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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78418B it is the complementary color #87BE74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78418B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78418B shade: #7D4186, #8E5399, #9F65AC, #B077BF and #C189D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78418B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78418B shade: #78418B, #672F78, #561D65, #450B52 and #34003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78418B shade: #77418A, #8A4189, #8A4175, #8A4162 and #8A414E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78418B shade: #77418A, #64418A, #50418A and #41418A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78418B shade matches the following richer shades: #77418A, #7F309B, #8720AB and #8F0FBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78418B shade: #77418A, #6F517A, #676269, #5F7259 and #578348

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78418B shade: #4F418A, #63418A, #77418A, #8A418A and #8A4177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78418B shade: #472652, #5F346E, #77418A, #904EA6 and #A267B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78418B shade: #78418B, #8A4146 and #418A59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78418B shade: #78418B, #8A7741 and #418A77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78418B shade: #78418B, #8A4146, #548A41 and #418A85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78418B shade: #78418B, #8A5241, #548A41 and #41798A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 53 / 0 / 45

HEX #78418B

RGB 120 65 139

HSL 284.59, 0.36%, 0.4%

LAB 37.18, 36.67, -31.64

 

Complementary color

CMYK 29 / 0 / 39 / 25

HEX #87BE74

RGB 135 190 116

HSL 104.59, 0.36%, 0.6%

LAB 71.72, -31.86, 31.77

 

CMYK 7 / 51 / 0 / 47

HEX #7D4186

RGB 125 65 134

HSL 292.17, 0.35%, 0.39%

LAB 37.59, 37.08, -27.88

 

CMYK 7 / 46 / 0 / 40

HEX #8E5399

RGB 142 83 153

HSL 290.57, 0.3%, 0.46%

LAB 44.57, 36.3, -28.3

 

CMYK 8 / 41 / 0 / 33

HEX #9F65AC

RGB 159 101 172

HSL 289.01, 0.3%, 0.54%

LAB 51.45, 35.5, -28.64

 

CMYK 8 / 38 / 0 / 25

HEX #B077BF

RGB 176 119 191

HSL 287.5, 0.36%, 0.61%

LAB 58.21, 34.72, -28.93

 

CMYK 8 / 35 / 0 / 18

HEX #C189D2

RGB 193 137 210

HSL 286.03, 0.45%, 0.68%

LAB 64.87, 33.98, -29.21

 

CMYK 14 / 53 / 0 / 45

HEX #78418B

RGB 120 65 139

HSL 284.59, 0.36%, 0.4%

LAB 37.18, 36.67, -31.64

 

CMYK 14 / 61 / 0 / 53

HEX #672F78

RGB 103 47 120

HSL 286.03, 0.44%, 0.33%

LAB 30.09, 37.38, -31.21

 

CMYK 15 / 71 / 0 / 60

HEX #561D65

RGB 86 29 101

HSL 287.5, 0.55%, 0.25%

LAB 22.99, 37.73, -30.49

 

CMYK 16 / 87 / 0 / 68

HEX #450B52

RGB 69 11 82

HSL 289.01, 0.76%, 0.18%

LAB 16.07, 37.06, -29.07

 

CMYK 17 / 100 / 0 / 75

HEX #34003F

RGB 52 0 63

HSL 289.52, 1%, 0.12%

LAB 9.71, 34.08, -26.28

 

CMYK 14 / 53 / 0 / 46

HEX #77418A

RGB 119 65 138

HSL 284.38, 0.36%, 0.4%

LAB 37, 36.15, -31.32

 

CMYK 0 / 53 / 1 / 46

HEX #8A4189

RGB 138 65 137

HSL 300.82, 0.36%, 0.4%

LAB 39.56, 41.59, -26.5

 

CMYK 0 / 53 / 15 / 46

HEX #8A4175

RGB 138 65 117

HSL 317.26, 0.36%, 0.4%

LAB 38.67, 38.01, -15.57

 

CMYK 0 / 53 / 29 / 46

HEX #8A4162

RGB 138 65 98

HSL 332.88, 0.36%, 0.4%

LAB 37.96, 35.05, -4.76

 

CMYK 0 / 53 / 43 / 46

HEX #8A414E

RGB 138 65 78

HSL 349.32, 0.36%, 0.4%

LAB 37.36, 32.45, 6.99

 

CMYK 14 / 53 / 0 / 46

HEX #77418A

RGB 119 65 138

HSL 284.38, 0.36%, 0.4%

LAB 37, 36.15, -31.32

 

CMYK 28 / 53 / 0 / 46

HEX #64418A

RGB 100 65 138

HSL 268.77, 0.36%, 0.4%

LAB 34.65, 30.64, -35.19

 

CMYK 42 / 53 / 0 / 46

HEX #50418A

RGB 80 65 138

HSL 252.33, 0.36%, 0.4%

LAB 32.53, 25.18, -38.71

 

CMYK 53 / 53 / 0 / 46

HEX #41418A

RGB 65 65 138

HSL 240, 0.36%, 0.4%

LAB 31.21, 21.5, -40.9

 

CMYK 14 / 53 / 0 / 46

HEX #77418A

RGB 119 65 138

HSL 284.38, 0.36%, 0.4%

LAB 37, 36.15, -31.32

 

CMYK 18 / 69 / 0 / 39

HEX #7F309B

RGB 127 48 155

HSL 284.3, 0.53%, 0.4%

LAB 35.97, 50.48, -43.25

 

CMYK 21 / 81 / 0 / 33

HEX #8720AB

RGB 135 32 171

HSL 284.46, 0.68%, 0.4%

LAB 36.22, 61.28, -52.42

 

CMYK 24 / 92 / 0 / 26

HEX #8F0FBC

RGB 143 15 188

HSL 284.39, 0.85%, 0.4%

LAB 37.5, 69.6, -60.38

 

CMYK 14 / 53 / 0 / 46

HEX #77418A

RGB 119 65 138

HSL 284.38, 0.36%, 0.4%

LAB 37, 36.15, -31.32

 

CMYK 9 / 34 / 0 / 52

HEX #6F517A

RGB 111 81 122

HSL 283.9, 0.2%, 0.4%

LAB 39.02, 20.54, -18.42

 

CMYK 2 / 7 / 0 / 59

HEX #676269

RGB 103 98 105

HSL 282.86, 0.03%, 0.4%

LAB 42.21, 3.42, -3.26

 

CMYK 17 / 0 / 22 / 55

HEX #5F7259

RGB 95 114 89

HSL 105.6, 0.12%, 0.4%

LAB 45.89, -12.24, 11.57

 

CMYK 34 / 0 / 45 / 49

HEX #578348

RGB 87 131 72

HSL 104.75, 0.29%, 0.4%

LAB 50.37, -27.02, 27.15

 

CMYK 43 / 53 / 0 / 46

HEX #4F418A

RGB 79 65 138

HSL 251.51, 0.36%, 0.4%

LAB 32.43, 24.92, -38.87

 

CMYK 28 / 53 / 0 / 46

HEX #63418A

RGB 99 65 138

HSL 267.95, 0.36%, 0.4%

LAB 34.54, 30.36, -35.38

 

CMYK 14 / 53 / 0 / 46

HEX #77418A

RGB 119 65 138

HSL 284.38, 0.36%, 0.4%

LAB 37, 36.15, -31.32

 

CMYK 0 / 53 / 0 / 46

HEX #8A418A

RGB 138 65 138

HSL 300, 0.36%, 0.4%

LAB 39.61, 41.78, -27.04

 

CMYK 0 / 53 / 14 / 46

HEX #8A4177

RGB 138 65 119

HSL 315.62, 0.36%, 0.4%

LAB 38.75, 38.35, -16.68

 

CMYK 13 / 54 / 0 / 68

HEX #472652

RGB 71 38 82

HSL 285, 0.37%, 0.24%

LAB 21.34, 24.06, -20.67

 

CMYK 14 / 53 / 0 / 57

HEX #5F346E

RGB 95 52 110

HSL 284.48, 0.36%, 0.32%

LAB 29.45, 29.97, -25.96

 

CMYK 14 / 53 / 0 / 46

HEX #77418A

RGB 119 65 138

HSL 284.38, 0.36%, 0.4%

LAB 37, 36.15, -31.32

 

CMYK 13 / 53 / 0 / 35

HEX #904EA6

RGB 144 78 166

HSL 285, 0.36%, 0.48%

LAB 44.42, 42.36, -36.26

 

CMYK 11 / 44 / 0 / 28

HEX #A267B7

RGB 162 103 183

HSL 284.25, 0.36%, 0.56%

LAB 52.73, 37.61, -32.99

 

CMYK 14 / 53 / 0 / 45

HEX #78418B

RGB 120 65 139

HSL 284.59, 0.36%, 0.4%

LAB 37.18, 36.67, -31.64

 

CMYK 0 / 53 / 49 / 46

HEX #8A4146

RGB 138 65 70

HSL 355.89, 0.36%, 0.4%

LAB 37.16, 31.58, 11.76

 

CMYK 53 / 0 / 36 / 46

HEX #418A59

RGB 65 138 89

HSL 139.73, 0.36%, 0.4%

LAB 51.86, -34.42, 19.47

 

CMYK 14 / 53 / 0 / 45

HEX #78418B

RGB 120 65 139

HSL 284.59, 0.36%, 0.4%

LAB 37.18, 36.67, -31.64

 

CMYK 0 / 14 / 53 / 46

HEX #8A7741

RGB 138 119 65

HSL 44.38, 0.36%, 0.4%

LAB 50.66, -0.03, 32.18

 

CMYK 53 / 0 / 14 / 46

HEX #418A77

RGB 65 138 119

HSL 164.38, 0.36%, 0.4%

LAB 52.55, -27.69, 3.24

 

CMYK 14 / 53 / 0 / 45

HEX #78418B

RGB 120 65 139

HSL 284.59, 0.36%, 0.4%

LAB 37.18, 36.67, -31.64

 

CMYK 0 / 53 / 49 / 46

HEX #8A4146

RGB 138 65 70

HSL 355.89, 0.36%, 0.4%

LAB 37.16, 31.58, 11.76

 

CMYK 39 / 0 / 53 / 46

HEX #548A41

RGB 84 138 65

HSL 104.38, 0.36%, 0.4%

LAB 52.33, -32.4, 33.27

 

CMYK 53 / 0 / 4 / 46

HEX #418A85

RGB 65 138 133

HSL 175.89, 0.36%, 0.4%

LAB 52.94, -23.99, -4.29

 

CMYK 14 / 53 / 0 / 45

HEX #78418B

RGB 120 65 139

HSL 284.59, 0.36%, 0.4%

LAB 37.18, 36.67, -31.64

 

CMYK 0 / 41 / 53 / 46

HEX #8A5241

RGB 138 82 65

HSL 13.97, 0.36%, 0.4%

LAB 40.93, 21.5, 19.9

 

CMYK 39 / 0 / 53 / 46

HEX #548A41

RGB 84 138 65

HSL 104.38, 0.36%, 0.4%

LAB 52.33, -32.4, 33.27

 

CMYK 53 / 12 / 0 / 46

HEX #41798A

RGB 65 121 138

HSL 193.97, 0.36%, 0.4%

LAB 47.79, -13.43, -14.94

 

Description

Color code: HEX #78418B | qconv.com Color code: HEX #78418B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 65 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 65 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 53 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 53% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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