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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78319F it is the complementary color #87CE60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78319F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78319F shade: #7D319A, #8E43AD, #9F55C0, #B067D3 and #C179E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78319F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78319F shade: #78319F, #671F8C, #560D79, #450066 and #340053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78319F shade: #78319F, #96319F, #9F318B, #9F316D and #9F314F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78319F shade: #78319F, #5A319F, #3C319F and #31319F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78319F shade matches the following richer shades: #78319F, #7D20B0 and #820FC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78319F shade: #78319F, #73428F, #6E527E, #69636D and #64745C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78319F shade: #3C319F, #59319F, #77319F, #94319F and #9F318D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78319F shade: #491D60, #602780, #78319F, #903ABF and #A257CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78319F shade: #78319F, #9F3143 and #319F4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78319F shade: #78319F, #9F7731 and #319F77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78319F shade: #78319F, #9F3143, #599F31 and #319F8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78319F shade: #78319F, #9F3F31, #599F31 and #31919F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

Complementary color

CMYK 34 / 0 / 53 / 19

HEX #87CE60

RGB 135 206 96

HSL 98.73, 0.53%, 0.59%

LAB 76.15, -41.67, 47.24

 

CMYK 19 / 68 / 0 / 40

HEX #7D319A

RGB 125 49 154

HSL 283.43, 0.52%, 0.4%

LAB 35.77, 49.36, -42.98

 

CMYK 18 / 61 / 0 / 32

HEX #8E43AD

RGB 142 67 173

HSL 282.45, 0.44%, 0.47%

LAB 42.43, 48.98, -43.57

 

CMYK 17 / 56 / 0 / 25

HEX #9F55C0

RGB 159 85 192

HSL 281.5, 0.46%, 0.54%

LAB 49.1, 48.34, -43.95

 

CMYK 17 / 51 / 0 / 17

HEX #B067D3

RGB 176 103 211

HSL 280.56, 0.55%, 0.62%

LAB 55.72, 47.58, -44.2

 

CMYK 16 / 47 / 0 / 10

HEX #C179E6

RGB 193 121 230

HSL 279.63, 0.69%, 0.69%

LAB 62.28, 46.78, -44.39

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 26 / 78 / 0 / 45

HEX #671F8C

RGB 103 31 140

HSL 279.63, 0.64%, 0.34%

LAB 28.79, 49.24, -45.81

 

CMYK 29 / 89 / 0 / 53

HEX #560D79

RGB 86 13 121

HSL 280.56, 0.81%, 0.26%

LAB 22.47, 48.01, -44.25

 

CMYK 32 / 100 / 0 / 60

HEX #450066

RGB 69 0 102

HSL 280.59, 1%, 0.2%

LAB 16.62, 44.87, -41.58

 

CMYK 37 / 100 / 0 / 67

HEX #340053

RGB 52 0 83

HSL 277.59, 1%, 0.16%

LAB 11.65, 38.43, -37.08

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 6 / 69 / 0 / 38

HEX #96319F

RGB 150 49 159

HSL 295.09, 0.53%, 0.41%

LAB 39.89, 56.17, -39.21

 

CMYK 0 / 69 / 13 / 38

HEX #9F318B

RGB 159 49 139

HSL 310.91, 0.53%, 0.41%

LAB 40.3, 55.01, -26.34

 

CMYK 0 / 69 / 31 / 38

HEX #9F316D

RGB 159 49 109

HSL 327.27, 0.53%, 0.41%

LAB 39.02, 50.8, -9.72

 

CMYK 0 / 69 / 50 / 38

HEX #9F314F

RGB 159 49 79

HSL 343.64, 0.53%, 0.41%

LAB 38.08, 47.55, 7.87

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 43 / 69 / 0 / 38

HEX #5A319F

RGB 90 49 159

HSL 262.36, 0.53%, 0.41%

LAB 31.52, 43, -53.12

 

CMYK 62 / 69 / 0 / 38

HEX #3C319F

RGB 60 49 159

HSL 246, 0.53%, 0.41%

LAB 28.54, 37.76, -58.1

 

CMYK 69 / 69 / 0 / 38

HEX #31319F

RGB 49 49 159

HSL 240, 0.53%, 0.41%

LAB 27.72, 36.23, -59.48

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 29 / 82 / 0 / 31

HEX #7D20B0

RGB 125 32 176

HSL 278.75, 0.69%, 0.41%

LAB 35.06, 60.58, -57.36

 

CMYK 33 / 92 / 0 / 24

HEX #820FC1

RGB 130 15 193

HSL 278.76, 0.86%, 0.41%

LAB 35.86, 68.81, -66.08

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 20 / 54 / 0 / 44

HEX #73428F

RGB 115 66 143

HSL 278.18, 0.37%, 0.41%

LAB 36.98, 35.57, -34.45

 

CMYK 13 / 35 / 0 / 51

HEX #6E527E

RGB 110 82 126

HSL 278.18, 0.21%, 0.41%

LAB 39.34, 20.5, -20.4

 

CMYK 4 / 9 / 0 / 57

HEX #69636D

RGB 105 99 109

HSL 276, 0.05%, 0.41%

LAB 42.81, 4.44, -4.79

 

CMYK 14 / 0 / 21 / 55

HEX #64745C

RGB 100 116 92

HSL 100, 0.12%, 0.41%

LAB 46.94, -10.85, 11.31

 

CMYK 62 / 69 / 0 / 38

HEX #3C319F

RGB 60 49 159

HSL 246, 0.53%, 0.41%

LAB 28.54, 37.76, -58.1

 

CMYK 44 / 69 / 0 / 38

HEX #59319F

RGB 89 49 159

HSL 261.82, 0.53%, 0.41%

LAB 31.4, 42.81, -53.31

 

CMYK 25 / 69 / 0 / 38

HEX #77319F

RGB 119 49 159

HSL 278.18, 0.53%, 0.41%

LAB 35.25, 49.1, -46.9

 

CMYK 7 / 69 / 0 / 38

HEX #94319F

RGB 148 49 159

HSL 294, 0.53%, 0.41%

LAB 39.57, 55.7, -39.73

 

CMYK 0 / 69 / 11 / 38

HEX #9F318D

RGB 159 49 141

HSL 309.82, 0.53%, 0.41%

LAB 40.39, 55.32, -27.41

 

CMYK 24 / 70 / 0 / 62

HEX #491D60

RGB 73 29 96

HSL 279.4, 0.54%, 0.25%

LAB 20.6, 33.26, -31.15

 

CMYK 25 / 70 / 0 / 50

HEX #602780

RGB 96 39 128

HSL 278.43, 0.53%, 0.33%

LAB 28.1, 41.49, -39.48

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 25 / 70 / 0 / 25

HEX #903ABF

RGB 144 58 191

HSL 278.8, 0.53%, 0.49%

LAB 42.33, 57.49, -54.3

 

CMYK 20 / 57 / 0 / 20

HEX #A257CB

RGB 162 87 203

HSL 278.79, 0.53%, 0.57%

LAB 50.46, 50.47, -48.09

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 0 / 69 / 58 / 38

HEX #9F3143

RGB 159 49 67

HSL 350.18, 0.53%, 0.41%

LAB 37.79, 46.54, 15.11

 

CMYK 69 / 0 / 53 / 38

HEX #319F4A

RGB 49 159 74

HSL 133.64, 0.53%, 0.41%

LAB 57.98, -49.29, 35.26

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 0 / 25 / 69 / 38

HEX #9F7731

RGB 159 119 49

HSL 38.18, 0.53%, 0.41%

LAB 52.71, 8.23, 43.28

 

CMYK 69 / 0 / 25 / 38

HEX #319F77

RGB 49 159 119

HSL 158.18, 0.53%, 0.41%

LAB 58.77, -40.61, 12.05

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 0 / 69 / 58 / 38

HEX #9F3143

RGB 159 49 67

HSL 350.18, 0.53%, 0.41%

LAB 37.79, 46.54, 15.11

 

CMYK 44 / 0 / 69 / 38

HEX #599F31

RGB 89 159 49

HSL 98.18, 0.53%, 0.41%

LAB 59.11, -41.62, 48.45

 

CMYK 69 / 0 / 11 / 38

HEX #319F8D

RGB 49 159 141

HSL 170.18, 0.53%, 0.41%

LAB 59.32, -35.02, 0.43

 

CMYK 25 / 69 / 0 / 38

HEX #78319F

RGB 120 49 159

HSL 278.73, 0.53%, 0.41%

LAB 35.39, 49.32, -46.67

 

CMYK 0 / 60 / 69 / 38

HEX #9F3F31

RGB 159 63 49

HSL 7.64, 0.53%, 0.41%

LAB 39.83, 39.02, 28.78

 

CMYK 44 / 0 / 69 / 38

HEX #599F31

RGB 89 159 49

HSL 98.18, 0.53%, 0.41%

LAB 59.11, -41.62, 48.45

 

CMYK 69 / 9 / 0 / 38

HEX #31919F

RGB 49 145 159

HSL 187.64, 0.53%, 0.41%

LAB 55.49, -22.88, -15.54

 

Description

Color code: HEX #78319F | qconv.com Color code: HEX #78319F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 49 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 49 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 69 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 69% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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