4D83, #6B5E72 and #666F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #782CA4 shade: #382BA5, #582BA5, #782BA5, #992BA5 and #A52B90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #782CA4 shade: #491A63, #602384, #782BA5, #9034C5 and #A252D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #782CA4 shade: #782CA4, #A52B40 and #2BA548

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #782CA4 shade: #782CA4, #A5782B and #2BA578

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #782CA4 shade: #782CA4, #A52B40, #58A52B and #2BA590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #782CA4 shade: #782CA4, #A53C2B, #58A52B and #2B95A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 73 / 0 / 36

HEX #782CA4

RGB 120 44 164

HSL 278, 0.58%, 0.41%

LAB 34.95, 52.65, -50.38

 

Complementary color

CMYK 36 / 0 / 57 / 17

HEX #87D35B

RGB 135 211 91

HSL 98, 0.58%, 0.59%

LAB 77.58, -44.37, 51.21

 

CMYK 21 / 72 / 0 / 38

HEX #7D2C9F

RGB 125 44 159

HSL 282.26, 0.57%, 0.4%

LAB 35.33, 52.6, -46.72

 

CMYK 20 / 65 / 0 / 30

HEX #8E3EB2

RGB 142 62 178

HSL 281.38, 0.48%, 0.47%

LAB 41.86, 52.46, -47.44

 

CMYK 19 / 59 / 0 / 23

HEX #9F50C5

RGB 159 80 197

HSL 280.51, 0.5%, 0.54%

LAB 48.44, 51.94, -47.89

 

CMYK 19 / 55 / 0 / 15

HEX #B062D8

RGB 176 98 216

HSL 279.66, 0.6%, 0.62%

LAB 54.99, 51.24, -48.19

 

CMYK 18 / 51 / 0 / 8

HEX #C174EB

RGB 193 116 235

HSL 278.82, 0.75%, 0.69%

LAB 61.5, 50.46, -48.39

 

CMYK 27 / 73 / 0 / 36

HEX #782CA4

RGB 120 44 164

HSL 278, 0.58%, 0.41%

LAB 34.95, 52.65, -50.38

 

CMYK 29 / 82 / 0 / 43

HEX #671A91

RGB 103 26 145

HSL 278.82, 0.7%, 0.34%

LAB 28.56, 52.16, -49.29

 

CMYK 32 / 94 / 0 / 51

HEX #56087E

RGB 86 8 126

HSL 279.66, 0.88%, 0.26%

LAB 22.51, 50.27, -47.37

 

CMYK 36 / 100 / 0 / 58

HEX #45006B

RGB 69 0 107

HSL 278.69, 1%, 0.21%

LAB 17.12, 45.95, -44.06

 

CMYK 41 / 100 / 0 / 65

HEX #340058

RGB 52 0 88

HSL 275.45, 1%, 0.17%

LAB 12.19, 39.58, -39.61

 

CMYK 27 / 74 / 0 / 35

HEX #782BA5

RGB 120 43 165

HSL 277.87, 0.59%, 0.41%

LAB 34.88, 53.29, -51.1

 

CMYK 7 / 74 / 0 / 35

HEX #992BA5

RGB 153 43 165

HSL 294.1, 0.59%, 0.41%

LAB 39.94, 60.14, -42.69

 

CMYK 0 / 74 / 13 / 35

HEX #A52B90

RGB 165 43 144

HSL 310.33, 0.59%, 0.41%

LAB 40.8, 59.42, -28.52

 

CMYK 0 / 74 / 33 / 35

HEX #A52B6F

RGB 165 43 111

HSL 326.56, 0.59%, 0.41%

LAB 39.37, 54.97, -10.35

 

CMYK 0 / 74 / 53 / 35

HEX #A52B4E

RGB 165 43 78

HSL 342.79, 0.59%, 0.41%

LAB 38.34, 51.63, 9.03

 

CMYK 27 / 74 / 0 / 35

HEX #782BA5

RGB 120 43 165

HSL 277.87, 0.59%, 0.41%

LAB 34.88, 53.29, -51.1

 

CMYK 47 / 74 / 0 / 35

HEX #582BA5

RGB 88 43 165

HSL 262.13, 0.59%, 0.41%

LAB 30.69, 47.35, -58.11

 

CMYK 67 / 74 / 0 / 35

HEX #372BA5

RGB 55 43 165

HSL 245.9, 0.59%, 0.41%

LAB 27.45, 42.53, -63.54

 

CMYK 74 / 74 / 0 / 35

HEX #2B2BA5

RGB 43 43 165

HSL 240, 0.59%, 0.41%

LAB 26.61, 41.23, -64.95

 

CMYK 27 / 74 / 0 / 35

HEX #782BA5

RGB 120 43 165

HSL 277.87, 0.59%, 0.41%

LAB 34.88, 53.29, -51.1

 

CMYK 31 / 86 / 0 / 29

HEX #7D1AB6

RGB 125 26 182

HSL 278.08, 0.75%, 0.41%

LAB 34.96, 63.56, -61.1

 

CMYK 35 / 95 / 0 / 22

HEX #810AC7

RGB 129 10 199

HSL 277.78, 0.9%, 0.41%

LAB 36, 70.61, -69.38

 

CMYK 27 / 74 / 0 / 35

HEX #782BA5

RGB 120 43 165

HSL 277.87, 0.59%, 0.41%

LAB 34.88, 53.29, -51.1

 

CMYK 22 / 59 / 0 / 42

HEX #743C94

RGB 116 60 148

HSL 278.18, 0.42%, 0.41%

LAB 36.14, 40.33, -38.81

 

CMYK 15 / 41 / 0 / 49

HEX #6F4D83

RGB 111 77 131

HSL 277.78, 0.26%, 0.41%

LAB 38.42, 25.05, -24.87

 

CMYK 6 / 18 / 0 / 55

HEX #6B5E72

RGB 107 94 114

HSL 279, 0.1%, 0.41%

LAB 41.76, 9.33, -9.38

 

CMYK 8 / 0 / 13 / 56

HEX #666F61

RGB 102 111 97

HSL 98.57, 0.07%, 0.41%

LAB 45.71, -6.28, 6.64

 

CMYK 66 / 74 / 0 / 35

HEX #382BA5

RGB 56 43 165

HSL 246.39, 0.59%, 0.41%

LAB 27.53, 42.65, -63.4

 

CMYK 47 / 74 / 0 / 35

HEX #582BA5

RGB 88 43 165

HSL 262.13, 0.59%, 0.41%

LAB 30.69, 47.35, -58.11

 

CMYK 27 / 74 / 0 / 35

HEX #782BA5

RGB 120 43 165

HSL 277.87, 0.59%, 0.41%

LAB 34.88, 53.29, -51.1

 

CMYK 7 / 74 / 0 / 35

HEX #992BA5

RGB 153 43 165

HSL 294.1, 0.59%, 0.41%

LAB 39.94, 60.14, -42.69

 

CMYK 0 / 74 / 13 / 35

HEX #A52B90

RGB 165 43 144

HSL 310.33, 0.59%, 0.41%

LAB 40.8, 59.42, -28.52

 

CMYK 26 / 74 / 0 / 61

HEX #491A63

RGB 73 26 99

HSL 278.63, 0.58%, 0.25%

LAB 20.27, 35.52, -33.66

 

CMYK 27 / 73 / 0 / 48

HEX #602384

RGB 96 35 132

HSL 277.73, 0.58%, 0.33%

LAB 27.72, 44.31, -42.61

 

CMYK 27 / 74 / 0 / 35

HEX #782BA5

RGB 120 43 165

HSL 277.87, 0.59%, 0.41%

LAB 34.88, 53.29, -51.1

 

CMYK 27 / 74 / 0 / 23

HEX #9034C5

RGB 144 52 197

HSL 278.07, 0.58%, 0.49%

LAB 41.87, 61.26, -58.55

 

CMYK 22 / 61 / 0 / 18

HEX #A252D1

RGB 162 82 209

HSL 277.8, 0.58%, 0.57%

LAB 49.88, 54.28, -52.45

 

CMYK 27 / 73 / 0 / 36

HEX #782CA4

RGB 120 44 164

HSL 278, 0.58%, 0.41%

LAB 34.95, 52.65, -50.38

 

CMYK 0 / 74 / 61 / 35

HEX #A52B40

RGB 165 43 64

HSL 349.67, 0.59%, 0.41%

LAB 38.02, 50.57, 17.5

 

CMYK 74 / 0 / 56 / 35

HEX #2BA548

RGB 43 165 72

HSL 134.26, 0.59%, 0.41%

LAB 59.79, -52.8, 38.41

 

CMYK 27 / 73 / 0 / 36

HEX #782CA4

RGB 120 44 164

HSL 278, 0.58%, 0.41%

LAB 34.95, 52.65, -50.38

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 74 / 0 / 27 / 35

HEX #2BA578

RGB 43 165 120

HSL 157.87, 0.59%, 0.41%

LAB 60.59, -43.83, 14.01

 

CMYK 27 / 73 / 0 / 36

HEX #782CA4

RGB 120 44 164

HSL 278, 0.58%, 0.41%

LAB 34.95, 52.65, -50.38

 

CMYK 0 / 74 / 61 / 35

HEX #A52B40

RGB 165 43 64

HSL 349.67, 0.59%, 0.41%

LAB 38.02, 50.57, 17.5

 

CMYK 47 / 0 / 74 / 35

HEX #58A52B

RGB 88 165 43

HSL 97.87, 0.59%, 0.41%

LAB 60.92, -44.88, 52.62

 

CMYK 74 / 0 / 13 / 35

HEX #2BA590

RGB 43 165 144

HSL 169.67, 0.59%, 0.41%

LAB 61.17, -37.79, 1.41

 

CMYK 27 / 73 / 0 / 36

HEX #782CA4

RGB 120 44 164

HSL 278, 0.58%, 0.41%

LAB 34.95, 52.65, -50.38

 

CMYK 0 / 64 / 74 / 35

HEX #A53C2B

RGB 165 60 43

HSL 8.36, 0.59%, 0.41%

LAB 40.26, 42.34, 33.03

 

CMYK 47 / 0 / 74 / 35

HEX #58A52B

RGB 88 165 43

HSL 97.87, 0.59%, 0.41%

LAB 60.92, -44.88, 52.62

 

CMYK 74 / 10 / 0 / 35

HEX #2B95A5

RGB 43 149 165

HSL 187.87, 0.59%, 0.41%

LAB 56.81, -23.87, -16.98

 

Description

Color code: HEX #782CA4 | qconv.com Color code: HEX #782CA4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 44 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 44 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 73 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 73% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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