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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784E34 it is the complementary color #87B1CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784E34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784E34 shade: #7D4E2F, #8E6042, #9F7255, #B08468 and #C1967B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784E34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784E34 shade: #784E34, #673C21, #562A0E, #451800 and #340600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784E34 shade: #794E34, #793B34 and #793434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784E34 shade: #794E34, #796134, #797334, #6C7934 and #597934

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784E34 shade matches the following richer shades: #794E34, #874B25, #954717 and #A34409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784E34 shade: #794E34, #6B5142, #5D5550, #4F585E and #415B6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784E34 shade: #79343F, #793A34, #794D34, #795F34 and #797234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784E34 shade: #3F291B, #5C3B27, #794E34, #966140 and #B2744D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784E34 shade: #784E34, #527934 and #343679

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784E34 shade: #784E34, #34794D and #4D3479

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784E34 shade: #784E34, #527934, #345F79 and #5B3479

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784E34 shade: #784E34, #3D7934, #345F79 and #703479

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 57 / 53

HEX #784E34

RGB 120 78 52

HSL 22.94, 0.4%, 0.34%

LAB 37.28, 14.67, 22.54

 

Complementary color

CMYK 33 / 13 / 0 / 20

HEX #87B1CB

RGB 135 177 203

HSL 202.94, 0.4%, 0.66%

LAB 70.11, -7.76, -17.72

 

CMYK 0 / 38 / 62 / 51

HEX #7D4E2F

RGB 125 78 47

HSL 23.85, 0.45%, 0.34%

LAB 37.87, 16.5, 26.36

 

CMYK 0 / 32 / 54 / 44

HEX #8E6042

RGB 142 96 66

HSL 23.68, 0.37%, 0.41%

LAB 44.96, 15.18, 24.62

 

CMYK 0 / 28 / 47 / 38

HEX #9F7255

RGB 159 114 85

HSL 23.51, 0.3%, 0.48%

LAB 51.91, 14.09, 23.07

 

CMYK 0 / 25 / 41 / 31

HEX #B08468

RGB 176 132 104

HSL 23.33, 0.31%, 0.55%

LAB 58.73, 13.17, 21.68

 

CMYK 0 / 22 / 36 / 24

HEX #C1967B

RGB 193 150 123

HSL 23.14, 0.36%, 0.62%

LAB 65.42, 12.39, 20.43

 

CMYK 0 / 35 / 57 / 53

HEX #784E34

RGB 120 78 52

HSL 22.94, 0.4%, 0.34%

LAB 37.28, 14.67, 22.54

 

CMYK 0 / 42 / 68 / 60

HEX #673C21

RGB 103 60 33

HSL 23.14, 0.51%, 0.27%

LAB 29.97, 16.14, 24.41

 

CMYK 0 / 51 / 84 / 66

HEX #562A0E

RGB 86 42 14

HSL 23.33, 0.72%, 0.2%

LAB 22.54, 18.01, 26.37

 

CMYK 0 / 65 / 100 / 73

HEX #451800

RGB 69 24 0

HSL 20.87, 1%, 0.14%

LAB 15.05, 20.22, 22.75

 

CMYK 0 / 88 / 100 / 80

HEX #340600

RGB 52 6 0

HSL 6.92, 1%, 0.1%

LAB 7.77, 22.43, 12.14

 

CMYK 0 / 36 / 57 / 53

HEX #794E34

RGB 121 78 52

HSL 22.61, 0.4%, 0.34%

LAB 37.41, 15.12, 22.73

 

CMYK 0 / 51 / 57 / 53

HEX #793B34

RGB 121 59 52

HSL 6.09, 0.4%, 0.34%

LAB 32.79, 26.28, 16.79

 

CMYK 0 / 57 / 57 / 53

HEX #793434

RGB 121 52 52

HSL 0, 0.4%, 0.34%

LAB 31.27, 30.15, 14.79

 

CMYK 0 / 36 / 57 / 53

HEX #794E34

RGB 121 78 52

HSL 22.61, 0.4%, 0.34%

LAB 37.41, 15.12, 22.73

 

CMYK 0 / 20 / 57 / 53

HEX #796134

RGB 121 97 52

HSL 39.13, 0.4%, 0.34%

LAB 42.55, 3.76, 29.06

 

CMYK 0 / 5 / 57 / 53

HEX #797334

RGB 121 115 52

HSL 54.78, 0.4%, 0.34%

LAB 47.72, -6.66, 35.15

 

CMYK 11 / 0 / 57 / 53

HEX #6C7934

RGB 108 121 52

HSL 71.3, 0.4%, 0.34%

LAB 48.4, -15.8, 35.64

 

CMYK 26 / 0 / 57 / 53

HEX #597934

RGB 89 121 52

HSL 87.83, 0.4%, 0.34%

LAB 47.04, -23.85, 33.71

 

CMYK 0 / 36 / 57 / 53

HEX #794E34

RGB 121 78 52

HSL 22.61, 0.4%, 0.34%

LAB 37.41, 15.12, 22.73

 

CMYK 0 / 44 / 73 / 47

HEX #874B25

RGB 135 75 37

HSL 23.27, 0.57%, 0.34%

LAB 38.4, 22.06, 32.96

 

CMYK 0 / 52 / 85 / 42

HEX #954717

RGB 149 71 23

HSL 22.86, 0.73%, 0.34%

LAB 39.51, 29.74, 41.69

 

CMYK 0 / 58 / 94 / 36

HEX #A34409

RGB 163 68 9

HSL 22.99, 0.9%, 0.34%

LAB 41.12, 36.71, 48.94

 

CMYK 0 / 36 / 57 / 53

HEX #794E34

RGB 121 78 52

HSL 22.61, 0.4%, 0.34%

LAB 37.41, 15.12, 22.73

 

CMYK 0 / 24 / 38 / 58

HEX #6B5142

RGB 107 81 66

HSL 21.95, 0.24%, 0.34%

LAB 36.75, 8.58, 13.01

 

CMYK 0 / 9 / 14 / 64

HEX #5D5550

RGB 93 85 80

HSL 23.08, 0.08%, 0.34%

LAB 36.75, 2.29, 4.09

 

CMYK 16 / 6 / 0 / 63

HEX #4F585E

RGB 79 88 94

HSL 204, 0.09%, 0.34%

LAB 36.84, -2.11, -4.67

 

CMYK 40 / 16 / 0 / 58

HEX #415B6C

RGB 65 91 108

HSL 203.72, 0.25%, 0.34%

LAB 37.28, -4.93, -12.8

 

CMYK 0 / 57 / 48 / 53

HEX #79343F

RGB 121 52 63

HSL 350.43, 0.4%, 0.34%

LAB 31.53, 31.25, 8.01

 

CMYK 0 / 52 / 57 / 53

HEX #793A34

RGB 121 58 52

HSL 5.22, 0.4%, 0.34%

LAB 32.57, 26.85, 16.5

 

CMYK 0 / 36 / 57 / 53

HEX #794D34

RGB 121 77 52

HSL 21.74, 0.4%, 0.34%

LAB 37.15, 15.72, 22.4

 

CMYK 0 / 21 / 57 / 53

HEX #795F34

RGB 121 95 52

HSL 37.39, 0.4%, 0.34%

LAB 42, 4.94, 28.39

 

CMYK 0 / 6 / 57 / 53

HEX #797234

RGB 121 114 52

HSL 53.91, 0.4%, 0.34%

LAB 47.43, -6.09, 34.81

 

CMYK 0 / 35 / 57 / 75

HEX #3F291B

RGB 63 41 27

HSL 23.33, 0.4%, 0.18%

LAB 18.89, 8.32, 13.28

 

CMYK 0 / 36 / 58 / 64

HEX #5C3B27

RGB 92 59 39

HSL 22.64, 0.4%, 0.26%

LAB 28.25, 12.1, 18.28

 

CMYK 0 / 36 / 57 / 53

HEX #794E34

RGB 121 78 52

HSL 22.61, 0.4%, 0.34%

LAB 37.41, 15.12, 22.73

 

CMYK 0 / 35 / 57 / 41

HEX #966140

RGB 150 97 64

HSL 23.02, 0.4%, 0.42%

LAB 46.18, 17.92, 27.52

 

CMYK 0 / 35 / 57 / 30

HEX #B2744D

RGB 178 116 77

HSL 23.17, 0.4%, 0.5%

LAB 54.54, 20.27, 31.41

 

CMYK 0 / 35 / 57 / 53

HEX #784E34

RGB 120 78 52

HSL 22.94, 0.4%, 0.34%

LAB 37.28, 14.67, 22.54

 

CMYK 32 / 0 / 57 / 53

HEX #527934

RGB 82 121 52

HSL 93.91, 0.4%, 0.34%

LAB 46.6, -26.63, 33.09

 

CMYK 57 / 55 / 0 / 53

HEX #343679

RGB 52 54 121

HSL 238.26, 0.4%, 0.34%

LAB 26.01, 20.06, -38.7

 

CMYK 0 / 35 / 57 / 53

HEX #784E34

RGB 120 78 52

HSL 22.94, 0.4%, 0.34%

LAB 37.28, 14.67, 22.54

 

CMYK 57 / 0 / 36 / 53

HEX #34794D

RGB 52 121 77

HSL 141.74, 0.4%, 0.34%

LAB 45.55, -32.52, 17.73

 

CMYK 36 / 57 / 0 / 53

HEX #4D3479

RGB 77 52 121

HSL 261.74, 0.4%, 0.34%

LAB 27.88, 27.57, -35.56

 

CMYK 0 / 35 / 57 / 53

HEX #784E34

RGB 120 78 52

HSL 22.94, 0.4%, 0.34%

LAB 37.28, 14.67, 22.54

 

CMYK 32 / 0 / 57 / 53

HEX #527934

RGB 82 121 52

HSL 93.91, 0.4%, 0.34%

LAB 46.6, -26.63, 33.09

 

CMYK 57 / 21 / 0 / 53

HEX #345F79

RGB 52 95 121

HSL 202.61, 0.4%, 0.34%

LAB 38.37, -6.78, -19.2

 

CMYK 25 / 57 / 0 / 53

HEX #5B3479

RGB 91 52 121

HSL 273.91, 0.4%, 0.34%

LAB 29.56, 31.44, -32.78

 

CMYK 0 / 35 / 57 / 53

HEX #784E34

RGB 120 78 52

HSL 22.94, 0.4%, 0.34%

LAB 37.28, 14.67, 22.54

 

CMYK 50 / 0 / 57 / 53

HEX #3D7934

RGB 61 121 52

HSL 112.17, 0.4%, 0.34%

LAB 45.52, -34.09, 31.54

 

CMYK 57 / 21 / 0 / 53

HEX #345F79

RGB 52 95 121

HSL 202.61, 0.4%, 0.34%

LAB 38.37, -6.78, -19.2

 

CMYK 7 / 57 / 0 / 53

HEX #703479

RGB 112 52 121

HSL 292.17, 0.4%, 0.34%

LAB 32.44, 37.51, -28.04

 

Description

Color code: HEX #784E34 | qconv.com Color code: HEX #784E34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 78 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 78 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 57 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 57% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - 二次会写真ソリッソフォト|結婚式の二次会...
Link: http://sorrisophoto.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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