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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784857 it is the complementary color #87B7A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784857 shade: #7D4852, #8E5A65, #9F6C78, #B07E8B and #C1909E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784857 shade: #784857, #673644, #562431, #45121E and #34000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784857 shade: #794857, #79484A and #794848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784857 shade: #794857, #794864, #794871, #734879 and #664879

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784857 shade matches the following richer shades: #794857, #883851, #98294C, #A81946 and #B70940

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784857 shade: #794857, #69585D, #596863, #4A7769 and #3A876F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784857 shade: #794871, #794864, #794858, #79484B and #795348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784857 shade: #452932, #5F3945, #794857, #92586A and #A76C7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784857 shade: #784857, #797348 and #486B79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784857 shade: #784857, #587948 and #485879

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784857 shade: #784857, #797348, #487969 and #484E79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784857 shade: #784857, #707948, #487969 and #514879

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 28 / 53

HEX #784857

RGB 120 72 87

HSL 341.25, 0.25%, 0.38%

LAB 36.59, 22.65, -0.15

 

Complementary color

CMYK 26 / 0 / 8 / 28

HEX #87B7A8

RGB 135 183 168

HSL 161.25, 0.25%, 0.62%

LAB 70.76, -19.07, 2.48

 

CMYK 0 / 42 / 34 / 51

HEX #7D4852

RGB 125 72 82

HSL 348.68, 0.27%, 0.39%

LAB 37.12, 23.92, 3.87

 

CMYK 0 / 37 / 29 / 44

HEX #8E5A65

RGB 142 90 101

HSL 347.31, 0.22%, 0.45%

LAB 44.24, 22.96, 2.65

 

CMYK 0 / 32 / 25 / 38

HEX #9F6C78

RGB 159 108 120

HSL 345.88, 0.21%, 0.52%

LAB 51.21, 22.1, 1.61

 

CMYK 0 / 28 / 21 / 31

HEX #B07E8B

RGB 176 126 139

HSL 344.4, 0.24%, 0.59%

LAB 58.05, 21.34, 0.7

 

CMYK 0 / 25 / 18 / 24

HEX #C1909E

RGB 193 144 158

HSL 342.86, 0.28%, 0.66%

LAB 64.77, 20.66, -0.13

 

CMYK 0 / 40 / 28 / 53

HEX #784857

RGB 120 72 87

HSL 341.25, 0.25%, 0.38%

LAB 36.59, 22.65, -0.15

 

CMYK 0 / 48 / 34 / 60

HEX #673644

RGB 103 54 68

HSL 342.86, 0.31%, 0.31%

LAB 29.26, 23.64, 1.11

 

CMYK 0 / 58 / 43 / 66

HEX #562431

RGB 86 36 49

HSL 344.4, 0.41%, 0.24%

LAB 21.81, 24.68, 2.77

 

CMYK 0 / 74 / 57 / 73

HEX #45121E

RGB 69 18 30

HSL 345.88, 0.59%, 0.17%

LAB 14.35, 25.5, 5.25

 

CMYK 0 / 100 / 79 / 80

HEX #34000B

RGB 52 0 11

HSL 347.31, 1%, 0.1%

LAB 6.81, 26.43, 6.25

 

CMYK 0 / 40 / 28 / 53

HEX #794857

RGB 121 72 87

HSL 341.63, 0.25%, 0.38%

LAB 36.72, 23.05, 0.06

 

CMYK 0 / 40 / 39 / 53

HEX #79484A

RGB 121 72 74

HSL 357.55, 0.25%, 0.38%

LAB 36.36, 21.19, 7.74

 

CMYK 0 / 40 / 40 / 53

HEX #794848

RGB 121 72 72

HSL 0, 0.25%, 0.38%

LAB 36.3, 20.93, 8.93

 

CMYK 0 / 40 / 28 / 53

HEX #794857

RGB 121 72 87

HSL 341.63, 0.25%, 0.38%

LAB 36.72, 23.05, 0.06

 

CMYK 0 / 40 / 17 / 53

HEX #794864

RGB 121 72 100

HSL 325.71, 0.25%, 0.38%

LAB 37.15, 25.19, -7.48

 

CMYK 0 / 40 / 7 / 53

HEX #794871

RGB 121 72 113

HSL 309.8, 0.25%, 0.38%

LAB 37.65, 27.58, -14.85

 

CMYK 5 / 40 / 0 / 53

HEX #734879

RGB 115 72 121

HSL 292.65, 0.25%, 0.38%

LAB 37.23, 27.13, -20.54

 

CMYK 16 / 40 / 0 / 53

HEX #664879

RGB 102 72 121

HSL 276.73, 0.25%, 0.38%

LAB 35.67, 22.75, -23.06

 

CMYK 0 / 40 / 28 / 53

HEX #794857

RGB 121 72 87

HSL 341.63, 0.25%, 0.38%

LAB 36.72, 23.05, 0.06

 

CMYK 0 / 59 / 40 / 47

HEX #883851

RGB 136 56 81

HSL 341.25, 0.42%, 0.38%

LAB 35.31, 36.78, 2.11

 

CMYK 0 / 73 / 50 / 40

HEX #98294C

RGB 152 41 76

HSL 341.08, 0.58%, 0.38%

LAB 35.56, 48.22, 6.05

 

CMYK 0 / 85 / 58 / 34

HEX #A81946

RGB 168 25 70

HSL 341.12, 0.74%, 0.38%

LAB 36.86, 57.15, 12.21

 

CMYK 0 / 95 / 65 / 28

HEX #B70940

RGB 183 9 64

HSL 341.03, 0.91%, 0.38%

LAB 38.96, 63.23, 19.41

 

CMYK 0 / 40 / 28 / 53

HEX #794857

RGB 121 72 87

HSL 341.63, 0.25%, 0.38%

LAB 36.72, 23.05, 0.06

 

CMYK 0 / 16 / 11 / 59

HEX #69585D

RGB 105 88 93

HSL 342.35, 0.09%, 0.38%

LAB 39.2, 7.88, -0.3

 

CMYK 14 / 0 / 5 / 59

HEX #596863

RGB 89 104 99

HSL 160, 0.08%, 0.38%

LAB 42.65, -6.79, 0.9

 

CMYK 38 / 0 / 12 / 53

HEX #4A7769

RGB 74 119 105

HSL 161.33, 0.23%, 0.38%

LAB 46.54, -18.93, 2.82

 

CMYK 57 / 0 / 18 / 47

HEX #3A876F

RGB 58 135 111

HSL 161.3, 0.4%, 0.38%

LAB 51.12, -29.88, 5.8

 

CMYK 0 / 40 / 7 / 53

HEX #794871

RGB 121 72 113

HSL 309.8, 0.25%, 0.38%

LAB 37.65, 27.58, -14.85

 

CMYK 0 / 40 / 17 / 53

HEX #794864

RGB 121 72 100

HSL 325.71, 0.25%, 0.38%

LAB 37.15, 25.19, -7.48

 

CMYK 0 / 40 / 27 / 53

HEX #794858

RGB 121 72 88

HSL 340.41, 0.25%, 0.38%

LAB 36.75, 23.21, -0.52

 

CMYK 0 / 40 / 38 / 53

HEX #79484B

RGB 121 72 75

HSL 356.33, 0.25%, 0.38%

LAB 36.38, 21.32, 7.15

 

CMYK 0 / 31 / 40 / 53

HEX #795348

RGB 121 83 72

HSL 13.47, 0.25%, 0.38%

LAB 39.1, 14.34, 12.81

 

CMYK 0 / 41 / 28 / 73

HEX #452932

RGB 69 41 50

HSL 340.71, 0.25%, 0.22%

LAB 20.37, 14.56, -0.35

 

CMYK 0 / 40 / 27 / 63

HEX #5F3945

RGB 95 57 69

HSL 341.05, 0.25%, 0.3%

LAB 28.87, 18.69, -0.25

 

CMYK 0 / 40 / 28 / 53

HEX #794857

RGB 121 72 87

HSL 341.63, 0.25%, 0.38%

LAB 36.72, 23.05, 0.06

 

CMYK 0 / 40 / 27 / 43

HEX #92586A

RGB 146 88 106

HSL 341.38, 0.25%, 0.46%

LAB 44.42, 26.41, -0.07

 

CMYK 0 / 35 / 24 / 35

HEX #A76C7F

RGB 167 108 127

HSL 340.68, 0.25%, 0.54%

LAB 52.37, 26.22, -0.73

 

CMYK 0 / 40 / 28 / 53

HEX #784857

RGB 120 72 87

HSL 341.25, 0.25%, 0.38%

LAB 36.59, 22.65, -0.15

 

CMYK 0 / 5 / 40 / 53

HEX #797348

RGB 121 115 72

HSL 52.65, 0.25%, 0.38%

LAB 48, -4.55, 24.63

 

CMYK 40 / 12 / 0 / 53

HEX #486B79

RGB 72 107 121

HSL 197.14, 0.25%, 0.38%

LAB 43.17, -8.61, -11.76

 

CMYK 0 / 40 / 28 / 53

HEX #784857

RGB 120 72 87

HSL 341.25, 0.25%, 0.38%

LAB 36.59, 22.65, -0.15

 

CMYK 27 / 0 / 40 / 53

HEX #587948

RGB 88 121 72

HSL 100.41, 0.25%, 0.38%

LAB 47.26, -21.61, 23.17

 

CMYK 40 / 27 / 0 / 53

HEX #485879

RGB 72 88 121

HSL 220.41, 0.25%, 0.38%

LAB 37.37, 2.93, -20.65

 

CMYK 0 / 40 / 28 / 53

HEX #784857

RGB 120 72 87

HSL 341.25, 0.25%, 0.38%

LAB 36.59, 22.65, -0.15

 

CMYK 0 / 5 / 40 / 53

HEX #797348

RGB 121 115 72

HSL 52.65, 0.25%, 0.38%

LAB 48, -4.55, 24.63

 

CMYK 40 / 0 / 13 / 53

HEX #487969

RGB 72 121 105

HSL 160.41, 0.25%, 0.38%

LAB 47.07, -20.6, 3.57

 

CMYK 40 / 36 / 0 / 53

HEX #484E79

RGB 72 78 121

HSL 232.65, 0.25%, 0.38%

LAB 34.41, 9.32, -25.25

 

CMYK 0 / 40 / 28 / 53

HEX #784857

RGB 120 72 87

HSL 341.25, 0.25%, 0.38%

LAB 36.59, 22.65, -0.15

 

CMYK 7 / 0 / 40 / 53

HEX #707948

RGB 112 121 72

HSL 71.02, 0.25%, 0.38%

LAB 48.99, -11.81, 25.74

 

CMYK 40 / 0 / 13 / 53

HEX #487969

RGB 72 121 105

HSL 160.41, 0.25%, 0.38%

LAB 47.07, -20.6, 3.57

 

CMYK 33 / 40 / 0 / 53

HEX #514879

RGB 81 72 121

HSL 251.02, 0.25%, 0.38%

LAB 33.49, 15.95, -26.64

 

Description

Color code: HEX #784857 | qconv.com Color code: HEX #784857 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 72 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 72 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 28 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 28% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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