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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7860A9 it is the complementary color #879F56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7860A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7860A9 shade: #7D60A4, #8E72B7, #9F84CA, #B096DD and #C1A8F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7860A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7860A9 shade: #7860A9, #674E96, #563C83, #452A70 and #34185D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7860A9 shade: #785FA9, #8B5FA9, #9F5FA9, #A95F9F and #A95F8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7860A9 shade: #785FA9, #645FA9 and #5F5FA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7860A9 shade matches the following richer shades: #785FA9, #714CBD, #6A38D0, #6324E4 and #5C10F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7860A9 shade: #785FA9, #7E7395, #858781, #8C9B6D and #93AF5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7860A9 shade: #5F6FA9, #635FA9, #775FA9, #8A5FA9 and #9E5FA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7860A9 shade: #513F76, #644E91, #785FA9, #8E7AB7 and #A595C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7860A9 shade: #7860A9, #A95F83 and #65A95F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7860A9 shade: #7860A9, #A9775F and #5FA977

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7860A9 shade: #7860A9, #A95F83, #92A95F and #5FA985

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7860A9 shade: #7860A9, #A95F6D, #92A95F and #5FA99B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

Complementary color

CMYK 15 / 0 / 46 / 38

HEX #879F56

RGB 135 159 86

HSL 79.73, 0.3%, 0.48%

LAB 62.18, -20.67, 35.21

 

CMYK 24 / 41 / 0 / 36

HEX #7D60A4

RGB 125 96 164

HSL 265.59, 0.27%, 0.51%

LAB 46.19, 26.05, -32.44

 

CMYK 22 / 38 / 0 / 28

HEX #8E72B7

RGB 142 114 183

HSL 264.35, 0.32%, 0.58%

LAB 53.17, 25.25, -32.46

 

CMYK 21 / 35 / 0 / 21

HEX #9F84CA

RGB 159 132 202

HSL 263.14, 0.4%, 0.65%

LAB 60.01, 24.52, -32.51

 

CMYK 20 / 32 / 0 / 13

HEX #B096DD

RGB 176 150 221

HSL 261.97, 0.51%, 0.73%

LAB 66.72, 23.87, -32.58

 

CMYK 20 / 30 / 0 / 6

HEX #C1A8F0

RGB 193 168 240

HSL 260.83, 0.71%, 0.8%

LAB 73.31, 23.27, -32.68

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 31 / 48 / 0 / 41

HEX #674E96

RGB 103 78 150

HSL 260.83, 0.32%, 0.45%

LAB 38.78, 26.8, -35.91

 

CMYK 34 / 54 / 0 / 49

HEX #563C83

RGB 86 60 131

HSL 261.97, 0.37%, 0.37%

LAB 31.46, 27.88, -36.05

 

CMYK 38 / 63 / 0 / 56

HEX #452A70

RGB 69 42 112

HSL 263.14, 0.45%, 0.3%

LAB 23.97, 29.06, -36.17

 

CMYK 44 / 74 / 0 / 64

HEX #34185D

RGB 52 24 93

HSL 264.35, 0.59%, 0.23%

LAB 16.37, 30.2, -36.13

 

CMYK 29 / 44 / 0 / 34

HEX #785FA9

RGB 120 95 169

HSL 260.27, 0.3%, 0.52%

LAB 45.69, 26.44, -36.2

 

CMYK 18 / 44 / 0 / 34

HEX #8B5FA9

RGB 139 95 169

HSL 275.68, 0.3%, 0.52%

LAB 47.67, 32.08, -32.95

 

CMYK 6 / 44 / 0 / 34

HEX #9F5FA9

RGB 159 95 169

HSL 291.89, 0.3%, 0.52%

LAB 50, 38.21, -29.14

 

CMYK 0 / 44 / 6 / 34

HEX #A95F9F

RGB 169 95 159

HSL 308.11, 0.3%, 0.52%

LAB 50.83, 39.45, -21.89

 

CMYK 0 / 44 / 18 / 34

HEX #A95F8B

RGB 169 95 139

HSL 324.32, 0.3%, 0.52%

LAB 50.08, 36.03, -11.21

 

CMYK 29 / 44 / 0 / 34

HEX #785FA9

RGB 120 95 169

HSL 260.27, 0.3%, 0.52%

LAB 45.69, 26.44, -36.2

 

CMYK 41 / 44 / 0 / 34

HEX #645FA9

RGB 100 95 169

HSL 244.05, 0.3%, 0.52%

LAB 43.88, 20.85, -39.18

 

CMYK 44 / 44 / 0 / 34

HEX #5F5FA9

RGB 95 95 169

HSL 240, 0.3%, 0.52%

LAB 43.48, 19.54, -39.84

 

CMYK 29 / 44 / 0 / 34

HEX #785FA9

RGB 120 95 169

HSL 260.27, 0.3%, 0.52%

LAB 45.69, 26.44, -36.2

 

CMYK 40 / 60 / 0 / 26

HEX #714CBD

RGB 113 76 189

HSL 259.65, 0.46%, 0.52%

LAB 41.77, 41.16, -54.23

 

CMYK 49 / 73 / 0 / 18

HEX #6A38D0

RGB 106 56 208

HSL 259.74, 0.62%, 0.52%

LAB 38.63, 55.55, -70.41

 

CMYK 57 / 84 / 0 / 11

HEX #6324E4

RGB 99 36 228

HSL 259.69, 0.78%, 0.52%

LAB 36.96, 68.03, -84.69

 

CMYK 63 / 94 / 0 / 3

HEX #5C10F8

RGB 92 16 248

HSL 259.66, 0.94%, 0.52%

LAB 36.79, 77.32, -96.33

 

CMYK 29 / 44 / 0 / 34

HEX #785FA9

RGB 120 95 169

HSL 260.27, 0.3%, 0.52%

LAB 45.69, 26.44, -36.2

 

CMYK 15 / 23 / 0 / 42

HEX #7E7395

RGB 126 115 149

HSL 259.41, 0.14%, 0.52%

LAB 50.53, 11.41, -16.88

 

CMYK 1 / 0 / 4 / 47

HEX #858781

RGB 133 135 129

HSL 80, 0.02%, 0.52%

LAB 55.99, -1.91, 2.96

 

CMYK 10 / 0 / 30 / 39

HEX #8C9B6D

RGB 140 155 109

HSL 79.57, 0.19%, 0.52%

LAB 61.76, -13.55, 22.41

 

CMYK 16 / 0 / 49 / 31

HEX #93AF5A

RGB 147 175 90

HSL 79.76, 0.35%, 0.52%

LAB 67.73, -23.48, 40.17

 

CMYK 44 / 34 / 0 / 34

HEX #5F6FA9

RGB 95 111 169

HSL 227.03, 0.3%, 0.52%

LAB 47.84, 9.64, -32.97

 

CMYK 41 / 44 / 0 / 34

HEX #635FA9

RGB 99 95 169

HSL 243.24, 0.3%, 0.52%

LAB 43.8, 20.59, -39.31

 

CMYK 30 / 44 / 0 / 34

HEX #775FA9

RGB 119 95 169

HSL 259.46, 0.3%, 0.52%

LAB 45.59, 26.15, -36.36

 

CMYK 18 / 44 / 0 / 34

HEX #8A5FA9

RGB 138 95 169

HSL 274.86, 0.3%, 0.52%

LAB 47.56, 31.78, -33.13

 

CMYK 7 / 44 / 0 / 34

HEX #9E5FA9

RGB 158 95 169

HSL 291.08, 0.3%, 0.52%

LAB 49.88, 37.9, -29.34

 

CMYK 31 / 47 / 0 / 54

HEX #513F76

RGB 81 63 118

HSL 259.64, 0.3%, 0.35%

LAB 30.91, 20.89, -28.83

 

CMYK 31 / 46 / 0 / 43

HEX #644E91

RGB 100 78 145

HSL 259.7, 0.3%, 0.44%

LAB 38.2, 24.58, -33.83

 

CMYK 29 / 44 / 0 / 34

HEX #785FA9

RGB 120 95 169

HSL 260.27, 0.3%, 0.52%

LAB 45.69, 26.44, -36.2

 

CMYK 22 / 33 / 0 / 28

HEX #8E7AB7

RGB 142 122 183

HSL 259.67, 0.3%, 0.6%

LAB 55.16, 20.57, -29.36

 

CMYK 17 / 25 / 0 / 22

HEX #A595C6

RGB 165 149 198

HSL 259.59, 0.3%, 0.68%

LAB 64.62, 15.79, -23.11

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 0 / 44 / 22 / 34

HEX #A95F83

RGB 169 95 131

HSL 330.81, 0.3%, 0.52%

LAB 49.81, 34.78, -6.85

 

CMYK 40 / 0 / 44 / 34

HEX #65A95F

RGB 101 169 95

HSL 115.14, 0.3%, 0.52%

LAB 63.32, -36.67, 31.53

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 0 / 30 / 44 / 34

HEX #A9775F

RGB 169 119 95

HSL 19.46, 0.3%, 0.52%

LAB 54.51, 16.56, 21

 

CMYK 44 / 0 / 30 / 34

HEX #5FA977

RGB 95 169 119

HSL 139.46, 0.3%, 0.52%

LAB 63.46, -34.4, 18.78

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 0 / 44 / 22 / 34

HEX #A95F83

RGB 169 95 131

HSL 330.81, 0.3%, 0.52%

LAB 49.81, 34.78, -6.85

 

CMYK 14 / 0 / 44 / 34

HEX #92A95F

RGB 146 169 95

HSL 78.65, 0.3%, 0.52%

LAB 65.99, -20.29, 35.47

 

CMYK 44 / 0 / 21 / 34

HEX #5FA985

RGB 95 169 133

HSL 150.81, 0.3%, 0.52%

LAB 63.76, -31.56, 11.48

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 0 / 44 / 36 / 34

HEX #A95F6D

RGB 169 95 109

HSL 348.65, 0.3%, 0.52%

LAB 49.16, 31.69, 5.36

 

CMYK 14 / 0 / 44 / 34

HEX #92A95F

RGB 146 169 95

HSL 78.65, 0.3%, 0.52%

LAB 65.99, -20.29, 35.47

 

CMYK 44 / 0 / 8 / 34

HEX #5FA99B

RGB 95 169 155

HSL 168.65, 0.3%, 0.52%

LAB 64.3, -26.53, 0.02

 

Description

Color code: HEX #7860A9 | qconv.com Color code: HEX #7860A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 96 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 96 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 43 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 43% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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