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Color name
HEX #783298

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #783298 it is the complementary color #87CD67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #783298. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #783298 shade: #7D3293, #8E44A6, #9F56B9, #B068CC and #C17ADF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #783298. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #783298 shade: #783298, #672085, #560E72, #45005F and #34004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #783298 shade: #793399, #943399, #993381, #993366 and #99334A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #783298 shade: #793399, #5D3399, #413399 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #783298 shade matches the following richer shades: #793399, #7F22A9, #8511BA and #8B01CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #783298 shade: #793399, #724388, #6C5477, #666467 and #607556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #783298 shade: #423399, #5D3399, #783399, #933399 and #993382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #783298 shade: #481E5B, #60287A, #793399, #913DB7 and #A457C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #783298 shade: #783298, #99333E and #33994F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #783298 shade: #783298, #997833 and #339978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #783298 shade: #783298, #99333E, #539933 and #33998D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #783298 shade: #783298, #994533, #539933 and #338699

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 67 / 0 / 40

HEX #783298

RGB 120 50 152

HSL 281.18, 0.5%, 0.4%

LAB 35.09, 47.3, -42.91

 

Complementary color

CMYK 34 / 0 / 50 / 20

HEX #87CD67

RGB 135 205 103

HSL 101.18, 0.5%, 0.6%

LAB 75.94, -40.42, 43.64

 

CMYK 15 / 66 / 0 / 42

HEX #7D3293

RGB 125 50 147

HSL 286.39, 0.49%, 0.39%

LAB 35.49, 47.43, -39.17

 

CMYK 14 / 59 / 0 / 35

HEX #8E44A6

RGB 142 68 166

HSL 285.31, 0.42%, 0.46%

LAB 42.21, 47, -39.77

 

CMYK 14 / 54 / 0 / 27

HEX #9F56B9

RGB 159 86 185

HSL 284.24, 0.41%, 0.53%

LAB 48.92, 46.33, -40.17

 

CMYK 14 / 49 / 0 / 20

HEX #B068CC

RGB 176 104 204

HSL 283.2, 0.5%, 0.6%

LAB 55.57, 45.57, -40.46

 

CMYK 13 / 45 / 0 / 13

HEX #C17ADF

RGB 193 122 223

HSL 282.18, 0.61%, 0.68%

LAB 62.16, 44.78, -40.68

 

CMYK 21 / 67 / 0 / 40

HEX #783298

RGB 120 50 152

HSL 281.18, 0.5%, 0.4%

LAB 35.09, 47.3, -42.91

 

CMYK 23 / 76 / 0 / 48

HEX #672085

RGB 103 32 133

HSL 282.18, 0.61%, 0.32%

LAB 28.41, 47.31, -42.08

 

CMYK 25 / 88 / 0 / 55

HEX #560E72

RGB 86 14 114

HSL 283.2, 0.78%, 0.25%

LAB 21.97, 46.23, -40.57

 

CMYK 27 / 100 / 0 / 63

HEX #45005F

RGB 69 0 95

HSL 283.58, 1%, 0.19%

LAB 15.96, 43.39, -38.02

 

CMYK 32 / 100 / 0 / 70

HEX #34004C

RGB 52 0 76

HSL 281.05, 1%, 0.15%

LAB 10.93, 36.85, -33.44

 

CMYK 21 / 67 / 0 / 40

HEX #793399

RGB 121 51 153

HSL 281.18, 0.5%, 0.4%

LAB 35.46, 47.28, -42.9

 

CMYK 3 / 67 / 0 / 40

HEX #943399

RGB 148 51 153

HSL 297.06, 0.5%, 0.4%

LAB 39.52, 53.8, -36.19

 

CMYK 0 / 67 / 16 / 40

HEX #993381

RGB 153 51 129

HSL 314.12, 0.5%, 0.4%

LAB 39.11, 51.07, -22.11

 

CMYK 0 / 67 / 33 / 40

HEX #993366

RGB 153 51 102

HSL 330, 0.5%, 0.4%

LAB 38.02, 47.31, -6.93

 

CMYK 0 / 67 / 52 / 40

HEX #99334A

RGB 153 51 74

HSL 346.47, 0.5%, 0.4%

LAB 37.18, 44.29, 9.64

 

CMYK 21 / 67 / 0 / 40

HEX #793399

RGB 121 51 153

HSL 281.18, 0.5%, 0.4%

LAB 35.46, 47.28, -42.9

 

CMYK 39 / 67 / 0 / 40

HEX #5D3399

RGB 93 51 153

HSL 264.71, 0.5%, 0.4%

LAB 31.79, 40.91, -49

 

CMYK 58 / 67 / 0 / 40

HEX #413399

RGB 65 51 153

HSL 248.24, 0.5%, 0.4%

LAB 28.88, 35.4, -53.87

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 21 / 67 / 0 / 40

HEX #793399

RGB 121 51 153

HSL 281.18, 0.5%, 0.4%

LAB 35.46, 47.28, -42.9

 

CMYK 25 / 80 / 0 / 34

HEX #7F22A9

RGB 127 34 169

HSL 281.33, 0.67%, 0.4%

LAB 35.04, 58.82, -53.19

 

CMYK 28 / 91 / 0 / 27

HEX #8511BA

RGB 133 17 186

HSL 281.18, 0.83%, 0.4%

LAB 35.85, 67.48, -61.95

 

CMYK 31 / 100 / 0 / 21

HEX #8B01CA

RGB 139 1 202

HSL 281.19, 0.99%, 0.4%

LAB 37.44, 73.47, -68.72

 

CMYK 21 / 67 / 0 / 40

HEX #793399

RGB 121 51 153

HSL 281.18, 0.5%, 0.4%

LAB 35.46, 47.28, -42.9

 

CMYK 16 / 51 / 0 / 47

HEX #724388

RGB 114 67 136

HSL 280.87, 0.34%, 0.4%

LAB 36.69, 33.08, -30.64

 

CMYK 9 / 29 / 0 / 53

HEX #6C5477

RGB 108 84 119

HSL 281.14, 0.17%, 0.4%

LAB 39.34, 16.96, -16.11

 

CMYK 1 / 3 / 0 / 60

HEX #666467

RGB 102 100 103

HSL 280, 0.01%, 0.4%

LAB 42.64, 1.41, -1.42

 

CMYK 18 / 0 / 26 / 54

HEX #607556

RGB 96 117 86

HSL 100.65, 0.15%, 0.4%

LAB 46.82, -14.05, 14.62

 

CMYK 57 / 67 / 0 / 40

HEX #423399

RGB 66 51 153

HSL 248.82, 0.5%, 0.4%

LAB 28.97, 35.58, -53.72

 

CMYK 39 / 67 / 0 / 40

HEX #5D3399

RGB 93 51 153

HSL 264.71, 0.5%, 0.4%

LAB 31.79, 40.91, -49

 

CMYK 22 / 67 / 0 / 40

HEX #783399

RGB 120 51 153

HSL 280.59, 0.5%, 0.4%

LAB 35.32, 47.04, -43.13

 

CMYK 4 / 67 / 0 / 40

HEX #933399

RGB 147 51 153

HSL 296.47, 0.5%, 0.4%

LAB 39.36, 53.55, -36.45

 

CMYK 0 / 67 / 15 / 40

HEX #993382

RGB 153 51 130

HSL 313.53, 0.5%, 0.4%

LAB 39.16, 51.23, -22.66

 

CMYK 21 / 67 / 0 / 64

HEX #481E5B

RGB 72 30 91

HSL 281.31, 0.5%, 0.24%

LAB 20.29, 31.24, -28.34

 

CMYK 21 / 67 / 0 / 52

HEX #60287A

RGB 96 40 122

HSL 280.98, 0.51%, 0.32%

LAB 27.87, 39.6, -36.08

 

CMYK 21 / 67 / 0 / 40

HEX #793399

RGB 121 51 153

HSL 281.18, 0.5%, 0.4%

LAB 35.46, 47.28, -42.9

 

CMYK 21 / 67 / 0 / 28

HEX #913DB7

RGB 145 61 183

HSL 281.31, 0.5%, 0.48%

LAB 42.42, 54.67, -49.46

 

CMYK 18 / 56 / 0 / 22

HEX #A457C7

RGB 164 87 199

HSL 281.25, 0.5%, 0.56%

LAB 50.49, 50.11, -45.73

 

CMYK 21 / 67 / 0 / 40

HEX #783298

RGB 120 50 152

HSL 281.18, 0.5%, 0.4%

LAB 35.09, 47.3, -42.91

 

CMYK 0 / 67 / 59 / 40

HEX #99333E

RGB 153 51 62

HSL 353.53, 0.5%, 0.4%

LAB 36.91, 43.29, 16.89

 

CMYK 67 / 0 / 48 / 40

HEX #33994F

RGB 51 153 79

HSL 136.47, 0.5%, 0.4%

LAB 56.14, -45.83, 30.41

 

CMYK 21 / 67 / 0 / 40

HEX #783298

RGB 120 50 152

HSL 281.18, 0.5%, 0.4%

LAB 35.09, 47.3, -42.91

 

CMYK 0 / 22 / 67 / 40

HEX #997833

RGB 153 120 51

HSL 40.59, 0.5%, 0.4%

LAB 52.34, 5.06, 41.71

 

CMYK 67 / 0 / 22 / 40

HEX #339978

RGB 51 153 120

HSL 160.59, 0.5%, 0.4%

LAB 56.92, -37.4, 8.88

 

CMYK 21 / 67 / 0 / 40

HEX #783298

RGB 120 50 152

HSL 281.18, 0.5%, 0.4%

LAB 35.09, 47.3, -42.91

 

CMYK 0 / 67 / 59 / 40

HEX #99333E

RGB 153 51 62

HSL 353.53, 0.5%, 0.4%

LAB 36.91, 43.29, 16.89

 

CMYK 46 / 0 / 67 / 40

HEX #539933

RGB 83 153 51

HSL 101.18, 0.5%, 0.4%

LAB 56.94, -40.89, 45.22

 

CMYK 67 / 0 / 8 / 40

HEX #33998D

RGB 51 153 141

HSL 172.94, 0.5%, 0.4%

LAB 57.47, -31.89, -2.27

 

CMYK 21 / 67 / 0 / 40

HEX #783298

RGB 120 50 152

HSL 281.18, 0.5%, 0.4%

LAB 35.09, 47.3, -42.91

 

CMYK 0 / 55 / 67 / 40

HEX #994533

RGB 153 69 51

HSL 10.59, 0.5%, 0.4%

LAB 40.03, 33.79, 27.6

 

CMYK 46 / 0 / 67 / 40

HEX #539933

RGB 83 153 51

HSL 101.18, 0.5%, 0.4%

LAB 56.94, -40.89, 45.22

 

CMYK 67 / 12 / 0 / 40

HEX #338699

RGB 51 134 153

HSL 191.18, 0.5%, 0.4%

LAB 51.9, -18.67, -17.53

 

Description

Color code: HEX #783298 | qconv.com Color code: HEX #783298 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 50 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 50 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 67 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 67% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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