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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7851C7 it is the complementary color #87AE38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7851C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7851C7 shade: #7D51C2, #8E63D5, #9F75E8, #B087FB and #C199FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7851C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7851C7 shade: #7851C7, #673FB4, #562DA1, #451B8E and #34097B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7851C7 shade: #7851C6, #9751C6, #B751C6, #C651B6 and #C65196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7851C7 shade: #7851C6, #5851C6 and #5151C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7851C7 shade matches the following richer shades: #7851C6, #723FD9, #6B2CEB and #651AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7851C7 shade: #7851C6, #7E64B4, #8476A1, #8B898F and #919B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7851C7 shade: #516BC6, #5751C6, #7651C6, #9651C6 and #B551C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7851C7 shade: #513095, #623AB4, #7851C6, #9070D0 and #A890DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7851C7 shade: #7851C7, #C6518A and #5BC651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7851C7 shade: #7851C7, #C67651 and #51C676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7851C7 shade: #7851C7, #C6518A, #A1C651 and #51C68E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7851C7 shade: #7851C7, #C65167, #A1C651 and #51C6B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 59 / 0 / 22

HEX #7851C7

RGB 120 81 199

HSL 259.83, 0.51%, 0.55%

LAB 44.24, 42.62, -56.03

 

Complementary color

CMYK 22 / 0 / 68 / 32

HEX #87AE38

RGB 135 174 56

HSL 79.83, 0.51%, 0.45%

LAB 66.3, -30.81, 53.9

 

CMYK 36 / 58 / 0 / 24

HEX #7D51C2

RGB 125 81 194

HSL 263.36, 0.48%, 0.54%

LAB 44.43, 42.44, -52.79

 

CMYK 33 / 54 / 0 / 16

HEX #8E63D5

RGB 142 99 213

HSL 262.63, 0.58%, 0.61%

LAB 51.24, 41.37, -52.69

 

CMYK 31 / 50 / 0 / 9

HEX #9F75E8

RGB 159 117 232

HSL 261.91, 0.71%, 0.68%

LAB 57.96, 40.35, -52.57

 

CMYK 30 / 46 / 0 / 2

HEX #B087FB

RGB 176 135 251

HSL 261.21, 0.94%, 0.76%

LAB 64.58, 39.4, -52.46

 

CMYK 24 / 40 / 0 / 0

HEX #C199FF

RGB 193 153 255

HSL 263.53, 1%, 0.8%

LAB 70.41, 34.98, -45.34

 

CMYK 40 / 59 / 0 / 22

HEX #7851C7

RGB 120 81 199

HSL 259.83, 0.51%, 0.55%

LAB 44.24, 42.62, -56.03

 

CMYK 43 / 65 / 0 / 29

HEX #673FB4

RGB 103 63 180

HSL 260.51, 0.48%, 0.48%

LAB 37.36, 43.81, -56.13

 

CMYK 47 / 72 / 0 / 37

HEX #562DA1

RGB 86 45 161

HSL 261.21, 0.56%, 0.4%

LAB 30.47, 44.9, -56.06

 

CMYK 51 / 81 / 0 / 44

HEX #451B8E

RGB 69 27 142

HSL 261.91, 0.68%, 0.33%

LAB 23.68, 45.59, -55.6

 

CMYK 58 / 93 / 0 / 52

HEX #34097B

RGB 52 9 123

HSL 262.63, 0.86%, 0.26%

LAB 17.25, 45.12, -54.28

 

CMYK 39 / 59 / 0 / 22

HEX #7851C6

RGB 120 81 198

HSL 260, 0.51%, 0.55%

LAB 44.17, 42.35, -55.56

 

CMYK 24 / 59 / 0 / 22

HEX #9751C6

RGB 151 81 198

HSL 275.9, 0.51%, 0.55%

LAB 47.68, 49.68, -49.74

 

CMYK 8 / 59 / 0 / 22

HEX #B751C6

RGB 183 81 198

HSL 292.31, 0.51%, 0.55%

LAB 51.87, 57.68, -42.81

 

CMYK 0 / 59 / 8 / 22

HEX #C651B6

RGB 198 81 182

HSL 308.21, 0.51%, 0.55%

LAB 53.24, 58.81, -31.27

 

CMYK 0 / 59 / 24 / 22

HEX #C65196

RGB 198 81 150

HSL 324.62, 0.51%, 0.55%

LAB 51.94, 54.02, -14.52

 

CMYK 39 / 59 / 0 / 22

HEX #7851C6

RGB 120 81 198

HSL 260, 0.51%, 0.55%

LAB 44.17, 42.35, -55.56

 

CMYK 56 / 59 / 0 / 22

HEX #5851C6

RGB 88 81 198

HSL 243.59, 0.51%, 0.55%

LAB 41.27, 35.72, -60.38

 

CMYK 59 / 59 / 0 / 22

HEX #5151C6

RGB 81 81 198

HSL 240, 0.51%, 0.55%

LAB 40.75, 34.46, -61.25

 

CMYK 39 / 59 / 0 / 22

HEX #7851C6

RGB 120 81 198

HSL 260, 0.51%, 0.55%

LAB 44.17, 42.35, -55.56

 

CMYK 47 / 71 / 0 / 15

HEX #723FD9

RGB 114 63 217

HSL 259.87, 0.67%, 0.55%

LAB 41.44, 55.83, -70.97

 

CMYK 54 / 81 / 0 / 8

HEX #6B2CEB

RGB 107 44 235

HSL 259.79, 0.83%, 0.55%

LAB 39.45, 67.78, -84.52

 

CMYK 60 / 90 / 0 / 0

HEX #651AFE

RGB 101 26 254

HSL 259.74, 0.99%, 0.55%

LAB 39, 77.29, -95.99

 

CMYK 39 / 59 / 0 / 22

HEX #7851C6

RGB 120 81 198

HSL 260, 0.51%, 0.55%

LAB 44.17, 42.35, -55.56

 

CMYK 30 / 44 / 0 / 29

HEX #7E64B4

RGB 126 100 180

HSL 259.5, 0.35%, 0.55%

LAB 48.06, 28.04, -38.85

 

CMYK 18 / 27 / 0 / 37

HEX #8476A1

RGB 132 118 161

HSL 259.53, 0.19%, 0.55%

LAB 52.33, 14.46, -21.11

 

CMYK 3 / 4 / 0 / 44

HEX #8B898F

RGB 139 137 143

HSL 260, 0.03%, 0.55%

LAB 57.43, 1.93, -2.94

 

CMYK 6 / 0 / 20 / 39

HEX #919B7C

RGB 145 155 124

HSL 79.35, 0.13%, 0.55%

LAB 62.44, -9.26, 15.08

 

CMYK 59 / 46 / 0 / 22

HEX #516BC6

RGB 81 107 198

HSL 226.67, 0.51%, 0.55%

LAB 47.42, 18.19, -50.5

 

CMYK 56 / 59 / 0 / 22

HEX #5751C6

RGB 87 81 198

HSL 243.08, 0.51%, 0.55%

LAB 41.2, 35.54, -60.51

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 24 / 59 / 0 / 22

HEX #9651C6

RGB 150 81 198

HSL 275.38, 0.51%, 0.55%

LAB 47.55, 49.44, -49.94

 

CMYK 9 / 59 / 0 / 22

HEX #B551C6

RGB 181 81 198

HSL 291.28, 0.51%, 0.55%

LAB 51.59, 57.17, -43.27

 

CMYK 46 / 68 / 0 / 42

HEX #513095

RGB 81 48 149

HSL 259.6, 0.51%, 0.39%

LAB 29.5, 38.95, -50.35

 

CMYK 46 / 68 / 0 / 29

HEX #623AB4

RGB 98 58 180

HSL 259.67, 0.51%, 0.47%

LAB 35.83, 45.54, -58.64

 

CMYK 39 / 59 / 0 / 22

HEX #7851C6

RGB 120 81 198

HSL 260, 0.51%, 0.55%

LAB 44.17, 42.35, -55.56

 

CMYK 31 / 46 / 0 / 18

HEX #9070D0

RGB 144 112 208

HSL 260, 0.51%, 0.63%

LAB 54.1, 33.2, -45.28

 

CMYK 23 / 34 / 0 / 15

HEX #A890DA

RGB 168 144 218

HSL 259.46, 0.5%, 0.71%

LAB 64.43, 24.15, -34.53

 

CMYK 40 / 59 / 0 / 22

HEX #7851C7

RGB 120 81 199

HSL 259.83, 0.51%, 0.55%

LAB 44.24, 42.62, -56.03

 

CMYK 0 / 59 / 30 / 22

HEX #C6518A

RGB 198 81 138

HSL 330.77, 0.51%, 0.55%

LAB 51.53, 52.44, -8.02

 

CMYK 54 / 0 / 59 / 22

HEX #5BC651

RGB 91 198 81

HSL 114.87, 0.51%, 0.55%

LAB 71.69, -53.45, 48.47

 

CMYK 40 / 59 / 0 / 22

HEX #7851C7

RGB 120 81 199

HSL 259.83, 0.51%, 0.55%

LAB 44.24, 42.62, -56.03

 

CMYK 0 / 40 / 59 / 22

HEX #C67651

RGB 198 118 81

HSL 18.97, 0.51%, 0.55%

LAB 57.61, 27.8, 33.57

 

CMYK 59 / 0 / 40 / 22

HEX #51C676

RGB 81 198 118

HSL 138.97, 0.51%, 0.55%

LAB 71.86, -50.59, 30.48

 

CMYK 40 / 59 / 0 / 22

HEX #7851C7

RGB 120 81 199

HSL 259.83, 0.51%, 0.55%

LAB 44.24, 42.62, -56.03

 

CMYK 0 / 59 / 30 / 22

HEX #C6518A

RGB 198 81 138

HSL 330.77, 0.51%, 0.55%

LAB 51.53, 52.44, -8.02

 

CMYK 19 / 0 / 59 / 22

HEX #A1C651

RGB 161 198 81

HSL 78.97, 0.51%, 0.55%

LAB 75.18, -29.98, 53.36

 

CMYK 59 / 0 / 28 / 22

HEX #51C68E

RGB 81 198 142

HSL 151.28, 0.51%, 0.55%

LAB 72.29, -46.01, 18.42

 

CMYK 40 / 59 / 0 / 22

HEX #7851C7

RGB 120 81 199

HSL 259.83, 0.51%, 0.55%

LAB 44.24, 42.62, -56.03

 

CMYK 0 / 59 / 48 / 22

HEX #C65167

RGB 198 81 103

HSL 348.72, 0.51%, 0.55%

LAB 50.53, 48.57, 11.51

 

CMYK 19 / 0 / 59 / 22

HEX #A1C651

RGB 161 198 81

HSL 78.97, 0.51%, 0.55%

LAB 75.18, -29.98, 53.36

 

CMYK 59 / 0 / 11 / 22

HEX #51C6B1

RGB 81 198 177

HSL 169.23, 0.51%, 0.55%

LAB 73.1, -37.94, 0.69

 

Description

Color code: HEX #7851C7 | qconv.com Color code: HEX #7851C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 81 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 81 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 59 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 59% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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